Owner's Manual

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4HE-ARKBASS,-+ISAHIGHQUALITYTWOCHANNELBASSAMPLIlERWITHASOLIDSTATEPREAMPANDANANALOGPOWERAMPWHICHDELIVERS7OFPOWERINTOAOHMCABINETOR7INTOANOHMCABINET
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4HE,-+SUNIQUETWOCHANNELDESIGNENABLESYOUTOUSEEITHERTWODIFFERENTBASSESEACHWITHITSOWNCHANNELORTWODIFFERENTCHANNELSFORONEBASS"OTHINPUTJACKSCANBEUSEDFORBOTHPASSIVEANDACTIVEBAS
SES7HENUSINGONEBASSPLUGITINTO)NPUT!-ASTER5SINGTHECHANNELSWITCHORTHEFOOTSWITCHYOUWILLBEABLETOCHOOSEWHICHCHANNELANDCORRESPONDINGLEVEL%1ANDlLTERSETTINGSYOURUNITTHROUGH
7HENUSINGTWOBASSESPLUGONEINTOEACHINPUTTHEBASSIN)NPUT!WILLAUTOMATICALLYRUNTHROUGH#HANNELANDTHEBASSIN)NPUT"WILLAUTOMATICALLYRUNTHROUGH#HANNEL4HISISAVERYPRACTICALSOLUTION
FORBASSISTSWHOSWITCHOFTENBETWEENTWOVERYDIFFERENTBASSESFOREXAMPLEANACOUSTICANDANELECTRIC
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7HENONEBASSISPLUGGEDINTOTHE,-+THECHANNELSWITCHALLOWSYOUTOCHOOSEWHETHERYOURSIGNALISROUTEDTHROUGH#HANNEL#HANNELORBOTHhMIXv)FTWOBASSESAREPLUGGEDINTHISSWITCHALLOWSYOU
TOEFFECTIVELYMUTETHEUNUSEDBASSORIFYOUCANPLAYBOTHBASSESATONCESIMPLYSETTHE37)4#(TOhMIXv"LUEINDICATOR,%$S#(AND#(ONTHERIGHTSIDEOFTHEFRONTPANELILLUMINATETOSHOW
WHICHCHANNELISBEINGUSED7HENTHEFOOTSWITCHISPLUGGEDINTOTHEREARPANELTHENFRONTPANELCHANNELSWITCHISDISABLED
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4HEREARETHREEKNOBSONTHEFRONTPANELOFTHE,-+THATCONTROLVOLUME,%6%,ISTHEGAINCONTROLFOR).054!,%6%,ISTHEGAINCONTROLFOR).054"ANDTHE-!34%2CONTROLISTHEOVERALLOUTPUT
VOLUMEOFTHEAMP4HE,%6%,GAINCONTROLSDETERMINEHOWMUCHSIGNALISPASSEDTHROUGHTHEPREAMPSTAGEOFTHEUNITWHICHINCLUDESEQUALIZATIONANDTHEEFFECTSLOOP4HE-!34%2VOLUMEREGULATES
HOWMUCHOUTPUTCOMESOUTOFTHEPOWERAMPINTOYOURCABINET)FPLAYINGTHROUGHTHEAMPCAUSESTHEBLUEh#,)0vLIGHTTOTURNONATALLYOUSHOULDTURNDOWNTHE,%6%,CONTROLOFTHECHANNELBEINGUSED
OTHERWISEYOURSIGNALMAYDISTORT7HENYOUlRSTPLUGINTOTHEAMPSTARTWITHTHE,%6%,AND-!34%2CONTROLSSETATTHEIRLOWESTLEVELSINOTHERWORDSTURNEDALLTHEWAYCOUNTERCLOCKWISE4HENTURN
YOURINSTRUMENTSVOLUMEUPTOITSFULLLEVELANDPLAYASHARDASYOUDOINYOURMOSTAGGRESSIVEMOMENTSANDTURNUPTHE,%6%,CONTROLUNTILTHEBLUELIGHTSTARTSILLUMINATING.EXTBACKOFFONTHE,%6%,JUSTENOUGH
SOTHATTHELIGHTSTAYSOFFASYOUPLAY4HISMETHODWILLRESULTINTHEOPTIMALGAINSETTINGFORTHEBASSYOUREPLAYING$IFFERENTBASSESHAVEDIFFERENTOUTPUTLEVELSMOSTLYDEPENDINGONTHEIRPICKUPSANDINTHECASE
OFACTIVEBASSESTHEINSTRUMENTSONBOARDPREAMPAND%1SETTINGS/NCEYOUVESETTHE,%6%,CONTROLSSOTHATTHEVOLUMESOFYOURTWOBASSESAREEVENUSEYOUR-!34%2KNOBTOCONTROLTHEOVERALLVOLUME