Specifications
The listener hears the vector sum of more and more cabinets as he moves further 
away from a straight line array. These increasing contributions partially compensate 
for the normal reduction in sound pressure with distance from source. 
Note that farfield spl levels will increase towards the centre of the array where more 
elements add. 
W8L Series 
The classic explanation of line array behavior assumes omni-directional point source 
drive elements that must be positioned within ¼ wavelength at their highest operating 
frequency for coherent summation. Martin Audio designs comprise directional horn-
loaded sections. This closely coupled horn technique modifies the equations allowing 
greater driver spacing. See our Institute of Acoustics, Reproduced Sound 2003 paper, 
Advances in Line Array Technology for Live Sound. 
Note that our mid and hf designs do not try to emulate a dead straight ribbon. 
Practical loudspeaker columns must have vertical coverage patterns tailored to suit 
the audience size and shape and our line array systems have been designed with this 
in mind. The W8L Series are deliberately designed to produce slightly curved vertical 
wavefronts - enough to allow up to 7.5º of vertical splay to be introduced between 
boxes but not enough to affect straight line performance. 
Progressive Curvature arrays 
Straight columns (0º splay angles) produce far-field high-mid frequency sound 
pressure levels that increase approximately 6dB for every doubling of W8L quantities 
but, as inter-box splay angles increase, the vector sum of multiple W8Ls decreases 
through 3dB for a 3º splay to 0dB (no summation) at 7.5º. This Progressive 
Curvature provides smooth level coverage without amplifier channel trimming for 
most applications. 
Martin Audio’s ViewPoint
tm
 software calculates the optimum progressive curvature 
for a given audience area. The progressive curvature produces a more consistent 
frequency response from the front rows to the rear seats than often used J-shaped 
arrays having a straight, long throw section at the top and a curved lower section. An 
over-angular J-shaped array acts like a foreshortened straight array above a point 
source array and creates vertical lobes that result in irregular coverage. 
All material © 2007. Martin Audio Ltd. Subject to change without notice.
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