18.0

102 Mastering
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You can use this to create a "hard" or "dynamic" bass foundation or have a
range sound "legato" or "soft.
Low mix: Here the processed bass signal is mixed with the unprocessed input
signal. Please note that material that is already highly modulated may become
overmodulated/distorted. For strong increases in the bass you should, if
required, reduce the source material in order to have enough reserves. It is
also recommended that you use the Audio Cleaning Lab Limiter as the next
step.
High tune: This fader specifies the input frequency of the high tone circuitry
(between 1 and 10 kHz). A part of the input signal is filtered and a phase lag is
created depending on its frequencies. Simultaneously, the dynamic harmony
is enhanced. When turned to the left you can influence the mids and highs of
the signal so that, for example, the "articulation" of speech and instruments
can be edited. The further up the frequency you go, the more the harmonies
or bright sounds, like drum cymbals, are registered. You can use this to add
"shine" or "silkiness" to your recordings.
High stereo width: Use this fader to specify whether the signal that's added to
the high tone processor should be edited in mono, stereo or as a broadened
signal if at all. This way you can specify whether the range should be compiled
from the stereo mids of a recording or from the parts of the pages (for
example, room information)
High mix: Here you can specify the amount of data from the high-frequency
processor that should be mixed into the original sound.
Tip: At the beginning when using psycho-acoustic devices there is a danger of
overkill. We recommend regularly toggling from unedited signals to processed
ones. In order to make subtle changes in the sound it is often enough that the
change be just about audible or that when switching off the effect, you get the
feeling that there's something missing. If the effect sounds like it's in the
foreground, this usually means that it's exaggerated too much.
AM-Track SE (plug-in)
AM-Track SE is a combination of an analog compressor and a tape simulator.
This professional plug-in lends more power and vitality to your audio material.
Please click on the Help button located in the upper right-hand corner of
the Plug-in dialog for more information about how to use the AM-Track
SE compressor.