Specifications

A typical large scale system will have its LF sections driven in unison, its MF split
into upper (far-field) and lower (near-field) zones and its HF split into upper (far-
field), middle (mid-field) and lower (near-field) zones. See Section 5.9 for more
on Band Zoning and Sections
5.10 (W8L), 5.11 (W8LC) or 5.12 (W8LM) for rack info.
Note that W8L and W8LC presets also offer a choice of settings –
HFCUT
HFNORMAL
HFBOOST
These are intended to cater for differing propagation conditions and, of course,
personal taste.
We recommend the following settings for differing humidity conditions:
HF BOOST when RH = 10 to 30%
HF NORMAL when RH = 30 to 50%
HF CUT when RH = 50 to 100%.
W8L presets have an HF VARIABLE setting to allow the user to manually adjust HF
equalisation for atmospheric effects and personal taste.
A reminder …
ViewPoint
tm
produces sonically accurate results based on high resolution
loudspeaker data and the audience coverage. You must use the exact reference
preset and amplifier patch for accurate Band Zoning and smooth coverage.
1) The controller preset names shown on ViewPoint
tm
correspond to the
preset names on our published Martin Audio DX1, XTA DP226 or XTA
AudioCore data files.
2) Please ensure that controllers are loaded with our standard reference
presets for the W8L Series loudspeaker in use.
3) Users should start with a unity gain, zero delay, flat frequency response
controller input section and revert back to our standard presets at the
beginning of each venue setup to avoid using settings contaminated with
room equalization from a previous gig.
5.5.17 Saving a venue or array design to disk
Select the Venue page and click on Save.
All material © 2007. Martin Audio Ltd. Subject to change without notice.
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