MX
Table Of Contents
- Copyright
- Preface
- Support
- System requirements
- Uninstalling the program
- Before You Start
- Serial Number
- More about MAGIX
- Introduction
- What is MAGIX Music Maker MX Production Suite?
- What’s new in MAGIX Music Maker MX Production Suite?
- The Features
- Multimedia Library
- Arranger with 96 tracks
- Independence Basic Sampler Workstation
- BeatBox 2
- Media database
- Audio effects
- Import
- High-end 32-bit floating point
- Software synthesizers
- Own recordings
- Audio & MIDI
- Mixer
- Harmony Agent
- Song Maker
- Easy mode
- Formats and interfaces
- InfoBox
- Live Sessions
- SoundVision
- Internet upload to many platforms
- Additional features of the Premium version
- Overview of the Program Interface
- Quick start
- Arranger
- Media Pool
- Videoscreen
- Mouse modes
- Arranging Objects
- Audio Objects
- Audio formats
- Load and process audio files
- Smart Preview for the incorporated samples
- Audio recording
- Import audio CD
- Change the playback tempo or pitch
- Remix agent - Tempo and beat assignment
- Requirements for using the Remix Agent
- Preparation - Setting the start marker and object end
- Automatic Tempo Recognition
- Setting the manual and Onbeat/Offbeat
- Determining the start of a measure
- Using BPM and beat detection
- Save only Tempo & Beat information
- Tempo adjustment
- Problems and Remedies regarding the Auto Remix Assistant
- Remix Maker
- Harmony Agent
- Text to speech
- MAGIX Music Editor
- MIDI Objects
- Arrange MIDI objects
- Load MIDI files
- Connect external equipment
- Playing and recording MIDI synthesizer
- MIDI Editor
- Select sounds
- Play/ PlaySolo
- Playing instruments with the keyboard
- MIDI Record options
- Step recording via keyboard or controller keyboard
- Notation display, movement, zoom
- Piano Roll - Edit events
- Controller editor - Selecting and editing events
- List Editor
- Quantize
- MIDI functions
- MIDI editor techniques
- MIDI Editor shortcuts
- Drum Editor
- Synthesizer objects
- Live Performer
- Audio effects
- Effects
- Using audio effects
- Using plug-in effects
- Buttons and controls
- Further Console Elements:
- VariVerb
- Object and master effects rack
- Equalizer
- Sketchable filter
- Compressor
- Invert phase
- Reverb
- Sound Warper
- Elastic Audio Easy
- General information on the Elastic Audio editor
- Edit window
- Axes labelling and legends
- Fundamentals of the Elastic Audio editor
- Description of all control elements
- Playback control
- Tools in the Elastic Audio easy editor
- Applications of the Elastic Audio easy editor
- Pitch-sliced-objects and VIP objects
- Fundamental frequency analysis correction
- Keyboard commands and mouse-wheel assignments
- Vocoder
- Gater
- Backwards
- Timestretch/Resample
- MAGIX Mastering Suite
- Essential FX
- Vintage Effects Suite
- Vintage Effects Suite
- Vandal SE
- Video and Bitmap Objects
- Video and bitmap formats
- Adjusting the video screen
- Loading and editing videos and bitmaps
- Simplify object presentation
- Visualizer objects
- Video scrubbing
- Extract sound from videos
- Video effects
- Title Editor
- Video capturings
- Video recording dialog
- Video Compression
- Choppy or uneven playback
- General notes on AVI videos
- Create a video project for the Internet
- Video export via TV-out
- Automation curves
- Mixer
- 5.1 Surround
- Integrating other programs - Synchronizing and ReWire
- Reprocess arrangement
- File Menu
- Edit Menu
- Menu effects
- View menu
- "Share" menu
- Tasks menu
- Help Menu
- Buttons overview and keyboard shortcuts
- Index
276
Integrating other programs - Synchronizing and
ReWire
www.magix.com
Preroll frames: Here you can enter a frame number that MAGIX Music Maker
MX Production Suite will ignore before synchronization starts. This will ensure
that analog devices first require a certain time to reach the correct speed. In
order to prevent synchronization of MAGIX Music Maker MX Production Suite
to an invalid time, this can be skipped by means of preroll frames.
Send synchronization (master): Master sync on. The external device/program
follows the tempo and transport control in MAGIX Music Maker MX Production
Suite.
Start offset (ms/SMPTE): Specify an offset in milliseconds or SMPTE frames
(minutes:seconds:frames) to be deducted from the incoming timecode before
the time is used for synchronization. An offset of 60:00:00 (1 hour) will
synchronize a tape with an SMPTE code that starts at 1 hour; MAGIX Music
Maker MX Production Suite however still starts at the tape beginning at "0".
Vice versa, sending a timecode snaps this value to the current position.
Correction factor: Normally, this value should be at "1" if you don't change it.
In seldom cases, synchronization of MIDI and audio can run apart for longer
arrangements. You can accelerate the speed of the MIDI playback in this case
by slightly increasing this factor (e.g. to 1.000001).
ReWire
If this option is activated, ReWire-compatible client applications (like, for
example, Propellerheads Reason) can be integrated into MAGIX Music Maker
MX Production Suite as synthesizers.
Activate the ReWire function in the arrangement properties ("E") under the
"Synchronization" tab.
Afterwards, installed ReWire applications can be loaded as instruments into a
track. All ReWire client applications appear as individual sections in the
selection menu for software instruments in the track box and in the MIDI editor
and are loaded as software instruments (VSTi).
Several client applications can be opened automatically by right clicking on
their name in the selection menu, just as you can open the plug-ins window for
VST instruments by right clicking. ReWire clients which support the direct
opening of the client application via the host application (MAGIX Music Maker
MX Production Suite) need to be started manually. You can do this by starting
your client application as you would normally. It then automatically recognizes
the host and starts in a special client mode. The client application should
always be launched after MAGIX Music Maker MX Production Suite and should
be closed before exiting.










