Owner's Manual
FX Models
7•10
• Gain: Dial in the amount of input gain - higher levels will add some tube distortion.
• Output: Determines the nal output level, capable of a signicant signal boost.
• Phase: Choose 0 for normal, or 180 to reverse the phase. (It can sometimes be
necessary to reverse the phase of one mic’ed signal when combined with another, to
correct for a resulting “hollow,” out-of-phase sound.)
• HPF: A High Pass Filter to reduce bass frequencies. Increase this Hz value to choose
where the low frequency reduction begins.
• LPF: A Low Pass Filter to reduce treble frequencies. Decrease this KHz value to
choose where the high frequency reduction begins.
Delay Models
Delay Models - Parameter Reference Table
Model Parameters
Ping Pong Time Fdbk Offset Spread Mix
Dynamic Dly L Time L Fdbk R Time R Fdbk Mix
Stereo Delay Time Fdbk Thresh Ducking Mix
Digital Delay Time Fdbk Bass Treble Mix
Dig Dly W/Mod Time Fdbk ModSpd Depth Mix
Reverse Time Fdbk ModSpd Depth Mix
Lo Res Delay Time Fdbk Tone Res Mix
Tube Echo Time Fdbk Wow/Flt Drive Mix
Tube Echo Dry Time Fdbk Wow/Flt Drive Mix
Tape Echo Time Fdbk Bass Treble Mix
Tape Echo Dry Time Fdbk Bass Treble Mix
Sweep Echo Time Fdbk Swp Spd Swp Dep Mix
Sweep Echo Dry Time Fdbk Swp Spd Swp Dep Mix
Echo Platter Time Fdbk Wow/Flt Drive Mix
Echo Platter Dry Time Fdbk Wow/Flt Drive Mix
Analog W/Mod Time Fdbk ModSpd Depth Mix
Analog Echo Time Fdbk Bass Treble Mix
Auto-Volume Echo Time Fdbk ModDep Swell Mix
Multi-Head Time Fdbk Heads 1-2 Heads 3-4 Mix