Axiom User Guide
Legal Notices This guide is copyrighted ©2010 by Avid Technology, Inc., with all rights reserved. Under copyright laws, this guide may not be duplicated in whole or in part without the written consent of Avid Technology, Inc. Avid, M-Audio and Axiom are either trademarks or registered trademarks of Avid Technology, Inc. All other trademarks contained herein are the property of their respective owners.
Contents Chapter 1. Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 Minimum System Requirements . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Chapter 1: Introduction Congratulations on your purchase of an M-Audio Axiom Series MIDI Controller. Designed for both studio and stage, Axiom offers 25, 49, or 61 semi-weighted velocity-sensitive keys with aftertouch, and DirectLink. Once installed and configured, DirectLink automatically maps Axiom faders, buttons, knobs, and Transport Controls to numerous functions in qualified versions of Pro Tools and other Digital Audio Workstations (DAWs).
Features • 25, 49, or 61 velocity-sensitive, semi-weighted keys with aftertouch • 4 programmable Keyboard Zones • Octave/Transpose buttons • DirectLink - Automatic mapping of top panel controls to qualified DAWs • 2 Dedicated Patch Select buttons • 8 Trigger Pads; MIDI re-assignable • 9 Faders (1 on Axiom 25); MIDI re-assignable • 9 Fader buttons (Axiom 49/61 only); MIDI re-assignable • 8 “Endless” Encoder Knobs; MIDI re-assignable • 6 Transport buttons; MIDI re-assignable • Pitch Bend and Modulation wheels
Chapter 2: Driver Installation Windows Installation Instructions Axiom functions as a class-compliant device and will be recognized by a computer without additional drivers on Windows XP, Windows Vista, or Windows 7. Simply connect the device to a computer using the supplied USB cable, configure your recording software and start making music.
6 For Windows XP only, do the following: • After Windows XP identifies the keyboard and asks if you want to search the Internet for a driver, select No, not this time and click Next. • When the Found New Hardware Wizard appears, select Install the software automatically and click Next. • Once the Wizard has completed, click Finish. If you are presented with another Found New Hardware Wizard dialog, repeat step 6.
Chapter 3: Controls and Connectors Top Panel 4 5 6 7 8 9 10 11 12 Vel Lock 3 Snap Shot 2 1 19 20 18 17 16 15 14 Vel Lock 13 Using DirectLink Once installed and configured, DirectLink is activated by launching a qualified DAW application on the host computer.
1 Modulation Wheel This wheel changes the intensity of certain effects during performance. By default, most synthesizers assign this wheel to control vibrato (change in intonation) or tremolo (change in volume). Rolling it upward increases the modulation effect, while rolling downward reduces the effect. When this control is moved the LCD screen will display the assigned MIDI CC number (“cc 1”), the active keyboard Zone (for example “z1”), and the values sent.
4 Group F Button (Axiom 49 & 61 0nly) DirectLink Operation When this button is pressed, all nine Axiom Faders, and Fader buttons (F1–18) are released from their DirectLink assignments, and mapped according to the active Patch. A new Axiom Patch can be selected at any time by using the “Recall” function. See “Additional Functions” on page 12 Pressing the Group F button again, returns all controls to their DirectLink assignments. The button also illuminates confirming the group is in DirectLink mode.
6 Fader Buttons Axiom 49 and 61 feature nine Fader buttons. These buttons function based on the type of operation, as follows: DirectLink Operation In Mixer Mode (default), the first eight buttons (F10–F17) are used for selecting a track within and active bank of eight tracks in qualified DAW applications. By default, pressing any of them will select the corresponding DAW track. Pressing the right-most Fader button (F18) places buttons F10 to F17 in Mute mode. This will mute the corresponding DAW track.
Default Operation The Group E button is used to enable or disable the control group when a Patch is stored or recalled. When the button is illuminated the group is enabled for the operation. For example, when storing a Patch, the group is enabled by default. Pressing the button disables and excludes the controls from the newly stored patch. When the patch is recalled, the state of the group is remembered as being disabled, and the Group E button will not illuminate.
11 Group P Button DirectLink Operation When this button is pressed, all eight Trigger pads (P1–P8) are released from their DirectLink assignments, and mapped according to the current preset Patch. A new Axiom Patch can be selected at any time by using the “Recall” function. See “Additional Functions” on page 12 Pressing the Group P button again, returns all pads to their DirectLink assignments. The button also illuminates confirming the group is in DirectLink mode.
13 Function Buttons These buttons access the following features: • Instrument Mode Button (Inst) This button switches DirectLink between Mixer (default) and Instrument modes while Axiom is controlling a qualified DAW. When used to activate Instrument Mode, the button will illuminate when pressed, and the LCD screen will momentarily display the instrument name. Holding down the Instrument Mode button will open and close the window for the instrument being controlled.
• Channel (Chan) When this button is pressed it illuminates and the LCD screen shows the current Global MIDI Channel number (for example, “G.CHAN 1.” Pressing either of the Patch buttons (“Up” arrow or “Down” arrow) will change the Channel number. Holding the Channel button for at least one second takes Axiom into Edit Mode which overrides both Performance and DirectLink Modes. The Channel and Edit buttons will illuminate, and the LCD screen will show the current Global Channel number.
14 Mute Button In DirectLink mode, this button will mute and “un-mute” the targeted track in a qualified DAW. Pressing this button while holding down the Shift button will solo the keyboard's target track. If the Zone button is active, the Mute button activates and deactivates Zone 4. For more information, see section 17 “Zone Buttons (1,2,3, & 4)” in this chapter.
18 Zone Button This button is used for accessing the individual Zone buttons described above. Holding down the this button for at least one second, in both Performance and DirectLink Modes, will put Axiom into Zone Edit Mode. For more information, see Chapter 6, “Keyboard Zones.
22 Expression Pedal Input This socket accepts both “switch type” and standard expression Pedals such as M-Audio EX-P for adding expressive changes during performances. The Expression Pedal input is fully MIDI-assignable, and a unique MIDI CC can be assigned for each keyboard Zone, so that the message(s) sent are defined by the active Zone(s).
Chapter 4: Advanced Keyboard Functions Axiom includes extended programming capabilities through secondary functions of the keys. The available parameters are listed along the top edge of the keyboard, and accessed by pressing the Edit button. The LCD screen shows the numerical value of the parameter being edited. 8 6 4 1 Enter 9 7 5 2 0 3 Drawbar Curve Store MIDI Out Data 3 Mem.
Zone Channel (Zone Chan) The Zone Channel (ZONE CHAN) function specifies which MIDI Channel a Zone will use when transmitting MIDI data. Assigning each Zone to its own channel will allow you to play up to 4 different sound patches on a connected synthesizer or virtual instrument. This setting is saved as part of a user patch when stored to a Memory Location. For instructions on how to save a user patch, see “Store” on page 22.
Channel Assign (Chan Assign) The Channel Assign function (CHAN ASGN) assigns the active Axiom control to a specific MIDI channel. To assign a knob, fader, button or pedal jack to a MIDI channel: 1 Select the active control as described in the next section, “Control Select (Ctrl Select)” on page 19. 2 Press the Edit button. 3 Press the Channel Assign key.
Control Select (Ctrl Select) The Control Select function (CTRL SEL) is used to select a MIDI control (knob, button, fader, or pedal jack) for editing. This is useful when a control needs to be selected without sending unwanted MIDI data because the control was moved or pressed. All Axiom controls are labeled with a unique number, such as F1, P2, etc. It is not necessary (or possible) to enter the letter when following the editing examples below.
Bank LSB The Bank LSB function sends bank change messages on the MIDI Channels for all active Zones. These messages are used to access additional banks of sound patches, if available, on virtual instruments or sound modules. Bank LSB messages may not have any effect until they are followed by a Program Change message. For more information on Bank LSB messages, see Chapter 8, “MIDI Messages Defined.
Memory Dump (Mem Dump) The SysEx Memory Dump function (MEM DUMP) will send the contents of all 20 Patch locations for storage in a DAW application. The SysEx data is sent as soon as the key is pressed, and Edit mode will automatically exit. For information on how to record SysEx MIDI data, refer to the documentation provided with your DAW software. To send a SysEx Memory Dump to your DAW: 1 Prepare a MIDI track within your DAW software to record from your Axiom. 2 Press the Edit button on your Axiom.
MIDI Out This parameter (also known as “MIDI Out From USB”) determines the source of MIDI data sent to the external MIDI Out port. In its default setting (“OFF”), the MIDI OUT port will receive data from the Axiom keys and Controls. When set to 'USB' the MIDI Out port receives data from the USB connection to a host computer. This allows Axiom to function as a USB MIDI interface between the computer and any external MIDI devices connected to the Axiom 5 PIN MIDI connectors.
Curve The Curve key is used for changing the touch sensitivity of the keyboard and Trigger Pads, as well as the Acceleration Curve of the Encoder Knobs. This setting lets you decide how the force with which you hit a key or Pad affects the volume at which a note plays, or how fast the knobs “sweep” through value changes. Keyboard Sensitivity Options: 1 = C1 is a sensitivity setting that generates lower velocity values for the same force.
Trigger Pad Sensitivity Options: 1 = C1 is a sensitivity setting that generates lower velocity values for the same force. This setting is useful for playing more quietly, even if you tend to strike the Pads harder. 2 = C2 is the default setting, and is designed to be useful for most players with an “average” touch (people who play with an average amount of force). 3 = C3 is a sensitivity setting that generates higher velocity values for the same force.
Encoder Knob Acceleration Options: 0 = Off is an acceleration setting where the knob will only send a value change of one step regardless of how quickly or slowly it is turned. 1 = C1 is a slower acceleration curve, useful for making finer adjustments. 2 = C2 is the standard acceleration curve (selected by default). 3 = C3 is a quicker acceleration curve, useful when large parameter sweeps are required. To select an Encoder Knob Acceleration setting: 1 Press the Edit button.
Chapter 5: Advanced Programming Functions The MIDI CC (continuous controller) numbers from 0 to 127 are part of the General MIDI specification, and are typically used for real-time control of parameters in MIDI-compatible music equipment. For example, an Axiom knob can be assigned to MIDI CC number 10, which controls the Pan setting of a connected synthesizer or DAW software track. Many of the Axiom controls are fully programmable, and can be assigned to any standard MIDI CC.
The following example will configure a button to “hard pan” the sound to the left speaker when it is pressed the first time, and “hard pan” to the right speaker when it is pressed a second time. To set Toggle Values (min/max) for buttons or Sustain Pedals: 1 Select a button as described earlier. 2 Press the Edit button. 3 Press the Control Assign key. The LCD screen will read “ASIGN,” and display the currently selected control (for example “F10”) and the current MIDI CC assignment (for example “146”).
Setting Trigger Values for Buttons or Sustain Pedals It is possible to set a Trigger Value for a button or the Sustain Pedal, causing it to send one value when pressed and held down, and another value when released. The Sustain Pedal is already configured to send trigger values by default, ensuring it activates the Sustain effect when pressed and deactivates it when the Pedal is released. Buttons can also be configured to operate this way, which requires four values to be specified.
Press the Data 2 key. The LCD screen will read “MIN” and display the currently selected control (for example “F10”), and the current value (for example “64”). 11 Type 0 using the number keys. This sets the “release” value to zero, and the sound will be panned “hard left” when the button is released. 12 13 Press the Enter key. 14 Press the Edit button. Press the Data 3 key.
Enter 127 (Poly On) using the number keys. This ensures that all receiving devices will respond to the MMC messages. 8 9 10 Press the Enter key. Press the Edit button. 11 Press the Data 2 key. The LCD screen will display the current function for the Data 2 (in this case, “MMC”) and the number of the current MMC command. Refer to the table below. Enter a number from the table below to select the MMC command for the button. This determines which transport function will be controlled by the button.
Assigning a Note to a Trigger Pad It is possible to configure a pad to send a Note On message when it is struck or held down, and a Note Off message when it is released. This requires four values to be specified (values given are examples): Key Parameter Value Control Assign Trigger Note On/Off 147 Data 1 (example) Note pitch 64 (Note E4) See Appendix C, “Useful MIDI Data.
14 Press the Edit button. 15 Press the Data 3 key (Velocity On). The LCD screen will read “MAX” and display the currently selected control (for example “P1”), and the current value (for example “127”). Enter 100 using the number keys. This sets the pad to transmit a Note On message with a velocity of 100 when struck. 16 17 Press the Enter key. It is also possible to configure a pad or button to send a note on message when it is pressed and a note off message when it is pressed a second time.
6 Press the Edit button. Press the Data 1 key. The LCD screen will display the currently assigned function (for example “NOTE”), the selected control (for example “F10”), and the current value. 7 Enter a Program Change number, such as 42. See General MIDI Instruments in Appendix C, “Useful MIDI Data.” 8 9 10 Press the Enter key. Press the Edit button. Press the Data 2 key. The LCD screen will display the current function assigned to the Data 2 key (in this case, “LSb”) and the current value.
The following example configures a button to increment the release time of a sound patch on a MIDI instrument, every time it is pressed. You may have to push the button several times while playing notes to hear the difference. To configure a button to increment/decrement a MIDI CC value: 1 Select a button as described earlier. 2 Press the Edit button. Press the Control Assign key.
Programming a Button to Increment/Decrement a Program Change It is possible to configure a button to send an Increment (increase) or Decrement (decrease) Program Change message each time it is pressed. To configure a button to increment a Program Change between a minimum and maximum value, assign it to number 156 (see Appendix B, “Assignable MIDI CC’s”). The minimum and maximum values are set using the Data 2 and Data 3 parameters respectively.
When one button is configured to increment through sound patches (such as, 1, 2, 3, etc.), and another to decrement through them (such as, 127, 126, 125, etc.), the second button will not decrement from where the first button left off (for example, 2, 1, 0). Reversing the Operation of Knobs or Faders Most MIDI parameters that are assignable to knobs or faders can be configured to reverse the controls operation.
Limiting the Range of a Knob or Fader The effective range of values transmitted by knobs and faders can be limited by entering values other than 0 and 127(the default minimum and maximum values) for the Data 2 and Data 3 parameters. For example, with the Data 2 parameter set to 38 and Data 3 set to 93, if a knob is set fully counter-clockwise, the minimum value transmitted is 38. If the knob is turned fully clockwise, the maximum value transmitted is 93.
Assigning RPN/NRPN Messages to a Knob, Fader, Button, or Pedal Axiom transmits all three necessary MIDI CC messages for RPNs and NRPNs when a knob or fader is moved, or the Sustain Pedal or a button is pressed. The “Control Assign” setting allows assignment for control of the RPN Coarse (132) and RPN Fine (133), as well as NRPN Coarse (134) and NRPN Fine (135) parameters (see Chapter 7, “MIDI Messages Defined” and Appendixes A & B for more information).
14 Press the Edit button. 15 Press the Data 3 key. The LCD screen will read “MSb” and display the currently selected control (for example “E1”), and the current value (for example “87”). 16 Enter the value to be transmitted via MIDI CC 99 (MSB) using the number keys. 17 Press the Enter key. For an in-depth explanation of RPN/NRPN MIDI messages and their usage, refer to Chapter 7, “MIDI Messages Defined.
Chapter 6: Keyboard Zones The Zone feature allows you to layer or split sounds on a hardware or virtual instrument, by dividing the keyboard into a maximum of four programmable non-overlapping or overlapping sections. When active, each Zone will transmit MIDI notes on a separate MIDI channel. This makes it possible to play up to 4 different instrument sounds on a connected multi-timbral synthesizer, by playing notes in different sections (Zones) of the keyboard.
4 Press the highest note to be included in the Zone. The LCD screen will display the note value. 5 Repeat steps 1 – 5 to set the range of notes for all remaining Zones. Simultaneously holding down multiple Zone buttons and then setting the range as described above, will apply the same Zone Range to all active Zones. This will layer all sound patches that are played. After setting the Range, activate all desired Zones by simultaneously pressing their respective Zone buttons.
Zone Transpose The Zone Transpose parameter lowers or raises the pitch of a Zone in one semi-tone (half-step) increments, to a maximum of 12 semi-tones. Zone Transpose shift settings work in combination with the Global Transpose shift setting (see Section 7, Octave/Transpose buttons). This can be useful when working with different Transpose or Octave shift settings across multiple Zones.
Default Zone Channels Zone MIDI Channel 1 0 (Global Channel) 2 2 3 3 4 4 Zone Program Program change messages are sent on active Zone channels, defining the instrument sound for each Zone. This information is included in a stored Axiom preset, ensuring that the correct sound is accessed for each active Zone whenever the preset is recalled. To set the Zone Program Change number: 1 Select a Zone as described earlier. 2 Press the Program button (Prog).
Zone MSB Bank MSB messages are sent on active Zone channels, defining the instrument sound for each Zone. This information is included in a stored Axiom preset, ensuring that the correct sound is accessed for each active Zone whenever the preset is recalled. To set the Zone MSB value: 1 Select a Zone as described earlier. 2 Press the Edit button. 3 Press the Bank MSB key. The LCD screen will display the current Bank MSB value and active Zone number.
Chapter 7: MIDI Messages Defined Program and Bank Changes Messages Explained When the MIDI standard was first established, it enabled the user to access only 128 different sounds using program change messages (0 – 127). As MIDI devices became more sophisticated and contained more sounds, bank change messages were included in an updated MIDI specification allowing access to more than 128 sounds.
can select any of a possible 16,384 banks. Each bank can in turn contain 128 possible sounds selected via a separate program change MIDI message. This enables a user to theoretically recall over two million programs directly, using only MIDI commands. However, most devices only use a few different banks, and you can often ignore the LSB message. You will find many MIDI devices respond to program change commands and many are organized according to the GM listing.
Combining Two MIDI CC Numbers for 16,384 Possible RPNs/NRPNs A single MIDI CC provides 128 values or possible selections which is not enough to provide a sufficient number of unique RPN/NRPNs for all manufacturers of MIDI equipment. In order to make a large enough number of RPN and NRPN messages available for use by the many manufacturers of MIDI devices, two specific MIDI CC numbers (NRPN=98+99; RPN=100+101) are combined for RPN/NRPN selection.
Check Your 3rd Party Documentation for a RPN/NRPN List Begin by checking the documentation for your MIDI device for a list of supported RPN or NRPN numbers.
16,384 Step Resolution Through Combined Coarse and Fine Messages Most assignable MIDI controls, including those on Axiom, operate with a resolution of 128 steps. Standard MIDI CC messages that can be used universally between different MIDI devices are also limited to a resolution of 128 steps. However, the RPN/NRPN concept provides a resolution of 16,384 steps by combining two 7-bit MIDI messages into a 14-bit message (coarse + fine).
Axiom controls allow assignment of either a RPN/NRPN coarse message, or a RPN/NRPN fine message, but not both simultaneously. In practical use, this means: • Assigning an RPN/NRPN coarse message to an Axiom control access to values throughout the entire range of 16384 steps while skipping 128 steps with every value transmitted (0; 129; 258; 387; 516; 645;...;16384). • Assigning an RPN/NRPN fine message to an Axiom control allows access to the first 128 values of the entire range (0-127 of 16384).
Appendix A: Standard MIDI Control Numbers (MIDI CC’s) 00 Bank Select 46 Controller 46 92 Tremolo Depth 01 Modulation 47 Controller 47 93 Chorus Depth 02 Breath Control 48 Gen Purpose 1 LSB 94 Celeste (De-tune) 03 Controller 3 49 Gen Purpose 2 LSB 95 Phaser Depth 04 Foot Control 50 Gen Purpose 3 LSB 96 Data Increment 05 Porta Time 51 Gen Purpose 4 LSB 97 Data Decrement 06 Data Entry 52 Controller 52 98 Non-Reg Param LSB 07 Channel Volume 53 Controller 53 99 Non-Reg Param MSB 08 Balanc
32 Bank Select LSB 78 Controller 78 123 All Notes Off 33 Modulation LSB 79 Controller 79 124 Omni Off 34 Breath Control LSB 80 Gen Purpose 5 125 Omni On 35 Controller 35 81 Gen Purpose 6 126 Mono On (Poly Off) 36 Foot Control LSB 82 Gen Purpose 7 127 Poly On (Mono Off) 37 Porta Time LSB 83 Gen Purpose 8 Extra RPN Messages 38 Data Entry LSB 84 Portamento Control 128 Pitch Bend Sensitivity 39 Channel Volume LSB 85 Controller 85 129 Fine Tune 40 Balance LSB 86 Controller 86 130 Coarse
Appendix B: Assignable MIDI CC’s Faders MIDI CC Description Data 2 Data 3 0-119 Standard MIDI CC's (Appendix A) Min Max 120-127 Channel Mode Messages (Appendix A) Min Max 128 Pitch Bend Range Min Max 129 Channel Fine Tune Min Max 130 Channel Coarse Tune Min Max 131 Channel Pressure Min Max 132 RPN coarse RPN LSB RPN LSB 133 RPN Fine RPN LSB RPN LSB 134 NRPN Coarse NRPN LSB NRPN LSB 135 NRPN Fine NRPN LSB NRPN LSB 136 Master Volume GM* Min Max 137 Master Pan G
Encoder Knobs MIDI CC Description Data 1 Data 2 Data 3 0-119 Standard MIDI CC's (Appendix A) - Toggle Value 2 Toggle Value 1 120-127 Channel Mode Messages (Appendix A) - Toggle Value 2 Toggle Value 1 128 Pitch Bend Range - Sensitivity Value - 129 Channel Fine Tune - Tuning Amount - 130 Channel Coarse Tune - Tuning Amount - 131 Channel Pressure - Pressure Amount - 132 RPN coarse Value RPN LSB RPN MSB 133 RPN Fine Value RPN LSB RPN MSB 134 NRPN Coarse Value NRPN
Buttons & Sustain Pedal MIDI CC Description Data 1 Data 2 Data 3 0-119 Standard MIDI CC's (Appendix A) - Released Value Pressed Value 120-127 Channel Mode Messages (Appendix A) - Released Value Pressed Value 128 Pitch Bend Range - Value - 129 Channel Fine Tune - Value - 130 Channel Coarse Tune - Value - 131 Channel Pressure - Value - 132 RPN coarse Value RPN LSB RPN MSB 133 RPN Fine Value RPN LSB RPN MSB 134 NRPN Coarse Value NRPN LSB NRPN MSB 135 NRPN Fine
Trigger Pads When assigned to MIDI CC numbers 0 – 144, these pads transmit MIDI data based on the amount of pressure applied. Assigning them to MIDI CC numbers 145 – 255 causes them to function as switch type controls.
MIDI CC Description Data 1 Data 2 Data 3 155 Program decrement - Start End 156 Program increment - Start End *General MIDI SysEx messages. Expression Pedal, After-Touch Strip, Pitch Bend and Modulation Wheels These controls can have separate MIDI CC assignments for each of the 4 available keyboard Zones, so that specific control data can affect a specific Zone without affecting the others.
Appendix C: Useful MIDI Data General MIDI Instruments Axiom does not contain internal sounds. The following table is for reference when controlling General MIDI compatible software instruments or devices.
MIDI Note Numbers Octave (n) Note Numbers Cn C#n Dn D#n En Fn F#n Gn G#n A A#n -1 0 1 2 3 4 5 6 7 8 9 10 Bn 11 0 12 13 14 15 16 17 18 19 20 21 22 23 1 24 25 26 27 28 29 30 31 32 33 34 35 2 36 37 38 39 40 41 42 43 44 45 46 47 3 48 49 50 51 52 53 54 55 56 57 58 59 4 60 61 62 63 64 65 66 67 68 69 70 71 5 72 73 74 75 76 77 78 79 80 81 82 83 6 84 85 86 87 88 89 90 91 92 93 94 95 7 96 97 98 99
Appendix D: DirectLink Transport Assignments Within qualified versions of Pro Tools, users can access additional Transport functions by holding the Loop button while pressing one of the other Transport Control buttons as shown below.
Appendix E: Hexadecimal Conversion Chart Hexadecimal Value Decimal Value Hexadecimal Value Decimal Value Hexadecimal Value Decimal Value 0 0 2B 43 56 86 1 1 2C 44 57 87 2 2 2D 45 58 88 3 3 2E 46 59 89 4 4 2F 47 5A 90 5 5 30 48 5B 91 6 6 31 49 5C 92 7 7 32 50 5D 93 8 8 33 51 5E 94 9 9 34 52 5F 95 0A 10 35 53 60 96 0B 11 36 54 61 97 0C 12 37 55 62 98 0D 13 38 56 63 99 0E 14 39 57 64 100 0F 15 3A 58 65 101 10
Hexadecimal Value Decimal Value Hexadecimal Value Decimal Value Hexadecimal Value Decimal Value 21 33 4C 76 77 119 22 34 4D 77 78 120 23 35 4E 78 79 121 24 36 4F 79 7A 122 25 37 50 80 7B 123 26 38 51 81 7C 124 27 39 52 82 7D 125 28 40 53 83 7E 126 29 41 54 84 7F 127 2A 42 55 85 Axiom User Guide 62 Appendix E: Hexadecimal Conversion Chart
Appendix F: Roland GS & Yamaha XG NRPN NRPN NRPN Data Data MSB LSB MSB LSB CC99 CC98 CC06 CC38 01 08 00-7F n/a (-64 - 0 - +63) Vibrato Rate (relative change) 01 09 00-7F n/a (-64 - 0 - +63) Vibrato Depth (relative change) 01 0A 00-7F n/a (-64 - 0 - +63) Vibrato Delay (relative change) 01 20 00-7F n/a (-64 - 0 - +63) Filter Cutoff Freq.
Disposal of Waste Equipment by Users in the European Union DECLARATION OF CONFORMITY We Avid, 5975 Martin Rd. Irwindale, CA 91706 USA tel: 626-633-9050 declare under our sole responsibility that the product Axiom models 61, 49, 25 comply with Part 15 of FCC Rules. Operation is subject to the following two conditions: (1) this device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation.
Precautions On Use Please read the following precautions on use before operating the system. Use the correct power cable for your local power supply. For 240 V AC For 220 V AC to 240 V AC Handle With Care Never use the system during abnormal conditions. Do not operate if smoke is emitted, sound is frequently distorted, or if there are any conditions of malfunction. Do not place any liquids on or near the system.
Avid Technical Support (USA) Product Information 5795 Martin Road Irwindale, CA 91706-6211 USA Visit the Online Support Center at www.avid.com/support For company and product information, visit us on the web at www.avid.
