User's Manual

21
Filter Models (Stereo)
Model Based On*
Mutant Filter
Musitronics
®
Mu-Tron
®
III
Mystery Filter
Korg
®
A3
Autolter
Line 6 Original
Asheville Pattrn
Moog
®
Moogerfooger
®
MF-105M MuRF Filter
Voice Box
Line 6 Original
V Tron
Musitronics
®
Mu-Tron
®
III
Q Filter
Line 6 Original
Seeker
ZVexSeekWah
Obi Wah
Oberheim
®
voltage-controlledS&Hlter
Tron Up
Musitronics
®
Mu-Tron
®
III (up position)
Tron Down
Musitronics
®
Mu-Tron
®
III (down position)
Throbber
Electrix
®
Filter Factory
Slow Filter
Line 6 Original
Spin Cycle
Craig Anderton's Wah/Anti-Wah
Comet Trails
Line 6 Original
Common FX Settings
Parameter Description
Drive
Adjusts the amount of overdrive, distortion, or fuzz.
Bass
Adjusts the bass level.
Mid
Adjusts the midrange level.
Treble
Adjusts the treble level.
Speed
Adjuststhespeedoftheeect,withhighersettingsprovidingfaster
rates. Press the knob to toggle between Hz and note values.
ChoosingaHzvalueprovidesaspecicmodulationspeedincycles
per second; choosing a note value provides a time based on the
current tempo. Not all Speed parameters can be synced to note
values, as they may be non-linear and highly interactive.
Rate
Adjuststherateoftheeect,withhighersettingsprovidingfaster
rates. Press the knob to toggle between numeric and note values.
Not all Rate parameters can be synced to note values, as they may be
non-linear and highly interactive.
Parameter Description
Time
Adjusts the delay/repeat time, with higher settings providing longer
delays. Press the knob to toggle between ms and note values.
Choosingamsvalueprovidesaspecictimeinmilliseconds;
choosing a Note Division value provides a time based on the current
tempo. With a note division value, this parameter’s value is retained
when changing models.
Scale
Delay models with multiple taps have a Scale parameter for each tap,
whichadjustsitstimerelativetothemainTimevalue.Forexample,
if the Time parameter is set to 500ms, setting T1 Scale to "50%" will
mean that tap will be at 250ms. If you then adjust the Time parameter,
the timing of all the taps will scale accordingly.
Depth
Adjusts the intensity of the modulation. Higher settings result in more
extremepitchbending,wobble,orthrob,dependingontheeect.
Feedback
Adjuststheamountofdelayedsignalfedbackintotheeect.Higher
settingscanprovidemoredramatictextures.
Decay
Setsthelengthoftimethereverbeectsustains.
Predelay
Determinespredelay—orthetimebeforethereverbeectisheard.
Spread
Spreaddiersslightlyamongstereodelayeects.Formostdelays,
it adjusts how widely the repeats bounce left and right. With the Ping
PongDelay,forexample,0isinthemiddle(mono),and10isfullleftto
right panning for the repeats.
Formodulatedstereodelays,SpreadaectstheLFOs'(lowfrequency
oscillators) stereo modulation behavior. At 0 the LFOs are in sync. At
10, the two LFOs are 180 degrees out of sync, so that when one side
is modulating up, the other side is modulating down.
Headroom
Somemodanddelaypedals'internalsignalpathsexhibitabitofgrit,
especially when placed after a high-gain distortion block. Negative
values increase the perceived amount of grit; positive values clean
things up a bit. At 0dB, the model behaves like the original pedal.
Low Cut
Filters a portion of the block's bass and/or treble frequencies, which
can help remove rumble and/or high-end harshness.
High Cut
Mix
Blendstheeected"wet"signalvs.the"dry"signalpassedthrough
theblock.Whensetto0%,thepathbypassestheeectcompletely.
Whensetto100%,theentirepathisfedthroughtheeect,andno
dry thru signal is heard.
Level
Adjuststheoveralloutputleveloftheeectsblock.Becarefulnotto
boost this parameter too high on multiple blocks, as digital clipping
could occur. You should typically leave this at 0.0dB for most blocks.
Where the original pedal's level or volume knob behavior doesn't
really apply to dB values, 0.0-10 may be used.
*See "U.S. Registered Trademarks" on page 25.AllproductnamesusedinthisdocumentaretrademarksoftheirrespectiveownersandneitherYamahaGuitarGroupnorLine6areassociatedoraliatedwiththem.
These trademarks appear solely to identify products whose tones and sounds were studied by Line 6 during sound model development.