User's Manual
Table Of Contents
- Kurzweil International Contacts
- Table of Contents
- Introducing Forte SE
- Getting Started
- Features of the Forte SE
- Terminology
- The Operating Modes
- Program Mode
- Program Edit Mode
- About Program Edit Mode
- Differences Between Regular and Advanced User Type
- Selecting Parameters
- VAST and KB3 Programs
- VAST Program Structure
- Editing VAST Programs
- The Parameters (PARAMS) Page
- The Program FX (FX) Page
- The Layer FX (LYR_FX) Page
- The COMMON Page
- The KEYMAP Page
- The LAYER Page
- The PITCH Page
- The AMP Page
- The Algorithm (ALG) Page
- The DSP Control (DSPCTL) Page
- The DSP Modulation (DSPMOD) Page
- The OUTPUT Page
- The LFO Page
- The ASR Page
- The Function (FUN) Page
- The Amplitude Envelope (AMPENV) Page
- The Envelope 2 (ENV2) and Envelope 3 (ENV3) Pages
- The Envelope Control (ENVCTL) Page
- The Arpeggiator Function
- The Utility Soft Buttons, HELP Soft Button and Favorites Buttons Functions
- Editing VAST Programs With KVA Oscillators
- KB3 Program Structure
- Editing KB3 Programs
- KB3 Editor: The Parameters (PARAMS) Page
- KB3 Editor: The Program FX (FX) Page
- KB3 Editor: The COMMON Page
- KB3 Editor: The Tone Wheels (TONEWL) Page
- KB3 Editor: The Drawbars (DRAWBR) Page
- KB3 Editor: The PITCH Page
- KB3 Editor: The AMP Page
- KB3 Editor: The KEYCLICK Page
- KB3 Editor: The PERC1 Page
- KB3 Editor: The PERC2 Page
- KB3 Editor: The EQ Page
- KB3 Editor: The OUTPUT Page
- KB3 Editor: The LFO, ASR, FUN, and ARP Pages
- The Effects Chain Editor
- Keymap and Sample Editing
- Multi Mode
- Multi Edit Mode
- About Multi Edit Mode
- Selecting Parameters
- Zone Parameters
- OVERVIEW Page
- MAIN Page
- KEYVEL (KeyVelocity) Page
- BEND Page
- CCTLS (CCs/Continuous Controllers) Page
- SWITCH (Switches) Page
- Controlling Program Parameter Assignments from Multi Mode
- The Controller Destination List
- COMMON Page
- ARP1 and ARP2 (Arpeggiator 1 & 2) Pages
- FX Page
- AUXFX 1, AUXFX 2
- About Auxiliary Effects
- Audio Input (AUD-IN)
- The Utility Soft Buttons, HELP Soft Button and Favorites Buttons Functions
- Save User Multis
- Global Mode
- Song Mode and the Song Editor
- Getting Started with the Sequencer
- Song Mode: The MAIN Page
- Song Mode: The BIG Page
- Song Mode: The FX Pages
- Song Mode: The MIXER Page
- Song Mode: The METRONOME Page
- Song Mode: The Filter Pages (RECFLT and PLYFLT)
- Song Mode: The MISC Page
- Song Mode: The STATS Page
- The Song Editor
- Song Editor: The COMMON Page
- Song Editor: The TRACK Page
- Song Editor: Track Functions
- Song Editor: The EVENT Page
- System Mode
- Troubleshooting
- MIDI Implementation
- Physical Specifications
- Programs
- KB3 Programs
- Multis
- Effects Chains
- Index
Program Edit Mode
The KEYMAP Page
7-23
Timbre Shift
is parameter works only on multi-sample keymaps, and changes the root selection for
each key you play. With this parameter you can radically alter the current layer’s timbre
(basic sound characteristics). e nature of the change depends on the timbre itself, so this
parameter calls for experimentation. Basically, timbre shifting changes a note’s timbre by
imposing dierent harmonic qualities onto the note. A timbre-shifted note retains its original
pitch, but its harmonics are those of the same timbre at a higher or lower pitch. Positive
values for this parameter tend to brighten a sound, while negative values darken.
Here’s an example. If you shift the timbre up 4 semitones, then playing C 4 will result in
the pitch C 4, but will actually play the sample normally assigned to G
#
3, and shift its
pitch up four semitones. is will increase the playback rate of the sample, so although the
pitch remains normal, the timbre is brighter. You’d get the same eect by setting the Xpose
parameter on the KEYMAP page to -4 semitones, then setting the Adjust on the PITCH
page to +4 semitones. For multi-sample layers with narrow key ranges, large amounts of
timbre shifting will cause dierent sample roots to be played back.
Playback Mode
is gives you numerous options for manipulating the samples in the current layer as you
trigger them. Normal leaves the samples unaected, while Reverse plays them in reverse.
At a value of Reverse, the samples will continue to loop as long as notes are sustained. To
play them just once in reverse, you would adjust the length of the layer’s amplitude envelope
(explained later in this chapter). BiDirect (bidirectional) causes the samples to loop innitely,
alternating between normal and reversed playback. Noise replaces the samples with a white
noise generator.
Alternative Controller (AltControl)
See Alternative Switch (AltControl and AltMethod) below.
Alternative Switch (AltControl and AltMethod)
Many, but not all, Forte SE sample roots have been pre-assigned a carefully chosen alternate
sample start point that can be selected using the Alternate Switch feature (AltControl and
AltMethod parameters). is feature allows you to control the sample playback start/end
time triggered by any control source. (e alternate sample start point can be adjusted by
editing a sample, see Editing Samples on page 9-10 and The TRIM Page on page 9-14 for
details).