Product Datasheet/Brochure

20
Volume/Pan Models
Model Subcategories Based On*
Volume Pedal
Mono, Stereo Line 6 Original
Gain
Mono, Stereo Line 6 Original
Pan
Stereo Line 6 Original
Stereo Width
Stereo Line 6 Original
Common FX Settings
Parameter Description
Drive
Adjusts the amount of overdrive, distortion, or fuzz.
Bass
Adjusts the bass level.
Mid
Adjusts the midrange level.
Treble
Adjusts the treble level.
Speed
Adjusts the speed of the eect, with higher settings providing faster
rates. Press the knob to toggle between Hz and note values.
Choosing a Hz value provides a specic modulation speed in cycles
per second; choosing a note value provides a time based on the cur-
rent tempo. Not all Speed parameters can be synced to note values,
as they may be non-linear and highly interactive.
Rate
Adjusts the rate of the eect, with higher settings providing faster
rates. Press the knob to toggle between numeric and note values.
Not all Rate parameters can be synced to note values, as they may be
non-linear and highly interactive.
Time
Adjusts the delay/repeat time, with higher settings providing longer
delays. Press the knob to toggle between ms and note values.
Choosing a ms value provides a specic time in milliseconds; choos-
ing a Note Division value provides a time based on the current tempo.
With a note division value, this parameter’s value is retained when
changing models.
Depth
Adjusts the intensity of the modulation. Higher settings result in more
extreme pitch bending, wobble, or throb, depending on the eect.
Feedbk
Adjusts the amount of delayed signal fed back into the eect. Higher
settings can provide more dramatic textures.
Decay
Sets the length of time the reverb eect sustains.
Predly
Determines predelay—or the time before the reverb eect is heard.
Parameter Description
Scale
On stereo delays, the Scale oers control over the left & right channel
repeats proportionately. The left channel repeats following the Time
value and the right channel will repeat at a time that is the percentage
of the left time. For example, if a delay's Time is set for 1 second and
the Scale set to 75%, the left channel will repeat at 1 second and the
right at 750 milliseconds (ms).
Spread
Spread diers slightly among stereo delay eects. For most delay, it
adjusts how widely the repeats bounce left and right. With the Ping
Pong Delay, for example, 0 is in the middle (mono), and 10 is full left to
right panning on the repeats.
For modulated stereo delays, Spread aects the LFOs' (low frequency
oscillators) stereo modulation behavior. At 0 the LFOs are in sync. At
10, the two LFOs are 180 degrees out of sync, so that when one side
is modulating up, the other side is modulating down.
Headrm
Some mod and delay pedals' internal signal paths exhibit a bit of grit,
especially when placed after a high-gain distortion block. Negative
values increase the perceived amount of grit; positive values clean
things up a bit. At 0dB, the model behaves like the original pedal.
Low Cut
Filters a portion of the block's bass and/or treble frequencies, which
can help remove rumble and/or high-end harshness.
Hi Cut
Mix
Blends the eected "wet" signal vs. the "dry" signal passed through
the block. When set to 0%, the path bypasses the eect completely.
When set to 100%, the entire path is fed through the eect, and no
dry thru signal is heard.
Level
Adjusts the overall output level of the eects block. Be careful not to
boost this parameter too high on multiple blocks, as digital clipping
could occur. You should typically leave this at 0.0dB for most blocks.
Where the original pedal's level or volume knob behavior doesn't
really apply to dB values, 0.0-10 may be used.
Trails
Trails O: Any delay repeats or reverb decays are instantly muted
when the block is bypassed. Trails On: Any delay repeats or reverb
decays continue to decay naturally when the block is bypassed or a
dierent snapshot is selected.