User Guide

9
ch. device input insert assignment
1 kick mic gate submix 1
2 snare mic gate submix 1
3 hi hat mic submix 1
4 tom 1 mic gate submix 1
5 tom 2 mic gate submix 1
6 tom 3 mic submix 1
7 drum overhead mic L mic submix 1
8 drum overhead mic R mic compressor submix 1
ch. device input insert assignment
9 bass mic mic submix 2
10 bass direct line submix 2
11 guitar mic mic compressor submix 3
12 guitar direct line compressor submix 3
13 Acoustic guitar mic submix 3
14 piano low mic L/R bus
15 piano high mic L/R bus
ch. device input insert assignment
16 keyboard submix L line L/R bus
17 keyboard submix R line L/R bus
18 vocal mic 1 mic Submix 4
19 vocal mic 2 mic Submix 4
20 vocal mic 3 mic Submix 4
21–22
*
stereo reverb L/R mix
23–24
†
stereo delay Submix 4
PHONES
MAIN OUTS
MAIN OUTS
AUX RETURNS SUB INSERTS
TAPE IN
STEREO CHANNELS
TAPE OUT
SUB
OUTS
MAIN INSERTS
TALKBACK
2LR L
1234
LRLR
12
LR
LR LR
22
LR
24
21
23
LRLR
34
56 LR
R
LR
MONO
1
12 12
34
34
5678
AUX SENDS
CNTRL RM OUT
Zone Speaker
Sonic Maximizer
Stereo Digital Delay
Harmonizer
Stereo
Compressor
Stereo Reverb #2
Stereo Reverb #1
Stereo
EQ
Graphic EQ
Power AmplifierPower Amplifier
Power Amplifier
Graphic EQ
Tape Deck
2-track Recorder
NOTE: For input level control, use Control Room Outs instead of Tape Outs.
Stage Monitor
SRM450 Active Monitors
Stage Monitor
Band in a Club
CH
1
CH
2
FULL SYMMETRY DUAL DIFFERENTIAL HIGH CURRENT DESIGN
CH
1
CH
2
FULL SYMMETRY DUAL DIFFERENTIAL HIGH CURRENT DESIGN
CH
1
CH
2
FULL SYMMETRY DUAL DIFFERENTIAL HIGH CURRENT DESIGN
* 29–30 on the 32•4-VLZ PRO † 31–32 on the 32•4-VLZ PRO
APPLICATION DIAGRAMS