User Guide

Solo
Channel Fader
- When depressed, the channel signal
will be sent to the After Fade Listen (AFL)
stereo and Pre Fade Listen (PFL) mono
outputs. The solo LED indicator will
illuminate to show that the channel solo is
active.
The Left and Right Monitor and the PFL
console outputs can be used, for example,
when operating from within a booth to hear
selected solos and not the whole FOH mix.
Note: If Solo In Place is activated on the
console, any active input solos will replace
the master outputs completely until the solo
is removed.
- The channel fader allows
for continuous adjustment of the channel
level from off (-inf) to +10dB.
At 0dB, the output of the channel to the
Stereo, Mono and Group busses will be at
unity (i.e. no boost or cut in level from the
input).
4 LED Meter - Each input channel contains
in-channel monitoring allowing the user to
monitor the input signal without the need for
using the PFL.
The in-channel meter is especially useful
when setting the microphone gain of a
channel. Also, as the, meter is post-EQ, it is
possible to see the effect that the channel
equalisation has upon the level. It may be
necessary to turn the input gain down when
excessive EQ is used to prevent the channel
from overloading.
-18db - Signal Present
0dB - Normal Level
+12dB - High Level
+18dB - Overload (Peak)
Note: The LED meter and the direct output
are fed from the same source and are Post-
Insert and EQ but Pre-Fader and Mute. The
channel in-line meter and direct output are
unaffected by the channel mute or
automutes.
-18
0
12
18
mute 1
mute 2
mute 3
mute 4
10
10
5
5
0
20
15
30
40
SOLO
Operators Manual - Page 12
Mono Input ChannelsMono Input Channels
Mute 1,2,3 & 4
Channels Reason
- The Verona has four (4) automute busses that can be controlled from the centre section of the
console. To assign an input channel to an automute, switch in the desired mute switch.
Commonly, these are used to mute similar channels, for example:
Drum Mics Allows the engineer to mute the whole drum kit at once.
Choir Overheads Allows the engineer to quickly remove all choir mics at once
Orchestra Parts Allows the engineer to zone mics together (e.g. Brass, Strings,
etc.) and mute sections together if they were not playing.
Note that if any assigned automute or the channel mute is activated then the channel will be muted until all
assigned automutes and the channel mute are removed (i.e. the mutes work like a logical OR where any single or
combination of mutes will mute the channel output).
ins
MIDAS
mic gain
100
300 1k
2k
20
50 100
200
400
3k
8k
1k
2k
5k 10k
20k
20
60
160
400
-15 +15
-15 +15
-15 +15
-15
+15
+30 +45
+60+15
mic
padpower
48v -15
eq
on
0
0
0
0
0
0
0
0
+6
+6
+6
+6
+6
+6
+6
+6
eq
aux pre
off
treble
hi-mid
lo-mid
bass
hi-pass
pan
c
lr
groups master
pan s i s
-18
0
12
18
mute 1
mute 2
mute 3
mute 4
aux 1
aux 2
aux 3
aux 4
aux 8
mono
groups
stereo
1-2
5-6
7-8
3-4
pre
pre
aux 7
aux 6
aux 5
O
10
10
5
5
0
20
15
30
40
SOLO
MUTE