Owner's Manual
Delay
Time
Setting
(Cont'd)
Setting
the
delay
time
in
the
Dolby
Digital
and
Dolby
Pro
Logic
(II)
mode
1
Press
AMP
and
DELAY.
The
current
surround
delay
time
appears
in
the
Display
Window.
2
Press
/
to
change
the
delay
time.
3
If
setting
is
complete,
press
DELAY.
ote
You
can
adjust
the
center
delay
time
only
in
the
Dolby
Digital
mode
and
its
delay
time
appears.
Setting
the
Sound
Effects
in
the
Music
mode
of
Dolby
Pro
Logic
(II)
1
Press
AMP
and
press
repeatedly
to
select
the
Music
mode.
Each
time
you
press
these
buttons,
the
sound
mode
is
changed
in
the
following
order;
PRO
LOGIC
→
PLII
MOVIE
→
PLII
MUSIC
→
PLII
MATRIX
...
2
Press
DELAY.
The
current
surround
delay
time
appears
in
the
Display
Window.
3
Press
/
to
select
a
desired
Sound
mode.
Each
time
you
press
the
/
button,
it
is
changed
in
the
following
order;
C
WIDTH
→
DIMENSE
→
PANOR
...
4
Press
/
to
change
the
steps.
CWITH:0~+7
DIMENSE
:
-3
~
+3
PANOR
:
ON/OFF
5
If
setting
is
complete,
press
DELAY.
C
WIDTH
(Center
Width)
This
control
allows
centre-channel
sounds
to
be
posi-
tioned
between
the
centre
speaker
and
the
left/right
speakers
over a
range
of
eight
steps.
Step
"3"
uses
a
combination
of
all
three
front
speakers
to
give
the
best
vocal
imaging
and
most
seamless
soundstage
presen-
tation,
and
is
recommended
for
most
recordings.
Step
"0"
places
all
centre
sound
in
the
centre
speaker.
Step
"7"
places
all
centre
sound
equally
in
the
left/right
speakers,
just
as
in
conventional
stereo.
DIMENSE
(DIMENSION)
This
control
allows
the
user
to
gradually
adjust
the
sound
field
either
towards
the
front
or
the
rear.
This
can
be
useful
to
help
achieve
the
desired
balance
from
all
the
speakers
with
certain
recordings
that
may
contain
either
too
much
or
too
little
spatial
effect.
Step
"0"
is
the
recommended
setting,
which
has
no
effect
on
the
sound.
Steps
1,
2,
and
3
gradually
move
the
sound
for-
ward,
and
steps
--1,
--2,
and
--3
move
the
sound
towards
the
surrounds.
PANOR
(PANORAMA)
This
control
extends
the
front
stereo
image
to
include
the
surround
speakers
for
an
exciting
"wraparound"
effect
with
side-wall
imaging.
It
is
particularly
effective
for
recordings
which
have
strong
left-
or
right-channel
elements
in
the
mix,
as
these
are
detected
and
accen-
tuated
by
the
Panorama
process.
16