TM REFERENCE GUIDE
Master Fader and My Fader Reference Guide Important Safety Instructions 1. Read these instructions. 17. This apparatus has been equipped with an all-pole, rocker-style AC mains power switch. This switch is located on the rear panel and should remain readily accessible to the user. 2. Keep these instructions. 18. NOTE: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to part 15 of the FCC Rules.
Master Fader and My Fader Reference Guide Table of Contents Important Safety Instructions....................................................................................................... 2 Table Of Contents........................................................................................................................... 3 Chapter 1 : Welcome.......................................................................................................................
Master Fader and My Fader Reference Guide Chapter 6 : Mixer View : Subgroups and VCAs........................................................................... 45 Introduction................................................................................................................................................ 45 Subgroups................................................................................................................................................... 45 VCAs ......................
Master Fader and My Fader Reference Guide Vintage EQ Introduction............................................................................................................................ 91 Vintage EQ Swipe Zone.............................................................................................................................. 91 Vintage EQ HPF Frequency Buttons..........................................................................................................
Master Fader and My Fader Reference Guide Chapter 14 : Channel View : Output Parametric EQ.................................................................115 Introduction.............................................................................................................................................. 115 EQ On / Off................................................................................................................................................. 116 Modern / Vintage................
Master Fader and My Fader Reference Guide Chapter 18 : Mixer View : Navigation Bar.................................................................................144 Introduction.............................................................................................................................................. 144 Overview ................................................................................................................................................... 144 Mixer View..............
Master Fader and My Fader Reference Guide Chapter 1 : Welcome Introduction Hello everyone! This is the Master Fader and My Fader Reference Guide...we hope you like it! Instead of one massive document containing detailed information about the hardware and software, we have divided them into separate manuals. Simply decide if you need assistance with the hardware or software and dive on in. The water here is warm and crystal clear. Master Fader V3.0 / My Fader V3.
Master Fader and My Fader Reference Guide Chapter 2 : Wireless Setup Introduction Do you want wireless control of your mixer? Of course you do! Let’s dig in and get the router set up, as this is quite an important feature of the DL Series and mandatory for the DL32R. Up to 10 iOS devices may be connected to the network and control the mixer simultaneously. Wi-Fi Router For wireless control, all that’s necessary is to connect the mixer to a Wi-Fi router.
Master Fader and My Fader Reference Guide Network Connectivity Now it’s time to connect to the network. Here are the steps to get some connectivity. Connectivity before creativity! (1) CAT5 Connection — Plug one end of the CAT5 Ethernet cable into the network connector on the mixer and the other end into a LAN port on the router, NOT a WAN port. Read that sentence again. (2) Power to the Router — The router needs to be powered up first before anything else.
Master Fader and My Fader Reference Guide Settings lands you here. Select Wi-Fi by touching it. Notice that Wi-Fi is “Off” at this point, but we’re going to fix that. Drag the Wi-Fi on/off slider right to the on position. Check out the view below. The iPad is searching for (and setting up the connection to) the router. It should be noted here that (by default) many routers will NOT be password protected.
Master Fader and My Fader Reference Guide Check it out...you’re good to go! With your assistance, the iPad found the router and dialed in the Wi-Fi connection! Now go back and launch the Master Fader app. It’s that easy! Router Settings Default router settings are typically fine, but most Wi-Fi routers may be customized to ensure high performance and a secure network.
Master Fader and My Fader Reference Guide Chapter 3 : Mackie Master Fader Software Introduction The DL32R , DL1608 or DL806 is the digital mixer, and one or more iOS devices controls it. All DSP processing and routing takes place in the mixer itself, while the Master Fader app is where you control the mix. Downloading and Installing the Master Fader App There are a couple of ways to download and install the Master Fader app. Via iTunes on Mac or PC, for example.
Master Fader and My Fader Reference Guide This then turns into a green INSTALL button. To install the Master Fader app to aniPad, tap the green INSTALL button and enter your Apple ID password when prompted. The button turns into a circle, indicating that Master Fader is downloading to the iPad. As seen in the screen shot below left, the Master Fader app icon shows the progress of the download. The download is complete once the entire app is illuminated. The Master Fader app is now ready for use.
Master Fader and My Fader Reference Guide Updating the Firmware The Master Fader app automatically compares the app and firmware versions each time the app connects to the mixer. In order to operate properly, the firmware and app versions must match. If the Master Fader app is older than the firmware version in the mixer, you will be prompted to update the app. Tap the App Store button on the popup and update as described on the previous page.
Master Fader and My Fader Reference Guide Lingo Before diving into the features and functions of the Master Fader app, let’s take a few minutes to get acquainted with the wording that will be used throughout this Reference Guide. Doing so will minimize confusion and increase productivity, a great combination! Tapping, Dragging, Flicking, Swiping, and Pinching2 You already have an iPad...
Master Fader and My Fader Reference Guide Three Main Views Throughout this Reference Guide we will be talking quite a bit about views. The good thing, though, is that there are only three main views in the Master Fader app: overview, mixer view and channel view. The following is just a general outline of what may be accomplished in each view. Soon enough we will go through each of these in detail. Let’s take a quick peek at what each one looks like and what each represents.
Master Fader and My Fader Reference Guide Overview In addition to all input and output channels, the navigation bar is also displayed horizontally at the top of the screen. In fact, the navigation bar never leaves; it is at the top of every view. Speaking of the navigation bar... There is an easy way to determine which view you’re in. Look in the upper-left corner of the iPad. There are three buttons. In order from left to right, they are overview, mixer view and channel view.
Master Fader and My Fader Reference Guide Mixer View The mixer view is exactly what it sounds like; it’s a view of the mixer! The key mixing controls of every input and output for the mixers exist here.
Master Fader and My Fader Reference Guide Channel View The channel view handles all DSP-related activities. It is in the channel view where all plug-in processing is adjusted on individual channel inputs and outputs. This includes each channel’s source and routing, channel EQ, channel gate and compression, FX, output routing and channel assignment, graphic and parametric EQ and output compression and delay.
Master Fader and My Fader Reference Guide In addition to these three main views, there are a variety of buttons that trigger a popover, giving additional controls to adjust. Many of these come from the upper-right side of the navigation bar; when a button is tapped, a popover is revealed and awaiting your adjustments. Tapping the button again closes the popover, revealing the previous view underneath.
Master Fader and My Fader Reference Guide Grow & Glow, Current Parameter Display and The Swipe Zone The following are key paradigms built into the Master Fader app to help simplify your mixing world. These exist on all screens and are important concepts to understand. Pan Grow & Glow Grow & Glow — When making changes to the mix, certain controls “Grow & Glow” to indicate that they are being adjusted.
Master Fader and My Fader Reference Guide The Swipe Zone — Swiping, dragging and flicking are the keys to navigating the Master Fader app and the swipe zone exists in nearly every single view. While in the mixer view, the swipe zone exists anywhere on the black background of a channel. Swipe left or right to display any of the input channels, FX channels, sub channels, VCA group channels, return channels [DL32R] and iPad channel [DL806 / DL1608].
Master Fader and My Fader Reference Guide Screen Flow — The screen flow shown below [say that ten times fast!] displays what is described on the previous page and provides an overview of all the different views on the Master Fader app. We’ll cover the swipe zone for each view in detail, but wanted you to have an overview of what you can expect from the coming pages.
Master Fader and My Fader Reference Guide Chapter 4 : Level Setting Procedure Introduction Before we go into great detail about all of the features of Master Fader, let’s get some audio. The key to that is setting levels. Setting levels on theDL32R vary slightly from setting levels on a DL1608 and DL806, but of course we’ll show both...
Master Fader and My Fader Reference Guide (6) Less Than Zero — The gain knob should be completely counter-clockwise and channel fader all the way down for each channel not in use. (7) The Raising of the Fader, Part II — Slowly raise the master fader to the desired amount. You should now see output meters and hear signal through the speakers. Hopefully it’s music to your ears...otherwise it’s going to be a long night. Step 6 Step 7 Headphones Here is how to get the same sound to a pair of cans...
Master Fader and My Fader Reference Guide Level Setting Procedure – DL32R (1) Phantom Power — If any connected mics require an extra 48V of power, engage the phantom power. Each DL32R has individual 48v phantom power buttons on all mic inputs, controlled via Master Fader. Phantom power for each channel may be selected by: (1) tapping that channel’s input routing view. (2) tapping the 48v button. Notice that the 48v button illuminates red, indicating that phantom power has been engaged.
Master Fader and My Fader Reference Guide (6) Less Than Zero — The gain should be completely off and channel fader all the way down for each channel not in use. (7) The Raising of the Fader, Part II — Slowly raise the master fader to the desired amount. You should now see output meters and hear signal through the speakers. Hopefully it’s music to your ears...otherwise it’s going to be a long night. Step 6 Step 7 Headphones Here is how to get the same sound to a pair of cans...
Master Fader and My Fader Reference Guide Chapter 5 : Mixer View : Channel Strips Introduction The mixer view contains input channel faders, FX channel faders [reverb and delay], sub group faders, VCA group faders, return faders [DL32 only] and an iPad channel fader [DL1608 / DL806 only]. Most channel strips look and function exactly like the others. These faders may be seen in both the mixer view and channel view.
Master Fader and My Fader Reference Guide Input Routing At the top of each channel strip is a thumbnail view of key input routing parameters for each channel. DL32R The screen shots to the left display the default settings of the digital trim...0.0 dB for those counting. In addition to digital trim, the DL32R also displays the currently selected source [A or B], and if that source is a mic pre, the corresponding mic pre gain and 48v setting.
Master Fader and My Fader Reference Guide Pan / Balance Pan allows you to adjust how much of the channel is sent to the left versus the right outputs. Touch and drag a channel’s pan slider left or right to make adjustments. Touched pans will “grow & glow” to indicate that they are being adjusted. The pan may be centered by double-tapping the pan slider. LR Pan The pan control employs a design called “Constant Loudness.
Master Fader and My Fader Reference Guide Channel Faders and Input Meters The touch sensitive faders adjust the level of each channel going to the selected output. Adjustments are made by touching and dragging channel faders up and down. Touched channel faders will “grow & glow” to indicate that they are being adjusted. The fader level ranges from –∞ to +10 dB as indicated by the scale on the left. The input meters display the input signal level to the channel before all channel processing.
Master Fader and My Fader Reference Guide All we did was change the selected output from main LR to aux 1. Notice below how each channel’s input meter is surrounded by the color of the selected output. In the left image, the faders control the levels going to the LR mix, while the faders on the right image control the levels going to the aux 1 mix . LR AUX 1 Solo Solo offers the opportunity to audition channel(s) before they are added to the mix.
Master Fader and My Fader Reference Guide Channel ID Button Each channel ID button name, image, color and preset is user-editable. Additionally, users may also link two adjoining channels together into a single channel strip. Simply tap the button at the very bottom of the channel strip to reveal a popover that allows editing of the name, image, color, preset and an option to link channels. Let’s start with the name.
Master Fader and My Fader Reference Guide An open gray box with only the channel’s name works, but let’s spice it up with an image. Show images are kept in sync which means that all connected devices will display the new image once its been added, whether or not it was already on that device. There are several ways to choose an image. From the channel popover, tap “Image” to reveal a new popover as seen below right [Image Source].
Master Fader and My Fader Reference Guide But wait, there’s more! A few weeks ago I played a show. One of the songs features 12 goats for the choruses, each with its own mic. I was thinking, “there’s got to be a ‘colorful’ way to distinguish between channels, right?” Well, I brought the idea up to the bigwigs, and the rest, as they say, is history. If you have multiple items of similar things (e.g. drums, horn section, background vocals or the aforementioned goats), you can assign a color to them.
Master Fader and My Fader Reference Guide As mentioned previously, two adjoining mono input channels may be linked together into a single stereo channel strip. This is ideal for stereo input sources such as keyboards, submixer outputs, vocal processors and more. When linked, the level control, EQ, gate/compressor, etc. are adjusted with a single set of controls! Linking channels is easy. After tapping a Channel ID button, you will see an option to “Link Ch X over Ch X”.
Master Fader and My Fader Reference Guide Presets Presets save parameters and may be recalled as needed. The mixer comes with a library of factory presets. There are also user presets. These may be created for each preset type. The number of user presets available is limited only by the available space on the iPad. An entire chapter is dedicated to presets. This includes detailed instructions and multiple screenshots every step of the way. Please check it out on pages 136-143.
Master Fader and My Fader Reference Guide Return 1-4 [DL32R] Below is a look at the DL32R return 1-4 channel strips. The return channels control the level and DSP from the USB drives. These operate slightly differently the channel strips; let’s find out how. To get here, flick or drag left anywhere in the mixer view swipe zone until the return channels appear. The differences between the input channel strips and return channel strips are noted below.
Master Fader and My Fader Reference Guide iPad / Playback [DL1608 and DL806] Now let’s take a look at the iPad channel strip since it operates slightly different than the input channel strips. To get here, flick or drag left anywhere in the mixer view swipe zone until the iPad channel appears. The differences between the input channel strips and iPad channel strip are noted below.
Master Fader and My Fader Reference Guide The iPad channel controls the level and EQ from the iPad music library (or any other audio app on the iPad that supports background audio playback). It’s easy, just follow these instructions: (1) — Make sure that the iPad is attached to the mixer for playback, as it will not work in Wi-Fi mode. (2) — Open the audio app of your choice on the iPad by tapping its icon; this could be the music app, your favorite multitrack DAW, Spotify and more.
Master Fader and My Fader Reference Guide FX [Reverb / Delay] Now let’s take a look at the reverb and delay channel strips since they operate slightly different than the channel strips. To get here, flick or drag left anywhere in the mixer view swipe zone until the FX channels appear. The differences between the input channel strips and FX channel strips are noted below.
Master Fader and My Fader Reference Guide Subgroups Subgroup channel strips are a similar (in a way) to input channel strips, but also quite different at the same time, so let’s take a look. To get here, flick or drag left anywhere in the mixer view swipe zone until the subgroup channels appear. The differences between the input channel strips and subgroup channel strips are noted below.
Master Fader and My Fader Reference Guide VCAs VCA channel strips are in a category all by themselves. To get here, flick or drag left anywhere in the mixer view swipe zone until the VCA channel strips appear. The differences between the input channel strips and VCA channel strips are noted below. No Source Select — There is no digital trim on subgroups, so it will be absent from the routing view for these channel strips.
Master Fader and My Fader Reference Guide Chapter 6 : Mixer View : Subgroups and VCAs Introduction The previous chapter was an in-depth look at channel faders with a super-duper sneaky-peeky quick look at subgroups and VCA groups. There we wanted to display the similarities and differences between these channels, but you know what? There’s more to them than just the why and how they look and act similarly (or differently) than the input channels. They deserve their own chapter...
Master Fader and My Fader Reference Guide An overview of the subgroups may be accessed via the overview screen as described on pages 17-18. Here it is possible to see the settings of all subgroups simultaneously and head straight to the subgroup needing updates simply by tapping that subgroup channel. A subgroup’s ID button – naming, image, color, linking and presets – works exactly like that of a channel’s ID button. Refer to pages 34-38 for more information on these features.
Master Fader and My Fader Reference Guide To create a VCA, tap a VCA’s routing button followed by tapping the button of every channel that should be a member of that VCA. Assigned buttons will illuminate, while unassigned channels will remain gray. It is permissible for any channel to be a member of multiple VCAs. In this example, we’re sending channels 1-6 [drum set] to VCA 1. There is an entire chapter dedicated to output routing on pages 110-114.
Master Fader and My Fader Reference Guide Chapter 7 : Mixer View : Master Fader / Selector Strip Introduction The master fader and selector strip are arguably the most important tools of the mixer. So much so, in fact, that they are always displayed in both the mixer view and channel view. As seen in the image below, the master fader has six different views based on what type of output is selected (via the mix selector).
Master Fader and My Fader Reference Guide Selector Strip Top to bottom, the selector strip breaks down to four separate selectors: Mute Groups • • • • Mute Groups Output Selector View Groups Masters Together, these four selectors are the main interface controlling what inputs and outputs you see and hear. Let’s take a look at them in order. First up...mute groups! Output Selector View Groups Mute Groups – Mute groups allow you to quickly mute (and unmute) multiple channels and/or outputs.
Master Fader and My Fader Reference Guide Step 2 — Tap the “Assign” button: The assignment panel slides into view when the assign button is tapped. As seen below, doing so opens up a world of mute group possibilities! Step 3 — Name the mute group: Each mute group may given a personal name; it’s much easier to recall a mute group that you named versus just “mute group x”. In this example, the synth, horn section and background vocals are to be added to this mute group.
Master Fader and My Fader Reference Guide The mixer view should now look something like the image below. There are a few things to notice in the above image: (1) You should notice that each assigned channel’s mute button (channels 11, 13-18) turns oxblood red, indicating that they are muted by the mute group.
Master Fader and My Fader Reference Guide When you’re ready to unmute the channels, simply re-open the mute group masters on the selector strip and tap the mute group 1 master button. It will no longer illuminate and each of the mute buttons on channels 11, 13-18 turn gray, indicating that the channels are no longer muted (see images below). Do this each time the synth, horn section and background singers are and are not needed.
Master Fader and My Fader Reference Guide A classic break switch is muting all inputs and outputs, except the returns channels [DL32R] or iPad channel [DL1608 / DL806] and LR, as seen below. When the mute group 5 button – the aptly named “Break” – is engaged everything will be muted except for the house music over the PA. Just unmute group 5 when the next band’s gear has been set up and they’re ready to rock! It is still possible to mute channels, even if mute groups are engaged.
Master Fader and My Fader Reference Guide Multiple mute groups may be enabled simultaneously. This would be particularly helpful in a larger production featuring a rotating ensemble of musicians on stage. You could also use mute groups for scenes in a theater production, a variety of services in a House of Worship and more.
Master Fader and My Fader Reference Guide Mix Selector – The mixer view shows a fader for each channel. Initially, this fader controls the level to the LR mix. But how do you control the level going to the aux sends? Or how about the aux master level? What about the sub groups and VCAs? Simple. Use the mix selector to switch between mixes. The currently selected mix is illuminated, but changing the selected output is easy. Simply tap the output selector to reveal a popover displaying all outputs.
Master Fader and My Fader Reference Guide The thin illuminated strip surrounding the master fader meter also helps indicate which mix type is currently selected. Additionally, a horizontal strip of the same color is located at the top and bottom of the master fader; the color varies and is dependent on the selected output. This is the same indicator that is also on display surrounding each input meter.
Master Fader and My Fader Reference Guide View Groups – View groups allow you to see only the channels that you want to view, hiding the rest. This improves organization and allows for faster navigation. The DL32R has six view groups, while the DL1608 and DL806 have four view groups each. Let’s take a look at a couple of examples. Mute Groups Example One: A singer-songwriter is playing at the local coffee shop. In all likelihood, 3-4 inputs are probably the maximum amount of channels needed.
Master Fader and My Fader Reference Guide Step 2 — Tap the “Assign” button: The assignment panel slides into view when the assign button is tapped. As seen below, doing so opens up a world of view group possibilities! Step 3 — Name the view group: Each view group may given a personal name; it’s much easier to recall a view group that you named versus just “view group x”. In this example, it’s simply a singer-songwriter show at a local café. We named it as such.
Master Fader and My Fader Reference Guide The mixer view should now look something like the image below. There are a couple of things to notice in the above image: (1) You should notice that each channel assigned to view group A (channels 1 and 2, return 1-2, reverb 1 and 2 and delay) are the only visible channels. All others have now “disappeared.” (2) You should notice that the text of the view group A master (Café) on the selector strip turns green when enabled.
Master Fader and My Fader Reference Guide When you’re ready to view all of the channels, simply re-open the view group masters on the selector strip and tap the “ALL” button. The view group letters will no longer illuminate and the entire mixer is now at your disposal! View Group A Enabled View Group A Disabled Step 6 — Do what you just did...all over again!: Follow steps 1-5 to assign inputs and outputs to additional view groups.
Master Fader and My Fader Reference Guide Masters Selector – At the bottom of the selector strip is the masters section. This allows you to look at all (or some) of the master fader channel faders and control them simultaneously. This is ideal for improved organization and faster navigating. Mute Groups Step 1 — Open the masters selector: A single tap in the masters selector area will immediately replace all input channels with all output channels, similar to what may be seen below.
Master Fader and My Fader Reference Guide That pretty much wraps up the selector section of the master fader. As a reminder, there is another way to assign inputs and outputs to mute groups and view groups. If interested, please refer to ‘Chapter 9 : Channel View : Input Routing View’ on pages 78-82 and ‘Chapter 13 : Channel View : Output Routing View’ on pages 110-114. Now we’re headed to the top of the master fader itself, starting with a quick look at the output routing view.
Master Fader and My Fader Reference Guide Balance When LR is the selected output, the balance slider controls how much of the output signal is sent to the left versus the right outputs. Touch and drag the slider left or right to make adjustments. Tapping the master fader’s balance slider twice will center it. Mute The master fader mute button works exactly like a channel mute, except it mutes the output.
Master Fader and My Fader Reference Guide There are two other output options to choose from, Use LR Mute and Use LR Pan. Let’s take a look at each. Use LR Mute — When Use LR Mute is enabled [indicated with a P], the aux sends share the same mutes as the LR main mix. When Use LR Mute is disabled [indicated with no P], users can control aux mutes and main mix mutes independently for each channel. To see the difference, de-select Use LR Mute by tapping it. A pop-over will ask you to confirm the change.
Master Fader and My Fader Reference Guide Use LR Pan [Stereo Auxes only] — When Use LR Pan is enabled [indicated with a P], the aux pans share the same pans as the LR main mix. When Use LR Pan is disabled [indicated with no P], users can control aux pans and main mix pans independently for each channel. To see the difference, first move the channel 1 pan far left on the LR output. Now select an aux and link the corresponding auxes together (as described at the end of this chapter, page 71).
Master Fader and My Fader Reference Guide Master Fader and Output Meters As discussed, the master fader adjusts the output level of the LR, the aux masters, the reverb and delay master sends, the sub outs and VCAs depending on which output is selected. While one fader controls the output level of each output, each output is independent of the others. Once the selected output has been chosen, touch and drag the master fader up and down to make adjustments. The output meter displays the output signal level.
Master Fader and My Fader Reference Guide Master ID Button The master fader’s name and image is similar to that of a channel strip’s name and image. Like the channel faders, the master fader’s name, image, color and preset is also user-editable. Additionally, users may also link two adjoining auxes or sub outputs together. Simply tap the button at the bottom of the master fader to reveal a popover that allows editing of the name, image, color, preset and an option to link auxes and the sub outputs.
Master Fader and My Fader Reference Guide As seen in all of these images, a small name resides in the upper-left corner of the master ID button regardless of the name and/or image. This system name represents each output and it cannot be changed or removed. Trust us, it’s for the best, as it is for easy identification of each output, even after you rename it something goofy. An open gray box with only the master fader’s name works, but let’s spice it up with an image.
Master Fader and My Fader Reference Guide If you’re ok with it, we’ll go with the rockin’ PA icon. Cool? Great! Tap the PA icon towards the lower-right corner to select it. If you have multiple items of similar things (e.g. drums, horn section, background vocals, etc.), you can assign a color to them. This helps color coordinate, distinguish between sets of instrumentation and more.
Master Fader and My Fader Reference Guide Presets Presets save parameters and may be recalled as needed. The mixer comes with a library of factory presets. There are also user presets. These may be created for each preset type. The number of user presets available is limited only by the available space on the iPad. An entire chapter is dedicated to presets. This includes detailed instructions and multiple screenshots every step of the way. Please check it out on pages 136-143.
Master Fader and My Fader Reference Guide Linking Auxes As mentioned previously, two separate mono auxes, sub outputs and matrix outputs may be linked together into a single stereo aux and/or sub. This is ideal for using in-ear monitors or other stereo output destinations such as broadcast feeds, recording devices and more. When linked, the level control, graphic EQ, parametric EQ and output compressor/limiter are adjusted with a single set of controls! Linking these outputs is easy.
Master Fader and My Fader Reference Guide Chapter 8 : Mixer View : The Matrix [DL32R] Introduction So I was told that I would be able to write about The Matrix. What? Really?! I love The Matrix! Well, the first two, at least. Of the three movies, the original Matrix is the best, with The Matrix Reloaded being pretty good and The Matrix Revolutions quite forgettable. When we talk about the matrix and the DL32R, though, it’s a totally different beast. It has nothing to do with The Matrix trilogy...
Master Fader and My Fader Reference Guide Continuing on with the theme of theatres, many of them also have a backstage where cast members await their turns in the spotlight, change outfits, converse, eat, drink and be merry and more. A speaker system may be set up there for the cast to get their cues. Just send a matrix output there, as well. Last, but not least...green rooms. Perhaps the theatre has a green room (or two) where the rock stars and their posse can congregate.
Master Fader and My Fader Reference Guide Configuring The Matrix You have waited long enough...time for some step-by-step directions and screen shots of what we’re talking about! • Step 1 — Matrix outputs are assigned via the I/O patch. There is a plethora of information about the I/O patch on pages 164-175, but the idea here is that matrix outputs are assigned via the output tabs on the I/O patch. If you need to review that section first, we’ll wait.
Master Fader and My Fader Reference Guide • Step 2 — Return to the mixer view and select “M1” for matrix 1 from the master fader’s output selector. Left to right, the mixer view will now show subgroups 1-6, left output, right output and aux sends 1-14. • Step 3 — As discussed a couple of pages back, the processing and capabilities of the matrix outputs are almost identical to the main L/R and aux sends.
Master Fader and My Fader Reference Guide All matrix outputs may be viewed simultaneously by touching the masters selector located at the bottom right of Master Fader. In the image below, we selected matrix only for what masters to view. Notice here that names, icons, colors, PEQ and GEQ have been set up...but most importantly, the lobby, mezzanine, bathrooms and backstage are all receiving signal as indicated by the cheerfully bouncing meters.
Master Fader and My Fader Reference Guide • Step 6 — Everyone is back in their seats enjoying the second act, so all you need to do at this point is return to the overview. All channels are in view simultaneously, so chill here unless you see some spiking meters or hear something that doesn’t sound quite right to you. You can head straight to the problem immediately and make the necessary adjustments. Congrats! There are plenty of other situations where the matrix may come in handy.
Master Fader and My Fader Reference Guide Chapter 9 : Channel View : Input Routing View Introduction The input routing view is the place to adjust all assignments and sends for each channel in a convenient location.
Master Fader and My Fader Reference Guide Source Selection On the top left of the current channel’s input routing view are the source selection, digital trim slider and polarity button. As seen below left, if a mic pre is the currently selected input for the current channel, a mic pre gain slider and 48v button also appear. DL32R – Mic Pre DL32R – USB If a source without a mic pre is selected – USB 1 (above right, for example) – the gain and 48v controls are hidden.
Master Fader and My Fader Reference Guide Because the gain here is digital, it is recallable. Gain is raised and lowered via the gain knobs on the DL1608 and DL806 mixers. These are analog controls, and are therefore NOT recallable. See the chapter on the level setting procedure, starting on page 25, for information on setting gain. • 48v [DL32R] – The DL32R has separate phantom power for each of the 32 channel inputs. Tap the 48v button if the microphone connected to this channel requires phantom power.
Master Fader and My Fader Reference Guide Assignments (for the current channel) Below the source selection are the assignments for the current channel. Channels may be assigned and unassigned to the following simply by tapping the displayed assignment buttons. These buttons display the custom name and color of the group (with the default of both displayed below). All outputs and groups that are unassigned will remain light gray. [See below left].
Master Fader and My Fader Reference Guide Aux Send Assignments (for the current channel) On the right hand side are the aux send assignments for the current channel. Here you’re able to adjust each aux level independently with the slider displaying the color of the aux send master. As seen below right, linked aux sends [aux 7-8, aux 9-10] will display a stereo pan.
Master Fader and My Fader Reference Guide Chapter 10 : Channel View : EQ Introduction The equalizer area accesses all EQ-related parameters such as EQ for the selected channel (including gain, frequency and Q), a high-pass filter (HPF) and polarity invert. The input channels, reverb, delay and iPad channels all have up to 4-band EQ with high shelving, high-mid peaking, low-mid peaking and low shelving. Shelving means that the circuitry boosts or cuts all frequencies past the specified frequency.
Master Fader and My Fader Reference Guide EQ The EQ button – near the upper-left corner of the screen – allows for true bypass of the EQ circuitry to ensure that there is no coloration of the signal if the EQ is not needed. When this button is disengaged, the EQ controls have no effect on the signal. You may use this button to make an A/B comparison between the EQ’d signal and the signal without EQ. Press this button to turn EQ on or off. It will illuminate green when engaged and is gray when disengaged.
Master Fader and My Fader Reference Guide Modern EQ Introduction As mentioned previously, the modern EQ is designed for clean, surgical processing; it’s great for dialing in a nice, tight sound. As such, each of the four bands has adjustable gain and frequency, while bands 2 and 3 also have adjustable Q (bandwidth). [Bands 1 and 4 also have adjustable Q (bandwidth) when in ‘Bell’ mode].
Master Fader and My Fader Reference Guide Low Shelving – Band 1 The low EQ provides up to 15 dB of boost or cut from 20 Hz to 20 kHz. This frequency represents the punch in bass drums, bass guitar, fat synth patches, and some really serious male singers who eat raw beef for breakfast. Gain (+) Frequency (–) Frequency (+) Gain (–) Low-Mid Peaking – Band 2 The low-mid EQ provides up to 15 dB of boost or cut from 20 Hz to 20 kHz.
Master Fader and My Fader Reference Guide High-Mid Peaking – Band 3 The high-mid EQ provides up to 15 dB of boost or cut from 20 Hz to 20 kHz. Midrange EQ is often thought of as the most dynamic because the frequencies that define any particular sound are almost always found within this range. For example, the female vocal range as well as the fundamentals and harmonics of many higher-timbred instruments.
Master Fader and My Fader Reference Guide Modern EQ Shelf / Bell A Shelf / Bell option is available on bands 1 and 4. Simply tap which setting you prefer. The chosen setting will illuminate green when engaged, while the other option will be grayed out. When engaged, the EQ becomes a shelving filter rather than a parametric filter. Shelf boosts frequencies from the cut-off point upwards. A gentle roll-off may be assumed with shelf. The Q control becomes inactive when shelf is engaged.
Master Fader and My Fader Reference Guide Modern EQ HPF On / Off and Frequency High-pass filters are utilized to cut out low frequencies. The high-pass filter control adjusts the cut-off frequency for the filter. Frequencies below the cut-off frequency are attenuated at a rate of 12 dB/octave. The slope for the HPF is adjustable by sliding the HPF ball or HPF slider left and right. Simply tap the HPF button – near the lower-left corner of the screen – to engage the high-pass filter.
Master Fader and My Fader Reference Guide Modern EQ at a Glance Parameter Low Value Limit High Value Limit Default Polarity Invert Off On Off HPF Enable Off On On HPF Frequency 20 Hz 700 Hz 100 Hz HPF Slope – – 18 dB/octave EQ Enable Off On On High Band Type Parametric Shelf Shelf Low Band Type Parametric Shelf Shelf High Gain –15 dB +15 dB 0 dB High Freq 20 Hz 20 kHz 12 kHz High Q / Shelf Slope 0.
Master Fader and My Fader Reference Guide Vintage EQ Introduction Many of our audio engineer friends and other pro audio gear heads yearn for the ease of use and sound of yesteryear. That’s right, the vintage EQ was created with you in mind...but every user will love using it! It meticulously recreates the feel and sound of EQ of classic consoles.
Master Fader and My Fader Reference Guide Vintage EQ Gain and Frequency The gain for each EQ band may be changed by dragging up [increases gain] and down [decreases gain] over the knob until the desired gain has been achieved. The gain may be changed by approximately ±15 dB...it’s vintage, so nothing is exact! Double-tap a gain knob to reset its gain to zero. Each EQ band here has a vertical row of frequency buttons located underneath its gain knob. Simply tap the frequency button you desire for each band.
Master Fader and My Fader Reference Guide Chapter 11 : Channel View : Gate and Compression Introduction Gates are typically used to reduce leakage from open microphones. Signals below the threshold level are muted, while signals above the threshold get to pass through. The range control changes the rule slightly. Signals below the threshold are attenuated by the amount of the range setting, while signals above the threshold get to pass through.
Master Fader and My Fader Reference Guide Gate On / Off Press the Gate button to turn the gate on or off. It will illuminate green when engaged and is gray when disengaged. Notice the input and output meters below, as well. There is mono metering for inputs and outputs on unlinked channels and stereo metering for inputs and outputs on linked channels. GATE ON / MONO METERS GATE OFF / STEREO METERS Modern / Vintage The modern/vintage button is located directly to the right of the gate on/off button.
Master Fader and My Fader Reference Guide Compressor On / Off Press the Comp button to turn the compressor on or off. It will illuminate green when engaged and is gray when disengaged. Notice the input and output meters below, as well. There is mono metering for inputs and outputs on unlinked channels and stereo metering for inputs and outputs on linked channels.
Master Fader and My Fader Reference Guide Modern Gate and Compressor Introduction As mentioned previously, modern dynamics were designed for clean, surgical processing; they’re great for dialing in a nice, tight sound. As such, the range, attack, release and ratio features may be fine-tuned when modern dynamics are utilized. Now for a detailed (let’s say “surgical”) look at modern dynamics.
Master Fader and My Fader Reference Guide Modern Gate Display and Settings The gate for each channel may be adjusted by moving the threshold and range balls or moving any of the five sliders left and right. Additionally, exact settings may be entered into the current parameter display. The gate may be adjusted whether the gate is on or off. The iPad channel only has a compressor, not a gate. Threshold — Threshold determines the level at which the gate acts on the incoming signal.
Master Fader and My Fader Reference Guide Soft Knee / Hard Knee Compression This switch sets the shape of the gain reduction curve at the threshold level. When set to hard, the gain reduction curve changes abruptly at the threshold level. When set to soft, the gain reduction curve changes gently as it transitions to the final ratio amount. Modern Compressor Meters These three meters show the input level, amount of gain reduction and output level.
Master Fader and My Fader Reference Guide Vintage Gate and Compressor Introduction Many of our audio engineer friends and other pro audio gear heads yearn for the ease of use and sound of yesteryear. That’s right, the vintage gate and compressor were created with you in mind...but every user will love using it! It meticulously recreates the feel and sound of gates and compressors of classic consoles.
Master Fader and My Fader Reference Guide Vintage Gate Settings Each channel’s threshold and hold levels may be changed by dragging up [increases level] and down [decreases level] over their respective knobs until the desired level has been achieved. To the right are two horizontal rows of buttons for the attack and release. Simply tap the button you desire for the attack and release time. The current selection will illuminate green.
Master Fader and My Fader Reference Guide Vintage Gate / Compressor VU Meters To complete the classic look of the vintage dynamics, the gate and compressor are outfitted with VU meters. What’s more, underneath each VU meter is a set of buttons to select between displaying the input level, amount of gain reduction or output level. The input and output meters range from –20 dBu to 0 dBu. The reduction meter of the gate and compressor ranges from 0 to 20 dB.
Master Fader and My Fader Reference Guide Chapter 12 : Channel View : FX Introduction The DL 1608 and DL806 have one reverb and one delay, while the DL32R has an additional reverb, and these may be fed from any combination of channels with dedicated FX sends. There are a wide variety of reverb and delay types at your disposal on the Master Fader app. As seen in the image below, the Master Fader app follows standard FX send and return configuration so the learning curve is kept to a minimum.
Master Fader and My Fader Reference Guide FX View From left to right, each effect displays the following: Effect Type — The reverb(s) and delay display the currently selected effect type (as a button which reveals a popover when tapped) and an accompanying image. These selections are global and affect all channels sent to the effects. Effect types are described in more detail in a few pages. FX Sends — There are separate vertical send channel faders and meters, one for each effect.
Master Fader and My Fader Reference Guide FX Returns — There are separate vertical return channel faders and meters, one for each effect. These control the return level from the effect to the selected output. You have seen these before, as they are the same faders displayed in the mixer view. One exists for each selected output. Unlike the FX sends, the color of the selected output indicator will change based on the selected output for the FX returns. See the image below for one example.
Master Fader and My Fader Reference Guide The astute reader may ask if there are no sends from returns and no returns from sends, what if one selects an effect return as the current channel and an effect send as the selected output? Good question! The image below shows the FX with no sends and no returns. Of course you may still adjust the global controls.
Master Fader and My Fader Reference Guide Reverb Type Reverb simulates the effect of room variations. The Master Fader app comes with nine reverb types to choose from: plate, ambience, small room, medium room, large room, hall, cathedral, gated reverb and spring. A button displaying the current reverb type may be tapped to reveal the other reverb types. Tap the reverb you would like for the selected channel. The image will change to reflect the reverb type chosen.
Master Fader and My Fader Reference Guide Reverb Sliders The following is a list of sliders available for each selected reverb. Slide left to decrease the reverb time and slide right to increase the reverb time. Pre Delay (All) — When listening to a live performance, direct sounds are reached first, followed by reverberation caused by room reflections. The pre delay is the amount of time between when the direct sounds arrive and when the reflections arrive. The range is 0 ms to 300 ms.
Master Fader and My Fader Reference Guide Delay Type Delay allows adjustment of the effect delay. The Master Fader app comes with five delays to choose from: mono, tape echo, stereo, ping-pong and multi-tap. A button displaying the current delay type may be tapped to reveal the other delay types. Tap the delay you would like for the selected channel. The image will change to reflect the delay type chosen.
Master Fader and My Fader Reference Guide Delay Sliders The following is a list of sliders available for each selected delay. Slide left to decrease the delay time and slide right to increase the delay time. Some delays have a ‘tap’ function in which case you tap the ‘tap’ button at the rate you would like the delay. Delay (Mono, Tape Echo) — This slider sets the current delay time in milliseconds, from 10 ms to 1600 ms.
Master Fader and My Fader Reference Guide Chapter 13 : Channel View : Output Routing Views Introduction The output routing view is the place to engage / disengage channel, output and group assignments for each output. This includes the subgroups, VCAs, matrix and, of course, the main L/R. A few notes about the output routing views before diving in... • Unlike the input routing view, the output routing view is different for each type. • Unlike the input routing view, there is no source selection.
Master Fader and My Fader Reference Guide Notice that all channel assignments are engaged (dark gray) and VCA and mute groups disengaged (light gray). This is the standard setup, but this is YOUR mixer and you get to choose what gets assigned and what doesn’t. The main L/R output routing view on a DL1608 and DL806 look similar except for the following: (1) 16 input channels [DL1608] and 8 input channels [DL806] (versus 32 on the DL32R).
Master Fader and My Fader Reference Guide Subgroups The subgroups output routing view is a great way to assign multiple channels to a subgroup. If only one or two channels need to be assigned, then the input routing view (pages 78-82) may be the way to go. The subgroups output routing default view will look something like the image shown below. Subgroups Notice that only the main L/R is engaged (dark gray) and everything else is disengaged (light gray).
Master Fader and My Fader Reference Guide VCAs The VCAs output routing view is a great way to assign multiple channels to a VCA. If only one or two channels need to be assigned, then the input routing view (pages 78-82) may be the way to go. The VCAs output routing default view will look something like the image shown below. VCAs Notice that everything is disengaged (light gray). This is the standard setup, but this is YOUR mixer and you get to choose what gets assigned and what doesn’t.
Master Fader and My Fader Reference Guide Matrix [DL32R] The matrix output routing tab is quite sparse. The only controls shown allow you assign the matrix to VCAs and mute groups. Matrix Notice that everything is disengaged (light gray). This is the standard setup, but this is YOUR mixer and you get to choose what gets assigned and what doesn’t.
Master Fader and My Fader Reference Guide Chapter 14 : Channel View : Output Parametric EQ Introduction The parametric equalizer is a great tool for dialing in the response for the room or to squelch feedback from monitors. The LR, auxes and matrices have up to 4-band EQ with high shelving, high-mid peaking, low-mid peaking and low shelving and a high-pass filter (HPF) and low-pass filter (LPF), both with selectable slopes.
Master Fader and My Fader Reference Guide EQ On / Off The EQ on/off button – near the upper-left corner of the screen – allows for true bypass of the parametric EQ circuitry to ensure that there is no coloration of the signal if the parametric EQ is not needed. When this button is disengaged, the parametric EQ controls have no effect on the signal. You may use this button to make an A/B comparison between the EQ’d signal and the signal without parametric EQ.
Master Fader and My Fader Reference Guide Modern PEQ Introduction As mentioned previously, the modern EQ is designed for clean, surgical processing; it’s great for dialing in a nice, tight sound. As such, each of the four bands has adjustable gain and frequency, while bands 2 and 3 also have adjustable Q (bandwidth). [Bands 1 and 4 also have adjustable Q (bandwidth) when in ‘Bell’ mode].
Master Fader and My Fader Reference Guide Low Shelving – Band 1 The low EQ provides up to 15 dB of boost or cut from 20 Hz to 20 kHz. This frequency represents the punch in bass drums, bass guitar, fat synth patches, and some really serious male singers who eat raw beef for breakfast. Gain (+) Frequency (–) Frequency (+) Gain (–) Low-Mid Peaking – Band 2 The low-mid EQ provides up to 15 dB of boost or cut from 20 Hz to 20 kHz.
Master Fader and My Fader Reference Guide High-Mid Peaking – Band 3 The high-mid EQ provides up to 15 dB of boost or cut from 20 Hz to 20 kHz. Midrange EQ is often thought of as the most dynamic because the frequencies that define any particular sound are almost always found within this range. For example, the female vocal range as well as the fundamentals and harmonics of many higher-timbred instruments.
Master Fader and My Fader Reference Guide Modern PEQ Shelf / Bell A Shelf / Bell option is available on bands 1 and 4. Simply tap which setting you prefer. The chosen setting will illuminate green when engaged, while the other option will be grayed out. When engaged, the EQ becomes a shelving filter rather than a parametric filter. Shelf boosts frequencies from the cut-off point upwards. A gentle roll-off may be assumed with shelf. The Q control becomes inactive when shelf is engaged.
Master Fader and My Fader Reference Guide Modern PEQ HPF On / Off, Frequency and Selectable Slope High-pass filters are utilized to cut out low frequencies. For example, remove the low-frequency content from stage monitors. This helps the monitors cut through better for a clearer, crisper sound. Additionally, they are louder since fewer lows are being pushed through. The high-pass filter control adjusts the cut-off frequency for the filter.
Master Fader and My Fader Reference Guide Modern PEQ LPF On / Off, Frequency and Selectable Slope Low-pass filters are utilized to cut out high frequencies. For example, remove the high-frequency content from subwoofer feeds. Why send subwoofers material they are not designed to reproduce? The low-pass filter control adjusts the cut-off frequency for the filter. Frequencies above the cut-off frequency are attenuated at a rate of 12 dB/octave (default).
Master Fader and My Fader Reference Guide Modern PEQ at a Glance Parameter Low Value Limit High Value Limit Default HPF Enable Off On Off HPF Frequency 20 Hz 20 kHz 20 Hz HPF Slope EQ Enable Off • 6 dB/oct • 12 dB/oct • 18 dB/oct • 24 dB/oct Off 18 dB/octave On On High Band Type Parametric Shelf Bell Low Band Type Parametric Shelf Bell High Gain –15 dB +15 dB 0 dB High Freq 20 Hz 20 kHz 12 kHz High Q / Shelf Slope 0.
Master Fader and My Fader Reference Guide Vintage PEQ Introduction Many of our audio engineer friends and other pro audio gear heads yearn for the ease of use and sound of yesteryear. That’s right, the vintage EQ was created with you in mind...but every user will love using it! It meticulously recreates the feel and sound of EQ of classic consoles.
Master Fader and My Fader Reference Guide Vintage PEQ Gain and Frequency The gain for each EQ band may be changed by dragging up [increases gain] and down [decreases gain] over the knob until the desired gain has been achieved. The gain may be changed by approximately ±15 dB...it’s vintage, so nothing is exact! Double-tap a gain knob to reset its gain to zero. Each EQ band here has a vertical row of frequency buttons located underneath its gain knob.
Master Fader and My Fader Reference Guide Chapter 15 : Channel View : Output Graphic EQ Introduction Graphic EQ is a great tool for really dialing in the response needed for a room or to squelch feedback from monitors. Arrival is easy. Simply tap the graphic/parametric EQ curve at the top of the master fader channel from the mixer view or from any input channel view. What’s more, you don’t have to decide between utilizing GEQ or PEQ...
Master Fader and My Fader Reference Guide Presets Presets save parameters and may be recalled as needed. The mixer comes with a library of factory presets. There are also user presets. These may be created for each preset type. The number of user presets available is limited only by the available space on the iPad. An entire chapter is dedicated to presets. This includes detailed instructions and multiple screenshots every step of the way. Please check it out on pages 136-143.
Master Fader and My Fader Reference Guide Draw The draw button is located near the upper-right corner of the screen. This allows you to draw an EQ curve over the display (regardless of where the slider balls currently reside) and the sliders will snap to the corresponding position. Engage draw to quickly create a basic GEQ outline, then disengage draw to fine-tune any of the 31 bands one-by-one, as needed. Press the draw button to turn the draw function on or off.
Master Fader and My Fader Reference Guide Chapter 16 : Channel View : Output Compressor / Delay Introduction The output compressor / limiter looks and functions similar to that of the channel compressor, except the output compressor / limiter affects and alters the sound of everything passing through the selected output. Compressors are used to reduce or limit transient peaks in a signal. If the signal is too hot, turn it down, otherwise leave it alone.
Master Fader and My Fader Reference Guide Output Compressor / Limiter On / Off Press the Comp button to turn the compressor on or off. It will illuminate green when engaged and is gray when disengaged. Notice the input and output meters below, as well. There is mono metering on unlinked auxes and stereo metering on the LR and linked aux outputs. Modern / Vintage The modern / vintage button is located directly to the right of the comp on / off button.
Master Fader and My Fader Reference Guide Modern Output Compressor / Limiter Introduction As mentioned previously, the modern output compressor / limiter is designed for clean, surgical processing; it’s great for dialing in a nice, tight sound. As such, the attack, release and ratio features may be fine-tuned when the modern output compressor / limiter is utilized. Now for a detailed (let’s say “surgical”) look at the modern output compressor / limiter.
Master Fader and My Fader Reference Guide Soft Knee / Hard Knee Compression This switch sets the shape of the gain reduction curve at the threshold level. When set to hard, the gain reduction curve changes abruptly at the threshold level. When set to soft, the gain reduction curve changes gently as it transitions to the final ratio amount. Modern Output Compressor / Limiter Meters These three meters show the input level, amount of gain reduction and output level.
Master Fader and My Fader Reference Guide Vintage Output Compressor / Limiter Introduction Many of our audio engineer friends and other pro audio gear heads yearn for the ease of use and sound of yesteryear. That’s right, the vintage output compressor / limiter was created with you in mind...but every user will love using it! It meticulously recreates the feel and sound of output compressor / limiters of classic consoles.
Master Fader and My Fader Reference Guide Vintage Output Compressor / Limiter Display and Settings Each channel’s threshold and gain levels may be changed by dragging up [increases level] and down [decreases level] over their respective knobs until the desired level has been achieved. To the right are three horizontal rows of buttons for the attack, release and ratio. Simply tap the button you desire for the attack, release and ratio. The current selection will illuminate green.
Master Fader and My Fader Reference Guide Output Alignment Delay Located at the bottom of the screen is the output alignment delay. It’s used to time-align the sound when there are speakers that are not near each other. If two speakers are playing the same sound (the mains and, a loudspeaker in the balcony) that are physically distant from each other, the sound can get muddled since the sound from each loudspeaker is hitting the listener’s ears at different times.
Master Fader and My Fader Reference Guide Chapter 17 : Channel View : Presets Introduction Presets save parameters on individual input or output channels and on particular DSP blocks such as EQ, dynamics, FX, graphic EQ, etc. For example, a favorite kick drum EQ setting may be saved as a preset and recalled as needed. Presets are not associated with a particular show, snapshot or channel.
Master Fader and My Fader Reference Guide Recalling a factory preset is easy. Simply tap “Presets” to reveal a popover. The popover displays a list of factory presets to choose from, as well as the opportunity to... • store the preset, • reset the channel and/or • import/export the preset. After tapping a preset from the factory preset list, you will be asked if you want to recall the preset. After tapping the “Yes” button, you’ll hear the change, but notice that the presets list stays open.
Master Fader and My Fader Reference Guide Tapping a user preset’s blue-circled “i” [information] button will display a popover with the following options: Recall — Pressing the recall button recalls presets. On recall, all appropriate console parameters change to match the stored preset. Recall is the only available option with factory presets. A confirmation dialog will appear.
Master Fader and My Fader Reference Guide An open gray box with only the preset’s name works, but you may choose to spice it up with an image. There are several options in this department. From the preset popover, tap “Image” to reveal a new popover as seen below [Image Source]. You will be presented with four choices: Camera — If you’re familiar with how the camera on the iPad works, then you’re in luck...
Master Fader and My Fader Reference Guide Channel Presets vs DSP Presets There are channel presets and DSP presets. Also, there are factory presets for both or you may create your own user presets for each. So many options! Let’s take a look at each: Input and Output Channel Presets — Channel presets change virtually all controls on the channel. There are both input and output channel presets. Input channel presets do NOT change pan, mute, fader, solo, polarity or the linked state.
Master Fader and My Fader Reference Guide From the EQ channel view you are able to set a preset for the channel’s EQ. Don’t forget to scroll up to access more factory presets, if going that route. EQ presets do NOT recall either the HPF on/off or the EQ on/off, but the EQ presets DO recall the EQ type [modern or vintage]. From the gate / compressor channel view you are able to set a preset for the dynamics. Don’t forget to scroll up to access more factory presets, if going that route.
Master Fader and My Fader Reference Guide From the reverb / delay channel view you are able to set a preset for the FX. Don’t forget to scroll up to access more factory presets, if going that route. Note that the reverb and delay presets do NOT change the send or return level, but these presets recall the FX type [modern or vintage]. REVERB DELAY PRESETS PRESETS From the parametric and graphic EQ channel views you are able to store, reset and/or import/export a preset for the PEQ or GEQ.
Master Fader and My Fader Reference Guide And from the compressor / limiter channel view you are able to set a preset for the compressor / limiter. Don’t forget to scroll up to access more factory presets, if going that route. These presets recall the compressor / limiter type [modern or vintage].
Master Fader and My Fader Reference Guide Chapter 18 : Mixer View : Navigation Bar Introduction Just how important is the navigation bar? It’s so important that it is always available regardless of what view is currently displayed. Want more? Not only is it always available, but it is right on top in plain sight! Not at the bottom or tucked away in some corner. It’s a banner announcing (and awaiting) your choice.
Master Fader and My Fader Reference Guide Channel View When tapped, the channel view button turns dark gray to indicate that it has been selected. The overview and mixer view buttons will remain light gray. The channel view handles all DSP-related activities. It is in the channel view where all plug-in processing is adjusted on individual channel inputs and outputs.
Master Fader and My Fader Reference Guide When tapped, the tools menu will appear and the tools icon will illuminate green, indicating that it has been selected. When tools is disengaged, the icon is gray. Tools Engaged Tools Disengaged Tap the tools icon to reveal the following options: (1) Devices (2) Settings (3) Access Limits (4) Help As we go through each of these sections, notice that the current selection illuminates green.
Master Fader and My Fader Reference Guide Devices Devices is where you select a mixer to control from the Master Fader app on this iPad, whether wired [DL806 / DL1608 only] or wirelessly. Or you may choose to work offline. This could be to demo the Master Fader app or prepare a mix prior to the next gig. Simply select from a list of all discovered consoles available for control. The list of available devices to select from is divided into three sections: Offline, Wired and Wireless.
Master Fader and My Fader Reference Guide Wired I [DL1608 / DL806] — Slide the iPad into the mixer. You will see that the wired device changes to display the name of the DL Series mixer and it is automatically selected. When this happens, a pop-up appears indicating that the console is connecting and synchronizing the current show and then the current state.
Master Fader and My Fader Reference Guide Wireless — Remove the iPad from the mixer and select the mixer from the wireless list so it’s highlighted. Feel free to wander the venue and mix with this wireless iPad. Because the iPad is wireless, working wired (with a DL 1608 / DL806) is not an option until the iPad is reattached to the mixer. As such, a Running Man logo in the wired list is displayed, but grayed out.
Master Fader and My Fader Reference Guide There are other possibilities of why shows would not be synced. For example, if the current show (X) was used at a gig on a DL806 mixer. The band and crew then pack up for the next show, but the engineer wants to make some tweaks for the next night’s performance where they’ll be using the DL32R because they need additional inputs.
Master Fader and My Fader Reference Guide Disconnected — Let’s try something. Turn the mixer off and see what changes. Notice that the mixer is listed as “Disconnected” in the wireless list. Additionally, a red “disconnected” appears above the tools icon. So how does disconnected differ from offline? Glad you asked! Disconnected means that you are trying to connect to a mixer wirelessly, but can’t at this time.
Master Fader and My Fader Reference Guide Edit / Information — Perhaps you noticed the blue “EDIT” and circled lower case “i” in the Devices section? These serve a purpose! Edit allows you to add another device with an IP Address and the blue lower case “i” stands for “info”; this is where you can rename the mixer and view and edit the Wi-Fi connection. Information is a good thing...let’s find out what it does here. Start by tapping it. It displays the connected device name and IP details.
Master Fader and My Fader Reference Guide Now let’s take a look at edit...tap it! You will see something similar to what is shown below: From here, just tap inside where the number symbol is... ...or for you tweeters, where the hashtag symbol lives. The keyboard will appear, and here you can enter the IP Address of the new device.
Master Fader and My Fader Reference Guide You should now know how to set up your iPad in devices. Go ahead and experiment with it, switching between the selections. The more you do it, the more familiar it becomes. Plus, it’s software: you can’t break it! Also, notice in all of the examples that the text above the tools icon displays exactly what the state of the iPad is in...and will be no matter what view you are in. Tools > Devices is just the place to set up each iPad.
Master Fader and My Fader Reference Guide Settings There are two types of settings available: (1) Settings that only affect the iPad. (2) Settings that are transferred to the console and affect every iPad connected to it. When the settings tab is first opened, it will look something like what you see below. Let’s discuss each of the settings, what they do and how they benefit you. Default Output EQ View — The main LR and each aux send, sub out and matrix feature graphic EQ and parametric EQ.
Master Fader and My Fader Reference Guide Enable Dropbox — Enable Dropbox allows you to...enable Dropbox! If you are unaware of what Dropbox is, it is a file hosting service. Imagine importing and exporting all (or even just some) of your mixer’s files to access at a different location at a later time...or perhaps an engineer friend lives across the pond. Export your files for them to import at their convenience. • Step 1 — Slide the enable Dropbox slider to the right to turn it on.
Master Fader and My Fader Reference Guide Access Limits This set of buttons allows you to limit access to a variety of controls on each iPad. This is useful in multiple situations. For example, each member of a band with an iPad can access and change only the controls you choose. The singer won’t be thrilled about it, but we all know that you’re the one who really runs the show! This feature works great for FOH and monitor engineers, as well.
Master Fader and My Fader Reference Guide • VCAs — Pressing any of the VCA buttons will prevent access to the corresponding VCA in the mix selector. They will appear grayed out and cannot be selected. • Matrix — Pressing any of the matrix buttons will prevent access to the corresponding matrix in the mix selector. They will appear grayed out and cannot be selected. If either side of a linked matrix is access limited, the stereo matrix will be grayed out in the mix selector.
Master Fader and My Fader Reference Guide • Overview — The overview button is located in the upper-left corner of the navigation bar. Engaging this button in Tools > Access Limits limits access [imagine that!] to the overview, graying it out. • I/O Patchbay — Also located on the navigation bar is the I/O patchbay. Engaging this button in Tools > Access Limits limits access to the I/O patchbay, graying it out.
Master Fader and My Fader Reference Guide Notice that aux 4 is the only available output when the output selector is opened.
Master Fader and My Fader Reference Guide Additionally, a lock switch allows the engineer to limit changes to the access limits controls by setting a four character passcode. Simply configure the access limits as desired and change the lock switch to ON. At this time, you will be prompted to enter and confirm a four character passcode.
Master Fader and My Fader Reference Guide The access limit controls will now be grayed out, preventing any unwarranted changes. To adjust them again, change the lock switch back to OFF and enter the four character passcode. Be sure to remember the passcode! If you forget, you will not be able to access these controls ever again! Read that again...no access to the limit controls if you lock it and can’t recall the passcode.
Master Fader and My Fader Reference Guide Help We’re with you every step of the way and here’s where to go if you need further assistance or simply want to seek additional information. There is plenty enough to go around for everyone and we share nice! The list below describes all of the goodies as shown in the image above: About — About displays the Master Fader App version that is currently installed on the iPad.
Master Fader and My Fader Reference Guide I/O Patch Introduction Master Fader’s I/O patch allows you to patch audio from physical inputs to input channels and from any signal source to any physical or recording output. To slide open the I/O patch view, just tap the I/O patch button in the upper-right corner of the navigation bar. As seen in the images above and below, it will illuminate green when open.
Master Fader and My Fader Reference Guide So how does one change the patching? Well, for starters you have to make sure that both the source and destination are in view. Once visible, just tap the crosshairs where they meet. The horizontal and vertical lines will illuminate, as well as the text. Additionally, the I/O patch ball will grow ‘n glow. This is how to select a destination for each source. You may also tap an existing ball to make it disappear and remove a patch.
Master Fader and My Fader Reference Guide Because the monitor outputs are patchable, if the engineer isn’t using in-ear monitors, headphones, or monitor speakers, you can use these 1/4” outputs for something else such as additional aux sends. Similarly, if you want the solo bus on XLR outputs, you’re able to patch this, as well. • USB [Outputs] — Fully routable USB recording means you’re able to record just the direct inputs off the mic pres, or just the output buses of any combination of the two.
Master Fader and My Fader Reference Guide I/O patching situational examples: INPUT A/B 1 — Input A and input B have the same sources [Mic pres 1-32, USB 1-32, Dante 1-32] and destinations [Chs 1-32 and Returns 1-4]. Input A is also where to patch the talkback source. Hmmm, Destination Talkback. That might be the name of my next band. Let’s take a look at a few examples why the routing might be changed here.
Master Fader and My Fader Reference Guide INPUT A/B 2 — Or how about this one...any sports fans in the house? After showering and getting dressed, the coach and star athletes head to the post-game press conference to face the media and discuss the match where the winners gloat about the big victory and the losers cry that the refs blew several calls. At least a couple of mics are in front of each person at these press conferences. One is the main mic and the second is a backup mic.
Master Fader and My Fader Reference Guide OUTPUT 1 — Perhaps the DL32R will be used strictly as a monitor mixer with no need for main L/R. Here you’re able to use all 14 outputs as linked aux sends for a total of seven in-ear and/or 14 wedge monitors. But how? The output tab defaults to aux sends 1-10 [source] to XLRs 1-10 [destination]. From here, you just need to add aux sends 11-14 to XLRs 11-14 as seen below.
Master Fader and My Fader Reference Guide OUTPUT 2 — Another output patching example might be found in a typical theatre setup. Here, the main L/R would be the PA and all six matrix outputs will be dialed in, as well, sending signal to the theatre’s lobby, mezzanine, bathrooms, etc. (all with unique settings). In a case like this, you might consider setting matrix 1-6 [source] to XLRs 1-6 [destination] and main L/R [source] to XLRs 13-14 [destination]. Before setup, I cleared the output’s I/O patching...
Master Fader and My Fader Reference Guide USB 1 — By default, mic pres 1-32 [source] are routed to USB 1-32 [destination]. This is the most common recording scenario: recording each input directly off the mic pre with no processing. But sometimes you might want to record the main mix instead, or even create a dedicated recording mix. In the first image shown below, we routed mic pres 1-12 to USB 1-12.
Master Fader and My Fader Reference Guide USB 2 — Another popular example of USB routing would be to route each of the 32 post-DSP inputs to USB 1-32. This would be used in a situation similar to a “live” recording at a rehearsal studio where processing is added immediately to the recording. See below. DANTE 1 — Dante is useful for recording. For this purpose the Dante output routing is similar to that of the previously discussed USB output and its routing.
Master Fader and My Fader Reference Guide I/O Patch at a Glance The following table shows the available sources for each tab: Source Input A Input B Output USB Dante Mic Pre 1-32 P P P P P USB 1-32 P P P P P Dante 1-32 P P P P P Input 1-32, Post-DSP P P P Return 1-4, Post-DSP P P P FX L/R, Post-DSP P P P Main L/R, Pre-Fader P P P Main L/R P P P Subgroups 1-6 P P P Aux 1-14 P P P FX Send 1-3 P P P Matrix 1-6 P P P Monitor L/R P P P Talkback T
Master Fader and My Fader Reference Guide I/O patch on DL1608 and DL806 The I/O patch on the DL1608 and DL806 allow you to choose which signals you wish to record. The horizontal rows are the sources [Main L Pre-Fader and Main R Pre-Fader by default] and the two vertical columns [iPad L and iPad R] are the destinations...the goal here is to connect a source to a destination. If you need more information regarding the recording on the DL1608 and DL806, please refer to pages 192-194.
Master Fader and My Fader Reference Guide In the upper-left corner of the I/O patch view is a tools button. Tap it to display a popover as seen below. From here you can choose to reset the I/O patch to its default or clear the routing. Reset to Default resets the iPad L to Main L Pre-Fader and the iPad R to Main R Pre-Fader. Clear clears all patchings and both balls will be removed from the I/O patch. Simply tap a source to reroute the channel.
Master Fader and My Fader Reference Guide Recording / Playback Introduction Not only are these great live mixers with some pretty amazing features, but here you can also record the gig, band rehearsal, house-of-worship service and more! To slide open the recording/playback view, just tap the recording/playback button in the upper-right corner of the navigation bar. As seen in the images above and below, it will illuminate green when open.
Master Fader and My Fader Reference Guide FORMATTING We know you’re an eager beaver, all psyched to start recording, but let’s take care of something very important first: formatting the hard drive. First, get a hard drive; this could be a brand new one or one you’ve had for awhile as long as it’s a USB 2.0 spinning hard drive. Do not use a thumb drive! Even if the hard drive has already been formatted via different source, we highly suggest formatting via the DL32R.
Master Fader and My Fader Reference Guide The hard drive has been formatted and we’re working with a clean slate...great! You will want to format a hard drive via DL32R any time...: (1) ...a brand new (just out-of-box) hard drive is connected to the mixer. (2) ...you want to use an existing drive exclusively for recording and playback with a DL32R. Now we’re going to head back and take a look at the DL32R’s recording and playback view, discussing all of its features. The view is split into three sections.
Master Fader and My Fader Reference Guide • Tuning the room music — You diligently arrived to the venue before anyone else and want to tune the room via your playlist. Yep, this is it. You might have bands and/or albums you like to tune rooms with, but some of the standards are Steely Dan, Toto and Mark Knopfler / Dire Straits. • Pink, white, brown, etc. noise — Does your audio equipment need to be calibrated? Have some noise generators set up for playback.
Master Fader and My Fader Reference Guide I’ve been working with a band called Oxblood Red, so those are the files I want to transfer. The first image shown below are the two open folders side-by-side. On the left side are my personal Oxblood Red .wav files and on the right side is the portable hard drive’s (empty) “Music” folder awaiting the files. The second image is showing the files transferring to the “Music” folder. Something to keep in mind is that the .
Master Fader and My Fader Reference Guide Not only have I successfully added items to my playback list, but they’re in the order I will use them, too. • Step 7 — Scroll up and down in the playback list in order to view more items. • Step 8 — Select the file you want for playback by tapping it. In this example, we’re going to assume that all of our audio equipment is calibrated, we’ve tuned the room and that the band is all tuned up and ready to rock.
Master Fader and My Fader Reference Guide Once the track starts playing, the control panel status changes from “Ready” to “Playing”. Ready Playing When a multichannel playback is occuring, the music playback controls are grayed out and vice-versa, as only one playback may occur at a time.
Master Fader and My Fader Reference Guide Multichannel recording and playback — The right side of the screen displays controls for multichannel recording and playback. When we first booted it up, only an empty, dark gray box was displayed, but this is where a list of all multichannel recordings made on the drive (in the recordings folder) is displayed. As stated above, this is MULTICHANNEL recording and playback. The following is just a sample of many of the multichannel recording and playback uses.
Master Fader and My Fader Reference Guide So at this point we should make a recording... It might be a good idea to get a solid grasp of how multichannel recording and playback works on the DL32R before using it in a real-live scenario. • Step 1 — With the hard drive and iPad connected to the DL32R, name the new recording. Normally, this is where the name of the artist, song or show goes, but since we’re just testing to see how it works, we’ll call it “Test”.
Master Fader and My Fader Reference Guide From here, we’re able to start recording (and play it back later) using standard transport controls. Notice that most buttons are currently grayed out. That’s because there are no files available for playback yet. We need to record first. Left to right, the buttons are: • • • • • • • • Go to the beginning of the track. Rewind the track 10 seconds. Stop track recording / playback. Pause track playback. Play track. Start recording. Fast forward the track 10 seconds.
Master Fader and My Fader Reference Guide • Step 5 — Tapping the stop button asks you to confirm your wish to stop the recording. It will continue recording until you tap “Stop” here. Because the recording is occuring on the DL32R hardware and the connected USB drive, Master Fader supports background recording. This means that you may press the iPad’s home button to leave the app or switch to another app while the DL32R continues to record.
Master Fader and My Fader Reference Guide • Step 7 — Press the play track button. Do you hear anything? Probably not and here’s why. In most cases, channel input A will be used for recording and channel input B is for playback (assuming nothing’s changed in the I/O patch view). Simply tap the channel input B button in the middle of the recording view to change all the input channels to input B to hear the music and see the meters. However, this may be changed via I/O patch, if so desired.
Master Fader and My Fader Reference Guide File Structure Several pages ago we mentioned that there are two folders on the hard drive, one named “Music” and the second named “Recordings”. The music folder contains all of the stereo L/R .wav files and the recordings folder contains all of the multitrack .wav files. The main difference, of course, is stereo L/R files [music folder] versus multitrack files [recording folder], but that’s not the only difference.
Master Fader and My Fader Reference Guide So we mentioned you might see more than one file in each recording subfolder. In the recordings folder image on the previous page, you see 5. When would that occur? In order to achieve maximum compatibility with DAWs and other pieces of hardware, we must ensure that the .wav files we produce are less than 2 GB. It takes a very long time to get to 2 GB when you are recording a stereo .
Master Fader and My Fader Reference Guide General drive, controls and routing shortcuts — The center of the recording and playback screen displays general drive status and controls on top and channel input routing shortcuts below. • Ready / Formatting / Playing / Offline / No Disk / Ejected / Scanning — This displays the current hard drive and/or playback status.
Master Fader and My Fader Reference Guide Hard Drive Recommendations For High Performance Some of the following do’s and do not’s have been mentioned previously, but they are quite important, so we are going to mention them again. For best performance we recommended the following: • DO dedicate a hard drive for recording and playback. DO NOT have any other content on it if possible. • DO USE a USB 2.0 or better spinning hard disk drive. DO NOT USE a thumb drive or flash drive for recording.
Master Fader and My Fader Reference Guide Recording and playback via DL1608 / DL806 Recording with a DL1608 and DL806 mixer is easy, as it allows you to record the sources selected in the I/O patch onto the iPad. First make sure the iPad is attached to the mixer as recording is unavailable in Wi-Fi mode. Once attached, a record button appears above the L/R sliders. Note the difference between an iPad that is not attached to the mixer (below left) versus one that is attached (below right).
Master Fader and My Fader Reference Guide The stereo recording is automatically saved as a .wav file within the application. In addition to the name, this .wav file also includes the date and time the recording started. Master Fader supports background recording. This means that you may press the iPad’s home button to leave the app or switch to another app while Master Fader continues to record. So go ahead and check your email or tweet about the show to your heart’s content.
Master Fader and My Fader Reference Guide (4) — Scroll down until the Master Fader app appears in the list of apps. Tap it to illuminate the app blue. (5) — Tap the desired recording from the list; it will illuminate blue, indicating that it has been selected. Now drag and drop the recording(s) from the list to your hard drive. To delete a recording off the iPad, select the recording from the list in iTunes and press the delete key on the keyboard.
Master Fader and My Fader Reference Guide Quick Access Panel Residing in the upper-right side of the navigation bar between the record/playback and shows buttons is the quick access panel. It allows for fast control over critical functions. As seen above and to the left, tapping the quick access panel illuminates the button green. The following is a list of what resides in the quick access panel.
Master Fader and My Fader Reference Guide Effects Controls Mute Reverb(s) / Delay — Tapping the reverb and/or delay mute button in the quick access panel is akin to tapping the LR mute button at the top of the reverb and/or delay channel strip. However, with the quick access panel, you now have easier access to the effects controls regardless of what view is open. DL1608 / DL806 DL32R For example, let’s say you’re adjusting the EQ on channel three.
Master Fader and My Fader Reference Guide Shows The shows button reveals a popover displaying the current show, snapshots and channel safes. These three things with the addition of the current state make up the mixer’s file system. Before diving directly into shows, let’s do a quick overview of the file system. The DL32R, DL1608 and DL806 save every parameter associated with its operation with the exception of the gain [DL1608 / DL806], power switch and phone knobs.
Master Fader and My Fader Reference Guide Step 2 — Name the show: Each new show begins as “Unnamed”. However, with multiple shows, trying to find the exact “unnamed” show that you want could prove to be difficult, to say the least. So let’s name it. Tap the green “unnamed” button to reveal a popover, as seen below. Tap inside of the blank “Name:” box to reveal the onscreen keyboard, then name the currently selected show as you so desire. Tap the “return” key when satisfied with the name.
Master Fader and My Fader Reference Guide Step 3 — Looks are everything: Looks are everything...or so I’ve heard. Let’s say the mixer is on tour where the support act and headliner may change on any given night. It’s not far from the realm of possibilities and happens more often than folks might think. Therefore, it might be helpful to not just name the show, but also select an image, so as not to open the wrong show...oops! Tap the show button to reveal the popover again.
Master Fader and My Fader Reference Guide You may have noticed a third choice in the popover when the shows button is tapped – Duplicate. Duplicate will create an exact copy of the current show. This is useful in situations where two (or more) shows may be quite similar, with only a few minor changes between them. For example, a band could have a long set list and short set list.
Master Fader and My Fader Reference Guide Tapping any of the export options here – iTunes, Dropbox or Email – displays a popover where you can: • Name the file • Give it a description • Choose which items to export [indicated with a P– simply tap to add or remove]. At this point, only one show has been made, so there is only one show to choose from! Regardless of the export option chosen, the first view looks similar for all three (as seen above).
Master Fader and My Fader Reference Guide Email — If exporting via Email, tapping “OK” here should reveal a similar email in compose form as seen below left. From here, type in the email address and tap “Send”. Once successful, you should receive confirmation that the export is complete. Don’t forget to name the files differently, lest you receive a warning like this to the right. Perhaps you want to overwrite the current file, in which case tap “Yes”. Otherwise, tap “No” and rename the file.
Master Fader and My Fader Reference Guide Snapshots As mentioned earlier, a snapshot is just that: a “photograph” of the current state of the mixer. So why would you create snapshots? For one example, a band could create snapshots for every song. Or snapshots could be created with and without FX. Snapshots may be created for in-between song banter. Snapshots may be created for each scene in a musical or other theater performance.
Master Fader and My Fader Reference Guide Step 6 — Naming snapshots: You created a bunch of snapshots for your first show, but how do you know what each one represents? By naming them, of course! Touching a snapshot button (other than “0 - Default” or “Store Snapshot”) will display a popover with the following options. Tap inside of the blank “Name:” box to reveal the onscreen keyboard, then name the currently selected snapshot as you so desire.
Master Fader and My Fader Reference Guide Channel Safes In addition to the current show and snapshots, the shows view also houses the channel safe buttons. Engaged selections will be removed from snapshot recall, leaving the corresponding channels or outputs unchanged. These will illuminate green when engaged and are gray when disengaged.
Master Fader and My Fader Reference Guide Step 9 — Remaining snapshot popover choices: You might be wondering what the other snapshot popover choices accomplish. Well, you’re in luck, as here they are! Replace — Saves the current state of the console over the selected snapshot. This is useful in situations where the settings on a snapshot might be close to where you want them, but not quite exactly where you want them.
Master Fader and My Fader Reference Guide Current Show vs Offline Shows So you’ve successfully created your first show...congratulations! Creating additional shows will be a breeze, but let’s take a quick peek at how it works. As mentioned earlier, at all times there is a single show loaded on the mixer. We call this the Current Show. Additional offline shows may be created and stored, each with their own set of snapshots.
Master Fader and My Fader Reference Guide At the end of the show list is a gray button labeled “New Show”. Tap this button to create a new show and move the “New Show” button to the end of the show list. You will be prompted immediately to name this new show. In this example, we named it “Headliner”. Type “Headliner” in the name field followed by tapping the return key to see an image similar to what is displayed below.
Master Fader and My Fader Reference Guide Before tapping the Yes button, let’s discuss the load button for a moment...but only for a moment! Load — Load is an option we did not see in the “Current Shows” section. That’s because the current show is the loaded show! Load is only available in the “Offline Shows” section and will load the selected show (including all of the snapshots associated with the show) as the Current Show.
Master Fader and My Fader Reference Guide Random Notes and Other Musings To Push or to Pull, That is the Question — The CURRENT show on the iPad must match the CURRENT show on the mixer. If they do not, you will be asked to select between the two so they are synced. Why would shows not be synced? Well, one example could be that current show (X) was used at a gig. The band and crew then pack up for the next show, but the engineer wants to make some tweaks for the next night’s performance.
Master Fader and My Fader Reference Guide Chapter 19 : Importing and Exporting Introduction Master Fader affords you the opportunity to import and export presets, shows and even full system backups via iTunes, Dropbox and/or Email. That’s right, your mixer IS a computer. You’re able to export presets, shows and more and then import them elsewhere...or export to an engineering friend who could use a good preset or a show to bandmates who can then import on their iPads, for a couple of examples.
Master Fader and My Fader Reference Guide Tapping any of the EXPORT options here – iTunes, Dropbox or Email – displays a popover where you can: • Name the file • Give it a description • Choose which items to export [indicated with a P– simply tap to add or remove] Regardless of the export option chosen, the first view looks similar for all three (as seen above). Dropbox must be enabled in order to export via Dropbox. Instructions on how to Enable Dropbox start on page 218.
Master Fader and My Fader Reference Guide Dropbox — First, a word from our sponsors: A Dropbox account needs to be created before importing or exporting via this method. See “Enable Dropbox” on page 218 for instructions. If exporting via Dropbox, tapping “OK” here should reveal a confirmation that the export is complete. Email — If exporting via Email, tapping “OK” here should reveal a similar email in compose form as seen below left. From here, type in the email address and tap “Send”.
Master Fader and My Fader Reference Guide Import — Importing files via iTunes is an easy five-step process: • Step 1 — Tap the “Import / Export” button. • Step 2 — Tap Import > iTunes. • Step 3 — Select the file for import by tapping it [indicated with a P]. Tap OK. You may also edit the files here. Tapping “Edit” will allow you to select files to delete.
Master Fader and My Fader Reference Guide • Step 4 — Select the presets, shows, etc. you want to restore by tapping them [indicated with a P]. If you want to clear all user presets and shows before restoring the backup, move the slider to the right. This will delete all the existing files so be sure this something you want to do. Tap OK. • Step 5 — A confirmation should be revealed that the import is complete. Tap OK.
Master Fader and My Fader Reference Guide Import — Importing files via email is also an easy process (once the file(s) have been exported properly; see page 213): • Step 1 — Check your email. The email will look somewhat similar to what you see below, depending on the email provider, of course). Don’t forget to send it to an email address that you can retrieve via iPad! • Step 2 — Tap the file so your iPad will look somewhat similar to what you see below.
Master Fader and My Fader Reference Guide • Step 3 — Select the presets, shows, etc. you want to restore by tapping them [indicated with a P]. If you want to clear all user presets and shows before restoring the backup, move the slider to the right. Remember this will delete all the existing files so be sure this something you want to do. Tap OK. • Step 4 — A confirmation should be revealed that the import is complete. Tap OK. This same process works with any app that supports “Open in...
Master Fader and My Fader Reference Guide Enable Dropbox — Enable Dropbox allows you to...enable Dropbox! If you are unaware of what Dropbox is, it is a file hosting service. Here you’re able to create folders filled with files. Then you may access these folders (and files) anywherein the world (via Dropbox)! Imagine importing and exporting all (or even just some) of your mixer’s files to access at a different location at a later time...or perhaps an engineer friend lives across the pond.
Master Fader and My Fader Reference Guide Chapter 20 : Mackie My Fader Software Introduction Version 3.0 of My Fader is currently being violated by our Engineering team, making sure it is in tip-top shape before being made available to you...and me, too. If you’re interested in what My Fader is and what it can do for you , please read on...
Master Fader and My Fader Reference Guide Appendix A : Service Information Troubleshooting If you think your Mackie product has a problem, please check out the following troubleshooting tips and do your best to confirm the problem. Visit the Support section of our website (www.mackie.com) to get some ideas or contact our technical support heroes. You may find the answer to the problem without having to send your Mackie product away.
Master Fader and My Fader Reference Guide Noise / Hum • Are all the connections good and sound? Make sure all of the connecting cables work and are securely connected at both ends. Try the same source signal in another channel, set up exactly like the suspect channel. • Are you using unbalanced cables? Swap them out with balanced cables to see if that fixes the problem. • Turn the input gains down one-by-one.
Master Fader and My Fader Reference Guide Appendix B : iOS Optimizations iPad Optimizations Below is a list of ways to trick out your iPad to optimize its use with Master Fader and your mixer. When you have some additional time, use your favorite search engine to search “trick out your iPad” for other ways to optimize your iPad. All of the following tips and tricks may be found by going to Settings > General on the iPad. iPad Optimization #1 : Prevent the iPad from turning off in the middle of a show.
Master Fader and My Fader Reference Guide iPad Optimization #3 : Allows you to press three faders simultaneously. Go to Settings > General > Accessibility. Simply turn Zoom off. iPad Optimization #4 : Disable 3G Data [TDMA] so the iPad is Wi-Fi only. Simply turn Cellular Data off. iPad Optimization #5 : Turn off Lock Sounds and Keyboard Clicks.
Master Fader and My Fader Reference Guide iPad Optimization #6 : Mute sounds, including email alerts, calendar event warnings, alarms and other extraneous iPad noises (except music apps; those will continue to play). There are two methods to optimize your iPad here. It’s just a matter of preference. Use Side Switch to: Mute Now flip the side switch on the iPad (next to the volume up/down switch) so that the orange dot is visible. It indicates that the iPad is indeed muted (except for the music apps).
Master Fader and My Fader Reference Guide iPad Optimization #7 : Master Fader and Auto Updating Apps in iOS8 iOS8 adds an interesting new feature allowing apps to be updated in the background. This feature is great for consumer apps like games, etc. However, you use apps like Master Fader professionally and auto-updating your apps can cause problems at the gig if the process is not properly understood. Before you update that app, let’s first understand how updates generally work. 1.
Master Fader and My Fader Reference Guide iPad Optimization #8 : Turn microphone access on. iOS7 adds a new security feature requiring apps that record via the microphone or dock connector, to first get approval from the user. So the first time you launch Master Fader on iOS7 you will see the following popup. Even though master fader does not use the microphone to record, you need to approve this request in order to allow it to record over the dock connector.
Master Fader and My Fader Reference Guide Turn Master Fader microphone on.
Master Fader and My Fader Reference Guide iPad Optimization #9 : Localized text is available in five languages, including English. • English • German • Spanish • French • Mandarin (Simplified Chinese) This is ideal for users who may not have a pro audio background to instantly know and understand these pro audio terms in English.
Master Fader and My Fader Reference Guide Tap the preferred language. Tap Done.
Master Fader and My Fader Reference Guide Appendix C : Technical Information Specifications Supported Devices Version Requirement:...........................................................................................................................................iOS 7.1 or higher required Wireless iPad:........................................................................................................
48V Solo Gain: 0 ~ +60dB (3dB steps) From I/O Patch To I/O Patch ADC Mute (MG Control) A B Meter Digital Trim Polarity High Pass Gate Comp 4-Band Para EQ Pan LR Assign Fader (VCA Control) Insert (NYI) Aux 1 Use LR Mute (per Aux/FX) Pre-DSP Signal Optional Stereo Link in Pairs (1-2, 3-4, etc.) Group 1-2 Assign (per linked group) (per chan) All processing parameters linked, and true stereo gate/compression.
(= Matrix 2-6 Linked) Matrix 1-2 Linked (= Matrix 2-6) AFL Solo Matrix 1 Mono PFL Solo LR Main Out (= Aux 3-14 Linked) Aux 1-2 Stereo Aux 1 Mono 1 (= Aux 2-14) (= FX B, C) A FX A (= Group 3-6 linked) Group 1-2 Linked 1 LR (= Group 2-6) Group 1 Mono Master Fader and My Fader Reference Guide LR LR LR 1 LR Output 1 (=Output 2-14) Main LR Processing LR Assign Para EQ HPF/LPF GEQ oup 1-2 Assign er linked group) (per chan) Group 1 Assign (per group) (per chan) Aux 1-2 LR Pan Link (
Phantom Power 48V TRS XLR Phantom Power (=Channels 5-8 on DL806) To Channel 1 Processing Gain: 0 ~ +60dB ADC Fader Meter From Channel 1 Input Effect Meter Polarity Channel 1 Processing 233 Meter Gate Meter Comp iPad Processing High Pass 4-Band Para EQ (=Channels 2-8 on DL806) (=Channels 2-16 on DL1608) 4-Band Para EQ Comp 4-Band Para EQ Fader Aux 1 Pre/Post Mode (=2-4 on DL806) (=2-6 on DL1608) Fader FX A (=B) Fader Aux 1 (=2-4 on DL806) (=2-6 on DL1608) Solo Fader Fader A
Master Fader and My Fader Reference Guide Appendix D : Release Notes Updating the App New app releases may be downloaded and installed directly from the iPad via the App Store or via iTunes on 1 Mac or PC: Master Fader . If you don’t know the version you are currently using, go to Tools > Help > About on the app. The version is listed near the top of the screen. You may be prompted to update the firmware the first time you launch the updated app connected to the mixer.
Master Fader and My Fader Reference Guide 2. Upgraded user interface for faster workflow • More information available at a glance for faster navigation. • New navigation bar with instant access to overview, mixer and channel view. • Improved current parameter display that reads more clearly and includes channel color. • Better access to secondary views. • Updated channel strips provides more channel information at a glance. 3.
Master Fader and My Fader Reference Guide 4. Added 4 subgroups (6 in DL32R) with stereo linking and dedicated processing on each subgroup [pages 45-47 of the Reference Guide] 5. Added 4 VCAs (6 in DL32R) for professional control over groups of channels [pages 45-47 of the Reference Guide] Subgroup Channel VCA Channel 6. Added digital control over Mic Pre Gain and 48V in DL32R [page 30 of the Reference Guide] 7.
Master Fader and My Fader Reference Guide 8. Added Routing view providing complete channel routing in one place for inputs, groups and outputs [pages 78-82, 110-114 of the Reference Guide] 9.
Master Fader and My Fader Reference Guide 10. Updated Selector area adds mute group and view group controls along with a new Masters selector. Together, these 4 selectors control what inputs and outputs are visible [pages 49-61 of the Reference Guide] 11. Updated Shows view allows user to add a comment to each show.
Master Fader and My Fader Reference Guide 12. Added full IO Patching to DL32R [pages 164-173 of the Reference Guide] 13.
Master Fader and My Fader Reference Guide 14. Added control of Hard Drive Recording and Playback on DL32R [pages 176-191 of the Reference Guide] 15.
Master Fader and My Fader Reference Guide 16. Updated Preset workflow with new location right at the channel 17.
Master Fader and My Fader Reference Guide 18. Added ability to import presets, shows and backups from 3rd party apps supporting Open In... [pages 211-218 of the Reference Guide] 19. Bug fixes and stability improvements (including, but not limited to): • Fixed a bug where iPad playback could be interrupted by noise or distortion. • Fixed a bug with how alignment delay is stored in snapshots. • Fixed a bug where firmware update status could show complete before it really is done.
Master Fader and My Fader Reference Guide Version 2.1 The following is a list of items that have been added, changed or fixed since Version 2.0. 1. Output Parametric EQ The parametric equalizer is a great tool for dialing in the sound you’re looking for or to squelch feedback from monitors. All output channels (LR, auxs 1-4/6) have up to 4-band EQ with high shelving, high-mid peaking, low-mid peaking and low shelving and a high-pass filter (HPF) and low-pass filter (LPF), both with selectable slopes. 2.
Master Fader and My Fader Reference Guide 3. Default Output EQ View You get to decide whether the graphic EQ or parametric EQ is the default output EQ view. Simply go to Tools > Settings > Default Output EQ View and tap which setting you prefer (GEQ or PEQ). The chosen setting will illuminate green when engaged, while the other option will be grayed out. Whichever output EQ view is chosen, you can always swipe in the output view to get to the other. 4.
Master Fader and My Fader Reference Guide Version 2.0 The following is a list of items that have been added, changed or fixed since Version 1.4. 1. Input Channel Linking Two neighboring mono input channels may be linked together into a single stereo channel strip. This is ideal for stereo input sources such as keyboards, submixer outputs, vocal processors and more. When linked, the level control, EQ, gate and compressor are adjusted with a single set of controls.
Master Fader and My Fader Reference Guide 3. Aux/FX Send Configuration Menu There are three additions to the aux/FX send configuration menu: Pre DSP — In addition to Pre Fader and Post Fader, users may now choose Pre DSP as the aux send source. Pre DSP is ideal when using the auxes for monitor mixes and you want EQ, gate and compression in the main mix, but not the monitors. Pre DSP is available on all auxes, but not the FX sends.
Master Fader and My Fader Reference Guide 4. Quick Access Panel The quick access panel allows for fast control over critical functions, including: (1) Clear Solo — Easily clear all solos. (2) Effects Controls — Globally mute the reverb and/or delay. Set tap delay tempo. (3) Mute Group Control — Set channel assignment and on/off control per mute group master. (4) View Group Control — Set channel assignment and view group select.
Master Fader and My Fader Reference Guide 5. Mute Group Control Mute groups allow you to quickly mute (and unmute) multiple channels and/or outputs with a single tap. There are a multitude of ways to configure and use mute groups: productions featuring a rotating cast of musicians or theater productions with different scenes. It is also great for muting all inputs during song breaks or in-between sets. You may create and assign as many as four separate mute groups with Master Fader.
Master Fader and My Fader Reference Guide 6. View Group Control View groups allow you to see only the channels that you want to view, hiding the rest. This improves organization and allows for faster navigation. You may create and assign as many as four separate view groups with Master Fader. The view group may be selected via Master Fader or My Fader. However, channels may only be assigned to view groups in Master Fader.
Master Fader and My Fader Reference Guide 7. Other changes • Updated gate and compressor/limiter graphics. • A mute has been added to the main LR. • Navigation enhancements • Effects Display — The EQ curve is replaced with an image of the currently selected reverb and delay effect type. Simply tapping the image will take you straight to that effect’s controls. • Fast access to dynamics — Tapping the gain reduction meter takes you straight to the dynamics view.
Master Fader and My Fader Reference Guide • Improved order of items in the snapshot, show and preset popovers making it easier to make the right selection. Recall is now Red! • Improved Aux 1 color to be more easily discerned from LR and Aux 2. Pink! • Added some color to unlit fader strips making it easier to tell what output is selected • Added Access Limits for View Groups, Mute Groups and Groups Assign.
Master Fader and My Fader Reference Guide Version 1.4 The following is a list of items that have been added, changed or fixed since Version 1.3. 1. Added support for DL806 Master Fader and My Fader now work with both the DL1608 and DL806, including offline operation. Shows, snapshots, presets and access limiting work seamlesly across DL mixers automatically. 2. Show improvements Many show, snapshot and synchronization enhancements have been added.
Master Fader and My Fader Reference Guide 4. Vintage gate and compressor After extensive analysis, development and testing, the new vintage compressor and gate delivers the sought-after musical characteristics of your favorite industry-standard processors. For each channel processor, the user may select between the new vintage type for creative tone shaping and the current modern type for surgical control.
Master Fader and My Fader Reference Guide Version 1.3 The following is a list of items that have been added, changed or fixed since Version 1.2. 1. Wireless support for iPad (4th generation) and iPad mini Master Fader now officially supports wireless operation with iPad (4th generation) and iPad mini. 2. Retina Ready All graphics have been updated to full retina resolution for use with a retina iPad (3rd or 4th generation). 3. Access Limits Access Limits have been added to the Tools > Settings screen.
Master Fader and My Fader Reference Guide 4. Added 2X Graphic EQ Zoom A new 2X zoom button has been added to the graphic EQ. This allows you to zoom in on the GEQ, perfect for our friends with sausage fingers and/or mixing with the iPad mini. Swipe left and right to view and adjust the remaining bands. Note that draw is unavailable when in 2X mode. 5.
Master Fader and My Fader Reference Guide Version 1.2 The following is a list of items that have been added, changed or fixed since Version 1.1. 1. iOS6 Support Master Fader is now fully tested with iOS6 on the iPad 2 and iPad (3rd generation). 2. Added background recording Master Fader now supports background recording. This means that you may press the iPad’s home button to leave the app or switch to another app while Master Fader continues to record.
Master Fader and My Fader Reference Guide 7. Improved current parameter display now shows both system and custom channel name The current parameter display now shows the current channel system name [Ch 1], followed by the custom user name [Kick], the current parameter value [off ] and current parameter name [Fader]. 8. Improved master channel identification button with added system name display Regardless of the name and/or image, a small name resides in the upper-left corner of the master ID button.
Master Fader and My Fader Reference Guide Appendix E : Glossary Of Terms The glossary contains brief definitions of many of the audio and electronic terms and acronyms used in discussions of sound mixing and recording.
Master Fader and My Fader Reference Guide Glossary Of Terms Continued... Condenser — Another term for the electronic component generally known as a capacitor. In audio, condenser often refers to a type of microphone that uses a capacitor as the sound pickup element. Condenser microphones require electrical power to run internal amplifiers and maintain an electrical charge on the capacitor. They are typically powered by internal batteries or phantom power supplied by the mixer.
Master Fader and My Fader Reference Guide Glossary Of Terms Continued... EIN — Equivalent Input Noise. A specification that helps measure the “quietness” of a gain stage by deriving the equivalent input noise voltage necessary to obtain a given preamp’s output noise. Numerically, it’s the output noise at a given gain setting minus the gain. EIN is usually measured at a maximum gain and typically ranges from -125 to -130 dBu. EQ — Short for equalization.
Master Fader and My Fader Reference Guide Glossary Of Terms Continued... Ground — Also called earth. Ground is defined as the point of zero voltage in a circuit or system, the reference point from which all other voltages are measured. In electrical power systems, ground connections are used for safety purposes, to keep equipment chassis and controls at zero voltage and to provide a safe path for errant currents. This is called a safety ground.
Master Fader and My Fader Reference Guide Glossary Of Terms Continued... Mic Amp — See Mic Preamp. Mic Level — The typical level of a signal from a microphone. A mic level signal (usually – but not always – coming from a microphone) is generally lower than –30 dBu. With a very quiet source [a pin dropping?] the signal may be –70 dBu or lower. Some microphones, notably vintage or vintage-style condenser mics, deliver a higher signal level than this for the same sound pressure level.
Master Fader and My Fader Reference Guide Glossary Of Terms Continued... Nyquist Sampling Theorem — This theorem states that, when an analog signal is converted to a digital signal, it must be sampled at a frequency that is at least twice the highest audio frequency present in the analog signal. If the audio frequency should exceed one-half the sampling frequency, aliasing may result. Thus, if an analog-to-digital converter is sampling at 44.1 kHz, the audio signal should not exceed 22.05 kHz.
Master Fader and My Fader Reference Guide Glossary Of Terms Continued... Reverberation, Reverb — The sound remaining in a room after the source of sound is stopped. It’s what you hear in a large tiled room immediately after you’ve clapped your hands.
Master Fader and My Fader Reference Guide Glossary Of Terms Continued... Stereo — Believe it or not, stereo comes from a Greek word that means solid. We use stereo or stereophony to describe the illusion of a continuous, spacious sound field that is seemingly spread around the listener by two or more related audio signals. In practice, stereo often is taken to simply mean two channels. Tinnitus — The ringing in the ears that often results from prolonged exposure to very loud sound levels.
Master Fader and My Fader Reference Guide Warranty Statement Please keep your sales receipt in a safe place. This Limited Product Warranty (“Product Warranty”) is provided by LOUD Technologies Inc. (“LOUD”) and is applicable to products purchased in the United States or Canada through a LOUD-authorized reseller or dealer. The Product Warranty will not extend to anyone other than the original purchaser of the product (hereinafter, “Customer,” “you” or “your”). For products purchased outside the U.S.
Master Fader and My Fader Reference Guide Open Source Code Master Fader uses the following open source code: PAPasscode Copyright (c) 2012, Denis Hennessy (Peer Assembly - http://peerassembly.com) All rights reserved. Redistribution and use in source and binary forms, with or without modification, are permitted provided that the following conditions are met: * Redistributions of source code must retain the above copyright notice, this list of conditions and the following disclaimer.
Master Fader and My Fader Reference Guide Dropbox License and Notice Sync SDK Copyright 2013 (c) Dropbox, Inc. Licensed under the Apache License, Version 2.0 (the "License"); you may not use this file except in compliance with the License. You may obtain a copy of the License at http://www.apache.org/licenses/LICENSE-2.
Master Fader and My Fader Reference Guide Dropbox Notice Continued... This software distribution contains derived data from a modified version of the Unicode data files. The following license applies to that data: COPYRIGHT AND PERMISSION NOTICE Copyright (c) 1991-2007 Unicode, Inc. All rights reserved. Distributed under the Terms of Use in http://www.unicode.org/copyright.html.
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