User Manual

Master Fader and My Fader Reference Guide
83
Chapter 10 : Channel View : EQ
Introduction
The equalizer area accesses all EQ-related parameters such as EQ for the selected channel (including gain,
frequency and Q), a high-pass lter (HPF) and polarity invert. The input channels, reverb, delay and iPad
channels all have up to 4-band EQ with high shelving, high-mid peaking, low-mid peaking and low shelving.
Shelving means that the circuitry boosts or cuts all frequencies past the specied frequency. Peaking means
that certain frequencies form a “hill” around the center frequency. All channel inputs also have a high-pass
lter [HPF].
You can really upset things with too much EQ. Each EQ band has a lot of boost and cut
because that is needed on occasion. But if the EQ is maxed on every channel, the mix turns
to mush. Equalize subtly, using cut, as well as boost. If you nd yourself repeatedly using
a lot of boost or cut, consider altering the sound source, such as placing a mic dierently,
trying a dierent kind of mic, a dierent vocalist, changing the strings, gargling, or all of the above.
There are actually two dierent types of EQ to choose from on each channel: clean, surgical modern EQ
and classic sounding vintage EQ. That’s right, you can mix and match to heart’s content! We will dissect
both the modern and vintage EQs separately, but let’s begin by taking a peek at what features apply
to both. Modern EQ is discussed further on pages 85-90, while more information about the vintage EQ
may be found on pages 91-92.