Operation Manual

Page 39
Now let’s pull up the Phones Out to adjust the performer’s levels. Again, Play 1&2 is pre-assigned as a source.
Now we’ll add Line In, so the performer can hear their input signal
This performer likes the levels of the backing tracks louder, but the overall level down a bit, so we’ll nudge the Play
source signal up by 6dB, and attenuate the Phones output by 10dB
Now the performer and engineer each have their own monitor mix. Now we’re ready to record, keeping in mind that
the signals from the Line In will appear in the DAW software as Record 1&2.
As you can see, using variations on the sequence described above, that one can easily integrate outboard processors,
and other sound sources into a recording session and maintain complete control over who hears what, and how loud
each element will be.
