18.0
Table Of Contents
- Copyright
- Preface
- Before You Start
- Support
- Uninstalling the program
- Serial Number
- More about MAGIX
- Introduction
- Tutorial
- Overview of the program interface
- Track window and constant control elements
- Import
- Editing in the track view
- What is an object?
- Project
- Adjust object volume
- Fading objects in and out
- Duplicate objects
- Reducing and increasing the length of objects
- Deleting and moving objects
- Cut objects
- Join and mix objects
- Fading objects
- Change song order
- Automatic insertion of pauses between objects
- Several songs in a single long object
- Object FX
- Draw volume curve
- Quick zoom
- Set track markers
- Automatic track recognition
- Check and move track markers
- Cleaning
- Mastering
- Sound Effects
- Export
- Batch conversion
- File Menu
- Edit Menu
- Effects menu
- CD/DVD menu
- Set track marker
- Set Pause marker
- Set track markers automatically
- Set track marker to object edges
- Split objects at marker positions
- Set auto pause length
- Delete marker
- Delete all markers
- Delete CD track
- Create CD...
- Show CD-R drive information
- Show CD-R disc information
- Create audio DVD
- CD track list/ID3 editor
- MAGIX Xtreme Print Center
- Get CD track information (freeDB)
- CD info options
- Open CD track list online
- audioid
- Options menu
- Move mouse mode
- Cut Mouse mode
- Zoom mode
- Delete Mouse mode
- Resampling/Timestretch mouse mode
- Draw volume curve mouse mode
- 2 tracks
- Stereo display
- Surround Mode
- Activate Volume Curves
- Play parameter
- Analyzer window
- Video window
- Units of measurement
- Mouse Grid Active
- Auto crossfade mode active
- Display values scale
- Options for automatic track marker recognition
- Path settings
- Show start selection
- Tasks menu
- "Share" menu
- Help menu
- Keyboard layout and mouse-wheel support
- Index
88 Mastering
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width (wide, extreme right). Raising the bandwidth (values over 100)
diminishes the mono compatibility. This means that recordings edited this way
sound hollow when listened to in mono.
Maximize strengthens the spatial component of the recording, which also
increases the stereo transparency without influencing the mono compatibility.
Stereo meter (correlation gauge): This provides a graphical display of the
phase relation of the audio signal. You can use it to review the orientation of
the signal in the stereo balance and the effect of the stereo enhancer. To
maintain mono-compatibility, the "cloud" shown should always be higher than
it is wide.
Equalizer
The Equalizer consists of two modules, the Parametric 4-band Equalizer and
the 10-band Graphic Equalizer.
Parametric Equalizer
The parametric equalizer consists of four filter bands for adjusting the overall
sound of the music track. Each band is a filter with a typical "bell shape".
Within a certain frequency range and around an adjustable middle frequency,
you can increase or reduce the signal level gain. The width of this frequency
range is called bandwidth. The bandwidth is defined by the Q value. The
higher the Q value, the narrower and steeper the filter curve.
You can influence the basic sound of the mix by increasing and decreasing
the broadband to give it more "depth" (lower center = 200-600 Hz) or more
"air" (highs = 10Khz). You can also decrease the narrow bandwidth (high Q
value) in the frequency response, e.g. to remove disruptive frequencies.
Graphic: The resulting frequency path of the
equalizer is displayed in the graphic. The
frequency is spread out horizontally, the
increase or decrease of the respective
frequency, vertically.










