9.5.2
Table Of Contents
- CINEMA 4D XL
- CINEMA 4D
- End User License Agreement
- 1. Getting to Know C4D
- 2. Views and Viewports
- Edit Menu
- Zoom in/Out
- Frame Commands
- Configure
- Display Tab
- Film Move, Magnify, Zoom
- Active Object
- Inactive Object
- Filter Tab
- View Tab
- Back Tab
- Back
- World Grid
- HUD Tab
- Cameras Menu
- Scene Cameras
- Link Active Object
- Editor Camera
- Projections
- Display Menu
- Display Filter
- Default Light
- Shading Modes
- Display Tags
- Backface Culling
- Textures
- X-Ray
- View Menu
- 3. Configuration
- Configuration Dialogs
- Configuration Managers
- Graphical User Interface
- Windows
- Tabs
- Icon Palettes
- Command Manager
- Menu Manager
- Quick Access Menu
- Pin's Menu
- Preferences
- Macintosh
- Interface
- Colors
- Viewport
- View
- OpenGL Shading
- Textures
- Software Shading
- Document
- Colors
- Import/Export
- Allplan Export
- 3D Studio Import/Export
- Biovision BHV Import
- CINEMA 4D XML Export
- DEM Import
- DXF Export
- DXF Import
- Direct3D Export
- FBX Import/Export
- FBX Import Settings
- FBX Export Settings
- Additional Options
- Illustrator Import
- Lightwave Import
- Monzoom Import
- QuickDraw 3D Export
- QuickDraw 3D Import
- STL Import/Export
- Shockwave 3D Export
- Texture Export Options
- Light Options
- Animation Export Options
- Options
- Shockwave 3D Limitations
- Cameras
- UZR Export
- Filter Properties
- File
- HTML
- Integrating UZR Files in HTML
- Controlling the UZR Browser Display
- Context Menu Applet
- VRML 1 Export
- VRML 1 Import
- VRML 2 Export
- VRML 2 Import
- Wavefront Import/Export
- Material Preview
- Texture Paths
- Units
- Color Chooser
- Colors/GUI
- Project Settings
- XPresso
- 4. Workflow
- 5. File Menu
- 6. Edit Menu
- 7. Objects Menu
- Cameras Menu
- Coordinates
- Object Properties
- Primitives
- Cone
- Caps
- Cube
- Cylinder
- Slice
- Disc
- Plane
- Polygon
- Sphere
- Torus
- Capsule
- Oil Tank
- Tube
- Pyramid
- Platonic
- Figure
- Landscape
- Relief
- NURBS
- Materials for Hull, Caps, Rounding
- Spline Object
- Null Object
- Polygon Object
- Array Object
- Boole
- Instance Object
- Metaball Object
- Symmetry Object
- Construction Plane Object
- Camera Object
- Light Object
- Particles
- Deformers
- Floor Object
- Sky Object
- Environment Object
- Foreground/Background Object
- Stage Object
- Selection Object
- Sound
- Object Library
- 8. Tools Menu
- Move
- Orientation
- Snap Settings
- Scale
- Rotate
- Move/Scale/Rotate w/Mouse & Keyboard
- Magnify
- Modelling Modes
- Tweak Mode
- Auto Switch Mode
- N-gon Triangulation
- Isoline Editing
- Show Axis
- Camera
- Object
- Points
- Edges
- Polygons
- Object Axis
- Model
- Texture
- Texture Axis
- Inverse Kinematics
- Animation
- Axes
- Coordinate System
- Why HPB?
- Camera Rotation
- 9. Selection Menu
- 10. Structure Menu
- Modelling Modes
- Snap Settings
- Snapping
- Edit Spline
- Chamfer
- Cross Section
- Edge to Spline
- Project
- Round
- Split
- Add Point
- Modes
- Bridge
- Modes
- Bridge Point Mode
- Brush Tool
- Create Polygon
- Edge Cut
- Iron
- Knife
- Magnet
- Mirror
- Set Point Value
- Coordinate System
- Slide
- Stitch and Sew
- Weld
- Bevel
- Polygon Mode
- Edge Mode
- Point Mode
- Extrude
- Extrude Inner
- Matrix Extrude
- Smooth Shift
- Normal Move
- Normal Scale
- Normal Rotate
- Structure Context Menu
- 11. Functions Menu
- Make Editable
- Duplicate
- Measure & Construction
- Transfer
- Randomize
- Reset System
- Align Normals
- Move Down/Up Sequence
- Arrange
- Linear Mode
- Circle Mode
- Center
- Connect
- Current State to Object
- Reverse Normals
- Collapse
- Melt
- Optimize
- Subdivide
- Triangulate
- Untriangulate
- Retriangulate N-Gons
- Remove N-Gons
- Array
- Clone
- Disconnect
- Explode Segments
- Split
- Break Phong Shading
- Unbreak Phong Shading
- Select Broken Phong Edges
- Increase/Decrease HN Subdivision
- 12. Plugins
- 13. Rendering
- 14. Window Menu
- 15. Help Menu
- 16. Coordinate Manager
- 17. Object Manager
- CINEMA 4D Tags
- Expression Tag
- Align to Path
- Align to Spline
- Anchor
- C.O.F.F.E.E.
- Compositing
- Exclusion
- Display
- Fix
- FlashEx
- File Menu
- HyperNURBS Weight
- IK
- Kinematic
- Look at Camera
- Metaball
- Motion Blur
- Phong
- Protection
- Restriction
- Shockwave 3D Double-Sided
- Stick Texture
- Stop
- Sun
- Target
- Texture
- Vibrate
- WWW
- XPresso
- C.O.F.F.E.E. Error Tag
- Edit Menu
- Hide Objects
- Invert Object Selection
- Objects Menu
- Scene Information
- Fold All
- Unfold All
- Fix Bones
- Reset Bones
- Bake Particles
- Tags Menu
- Texture Menu
- 18. Material Manager
- File Menu
- Edit Menu
- Material List
- Function Menu
- New/Remove Material Group
- Rename
- Material Editor
- Channel Shaders
- Basic Properties
- Shader Properties
- Working With Shaders
- Color
- Noise
- Shader Properties
- Types of Noise
- Gradient
- Using Gradients
- Interpolation
- Other Properties
- Fresnel
- Render
- Filter
- Fusion
- Layer
- Using Layer Shader
- Colorizer
- Posterizer
- Chan Lum
- Shader Properties
- Backlight
- Distorter
- Falloff
- Lumas
- Specular Pages
- Anisotrophy Page
- Normal Direction
- Projector
- Proximal
- Ripple
- Spectral
- Spline
- Vertex Map
- Brick
- Checkerboard
- Cloud
- Cyclone
- Earth
- Fire
- Flame
- Galaxy
- Marble
- Metal
- Planet
- Rust
- Simple Noise
- Simple Turbulence
- Starfield
- Stars
- Sunburst
- Tiles
- Types of Tile Pattern
- Venus
- Water
- Wood
- Volumetric Shaders
- Fog
- Terrain
- Former SLA Volume Shaders
- Banji
- Transparency Page
- Banzi
- Wood Page
- Cheen
- Gradients Page
- Transparancy Page
- Danel
- Mabel
- Veining Page
- Nukel
- Fusing Page
- Alpha A Page
- Other Material Channels
- Specular Pages
- Reflection page
- Environment Page
- Ambient Page
- Roughness Page
- Anisotrophy Page
- Esotherica Page
- Illumination Page
- Assignment Page
- Texture Mapping
- 19. Timeline
- Animation Toolbar
- Animation Menu
- Context Menus
- Objects Area
- Manual Mode
- Moving Time Slider
- Layer System
- Timeline Ruler/Preview Range
- Markers
- Recording Animation
- Keyframing: Record Button
- Keyframing: Attribute Manager
- Autokeying
- Keyframing: Timeline
- Selecting Elements
- Rectangle Selection
- Selecting Vector Components
- Copy & Move With Drag & Drop
- Moving Animations Hierarchically
- Moving Tracks/Sequences/Keys
- Selection Handles
- File Menu
- Edit Menu
- View Menu
- Filter Menu
- Objects Menu
- Sequences Menu
- Layer Menu
- 20. F-Curve Manager
- 21. Attribute Manager
- 22. XPresso Editor
- 23. Structure Manager
- 24. Picture Viewer
- 25. Script Manager
- 26. Content Browser
- 27. Appendices
- Index
820 • CHAPTER 18
MATERIAL EDITOR • 821
Circle
Circle sampling uses a circle of texture pixels (the ones surrounding the intermediate value). Textures
that are enlarged at render time tend to look more natural with this type than with the None type.
However, as the examples demonstrate, straight lines are problematic and tend to look frayed. In
addition, the texture is very jagged near the horizon. Circle sampling is, however, a good choice for
very small textures (e.g. 3 x 3 pixels), because it helps the pixels to blend softly.
Square
Square uses a square of texture pixels (the ones surrounding the intermediate value). This leads to a
softer transition between texture pixels than with None. The picture quality is good.
Alias 1, Alias 2, Alias 3
Alias 1, Alias 2 and Alias 3 blend the texture more strongly than Circle and Square. Alias 3 blends the
most, Alias 1 the least. In the example above, the texture is difcult to recognize with Alias 3 because it
is so small (16 x 16). Alias 3 can give smoother results than Alias 1, but it also takes longer to calculate.
However, even Alias 3 cannot prevent jaggies near the horizon!
MIP, SAT
Enable MIP Falloff to enhance the MIP/SAT mapping effect for bump maps.
This will reduce the strength of the bump map with increasing distance from
the camera.
MIP stands for ‘multum in parvo’, which is Latin for ‘many things in a small place’. When many texture
pixels effectively lie within a single screen pixel, an approximation is made based on the (known)
texture pixel values. This results in very smooth blending. MIP is the default sampling type.
SAT is short for ‘summed area tables’ and it does an even better approximation than MIP mapping.
As with MIP mapping, the approximation is based on the texture pixels that lie within a single screen
pixel. SAT is the highest-quality sampling type.
SAT mapping works with textures up to 4,000 x 4,000 pixels. CINEMA 4D
switches to MIP mapping automatically if you try to use SAT mapping with
textures over this limit.
MIP and SAT mapping are especially important for high-quality animation and for objects in stills that
extend towards the horizon, such as a sea. MIP mapping is the default sampling type. The following
two pictures demonstrate MIP/SAT mapping. Figure 1 was rendered with the antialiasing set to Always
with 2x2 oversampling. The tiled texture used Circle sampling. Although the quality is generally good,
the quality rapidly deteriorates towards the horizon. This unwanted effect is the result of perspective
distortion. Each screen pixel representing the oor near the horizon contains perhaps hundreds or
even thousands of texture pixels.