User Manual
Table Of Contents
- DL4 MkII Owner's Manual
- Welcome to DL4 MkII
- Quick Start
- Basic Operation
- Working with Presets
- Loading Presets A, B, and C
- Loading Presets D, E, and F
- Loading Presets 1 - 128 via MIDI
- Saving a Preset
- Restoring Factory Presets
- About Tap Tempo
- Configuring Delay and Reverb Routing
- Stereo vs. Mono Output
- Setting up an Expression Pedal and Footswitches
- Configuring One or More Parameters for Pedal Control
- Configuring Footswitch Control Options
- Controlling The Classic Looper Parameters
- Using a Microphone
- Using the Looper
- Effects Models
- Global Settings
- MIDI
- Additional Resources
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ADRIATIC
Based on* the Boss
®
DM-2 Analog Delay, special Ben Adrian-modded version.
This one is a re-do of the original DL4’s DM-2 Analog Delay, this time personally modified by Line 6’s own audio architect, Ben Adrian. It features an increased
delay time of up to 1.8 seconds, and some sweet modulation added for even more kicks. You’ll find this one to be a warm and friendly example of a classic
analog delay that really sits comfortably in the mix.
TWEAK adjusts the Modulation Rate.
TWEEZ adjusts the Modulation Depth.
ELEPHANT MAN
Based on* the Electro-Harmonix
®
Deluxe Memory Man.
As one of the most flavorful delay pedals ever modeled for the original DL4 (see the "ANALOG MOD" Legacy model), we chose to do this one again as
a MkII offering, more authentically matched to the pedal specimen on hand.
The Deluxe Memory Man pedal utilized the warm-sounding “bucket brigade” electronics of other analog echoes of the day, and included a switchable
Chorus/Vibrato circuit. Just like the original pedal, our model’s delay time has a maximum of 500 milliseconds.
TWEAK adjusts Modulation Depth.
TWEEZ selects the Mode between Chorus or Vibrato.
GLITCH
A Line 6 original.
This twisted brainchild of the Line 6 audio team is a delay that is almost an instrument in itself, where it slices up your input signal and then allows you to
repeat the slices as a sequence, with octave and reverse effects applied and shuffled in different repeating variations. This one warrants some more parameter details, which we’ve
provided below—or, as with all delay models, feel free to just twist the knobs and experiment!
TWEAK determines how Octaves are applied to your repeats, with none at minimum and lots of low and high octaves at maximum.
TWEEZ adjusts the Slice Feedback, Sequence Drift, and Shuffle in tandem, with more of each applied as you turn the knob to the right.
Slice Feedback controls the number of repeats heard for individual slices. At higher values, you could call this "Super Chaotic Feedback." (Note that you can also use the REPEATS
knob to control the overall number of repeats for the entire sequence.)
Sequence Drift determines the likelihood of the entire sequence changing every time it loops around. When at minimum, the same sequence loops forever.
Shuffle determines the likelihood of repeats shuffling/reordering, with things getting more wonderfully random at higher values.
*See "U.S. Registered Trademarks" on page 42. All product names used in this document are trademarks of their respective owners and neither Yamaha Guitar Group nor Line 6 are associated or affiliated with
them. These trademarks appear solely to identify products whose tones and sounds were studied by Line 6 during sound model development.