User Manual

31
Volume/Pan Models
Model Subcategories Based On*
Volume Pedal
Mono, Stereo Line 6 Original
Gain
Mono, Stereo Line 6 Original
Pan
Stereo Line 6 Original
Stereo Width
Stereo Line 6 Original
Stereo Imager
Stereo Line 6 Original
Common FX Settings
Parameter Description
Drive
Adjusts the amount of overdrive, distortion, or fuzz.
Bass
Adjusts the bass level.
Mid
Adjusts the midrange level.
Treble
Adjusts the treble level.
Speed
Adjuststhespeedoftheeect,withhighersettingsprovidingfaster
rates. Press the knob to toggle between Hz and note values.
ChoosingaHzvalueprovidesaspecicmodulationspeedincycles
persecond;choosinganotevalueprovidesatimebasedonthecurrent
tempo. Not all Speed parameters can be synced to note values, as
they may be non-linear and highly interactive. (Note that stepping on
TAPonceresetsanyLFO-basedeects,suchastremolosandrotary
speakers.)
Rate
Adjuststherateoftheeect,withhighersettingsprovidingfasterrates.
Press the knob to toggle between numeric and note values. Not all
Rate parameters can be synced to note values, as they may be non-
linear and highly interactive. (Note that stepping on TAP once resets any
LFO-basedeects,suchastremolosandrotaryspeakers.)
Time
Adjusts the delay/repeat time, with higher settings providing longer
delays. Press the knob to toggle between ms and note values.
Choosingamsvalueprovidesaspecictimeinmilliseconds;choosing
a Note Division value provides a time based on the current tempo. With
a note division value, this parameter’s value is retained when changing
models.
Scale
Delay models with multiple taps have a Scale parameter for each tap,
which adjusts its time relative to the main Time value. For example, if
the Time parameter is set to 500ms, setting the T1 Scale to “50%” will
mean that tap will be at 250ms. If you then adjust the Time parameter,
the timing of all the taps will scale accordingly.
Parameter Description
Depth
Adjusts the intensity of the modulation. Higher settings result in more
extremepitchbending,wobble,orthrob,dependingontheeect.
Feedbk
Adjuststheamountofdelayedsignalfedbackintotheeect.Higher
settings can provide more dramatic textures.
Decay
Setsthelengthoftimethereverbeectsustains.
Predly
Determinespredelay—orthetimebeforethereverbeectisheard.
Spread
Spreaddiersslightlyamongstereodelayeects.Formostdelays,it
adjusts how widely the repeats bounce left and right. For example, with
the Ping Pong Delay, 0 is in the middle (mono), and 10 is full left to right
panning for the repeats.
Formodulatedstereodelays,SpreadaectstheLFOs’(lowfrequency
oscillators) stereo modulation behavior. At 0, the LFOs are in sync. At
10, the two LFOs are 180 degrees out of sync, so that when one side is
modulating up, the other side is modulating down.
Headrm
Some mod and delay pedals’ internal signal paths exhibit a bit of grit,
especially when placed after a high-gain distortion block. Negative
valuesincreasetheperceivedamountofgrit;positivevaluesclean
things up a bit. At 0dB, the model behaves like the original pedal.
Low Cut
Filters a portion of the block’s bass and/or treble frequencies, which can
help remove rumble and/or high-end harshness.
Hi Cut
Mix
Blendstheeected“wet”signalvs.the“dry”signalpassedthroughthe
block.Whensetto0%,thepathbypassestheeectcompletely.When
setto100%,theentirepathisfedthroughtheeect,andnodrythru
signal is heard.
Level
Adjuststheoveralloutputleveloftheeectsblock.Becarefulnotto
boost this parameter too high on multiple blocks, as digital clipping
could occur (also see “Signal Present and Clip Indicators”). You should
typically leave this at 0.0dB for most blocks. Where the original pedal’s
level or volume knob behavior doesn’t really apply to dB values, 0.0-10
may be used.
Trails
Trails O: Any delay repeats or reverb decays are instantly muted when
the block is bypassed. Trails On: Any delay repeats or reverb decays
continuetodecaynaturallywhentheblockisbypassed,oradierent
snapshot is selected.
*See “U.S. Registered Trademarks” on page 41.AllproductnamesusedinthisdocumentaretrademarksoftheirrespectiveownersandneitherYamahaGuitarGroupnorLine6areassociatedoraliatedwiththem.
These trademarks appear solely to identify products whose tones and sounds were studied by Line 6 during sound model development.