Owner's Manual


,).%/54
4HIS,).%/54KNOBCONTROLSTHEVOLUMELEVELOFTHEREAR,).%/548,2WHICHISCONNECTEDTOTHEMIXINGCONSOLEINLIVEORSTUDIOSITUATIONS
%15!,):!4)/.
-ARKBASSAMPSAREDESIGNEDTOFAITHFULLYREPRODUCETHENATURALSOUNDOFYOURBASS)FYOUHAVEAGOODINSTRUMENTVERYLITTLEEQUALIZATION%1IFANYSHOULDBEREQUIRED"ASSGUITARSPRODUCEASURPRISINGLYWIDE
RANGEOFFREQUENCIESFROMEXTREMELYLOWFREQUENCIESTHATAREMOREFELTTHANHEARDTOEXTREMELYHIGHFREQUENCIESTHATPASSTHROUGHYOURCABINETSTWEETERANDAREBARELYAUDIBLETOTHEHUMANEAR!SYOUEXPERIMENT
WITHYOUR%1SETTINGSYOUWILLNOTICETHATALLTHEDIFFERENTFREQUENCYRANGESPLAYESSENTIALROLESINMAKINGUPYOURBASSTONE
,/7FREQUENCIESCONSTITUTEMUSICSSONICFOUNDATIONTHEYGIVEPOWERTOYOURSOUNDPHYSICALLYRESONATINGYOURLISTENERSBODIESANDYOURSSOMETIMESEVENCAUSINGPEOPLETOMOVEANDDANCE
,/7-)$Sh-)$,/7vOR-ID&REQUENCY,OWMAKEYOURBASSSOUNDLOUDPROJECTINGTHESOUNDOVERLONGDISTANCEShlLLINGTHEROOMv
()'(-)$Sh-)$()'(vOR-ID&REQUENCY(IGHCONVEYTHEPITCHOFTHENOTESTHATYOUPLAY#LARITYOFTHISRANGEENSURESTHATTHEMELODIESINYOURBASSLINESAREHEARD)FDETAILISMISSINGINTHISRANGEYOURMELODIC
CONTRIBUTIONTOTHEMUSICWILLSUFFER
()'(FREQUENCIESCARRYTHEPERCUSSIVECONTENTOFYOURPLAYINGTHEATTACKOFYOURNOTESTHESOUNDOFYOURlNGERORPICKPASSINGOVERTHESTRINGFRETNOISEANDINTHECASEOFSLAPBASSTHEhTICKvNOISEPRODUCEDWHEN
THESTRINGSBOUNCEOFFTHEFRETS)FANYONEOFTHESEFREQUENCYRANGESISNEGLECTEDORPOORLYREPRESENTEDBYYOURAMPYOUARENOTHEARINGANACCURATEREPRESENTATIONOFTHESOUNDTHATYOURBASSISGENERATING3INCE
THE,-+HASBEENDESIGNEDTOGIVEYOUCLEARDETAILEDANDMUSICALSOUNDATALLFREQUENCIESWHENTHEAMPISSEThmATWITHALL%1KNOBSATOCLOCKYOUSHOULDHEARAVERYTRUEMIRROROFTHESOUNDOFYOURBASS
(OWEVERTHEFOLLOWINGCIRCUMSTANCESWILLREQUIREYOUTOUSEEQUALIZATION
 4HESIGNALFROMYOURBASSISLACKINGOUTPUTLEVELINONEOFTHEFREQUENCYRANGESDESCRIBEDABOVE
 4HEROOMORVENUEYOUREPLAYINGINHASPOORACOUSTICSANDEXCITESACERTAINFREQUENCY&OREXAMPLEIFYOUREPLAYINGONAHOLLOWSTAGECERTAINLOWFREQUENCIESMAYSOUNDDISPROPORTIONATELY
LOUDOROUTOFCONTROLANDYOUMAYNOTICETHATEVERYTIMEYOUPLAYACERTAINNOTEITSOUNDSMUCHLOUDERTHANALLTHEOTHERS)NTHESECASESTHEOFFENDINGFREQUENCYNEEDSTOBEIDENTIlEDANDREDUCED
 9OURESEEKINGTOALTERTHEBASICSOUNDOFYOURINSTRUMENTINORDERTOACHIEVEAPARTICULARMUSICALEFFECT
%QUALIZATIONSHOULDBETREATEDASlNETUNING3PENDSOMETIMELISTENINGTOYOURBASSTHROUGHTHEAMPWITHALLTHE%1CONTROLSINTHENEUTRALOCLOCKPOSITIONBEFOREYOUSTARTCHANGINGTHESETTINGS9OURELIKELY
TONEEDLITTLEORNOEQUALIZATION
(OWEVERIFANDWHENEQUALIZATIONISREQUIREDYOUWILLlNDTHISAMPS%1TOBEPOWERFULANDIMPRESSIVELYDETAILED
4HE,/7%1CONTROLONTHE,-+ISSETTOACENTERFREQUENCYOF(Z4HISMEANSTHATITEITHERBOOSTSORCUTSTHEVOLUMEOFTHEFREQUENCIESAROUND(ZTOAMAXIMUMOFDECIBELS
4HE-)$,/7%1CONTROLBOOSTSORCUTSTHEFREQUENCIESAROUND(ZBYASMUCHASDECIBELS
4HE-)$()'(%1CONTROLBOOSTSORCUTSTHEFREQUENCIESAROUND(ZBYASMUCHASDECIBELS
4HE()'(%1CONTROLBOOSTSORCUTSTHEFREQUENCIESAROUNDK(ZBYASMUCHASDECIBELS4HE1ONTHIS%1THERANGEOFFREQUENCYCONTROLLEDISQUITEWIDESPANNINGFROMABOUTK(ZTOABOUTK(Z
6,%AND60&&),4%23
4HE,-+AMPLIlERFEATURESTWOMAGICKNOBSTHATALTERTHEEQUALIZATIONOFYOURBASSSIGNALWITHSPECIALLYFORMULATEDMUSICALRESULTS-OSTPLAYERSUSETHESECONTROLSMORETHANTHE%1SINCETHEYWEREDESIGNED
SPECIlCALLYTOMEETTHEPRACTICALNEEDSOFBASSISTS4HE6,%6INTAGE,OUDSPEAKER%MULATORlLTERSOUTHIGHFREQUENCIESTOGIVEYOUAMELLOWERLESSMODERNSOUND!SYOUTURNTHEKNOBCLOCKWISEYOUWILL
lNDTHATAWIDERANDWIDERRANGEOFHIGHFREQUENCIESGETSCUTSEEPAGEFORAGRAPHOFTHISlLTERSFUNCTION4HIS%1EFFECTISESPECIALLYUSEFULFORACOUSTICANDOLDERSTYLESOFMUSIC4HE60&6ARIABLE
0RESHAPE&ILTERBOOSTSLOWSAROUND(ZANDHIGHSAROUNDK(ZANDCUTSMIDSAT(Z4HISlLTERHASVERYPOWERFULUSESFORROCKMUSICANDISALSOAFAVORITEOFMANYSLAPBASSPLAYERSSEEPAGEFOR
AGRAPHOFTHISlLTERSFUNCTION!GAINWERECOMMENDYOUSTARTOFFWITHTHESElLTERSINTHEOFFPOSITIONANDDIALTHEMINGRADUALLYTODISCOVERWHATEFFECTTHEYHAVE%XPLORETHEMSEPARATELYlRSTBUTYOUMAYlND
THATUSINGBOTHINCOMBINATIONCANLEADTOSOMEVERYAPPEALINGANDMUSICALRESULTS.OTETHAT#HANNELFEATURESBOTHTHE6,%AND60&lLTERSWHEREAS#HANNELONLYINCLUDESTHE60&