2013
Table Of Contents
- Copyright
- Preface
- Support
- Introduction
- Tutorial
- Program desktop overview
- Functional overview
- Mouse functions and mouse modes
- Effects and effect plug-ins
- What effects are there, and how are they used?
- Saving effect parameters (preset mechanism)
- "Sound FX" (object editor, mixer channels, Mixmaster)
- Parametric equalizer (track effects, mixer channels, Mixmaster)
- MAGIX Mastering Suite
- Vintage Effects Suite (track effects, mixer channels, mix master)
- essential FX
- Vandal SE
- Analogue Modelling Suite: AM-Track SE
- Track dynamics
- Track delay/reverb (track effects)
- Elastic Audio Easy
- Automation
- Mixer
- MIDI in Samplitude Music Studio 2013
- Software / VST instruments
- Installing VST plug-ins
- Load instruments
- Loading routing settings with software instruments
- Load effects plug-ins
- Route MIDI instrument inputs
- Instruments with multi-channel outputs
- Adjust instrument parameters
- Play and monitor instruments live
- Routing VST instruments using the VSTi manager
- Preset management
- Freezing instruments (freeze)
- Tips on handling virtual instruments
- ReWire
- Tempo editing
- Synth objects
- Surround sound
- Synchronization
- Burning CDs
- Tools and wizards
- File menu
- Edit Menu
- Track menu
- Object menu
- Playback / Record menu
- Automation menu
- Effects menu
- CD menu
- Menu view
- The "Share" menu
- Help menu
- Help
- Help index
- Context help
- Open PDF manual
- Watch the introductory video
- Online tutorials
- About Samplitude Music Studio 2013
- MAGIX auto-update
- Open magix.info
- Product registration
- Download more instruments/Sounds/Soundpools
- Screen transfer - MAGIX Screenshare
- Restore original program settings
- MP3 Encoder activation
- Preset keyboard shortcuts
- General settings
- Project options
- If you still have questions
- More about MAGIX
- Index
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www.magix.com
Restoration
Declipping
Samplitude Music Studio 2013 contains a special function for removing digital
clipping and analog distortions. Who isn't familiar with this situation? You've got a
flawless live recording, but the decisive sections are overmodulated, rendering the
recording useless.
Using sophisticated algorithms, the overmodulated passages are interpolated based
on audio material surrounding the clipping area. The entire volume of the material can
then be reduced so that the interpolated parts can be played back without
overmodulation. The De-clipping algorithm is particularly suitable for audio material
with clearly audible overmodulation, e.g. distorted piano or vocals. The sound of
overmodulated drumbeats on the other hand is hardly ever improved upon.
Min. level of clipped samples: Here you can enter the level at which the algorithm will
consider a sample to be clipped and correct it. This is important, as different sound
cards show different clipping behavior. Some DAT recorders have a protective analog
switch, so that the level never reaches the digital mains. In this case, a value of -0.5
dB or less is suitable.
With an input of, for example, -6dB, all samples above half the control level are
registered as overmodulated and recalculated.
This way, material damaged by analog means can also be repaired.