User Manual
5
The first element of the signal chain is the pair of Dynamic Flangers driven either by a peak follower or a sine wave lfo
depending on the selection you make with the second layer Dynamic Filter Mode control. The top level Dynamics control changes
the depth of the peak follower and the lfo, and the minimum position of the knob mutes the Dynamic Flanger’s output. The sec-
ond layer Dynamic Flanger Speed controls either the peak follower’s attack time or the sine wave lfo’s speed. Finally, the second
layer Dynamic Flanger Feedback adds negative feedback to each flanger.
Tip: When controlling the peak follower, the Dynamics control
has a wide range of gain to accommodate input levels to
match the output of your guitar or drive effects. Start with
Dynamics low, and add to taste.
<-- DYNAMIC FLANGER MODE - (Alt of Dimension)
<-- FEEDBACK FILTER - (Alt of Filter)
Tip: After setting the mix with the top layer Mix Knob, use
the second layer Delay Level control to fine tune the de-
lay. Setting Delay Level to minimum will auto scale the level
depending on the position of the Multiply Knob.
The Polymoon’s Delay Line network is structured as 6 delays each with their own output and modulation source. The
Feedback Knob provides a global delay feedback for the whole delay network, with our custom Feedback Filter providing color
to the repeats. The Multiply Knob controls the Pan and Level of each delay line. The Dimension Knob controls a special internal
feedback for each of the 6 individual series delay lines. The Mix Knob provides the overall balance between the dry signal and the
delays, with the second layer Delay Level providing fine tuning over the delays. Finally, the Early and Late Modulation work
together to control the 6 triangle wave LFOs which modulate the delay network.
SECTION 4B - DELAY LINE NETWORK IN DEPTH
SECTION 4A - DYNAMIC FLANGER IN DEPTH
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MIDI IN 9V
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FILTER IS FLAT
ENVELOPE UP
ENVELOPE DOWN
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MIDI
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MIDI IN 9V
2 3 4
FILTER IS FLAT
ENVELOPE UP
ENVELOPE DOWN
LFO
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