9.5.2
Table Of Contents
- CINEMA 4D XL
- CINEMA 4D
- End User License Agreement
- 1. Getting to Know C4D
- 2. Views and Viewports
- Edit Menu
- Zoom in/Out
- Frame Commands
- Configure
- Display Tab
- Film Move, Magnify, Zoom
- Active Object
- Inactive Object
- Filter Tab
- View Tab
- Back Tab
- Back
- World Grid
- HUD Tab
- Cameras Menu
- Scene Cameras
- Link Active Object
- Editor Camera
- Projections
- Display Menu
- Display Filter
- Default Light
- Shading Modes
- Display Tags
- Backface Culling
- Textures
- X-Ray
- View Menu
- 3. Configuration
- Configuration Dialogs
- Configuration Managers
- Graphical User Interface
- Windows
- Tabs
- Icon Palettes
- Command Manager
- Menu Manager
- Quick Access Menu
- Pin's Menu
- Preferences
- Macintosh
- Interface
- Colors
- Viewport
- View
- OpenGL Shading
- Textures
- Software Shading
- Document
- Colors
- Import/Export
- Allplan Export
- 3D Studio Import/Export
- Biovision BHV Import
- CINEMA 4D XML Export
- DEM Import
- DXF Export
- DXF Import
- Direct3D Export
- FBX Import/Export
- FBX Import Settings
- FBX Export Settings
- Additional Options
- Illustrator Import
- Lightwave Import
- Monzoom Import
- QuickDraw 3D Export
- QuickDraw 3D Import
- STL Import/Export
- Shockwave 3D Export
- Texture Export Options
- Light Options
- Animation Export Options
- Options
- Shockwave 3D Limitations
- Cameras
- UZR Export
- Filter Properties
- File
- HTML
- Integrating UZR Files in HTML
- Controlling the UZR Browser Display
- Context Menu Applet
- VRML 1 Export
- VRML 1 Import
- VRML 2 Export
- VRML 2 Import
- Wavefront Import/Export
- Material Preview
- Texture Paths
- Units
- Color Chooser
- Colors/GUI
- Project Settings
- XPresso
- 4. Workflow
- 5. File Menu
- 6. Edit Menu
- 7. Objects Menu
- Cameras Menu
- Coordinates
- Object Properties
- Primitives
- Cone
- Caps
- Cube
- Cylinder
- Slice
- Disc
- Plane
- Polygon
- Sphere
- Torus
- Capsule
- Oil Tank
- Tube
- Pyramid
- Platonic
- Figure
- Landscape
- Relief
- NURBS
- Materials for Hull, Caps, Rounding
- Spline Object
- Null Object
- Polygon Object
- Array Object
- Boole
- Instance Object
- Metaball Object
- Symmetry Object
- Construction Plane Object
- Camera Object
- Light Object
- Particles
- Deformers
- Floor Object
- Sky Object
- Environment Object
- Foreground/Background Object
- Stage Object
- Selection Object
- Sound
- Object Library
- 8. Tools Menu
- Move
- Orientation
- Snap Settings
- Scale
- Rotate
- Move/Scale/Rotate w/Mouse & Keyboard
- Magnify
- Modelling Modes
- Tweak Mode
- Auto Switch Mode
- N-gon Triangulation
- Isoline Editing
- Show Axis
- Camera
- Object
- Points
- Edges
- Polygons
- Object Axis
- Model
- Texture
- Texture Axis
- Inverse Kinematics
- Animation
- Axes
- Coordinate System
- Why HPB?
- Camera Rotation
- 9. Selection Menu
- 10. Structure Menu
- Modelling Modes
- Snap Settings
- Snapping
- Edit Spline
- Chamfer
- Cross Section
- Edge to Spline
- Project
- Round
- Split
- Add Point
- Modes
- Bridge
- Modes
- Bridge Point Mode
- Brush Tool
- Create Polygon
- Edge Cut
- Iron
- Knife
- Magnet
- Mirror
- Set Point Value
- Coordinate System
- Slide
- Stitch and Sew
- Weld
- Bevel
- Polygon Mode
- Edge Mode
- Point Mode
- Extrude
- Extrude Inner
- Matrix Extrude
- Smooth Shift
- Normal Move
- Normal Scale
- Normal Rotate
- Structure Context Menu
- 11. Functions Menu
- Make Editable
- Duplicate
- Measure & Construction
- Transfer
- Randomize
- Reset System
- Align Normals
- Move Down/Up Sequence
- Arrange
- Linear Mode
- Circle Mode
- Center
- Connect
- Current State to Object
- Reverse Normals
- Collapse
- Melt
- Optimize
- Subdivide
- Triangulate
- Untriangulate
- Retriangulate N-Gons
- Remove N-Gons
- Array
- Clone
- Disconnect
- Explode Segments
- Split
- Break Phong Shading
- Unbreak Phong Shading
- Select Broken Phong Edges
- Increase/Decrease HN Subdivision
- 12. Plugins
- 13. Rendering
- 14. Window Menu
- 15. Help Menu
- 16. Coordinate Manager
- 17. Object Manager
- CINEMA 4D Tags
- Expression Tag
- Align to Path
- Align to Spline
- Anchor
- C.O.F.F.E.E.
- Compositing
- Exclusion
- Display
- Fix
- FlashEx
- File Menu
- HyperNURBS Weight
- IK
- Kinematic
- Look at Camera
- Metaball
- Motion Blur
- Phong
- Protection
- Restriction
- Shockwave 3D Double-Sided
- Stick Texture
- Stop
- Sun
- Target
- Texture
- Vibrate
- WWW
- XPresso
- C.O.F.F.E.E. Error Tag
- Edit Menu
- Hide Objects
- Invert Object Selection
- Objects Menu
- Scene Information
- Fold All
- Unfold All
- Fix Bones
- Reset Bones
- Bake Particles
- Tags Menu
- Texture Menu
- 18. Material Manager
- File Menu
- Edit Menu
- Material List
- Function Menu
- New/Remove Material Group
- Rename
- Material Editor
- Channel Shaders
- Basic Properties
- Shader Properties
- Working With Shaders
- Color
- Noise
- Shader Properties
- Types of Noise
- Gradient
- Using Gradients
- Interpolation
- Other Properties
- Fresnel
- Render
- Filter
- Fusion
- Layer
- Using Layer Shader
- Colorizer
- Posterizer
- Chan Lum
- Shader Properties
- Backlight
- Distorter
- Falloff
- Lumas
- Specular Pages
- Anisotrophy Page
- Normal Direction
- Projector
- Proximal
- Ripple
- Spectral
- Spline
- Vertex Map
- Brick
- Checkerboard
- Cloud
- Cyclone
- Earth
- Fire
- Flame
- Galaxy
- Marble
- Metal
- Planet
- Rust
- Simple Noise
- Simple Turbulence
- Starfield
- Stars
- Sunburst
- Tiles
- Types of Tile Pattern
- Venus
- Water
- Wood
- Volumetric Shaders
- Fog
- Terrain
- Former SLA Volume Shaders
- Banji
- Transparency Page
- Banzi
- Wood Page
- Cheen
- Gradients Page
- Transparancy Page
- Danel
- Mabel
- Veining Page
- Nukel
- Fusing Page
- Alpha A Page
- Other Material Channels
- Specular Pages
- Reflection page
- Environment Page
- Ambient Page
- Roughness Page
- Anisotrophy Page
- Esotherica Page
- Illumination Page
- Assignment Page
- Texture Mapping
- 19. Timeline
- Animation Toolbar
- Animation Menu
- Context Menus
- Objects Area
- Manual Mode
- Moving Time Slider
- Layer System
- Timeline Ruler/Preview Range
- Markers
- Recording Animation
- Keyframing: Record Button
- Keyframing: Attribute Manager
- Autokeying
- Keyframing: Timeline
- Selecting Elements
- Rectangle Selection
- Selecting Vector Components
- Copy & Move With Drag & Drop
- Moving Animations Hierarchically
- Moving Tracks/Sequences/Keys
- Selection Handles
- File Menu
- Edit Menu
- View Menu
- Filter Menu
- Objects Menu
- Sequences Menu
- Layer Menu
- 20. F-Curve Manager
- 21. Attribute Manager
- 22. XPresso Editor
- 23. Structure Manager
- 24. Picture Viewer
- 25. Script Manager
- 26. Content Browser
- 27. Appendices
- Index
354 • CHAPTER 7
OBJECTS MENU • LIGHTING • 355
Outer Distance, Relative Scale
Between the Inner Distance and the Outer Distance the density of the visible light changes from 100%
to 0%. When using spotlights, modify the scale of the Outer Distance value along each axis using the
three Relative Scale text boxes.
Sample Distance
The Sample Distance is relevant for visible volumetric lights. Adjusting this value denes how nely
the visible light’s volumetric shadow will be computed. Larger values lead to a somewhat rough (but
swift) calculation, while smaller values lead to a much ner, but more time-consuming, result.
Take care with the Sample Distance values. Finding a happy medium (small for
ne detail, but as large as possible for reducing render time) is the key here.
The value of this Sample Distance is measured in world units. This value thus determines how nely the
shadows within a visible light will be sampled. Values will usually be from 1/10th to 1/1000th of the
light source radius. By increasing the value your scene will render noticeably faster but certain parts
of your scene will be sampled very roughly, resulting in sampling artefacts. To reduce these sampling
artefacts requires a reduction in your sampling value too. The smaller the value, however, the higher
the cost in rendering time.
CINEMA 4D contains an integrated antialiasing technique for surface shine, ensuring even the roughest
surfaces render smoothly, allowing you to set the Sample Distance value somewhat higher than
without this feature.
Sample Distance tips
To produce ne shafts of light, such as those produced when light beams radiate through cracks or
from behind stone columns, set the Sample Distance to a relatively low value. On the other hand, a
light that is completely covered and allows no beams of light to break through may be sampled at a
much higher value. To clarify this, here’s a small example; the pumpkin in the pictures below has a
radius of 150 units, the visible volumetric light a radius (Outer Distance) of 700 units.
From left to right: Distance: 10. Render time: 105 s. The volumetric light looks perfect. /
Sample Distance: 20. Render time: 60 s. Here the rays emitting from the mouth and the right eye are
showing the rst signs of artefacts. / Sample Distance: 40. Render time: 35 s. You can clearly see now
how the rays in the visible light are losing their ne edges. / Sample Distance: 80. Render time: 23 s.
The picture has, quite literally, been rendered useless.