User Manual

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SITUATIONS
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-ARKBASSAMPSAREDESIGNEDTOFAITHFULLYREPRODUCETHENATURALSOUNDOFYOURBASS)FYOUHAVEAGOODINSTRUMENTVERYLITTLEEQUALIZATION%1IF
ANYSHOULDBEREQUIRED"ASSGUITARSPRODUCEASURPRISINGLYWIDERANGEOFFREQUENCIESFROMEXTREMELYLOWFREQUENCIESTHATAREMOREFELTTHANHEARD
TOEXTREMELYHIGHFREQUENCIESTHATPASSTHROUGHYOURCABINETSTWEETERANDAREBARELYAUDIBLETOTHEHUMANEAR!SYOUEXPERIMENTWITHYOUR%1
SETTINGSYOUWILLNOTICETHATALLTHEDIFFERENTFREQUENCYRANGESPLAYESSENTIALROLESINMAKINGUPYOURBASSTONE
,/7FREQUENCIESCONSTITUTEMUSICSSONICFOUNDATIONTHEYGIVEPOWERTOYOURSOUNDPHYSICALLYRESONATINGYOURLISTENERSBODIESANDYOURS
SOMETIMESEVENCAUSINGPEOPLETOMOVEANDDANCE
,/7-)$Sh-)$,/7vOR-ID&REQUENCY,OWMAKEYOURBASSSOUNDLOUDPROJECTINGTHESOUNDOVERLONGDISTANCEShFILLINGTHEROOMv
()'(-)$Sh-)$()'(vOR-ID&REQUENCY(IGHCONVEYTHEPITCHOFTHENOTESTHATYOUPLAY#LARITYOFTHISRANGEENSURESTHATTHEMELODIESINYOUR
BASSLINESAREHEARD)FDETAILISMISSINGINTHISRANGEYOURMELODICCONTRIBUTIONTOTHEMUSICWILLSUFFER
()'(FREQUENCIESCARRYTHEPERCUSSIVECONTENTOFYOURPLAYINGTHEATTACKOFYOURNOTESTHESOUNDOFYOURFINGERORPICKPASSINGOVERTHESTRING
FRETNOISEANDINTHECASEOFSLAPBASSTHEhTICKvNOISEPRODUCEDWHENTHESTRINGSBOUNCEOFFTHEFRETS
)FANYONEOFTHESEFREQUENCYRANGESISNEGLECTEDORPOORLYREPRESENTEDBYYOURAMPYOUARENOTHEARINGANACCURATEREPRESENTATIONOFTHESOUNDTHAT
YOURBASSISGENERATING3INCETHE,-+HASBEENDESIGNEDTOGIVEYOUCLEARDETAILEDANDMUSICALSOUNDATALLFREQUENCIESWHENTHEAMPISSET
hFLATvWITHALL%1KNOBSATOCLOCKYOUSHOULDHEARAVERYTRUEMIRROROFTHESOUNDOFYOURBASS
(OWEVERTHEFOLLOWINGCIRCUMSTANCESWILLREQUIREYOUTOUSEEQUALIZATION
 4HESIGNALFROMYOURBASSISLACKINGOUTPUTLEVELINONEOFTHEFREQUENCYRANGESDESCRIBEDABOVE
 4HEROOMORVENUEYOUREPLAYINGINHASPOORACOUSTICSANDEXCITESACERTAINFREQUENCY&OREXAMPLEIFYOUREPLAYINGONAHOLLOWSTAGE
 CERTAINLOWFREQUENCIESMAYSOUNDDISPROPORTIONATELYLOUDOROUTOFCONTROLANDYOUMAYNOTICETHATEVERYTIMEYOUPLAYACERTAINNOTEIT
 SOUNDSMUCHLOUDERTHANALLTHEOTHERS)NTHESECASESTHEOFFENDINGFREQUENCYNEEDSTOBEIDENTIFIEDANDREDUCED
 9OURESEEKINGTOALTERTHEBASICSOUNDOFYOURINSTRUMENTINORDERTOACHIEVEAPARTICULARMUSICALEFFECT
%QUALIZATIONSHOULDBETREATEDASFINETUNING3PENDSOMETIMELISTENINGTOYOURBASSTHROUGHTHEAMPWITHALLTHE%1CONTROLSINTHENEUTRAL
OCLOCKPOSITIONBEFOREYOUSTARTCHANGINGTHESETTINGS9OURELIKELYTONEEDLITTLEORNOEQUALIZATION
(OWEVERIFANDWHENEQUALIZATIONISREQUIREDYOUWILLFINDTHISAMPS%1TOBEPOWERFULANDIMPRESSIVELYDETAILED
4HE,/7%1CONTROLONTHE,-+ISSETTOACENTERFREQUENCYOF(Z4HISMEANSTHATITEITHERBOOSTSORCUTSTHEVOLUMEOFTHEFREQUENCIES
AROUND(ZTOAMAXIMUMOFDECIBELS
4HE-)$,/7%1CONTROLBOOSTSORCUTSTHEFREQUENCIESAROUND(ZBYASMUCHASDECIBELS
4HE-)$()'(%1CONTROLBOOSTSORCUTSTHEFREQUENCIESAROUND(ZBYASMUCHASDECIBELS
4HE()'(%1CONTROLBOOSTSORCUTSTHEFREQUENCIESAROUNDK(ZBYASMUCHASDECIBELS4HE1ONTHIS%1THERANGEOFFREQUENCY
CONTROLLEDISQUITEWIDESPANNINGFROMABOUTK(ZTOABOUTK(Z
6,%AND60&&),4%23
4HE,-+AMPLIFIERFEATURESTWOMAGICKNOBSTHATALTERTHEEQUALIZATIONOFYOURBASSSIGNALWITHSPECIALLYFORMULATEDMUSICALRESULTS-OSTPLAYERS
USETHESECONTROLSMORETHANTHE%1SINCETHEYWEREDESIGNEDSPECIFICALLYTOMEETTHEPRACTICALNEEDSOFBASSISTS
4HE6,%6INTAGE,OUDSPEAKER%MULATORFILTERSOUTHIGHFREQUENCIESTOGIVEYOUAMELLOWERLESSMODERNSOUND!SYOUTURNTHEKNOBCLOCKWISE
YOUWILLFINDTHATAWIDERANDWIDERRANGEOFHIGHFREQUENCIESGETSCUTSEEPAGEFORAGRAPHOFTHISFILTERSFUNCTION4HIS%1EFFECTIS
ESPECIALLYUSEFULFORACOUSTICANDOLDERSTYLESOFMUSIC
4HE60&6ARIABLE0RESHAPE&ILTERBOOSTSLOWSAROUND(ZANDHIGHSAROUNDK(ZANDCUTSMIDSAT(Z4HISFILTERHASVERY
POWERFULUSESFORROCKMUSICANDISALSOAFAVORITEOFMANYSLAPBASSPLAYERSSEEPAGEFORAGRAPHOFTHISFILTERSFUNCTION
!GAINWERECOMMENDYOUSTARTOFFWITHTHESEFILTERSINTHEOFFPOSITIONANDDIALTHEMINGRADUALLYTODISCOVERWHATEFFECTTHEYHAVE%XPLORETHEM
SEPARATELYFIRSTBUTYOUMAYFINDTHATUSINGBOTHINCOMBINATIONCANLEADTOSOMEVERYAPPEALINGANDMUSICALRESULTS
.OTETHAT#HANNELFEATURESBOTHTHE6,%AND60&FILTERSWHEREAS#HANNELONLYINCLUDESTHE60&
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