Owner's Manual

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-ARKBASSAMPSAREDESIGNEDTOFAITHFULLYREPRODUCETHENATURALSOUNDOFYOURBASS)FYOUHAVEAGOODINSTRUMENTVERYLITTLEEQUALIZATION%1IFANYSHOULDBEREQUIRED"ASSGUITARSPRODUCEASURPRISINGLY
WIDERANGEOFFREQUENCIESFROMEXTREMELYLOWFREQUENCIESTHATAREMOREFELTTHANHEARDTOEXTREMELYHIGHFREQUENCIESTHATPASSTHROUGHYOURCABINETSTWEETERANDAREBARELYAUDIBLETOTHEHUMANEAR!SYOU
EXPERIMENTWITHYOUR%1SETTINGSYOUWILLNOTICETHATALLTHEDIFFERENTFREQUENCYRANGESPLAYESSENTIALROLESINMAKINGUPYOURBASSTONE
,/7FREQUENCIESCONSTITUTEMUSICSSONICFOUNDATIONTHEYGIVEPOWERTOYOURSOUNDPHYSICALLYRESONATINGYOURLISTENERSBODIESANDYOURSSOMETIMESEVENCAUSINGPEOPLETOMOVEANDDANCE
,/7-)$Sh-)$,/7vOR-ID&REQUENCY,OWMAKEYOURBASSSOUNDLOUDPROJECTINGTHESOUNDOVERLONGDISTANCEShlLLINGTHEROOMv
()'(-)$Sh-)$()'(vOR-ID&REQUENCY(IGHCONVEYTHEPITCHOFTHENOTESTHATYOUPLAY#LARITYOFTHISRANGEENSURESTHATTHEMELODIESINYOURBASSLINESAREHEARD)FDETAILISMISSINGINTHISRANGEYOURMELODIC
CONTRIBUTIONTOTHEMUSICWILLSUFFER
()'(FREQUENCIESCARRYTHEPERCUSSIVECONTENTOFYOURPLAYINGTHEATTACKOFYOURNOTESTHESOUNDOFYOURlNGERORPICKPASSINGOVERTHESTRINGFRETNOISEANDINTHECASEOFSLAPBASSTHEhTICKvNOISEPRODUCED
WHENTHESTRINGSBOUNCEOFFTHEFRETS
)FANYONEOFTHESEFREQUENCYRANGESISNEGLECTEDORPOORLYREPRESENTEDBYYOURAMPYOUARENOTHEARINGANACCURATEREPRESENTATIONOFTHESOUNDTHATYOURBASSISGENERATING3INCETHESEAMPSHASBEENDESIGNED
TOGIVEYOUCLEARDETAILEDANDMUSICALSOUNDATALLFREQUENCIESWHENTHEAMPISSEThmATvWITHALL%1KNOBSATOCLOCKYOUSHOULDHEARAVERYTRUEMIRROROFTHESOUNDOFYOURBASS
(OWEVERTHEFOLLOWINGCIRCUMSTANCESWILLREQUIREYOUTOUSEEQUALIZATION
 4HESIGNALFROMYOURBASSISLACKINGOUTPUTLEVELINONEOFTHEFREQUENCYRANGESDESCRIBEDABOVE
 4HEROOMORVENUEYOUREPLAYINGINHASPOORACOUSTICSANDEXCITESACERTAINFREQUENCY&OREXAMPLEIFYOUREPLAYINGONAHOLLOWSTAGECERTAINLOWFREQUENCIESMAYSOUNDDISPROPORTIONATELYLOUD
 OROUTOFCONTROLANDYOUMAYNOTICETHATEVERYTIMEYOUPLAYACERTAINNOTEITSOUNDSMUCHLOUDERTHANALLTHEOTHERS)NTHESECASESTHEOFFENDINGFREQUENCYNEEDSTOBEIDENTIlEDANDREDUCED
 9OURESEEKINGTOALTERTHEBASICSOUNDOFYOURINSTRUMENTINORDERTOACHIEVEAPARTICULARMUSICALEFFECT
%QUALIZATIONSHOULDBETREATEDASlNETUNING3PENDSOMETIMELISTENINGTOYOURBASSTHROUGHTHEAMPWITHALLTHE%1CONTROLSINTHENEUTRALOCLOCKPOSITIONBEFOREYOUSTARTCHANGINGTHESETTINGS9OURELIKELY
TONEEDLITTLEORNOEQUALIZATION
(OWEVERIFANDWHENEQUALIZATIONISREQUIREDYOUWILLlNDTHISAMPS%1TOBEPOWERFULANDIMPRESSIVELYDETAILED
4HE,/7%1CONTROLISSETTOACENTERFREQUENCYOF(Z4HISMEANSTHATITEITHERBOOSTSORCUTSTHEVOLUMEOFTHEFREQUENCIESAROUND(ZTOAMAXIMUMOFDECIBELS
4HE,/7-)$-)$,/7%1CONTROLBOOSTSORCUTSTHEFREQUENCIESAROUND(ZBYASMUCHASDECIBELS
4HE()'(-)$-)$()'(%1CONTROLBOOSTSORCUTSTHEFREQUENCIESAROUND(ZBYASMUCHASDECIBELS
4HE()'(%1CONTROLBOOSTSORCUTSTHEFREQUENCIESAROUNDK(ZBYASMUCHASDECIBELS4HE1ONTHIS%1THERANGEOFFREQUENCYCONTROLLEDISQUITEWIDESPANNINGFROMABOUTK(ZTOABOUTK(Z
6,%AND60&&),4%23
-ARKBASSAMPLIlERSFEATURETWOMAGICKNOBSTHATALTERTHEEQUALIZATIONOFYOURBASSSIGNALWITHSPECIALLYFORMULATEDMUSICALRESULTS-OSTPLAYERSUSETHESECONTROLSMORETHANTHE%1SINCETHEYWEREDESIGNED
SPECIlCALLYTOMEETTHEPRACTICALNEEDSOFBASSISTS
4HE6,%6INTAGE,OUDSPEAKER%MULATORlLTERSOUTHIGHFREQUENCIESTOGIVEYOUAMELLOWERLESSMODERNSOUND!SYOUTURNTHEKNOBCLOCKWISEYOUWILLlNDTHATAWIDERANDWIDERRANGEOFHIGHFREQUENCIES
GETSCUTSEEPAGEFORAGRAPHOFTHISlLTERSFUNCTION4HIS%1EFFECTISESPECIALLYUSEFULFORACOUSTICANDOLDERSTYLESOFMUSIC
4HE60&6ARIABLE0RESHAPE&ILTERBOOSTSLOWSAROUND(ZANDHIGHSAROUNDK(ZANDCUTSMIDSAT(Z4HISlLTERHASVERYPOWERFULUSESFORROCKMUSICANDISALSOAFAVORITEOFMANYSLAPBASS
PLAYERSSEEPAGEFORAGRAPHOFTHISlLTERSFUNCTION
!GAINWERECOMMENDYOUSTARTOFFWITHTHESElLTERSINTHEOFFPOSITIONANDDIALTHEMINGRADUALLYTODISCOVERWHATEFFECTTHEYHAVE%XPLORETHEMSEPARATELYlRSTBUTYOUMAYlNDTHATUSINGBOTHINCOMBINATION
CANLEADTOSOMEVERYAPPEALINGANDMUSICALRESULTS