Owner's Manual

MODE ADJUST
Lexicon
5-34
REAR DLY OFFSET OFF, 1ms to 30ms
Increases the perceived depth of the listening space by delaying
the arrival time of rear speaker signals. It is recommended that
you increase the setting when using side and rear speakers that
are located close together or when a greater sense of depth is
desired in the listening space.
REAR L/R OFF, –30dB to +12dB
Controls the output level of the audio output connector labeled
Rear L/R.
RESET MODE
Restores the factory-default version of the selected listening
mode, restoring all listening mode menu parameters to their fac-
tory-default settings.
To restore the factory-default version of the selected listening
mode:
1. Follow the RESET MODE menu path. The PRESS RIGHT V TO
RESTORE MODE drop-down message.
2. When the drop-down message opens, press the Menu 
arrow to restore the factory-default version of the selected
listening mode and close the message. Press the Menu
arrow to close the message without restoring the factory-
default
version of the selected listening mode.
RESET MODE

CUSTOM

(Listening Mode)

MODE ADJUST
REAR L/R

OUTPUT LEVELS(Listening Mode)

MODE ADJUST
PANORAMA ON, OFF
When set to ON, extends the front stereo image to include
surround channel signals, which creates a
“ wraparound” effect
with side wall imaging.
Note:
The DOLBY PLII MUSIC listening mode PANORAMA
parameter should not be confused with the separate
PANORAMA listening mode.
PRE-DELAY OFF, 1ms to 100ms
Adjusts delay time between the direct sound and the onset of
reverberation. Higher settings make the simulated space sound
larger. Because some pre-delay is inherent in all source material, it
is recommended to begin with the parameter set to OFF, then
make adjustments accordingly.
RE-EQUALIZER ON, OFF
Simulates high-frequency rolloffs that occur in movie theaters.
When set to ON, the MC-4 applies a high-frequency filter. When
set to OFF, the MC-4 does not apply a high-frequency filter. It is
recommended that you set this parameter to ON for film sources,
as many films are mixed for movie theaters and might sound too
bright when played back in home theaters without re-equaliza-
tion.