User's Manual
Table Of Contents
- Kurzweil International Contacts
- Table of Contents
- Introducing Forte SE
- Getting Started
- Features of the Forte SE
- Terminology
- The Operating Modes
- Program Mode
- Program Edit Mode
- About Program Edit Mode
- Differences Between Regular and Advanced User Type
- Selecting Parameters
- VAST and KB3 Programs
- VAST Program Structure
- Editing VAST Programs
- The Parameters (PARAMS) Page
- The Program FX (FX) Page
- The Layer FX (LYR_FX) Page
- The COMMON Page
- The KEYMAP Page
- The LAYER Page
- The PITCH Page
- The AMP Page
- The Algorithm (ALG) Page
- The DSP Control (DSPCTL) Page
- The DSP Modulation (DSPMOD) Page
- The OUTPUT Page
- The LFO Page
- The ASR Page
- The Function (FUN) Page
- The Amplitude Envelope (AMPENV) Page
- The Envelope 2 (ENV2) and Envelope 3 (ENV3) Pages
- The Envelope Control (ENVCTL) Page
- The Arpeggiator Function
- The Utility Soft Buttons, HELP Soft Button and Favorites Buttons Functions
- Editing VAST Programs With KVA Oscillators
- KB3 Program Structure
- Editing KB3 Programs
- KB3 Editor: The Parameters (PARAMS) Page
- KB3 Editor: The Program FX (FX) Page
- KB3 Editor: The COMMON Page
- KB3 Editor: The Tone Wheels (TONEWL) Page
- KB3 Editor: The Drawbars (DRAWBR) Page
- KB3 Editor: The PITCH Page
- KB3 Editor: The AMP Page
- KB3 Editor: The KEYCLICK Page
- KB3 Editor: The PERC1 Page
- KB3 Editor: The PERC2 Page
- KB3 Editor: The EQ Page
- KB3 Editor: The OUTPUT Page
- KB3 Editor: The LFO, ASR, FUN, and ARP Pages
- The Effects Chain Editor
- Keymap and Sample Editing
- Multi Mode
- Multi Edit Mode
- About Multi Edit Mode
- Selecting Parameters
- Zone Parameters
- OVERVIEW Page
- MAIN Page
- KEYVEL (KeyVelocity) Page
- BEND Page
- CCTLS (CCs/Continuous Controllers) Page
- SWITCH (Switches) Page
- Controlling Program Parameter Assignments from Multi Mode
- The Controller Destination List
- COMMON Page
- ARP1 and ARP2 (Arpeggiator 1 & 2) Pages
- FX Page
- AUXFX 1, AUXFX 2
- About Auxiliary Effects
- Audio Input (AUD-IN)
- The Utility Soft Buttons, HELP Soft Button and Favorites Buttons Functions
- Save User Multis
- Global Mode
- Song Mode and the Song Editor
- Getting Started with the Sequencer
- Song Mode: The MAIN Page
- Song Mode: The BIG Page
- Song Mode: The FX Pages
- Song Mode: The MIXER Page
- Song Mode: The METRONOME Page
- Song Mode: The Filter Pages (RECFLT and PLYFLT)
- Song Mode: The MISC Page
- Song Mode: The STATS Page
- The Song Editor
- Song Editor: The COMMON Page
- Song Editor: The TRACK Page
- Song Editor: Track Functions
- Song Editor: The EVENT Page
- System Mode
- Troubleshooting
- MIDI Implementation
- Physical Specifications
- Programs
- KB3 Programs
- Multis
- Effects Chains
- Index
Program Edit Mode
The LAYER Page
7-27
Using LoVel and HiVel, you can set up velocity switching between up to eight layers. If you
need even more, you can do it using the Enable and Enable Sense (S) parameters on page
7-28.
Pitch Bend Mode (Bend)
is determines how Pitch bend control messages will aect the current layer. A value of All
bends all notes that are on when the Pitch bend message is generated. A value of Key bends
only those notes whose triggers are physically on when the Pitch bend message is generated
(notes held with the sustain pedal, for example, won’t bend). is is great for playing guitar
solos on top of chords—play a chord, hold it with the Sustain pedal, then play your licks and
bend them all you want; the chord won’t bend with it. A value of O disables Pitch bend for
the current layer. To apply the same Pitch Bend Mode setting to the entire program, make
sure to set the same setting for each layer.
Trigger (Trig)
e Trigger parameter determines how notes in the current layer are triggered. e default
setting is Norm, which causes notes to be triggered when a key is pressed down and a MIDI
note on message is received by the layer. A setting of Rvrs causes notes to be triggered when
a key is released and a MIDI note o message is received by the layer (velocity is determined
by the release velocity of the released key).
A setting of PdlDN or PdlUP causes a note to be triggered when the sustain pedal is
respectively pressed down or released (typically used for triggering mechanical pedal noise
samples). e sustain pedal will trigger MIDI note 60 with a velocity of 64.
Delay Control (DlyCtl)
Here you select, from the Control Source list, a control source that will delay the start of all
notes in the current layer. e length of the delay is determined by MinDly and MaxDly
(described below). You’ll assign a continuous control like MWheel for the DlyCtl parameter
when you want to vary the delay time, and a switch control if you want the delay to either
be its minimum value (switch o), or its maximum (switch on). e delay control will aect
only those notes triggered after the delay control source is moved; the delay time is calculated
at each note start, based on the status of the delay control source at that time.
Minimum Delay (MinDly), Maximum Delay (MaxDly)
e length of the delay is determined by these two parameters. When the control source
assigned to DlyCtl is at its minimum, the delay will be equal to the value of MinDly. e
delay will be equal to the value of MaxDly when the control source is at its maximum. If
DlyCtl is set to OFF, you get the minimum delay. If it’s set to ON, you get the maximum