2013

Synchronization 277
By entering the "sync velocity", you can influence the speed of the tempo adjustment.
The greater the sync velocity, the faster Samplitude Music Studio 2013 will follow a
tempo change of the sync master; however, this also means that the pitch fluctuation
in the audio material is greater.
Only use values greater than 100 if Samplitude Music Studio 2013 does not
synchronize precisely in standard cases.
The "chase lock" synchronization uses a real-time resampling routine requiring a
certain CPU power. Anything as fast as a Pentium 90 processor should suffice.
When using the hardware pitching feature, the chase lock synchronization uses direct
access to the sample rate of the sound card in 1 Hz steps. This achieves particularly
precise synchronization without additional CPU load. However, the sound card has to
support this feature, as is currently the case with the ARC44 and ARC88 4 or 8
channel.
MIDI clock input device: Here the driver must be selected from which Samplitude
Music Studio 2013 will receive MIDI clocks for the synchronization.
BPM: Here you have to enter the tempo at which you want to receive MIDI clocks.
MIDI clock output device: Here you have to select the driver via which Samplitude
Music Studio 2013 should send MIDI clocks for synchronization.
BPM: Here you have to enter the tempo you want to send MIDI clocks.
SMPTE/MTC input device: Here you have to select the driver via which Samplitude
Music Studio 2013 should receive MIDI timecode for synchronization.
Sync velocity: The greater the sync velocity, the faster Samplitude Music Studio 2013
will follow a tempo change of the sync master; however, this also means that the
pitch fluctuation in the audio material is greater. Only use values greater than 100 if
Samplitude Music Studio 2013 does not synchronize precisely in standard cases.
MTC output device: Here you have to select the driver via which Samplitude Music
Studio 2013 should send MIDI timecode for synchronization.
Type: Select the proper frame rate. Use 24 frames for cinematic synchronization, 25
frames for PAL video, and audio synchronization, 30 frames for NTSC video.
Pre-roll-frames: You can specify, how many frames Samplitude Music Studio 2013 is
to ignore before the synchronization starts. Here you can account for the fact, that
certain analog instruments need time to reach the correct speed. In order to have
Samplitude Music Studio 2013 link up to the proper time values, a certain pre-roll
frame count can be specified.
SMPTE offset: The SMPTE offset is indicated in milliseconds and in SMPTE frames.
The offset is removed from the incoming SMPTE time code signal to line up