User Manual

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ANYSHOULDBEREQUIRED"ASSGUITARSPRODUCEASURPRISINGLYWIDERANGEOFFREQUENCIESFROMEXTREMELYLOWFREQUENCIESTHATAREMOREFELTTHANHEARD
TOEXTREMELYHIGHFREQUENCIESTHATPASSTHROUGHYOURCABINETSTWEETERANDAREBARELYAUDIBLETOTHEHUMANEAR!SYOUEXPERIMENTWITHYOUR%1
SETTINGSYOUWILLNOTICETHATALLTHEDIFFERENTFREQUENCYRANGESPLAYESSENTIALROLESINMAKINGUPYOURBASSTONE
,/7FREQUENCIESCONSTITUTEMUSICSSONICFOUNDATIONTHEYGIVEPOWERTOYOURSOUNDPHYSICALLYRESONATINGYOURLISTENERSBODIESANDYOURS
SOMETIMESEVENCAUSINGPEOPLETOMOVEANDDANCE
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BASSLINESAREHEARD)FDETAILISMISSINGINTHISRANGEYOURMELODICCONTRIBUTIONTOTHEMUSICWILLSUFFER
()'(FREQUENCIESCARRYTHEPERCUSSIVECONTENTOFYOURPLAYINGTHEATTACKOFYOURNOTESTHESOUNDOFYOURFINGERORPICKPASSINGOVERTHESTRING
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)FANYONEOFTHESEFREQUENCYRANGESISNEGLECTEDORPOORLYREPRESENTEDBYYOURAMPYOUARENOTHEARINGANACCURATEREPRESENTATIONOFTHESOUNDTHAT
YOURBASSISGENERATING3INCETHE,ITTLE-ARK))HASBEENDESIGNEDTOGIVEYOUCLEARDETAILEDANDMUSICALSOUNDATALLFREQUENCIESWHENTHEAMPIS
SEThFLATvWITHALL%1KNOBSATOCLOCKYOUSHOULDHEARAVERYTRUEMIRROROFTHESOUNDOFYOURBASS
(OWEVERTHEFOLLOWINGCIRCUMSTANCESWILLREQUIREYOUTOUSEEQUALIZATION
 4HESIGNALFROMYOURBASSISLACKINGOUTPUTLEVELINONEOFTHEFREQUENCYRANGESDESCRIBEDABOVE
 4HEROOMORVENUEYOUREPLAYINGINHASPOORACOUSTICSANDEXCITESACERTAINFREQUENCY&OREXAMPLEIFYOUREPLAYINGONAHOLLOWSTAGE
 CERTAINLOWFREQUENCIESMAYSOUNDDISPROPORTIONATELYLOUDOROUTOFCONTROLANDYOUMAYNOTICETHATEVERYTIMEYOUPLAYACERTAINNOTEIT
 SOUNDSMUCHLOUDERTHANALLTHEOTHERS)NTHESECASESTHEOFFENDINGFREQUENCYNEEDSTOBEIDENTIFIEDANDREDUCED
 9OURESEEKINGTOALTERTHEBASICSOUNDOFYOURINSTRUMENTINORDERTOACHIEVEAPARTICULARMUSICALEFFECT
%QUALIZATIONSHOULDBETREATEDASFINETUNING3PENDSOMETIMELISTENINGTOYOURBASSTHROUGHTHEAMPWITHALLTHE%1CONTROLSINTHENEUTRAL
OCLOCKPOSITIONBEFOREYOUSTARTCHANGINGTHESETTINGS9OURELIKELYTONEEDLITTLEORNOEQUALIZATION
(OWEVERIFANDWHENEQUALIZATIONISREQUIREDYOUWILLFINDTHISAMPS%1TOBEPOWERFULANDIMPRESSIVELYDETAILED
4HE,/7%1CONTROLISSETTOACENTERFREQUENCYOF(Z4HISMEANSTHATITEITHERBOOSTSORCUTSTHEVOLUMEOFTHEFREQUENCIESAROUND(ZTO
AMAXIMUMOFDECIBELS
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4HE()'(-)$-)$()'(%1CONTROLBOOSTSORCUTSTHEFREQUENCIESAROUND(ZBYASMUCHASDECIBELS
4HE()'(%1CONTROLBOOSTSORCUTSTHEFREQUENCIESAROUNDK(ZBYASMUCHASDECIBELS4HE1ONTHIS%1THERANGEOFFREQUENCYCONTROLLED
ISQUITEWIDESPANNINGFROMABOUTK(ZTOABOUTK(Z
6,%AND60&&),4%23
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PLAYERSUSETHESECONTROLSMORETHANTHE%1SINCETHEYWEREDESIGNEDSPECIFICALLYTOMEETTHEPRACTICALNEEDSOFBASSISTS
4HE6,%6INTAGE,OUDSPEAKER%MULATORFILTERSOUTHIGHFREQUENCIESTOGIVEYOUAMELLOWERLESSMODERNSOUND!SYOUTURNTHEKNOBCLOCKWISE
YOUWILLFINDTHATAWIDERANDWIDERRANGEOFHIGHFREQUENCIESGETSCUTSEEPAGEFORAGRAPHOFTHISFILTERSFUNCTION4HIS%1EFFECTIS
ESPECIALLYUSEFULFORACOUSTICANDOLDERSTYLESOFMUSIC
4HE60&6ARIABLE0RESHAPE&ILTERBOOSTSLOWSAROUND(ZANDHIGHSAROUNDK(ZANDCUTSMIDSAT(Z4HISFILTERHASVERYPOWERFUL
USESFORROCKMUSICANDISALSOAFAVORITEOFMANYSLAPBASSPLAYERSSEEPAGEFORAGRAPHOFTHISFILTERSFUNCTION
!GAINWERECOMMENDYOUSTARTOFFWITHTHESEFILTERSINTHEOFFPOSITIONANDDIALTHEMINGRADUALLYTODISCOVERWHATEFFECTTHEYHAVE%XPLORETHEM
SEPARATELYFIRSTBUTYOUMAYFINDTHATUSINGBOTHINCOMBINATIONCANLEADTOSOMEVERYAPPEALINGANDMUSICALRESULTS
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