User Manual

Master Fader and My Fader Reference Guide
42
FX [Reverb / Delay]
Now let’s take a look at the reverb and delay channel strips since they operate slightly dierent than
the channel strips. To get here, ick or drag left anywhere in the mixer view swipe zone until the
FX channels appear. The dierences between the input channel strips and FX channel strips are
noted below. Channel 16 was left in the image on purpose to easily see the side-by-side dierence
between an input channel strip and an FX channel strip.
No Digital Trim — There is no digital trim on
FX channels, so it will be absent from the input
routing view for these two channels. However,
input routing may still be accessed in order to
update channel and aux send assignments.
No High-Pass Filter — There is no high-pass lter
on FX channels, so it will be absent in the EQ view
for these two channels.
FX Button — There are no dynamics on FX
channels, so the gain reduction meters are not
shown. Instead, the gain reduction meters are
replaced with an image of the currently selected
reverb and delay eect type. Simply tapping
the image will take you straight to that eect’s
controls.
Balance Slider — The pan slider becomes
a balance slider on these channels, now acting
as a stereo balance. It allows you to adjust how
much of the left or right output signals are heard.
Touch and drag the sliders left or right to make
adjustments. Center it to hear the output equally
from the left and right sides. The balance may
be centered by double-tapping the balance slider.
Stereo Meters — Because the FX channels are
stereo returns, the meters are shown in stereo,
not mono.
The DL32R has two reverbs. This additional reverb allows you to place dierent instruments
in dierent acoustic spaces. For example, you could use a gated reverb on the snare and
a dierent reverb on lead vocals. Or perhaps you would like to separate lead vocals from
background vocals. Simply use dierent reverbs to dierentiate between the two.
To learn more about FX, check out chapter 12 starting on page 102.