2013
Table Of Contents
- Copyright
- Preface
- Before You Start
- Support
- Uninstalling the program
- Serial number
- More about MAGIX
- Introduction
- Stereo phono pre-amp
- Quick start
- Overview of the program interface
- Track window and constant control elements
- Import
- Arranging in the master track
- What is an object?
- Project
- Adjust object volume
- Fading objects in and out
- Duplicate objects
- Reducing and increasing the length of objects
- Deleting and moving objects
- Cut objects
- Join and mix objects
- Fading objects
- Change song order
- Automatic insertion of pauses between objects
- Several songs in a single long object
- Object effects
- Draw volume curve
- Quick zoom
- Set track markers
- Automatic track recognition
- Check and move track markers
- Cleaning
- Mastering
- Sound Effects
- Export
- Batch conversion
- File Menu
- Edit Menu
- Effects menu
- CD/DVD menu
- Set track marker
- Set Pause marker
- Set track markers automatically
- Set track marker to object edges
- Split objects at marker positions
- Set auto pause length
- Delete marker
- Delete all markers
- Delete CD track
- Create audio CD
- Show CD-R drive information
- Show CD-R disc information
- Create audio DVD
- Track Agent
- MAGIX Xtreme Print Center
- Get CD track information (freeDB)
- CD info options
- Open CD track list online
- audioid
- Options menu
- Edit mouse mode
- Cut Mouse mode
- Zoom mode
- Delete mouse mode
- Resampling/Timestretching mouse mode
- Volume draw mode
- Wave drawing mode
- Spectral edit mouse mode
- 2 tracks
- Stereo display
- Surround Mode
- Activate volume curve
- Overview mode
- Play parameter
- Video window
- Units of measurement
- Mouse snap active
- Auto crossfade mode active
- Display values scale
- Options for automatic track marker recognition
- Path settings
- Show start selection
- "Share" menu
- Help menu
- Keyboard layout and mouse-wheel support
- Index
Mastering 97
In VCA mode, the control signal is accessed at the input where it firstly executes a
controllable low-cut (which may be set up via "detector hp freq" in "Expert" mode).
The filter makes sure that deep-frequency signals have less influence on the
adjustment settings; this is a popular trick for more power, e.g., when using drums in a
sub-group.
The filtered signal then arrives at the detector. With the forward gain control,
previously set parameters apply fully and affect the adjustment settings immediately.
In contrast to this, there is a "feedback" method which provides a second compressor
mode.
Compression Parameters
Vintage Mode
In this mode, you can intuitively (by ear) use the dynamic editing features with just
three knobs. Do whatever you want, but keep in mind: less is sometimes more...
• Drive: You can use the "drive" potentiometer to control the amplification factor in
the feedback loop, i.e. the signal strength which the detection circuit calculates.
Furthermore, the internal "ratio" changes within a limit, the more "drive" there is,
the higher the compression ratio.
• Attack and release: The same basic conditions as VCA mode apply here.
However, not only do you change the actual control response time after
detection, but the "temporal window" in the detector must be adjusted as well.
Additionally, the feedback arrangement method does cause a certain amount of
unpredictability. You should expect less control over the device in this mode, but
more leniency on its part.
VCA Mode
The regular set of parameters of dynamic compressors is available in this mode: