User Manual
counter-clockwise. VOLUME sets the output level for its channel
only.
6. Channel Select Switch – DT25 features two independent
channels, A & B.When settoA,usethe (5A)controls.ForB use
the (5B) controls. You can assign unique combinations of Voicing/
Feedback Topology, Amplier Operating Class and Pentode/
Triode settings for each channel. This provides much more than the
traditionalclean/dirtychannelconguration.Eitherchannelcanbeset
upanywayyoulike…evenidentically,ifthat’swhatyou’relookingfor.
Customizationofeachchannelisnotlimitedtosimplychangingsome
components of the preamp or tone stack - the entire power section
canberecongured and switched instantlytoo. It’slikehaving two
extremely versatile tube amps in one box!
7. Voicing Switch – This switch determines the flavor of the currently
selected channel’s preamp and tone stack, as well as the Negative
Feedback Loop topology (NFL). NFL has a big impact on tonal
characteristics and the overall “feel” of the amp. Flip the switch up or
downtotogglethroughsettingsIthroughIV.Withasingleswitchyour
tonecangofromcleantomean.Eachvoicingisdistinct:
I – PutstheNFLinitstightestsettingwhileconguringtheChannel
Control’sbehaviorreminiscentofthegreatAmerican“Blackface”
ampsofthe60’s.
II – Sets the NFL topology to be a little looser than I while the
Channel Control settings are capable of dialing in echoes of
classic British amps.
III – ThisistheZeroNegativeFeedbackLoopsettingwhichproducesa
very “open” or “dynamic” feeling amp. In this setting, the Channel
Controlsareconguredforversatility with a distinct“chime-y”
quality.
IV – Setting IV brings the NFL back in and adds a low frequency
resonance that pairs quite well with high gain voicing applied to
the Channel Controls.
8. Class A / Class AB Switch – Class A operation is more dynamic
with greater touch sensitivity. Use Class AB operation for greater
headroom and power. In addition to setting the operating class, this
switch also determines the wattage and bias type:
Whensetto Class A theamp is runningat 10 Watts andcathode
biased.WhensettoClass ABtheampisrunningat25Wattsandxed
biased.
Try both settings with each voicing to see what sounds best to you.
9. Pentode / Triode Switch – Thisswitchchangestheconguration
of the power tubes. Set switch to Pentode to sound clear and
commanding. Triode sounds quieter and rounder with a more vintage
feel.
rear Panel Controls & ConneCtions
10. Power Cord Receptacle – Plug the included power cable here.
11. Speaker Outs – Connect speakers here using speaker cables only.
You should only use one output (A, B, or C) at a time and never power
theamplierupwithoutspeakersconnected.Ifyouwanttosilencethe
speakers,usetheStandbyswitch.Thedetailsareasfollows:
Output A isfora4-ohmspeakerload.Youcaneitherhookupone
4-ohmspeaker/cabortwo8-ohmspeakers/cabs
Output Bisforan8-ohmspeakerload.Youcaneitherhookupone
8-ohmspeaker/cabortwo16-ohmspeakers/cabs.
Output Cisforasingle16-ohmspeakerload.
12. Cabinet Simulated Direct Out – Provides a transformer-tapped
direct output with cabinet simulation for studio recording or live
performancewithoutmic’ingyouramplier.Thegroundliftswitchcan
beusedtoeliminatehumorbuzz.
13. Serial Effect Loop – Usetheeffectlooptosendyouraudiosignalto
external effects processors and stomp boxes such as modulations, delays
& reverbs. Note:Signalpathis inseries.WhenusingtheSEND,
audio will not pass through to the poweramp without a connection
back to the RETURN.