6.0

Mixers and Audio Objects
162
The Cutoff control re-
moves the bright high-
end content of your
source audio to the
point where it becomes
dull (not “dull” as in
boring, but rather “less
bright”) and eventually disappears completely.
Resonance adds emphasis to the sound. High Resonance
values will produce the characteristic whistle and scream
you are probably familiar with from your favorite techno
songs.
Intensity introduces an up and down motion to the filter.
The higher the Intensity values, the more pronounced the
motion will become.
The speed of the filter’s up and down motion can be ad-
justed with the Speed control.
Mono Delay
This is the mono ver-
sion of the Stereo Delay
plug-in and should be
used on mono audio
channels. With the de-
lay you can produce re-
peating echoes and me-
tallic, resonating effects.
The controls are similar to the controls of the Stereo De-
lay.
With Mix you control how much of the delay effect is
heard in relation to the original. Higher values mean more
of the effect is mixed to your original signal. At Mix 100%,
you will only hear the delay.
With Delay Coarse, you dial-in the delay time. This is the
time after which your original signal starts repeating.
High values create what you know as echo or repetitions.
Small values create metallic, resonating effects. Deleay
Coarse works together with Delay Fine. Delay Fine can dial-
in the delay time in much smaller steps. Add Delay Fine to
Delay Coarse to get the total delay time.
The Feedback control. This is where you adjust how many
times your original signal repeats. At 0% you hear only
one repetition. Raise the Feedback control and more and
more repetitions occur until at 99% the sound seems to
continue endlessly.
High Cut and Low Cut are tone controls for each delay rep-
etition. Raise High Cut and the repeating sound will get
duller over time. Raise the Low Cut control to reduce the