OPERATORS MANUAL Version 3 Klark Teknik Group, Klark Teknik Building, Walter Nash Road, Kidderminster. Worcestershire. DY11 7HJ. England. Tel:+44 1562 741515 Fax:+44 1562 745371 Email: sales@ktgplc.com Website: midasconsoles.
IMPORTANT SAFETY INSTRUCTIONS CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS APPLIANCE TO RAIN OR MOISTURE AVIS: RISQUÉ DE CHOC ELETRIQUE. NE PAS OUVRIR These symbols are internationally accepted symbols that warn of potential hazards with electrical products.
Walter Nash Road, Kidderminster, Worcestershire. DY11 7HJ. England Tel: +44 1562 741515.
ATTENTION! The following special limitations apply to the console and must be observed in order to maintain safety and electromagnetic compatibility performance: POWER CONNECTION The console should only be operated with the power supply connected to ground via its mains supply connector. CONTROL CONNECTIONS The console should only be operated with high quality screened control cables. All connector shells should be of metal construction so that they provide a screen when they are plugged into the console.
CONNECTORS MIDI In Pin 2: Ground Pin 4: In+ Pin 5: In- MIDI Input / Output XLR Pin 1: Ground Pin 2: Hot Pin 3: Cold MIDI Thru Pin 2: Ground Pin 4: In+ Pin 5: In- RS-232 IN Pin 2: Receive Data Pin 3: Transmit Data Pin 5: GND OUT THRU RS-232 MIDI Out Pin 2: Ground Pin 4: In+ Pin 5: In- Midas Can Bus Pin 1: +18V (100mA max) Pin 2: Can low Pin 3: OV Can Pin 4: Can High Pin 5: -18V(100mA max) Input Send / Return Tip: Hot Ring: Cold Sleeve: Ground
Contents Midas HS0002 Mono Input Module Midas HS0003 Input Fader Midas HS0005 Stereo Input Module Midas HS0003 Input Fader Midas HS0012 Group Module Midas HS0013 VCA Master Fader Midas HS0051 Aux Module Midas HS0021 Master Module Midas HS0031 Monitor Module Midas HS0041 Matrix Module Midas Automation Heritage Menu Overview Midas Can Bus Heritage Back Panel Frame Dimensions Block Diagrams Input Module Group Module Matrix Module Aux Module Master Module Monitor Module Heritage Overview and Statistics Heritag
48V +25 +35 PAD +15 O +60 gain 0 PRE +10 direct o/p 5k 0 1k 20k freq 15 bell 2k 15 treble +/- Q 0 400 8k MIDAS HS0002 Mono Input Module freq INS 15 15 hi-mid PRE 0 EQ 500 15 15 lo-mid 100 2k +/- Q freq 0 bell 100 15 15 bass 20 freq 400 60 160 20 freq 400 0 ON pre pre +6 aux 1 0 ON pre pre +6 aux 2 0 ON pre pre +6 aux 3 0 ON pre +6 aux 4 0 ON pre pre +6 aux 5 0 ON pre pre +6 aux 6 0 ON pre pre +6 aux 7 0 ON pre pre +6 aux 8 0 9 - 10 ON
The 48V switch connects 48 volt phantom power to the input connector which is suitable for a condenser microphone or DI box. The PAD switch gives 25dB of attenuation to the input signal which will allow the connection of high output microphones or line level signals. If the input amplifier is transformer coupled (option) the pad greatly reduces the risk of saturation at very low frequencies.
The LO MID (dual concentric top) control gives continuous adjustment of boost and cut from + 15dB to - 15dB with a 0dB centre detent. 0 The lo mid FREQ control gives continuous adjustment of the frequency range that the lo mid equaliser acts on from 100Hz to 2k. The bass BELL switch converts the bass equaliser from traditional MIDAS shelving response to full parametric operation. The bass FREQ control gives continuous adjustment of the frequency range that the bass equaliser acts on from 20Hz to 400Hz.
0 ON pre +6 aux 1 0 ON pre The mono AUX controls (1 to 8) give continuous adjustment of the level sent from the input channel to the aux busses. The level adjustment is from + 6dB to off. +6 aux 2 0 ON pre +6 aux 3 0 ON pre +6 The mono aux ON switches connect signals from the input channel to the mono aux busses. aux 4 0 ON pre +6 aux 5 The mono aux PRE switches change the signal sent to the mono aux busses from post fader to pre fader.
The PAN defaults to control the channel placement within a group or master stereo mix and has a constant power law i.e. - 3dB at the centre position. The SIS switch enables the spacial imaging system which operates in conjunction with the pan and image controls. It also acts as a left, centre, right master bus enable overriding any stereo and mono master bus assignments.
MIDAS HS0003 Input Fader safe’s safe’s safe’s safe’s safe’s safe’s safe’s safe’s MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE FDR FDR FDR FDR FDR FDR FDR FDR solo AUTO SET 1 10 5 2 SET 1 0 5 6 5 10 20 5 6 30 5 10 20 HS0003 5 6 5 10 20 4 5 6 50 1 5 5 10 20 4 5 6 5 10 20 4 5 6 50 1 5 5 10 20 4 5 6 5 10 20 0 4 5 6 30 5 10 20 30 8 40 9 5 7 50 10 dB 1 10 3 8 50 SET 2 7 40 solo AUTO 0 30 9 10 3 10 dB SET 2 8 40 solo AUTO 0 30 9
The SAFE switches disable remote control of the channels as follows:i. The MUTE SAFE removes the channel mute from the snapshot automation and automute scenes. ii. The FADER SAFE removes the channel fader from the virtual fader automation and VCA master fader control including vca mutes. iii. The AUTO SAFE removes the channel from the snapshot automation system only; leaving the automutes, VCA masters and assignment systems active.
48V +25 +35 PAD +15 O +60 gain c O l r balance 5k 0 1k 20k freq 15 bell 2k 15 treble +/- Q 0 400 8k freq INS 15 15 hi-mid PRE 0 EQ 500 15 15 lo-mid 100 2k +/- Q freq 0 bell 100 15 15 bass 20 freq 400 60 160 20 freq 400 0 ON pre pre +6 aux 1 0 ON pre pre +6 aux 2 0 ON pre pre +6 aux 3 0 ON pre +6 aux 4 0 ON pre pre +6 aux 5 0 ON pre pre +6 aux 6 0 ON pre pre +6 aux 7 0 ON pre pre +6 aux 8 0 9 - 10 ON pre +6 level C 0 MONO aux l r
The 48V switch connects 48 volt phantom power to both input connectors and is suitable for condenser microphones or DI boxes. The PAD switch gives 25dB of attenuation in both input signals to allow the connection of high output microphones or line level signals. If the input amplifiers are transformer coupled (option) the pad greatly reduces the risk of saturation at very low frequencies. 48V +25 PAD +15 O The PHASE switches activate a 180 degree phase change within the input amplifiers.
The LO MID control gives continuous adjustment of left and right boost and cut from +15dB to -15dB with a 0dB centre detent. 0 The lo mid FREQ control gives continuous adjustment of the frequency range that the lo mid equalisers act on from 100Hz to 2k. 500 15 15 lo-mid 100 2k hi ‘Q’ freq The bass BELL switch converts the bass equalisers from traditional MIDAS shelving response to bell filters with a 1.5 octave bandwidth.
0 ON pre +6 aux 1 The mono aux ON switches connect signals from the input channel to the mono aux busses. 0 ON pre The mono AUX controls (1 to 8) give continuous adjustment of the level sent from the input channel to the aux busses. The signal is a mono sum of the left and right signals and the level adjustment is from + 6dB to off. +6 aux 2 0 ON pre +6 The mono aux PRE switches change the signal sent to the mono aux busses from post fader to pre fader.
The left and right PAN controls are used to place the input channel signals within a stereo group or stereo master mix. As well as image placement, the controls can also adjust the image width from stereo through mono to reverse stereo (left and right crossed over). The controls have a constant power law i.e. -3dB at the centre position. C l The ST switch connects the post fader channel signals to the stereo master bus via the pan controls.
MIDAS HS0003 Input Fader safe’s safe’s safe’s safe’s safe’s safe’s safe’s safe’s MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE FDR FDR FDR FDR FDR FDR FDR FDR solo AUTO SET 1 10 5 2 SET 1 0 5 6 5 5 10 20 5 6 30 5 10 20 10 HS0003 5 6 50 5 5 10 20 4 5 6 1 5 5 10 20 4 5 6 10 5 10 20 4 5 6 50 1 5 5 10 20 4 5 6 5 10 20 0 4 5 6 30 5 10 20 30 8 40 9 5 7 50 10 dB 1 10 3 8 50 SET 2 7 40 solo AUTO 0 30 9 10 3 10 dB SET 2 8 40 solo AU
The SAFE switches disable remote control of the channels as follows:i. The MUTE SAFE removes the channel mute from the snapshot automation and automute scenes. ii. The FADER SAFE removes the channel fader from the virtual fader automation and VCA master fader control including vca mutes. safe’s MUTE FDR solo AUTO iii. The AUTO SAFE removes the channel from the snapshot automation system only; leaving the automutes, VCA masters and assignment systems active.
l r +21+ +18+ +15+ +12+ +9+ +6+ +3+ 0 -3-6-9-12-15-18-21-24-27-30-33-36- MIDAS HS0012 Group Module direct0 inputs 0 +10 +10 level level PRE insert MUTE PRE insert MUTE SOLO 1 SOLO 1 0 0 +6 2 +6 2 0 0 +6 3 +6 3 0 0 +6 4 +6 4 0 0 +6 5 +6 5 0 0 +6 6 +6 6 0 0 +6 7 +6 7 0 +6 8 0 +6 8 0 0 +6 +6 PRE fader PRE insert PRE fader PRE insert matrix 9 9 vca 10 10 to masters l ST ST MONO MONO c c pan r l pan TALK TALK INS INS mute mute SAFE
l The METERS monitor the peak signal levels of the sub group outputs (post fader). The direct SOLO switches send direct inputs to the PFL mono and AFL the stereo busses (AFL is selected as stereo or mono depending on the group SPLIT switch settings). If a SOLO switch is pressed for a short time it will latch on or off, but, if it is held on for more than 1 second the latching is disabled and when the switch is released the solo will turn off.
1 0 1 0 +6 2 0 +6 2 0 +6 3 0 +6 3 0 +6 4 0 +6 4 0 +6 5 0 +6 5 0 +6 6 0 +6 6 0 +6 7 8 0 +6 +6 7 0 +6 8 0 0 +6 +6 PRE fader PRE insert PRE fader PRE insert 9 9 matrix The PRE insert switches change the signals sent to the matrix mixes from post group insert to pre group insert and override the pre fader switches. It is important to note that pre insert matrix sends are also pre the group mutes.
to masters The MONO switches connect the post fader sub group signals to the mono master bus. The TALK switches connect the sub groups to the MONITOR module. When the TALK INTERNAL or GENERATOR INTERNAL are active on the MONITOR module the oscillator, pink noise and talk mic can be routed to the sub groups. The MUTE switches mute the sub group signals at all points after the insert send. The switches can be controlled from snapshot automation.
MIDAS HS0013 VCA Master Fader 1 MUTE solo AUTO MUTE safe AUTO 2 MUTE solo AUTO safe 3 MUTE solo AUTO safe 4 MUTE solo AUTO safe 5 MUTE solo AUTO safe 6 MUTE solo AUTO safe 7 MUTE solo AUTO safe 8 MUTE solo AUTO safe 9 MUTE solo AUTO safe 10 safe 10 10 10 10 10 10 10 10 10 10 5 5 5 5 5 5 5 5 5 5 0 0 0 0 0 0 0 0 0 0 5 5 5 5 5 5 5 5 5 5 10 10 10 10 10 10 10 10 10 10 20 20 20 20 20 20 20 20 20 20 30 30
The vca MUTE switches act on any post fader input channels or audio sub groups which are assigned to be controlled from the corresponding VCA masters. The switches can be controlled from snapshot automation. 1 MUTE safe AUTO The AUTO SAFE switches disable snapshot automation control of the VCA master faders and VCA mutes. solo 10 5 The STATUS LEDs are off when the console is in VCA or MUTE assignment modes (see assignment operation).
+21+ +18+ +15+ +12+ +9+ +6+ +3+ 0 -3-6-9-12-15-18-21-24-27-30-33-36- MIDAS HS0051 MIDAS HS0052 MIDAS HS0053 Aux Module +21+ +18+ +15+ +12+ +9+ +6+ +3+ 0 -3-6-9-12-15-18-21-24-27-30-33-36- 9 9 vca 10 10 TALK TALK INS INS mute mute SAFE SOLO SAFE split solo solo 10 5 0 5 10 20 30 40 dB 3-4 9 9 vca 10 10 TALK TALK INS INS mute mute SAFE SOLO SAFE split solo solo 10 5 0 5 10 20 30 40 dB aux MIDAS HS0051 21
+21+ +18+ +15+ +12+ +9+ +6+ +3+ 0 -3-6-9-12-15-18-21-24-27-30-33-36- +21+ +18+ +15+ +12+ +9+ +6+ +3+ 0 -3-6-9-12-15-18-21-24-27-30-33-3622 The METERS monitor the peak signal levels of the aux outputs (post fader).
The VCA switches assign the aux output to VCA control from VCA masters 9 and 10. The INS switches connect the aux insert return signals to the aux mixes. The mute SAFE switches remove the aux mutes from snapshot automation. The SPLIT switch changes the aux AFL solos from mono to stereo. 9 9 vca 10 10 TALK TALK INS INS The TALK switches connect the aux mixes to the MONITOR module.
l m-c +21+ +18+ +15+ +12+ +9+ +6+ +3+ 0 -3-6-9-12-15-18-21-24-27-30-33-36- s o l o i n r +21+ +18+ +15+ +12+ +9+ +6+ +3+ 0 -3-6-9-12-15-18-21-24-27-30-33-36- p l a c e direct0 inputs 0 +10 level PRE insert MUTE SOLO left sum +10 level PRE insert MUTE SOLO 1 0 right left sum +6 2 0 right left sum +6 3 0 right left sum +6 4 0 right left sum +6 5 0 right left sum +6 6 0 right left sum +6 7 0 right left sum +6 8 0 right +6 mono PRE fader PRE insert 0 +10 mono (cen
l The METERS monitor the peak signal levels of the three master outputs (post fader). The SOLO IN PLACE switch sets the console to solo in place mode. In this mode any input solo that is pressed activates a mute of all the other channels. The mute safe switches on the input channels can be used to protect channels from this function if desired. The DIRECT input controls give continuous adjustment of the direct input levels from + 10dB to off.
left sum 1 0 right left sum +6 2 0 right left sum +6 3 0 right The matrix STEREO switches select the source for the lower matrix mix controls as either left channel, right channel or a sum of both. left sum +6 4 0 right left sum +6 5 0 right left sum +6 6 0 right left sum +6 7 0 right left sum The PRE fader switches change the signals sent to the matrix mixes from post group fader to pre group fader.
The BALANCE (pan) control gives continuous and reciprocal adjustment of the stereo left and right signal levels by + 3dB to off. This allows fine adjustment of the left, right power levels and imaging. balance The TALK switches connect the stereo masters to the MONITOR module. When the TALK INTERNAL or GENERATOR INTERNAL are active on the MONITOR module the oscillator, pink noise and talk mic can be routed to the stereo masters.
+21+ +18+ +15+ +12+ +9+ +6+ +3+ 0 -3-6-9-12-15-18-21-24-27-30-33-36- 500 150 1kHz 50 5k signal freq generator 0 PINK +10 level generator generator internal external to all internal TALK talk mic +40 0 +20 +60 mic gain +10 level talk talk internal external PRE meter change over 0 TALK input +10 MONO masters level 0 SOLO +10 level mono source mono output C/O output ‘b’ mute 0 +10 MUTE phones ST EXT MONO SOLO stereo source stereo output C/O output ‘b’ O MONO sum left only ON PAD
The METERS monitor the peak signal levels of the stereo left and right monitor paths. +21+ +18+ +15+ +12+ +9+ +6+ +3+ 0 -3-6-9-12-15-18-21-24-27-30-33-36- The 1kHz switch overrides the swept frequency control giving a fixed 1k tone. 500 150 1kHz 50 5k freq signal generator The PINK switch overrides the oscillator by giving a pink noise output. The FREQ. control gives continuous adjustment of the oscillator frequency from 50Hz to 5k.
The TALK XLR socket accepts balanced 150W microphone signals. The MIC GAIN preset gives continuous adjustment of the microphone amplifier gain from +20dB to +60dB and operates in conjunction with a peak limiter which is factory set to +10dBu. talk mic +40 0 +20 +60 mic gain The TALK TO INTERNAL switch connects the talk mic output to the console's internal talk system and at the same time dims all the local outputs by 20dB to prevent howl round.
The stereo output "b" C/O switch disconnects the stereo local monitor outputs from the main "a" outputs and re-routes them to the secondary "b" outputs. The PHASE switch reverses the phase of the left hand monitor signal. When the left/right reverse is ON the left hand monitor signals are routed onto the right channel output speakers and the right hand monitor signal are routed onto the left channel output speakers.
+21+ +18+ +15+ +12+ +9+ +6+ +3+ 0 -3-6-9-12-15-18-21-24-27-30-33-36- MIDAS HS0041 Matrix Module +21+ +18+ +15+ +12+ +9+ +6+ +3+ 0 -3-6-9-12-15-18-21-24-27-30-33-36- masters control VCA VCA TALK TALK INS INS mute mute SAFE SOLO SAFE split solo solo 10 5 0 5 10 20 30 40 3-4 masters control VCA VCA TALK TALK INS INS mute mute SAFE SOLO SAFE split 0 solo solo 10 5 5 0 5 10 20 30 40 dB matrix 32 MIDAS HS0041
+21+ +18+ +15+ +12+ +9+ +6+ +3+ 0 -3-6-9-12-15-18-21-24-27-30-33-36- The METERS monitor the peak signal levels of the matrix outputs (post fader).
masters control The VCA switches assign the matrix outputs to VCA control from the MASTER module fader. The INS switches connect the matrix insert return signals to the matrix mixes. VCA VCA TALK TALK INS INS The TALK switches connect the matrix mixes to the MONITOR module. When the TALK INTERNAL or GENERATOR INTERNAL are active on the MONITOR module the oscillator, pink noise and talk mic can be routed into the matrix mixes.
Automation assign keys mode switches lock vca 1 2 3 a 1 f u 2 a t 3 s o 4 t 5 s m 6 c u 7 e mute automation system store midi system insert delete copy check cancel confirm 4 5 fader 6 7 8 virtual fader recall mode 9 t 8 n e 9 e b 10 s s act/scene c/o last 10 a act scene down up now next MIDAS 35
Assignment Control The LOCK switch will toggle state each time it is pressed. When the LOCK switch is illuminated all assignment changes are disabled and virtual fader operation is locked (either on or off). The console will automatically revert to a locked state if no assignment controls are operated within a 90 second period. The VCA, MUTE and FADER switches set the current assignment/display mode for the fader tray LED's.
Snapshot Automation System Snapshots can be stored in the automation system as ACTs or SCENEs. There is no difference between an ACT or a SCENE apart from the numbering; scenes are just sub sets within acts. The AUTO MUTE GROUP MASTER switches (1 to 10) activate the mute circuits on any, mute group assigned, input channels.
The SYSTEM switch gives the operator access to the system menu. Navigation of the menu is achieved by using the UP/DOWN switches to select an entry and then pressing CONFIRM to execute the selected function or sub menu. To exit a menu or sub menu press CANCEL. The system menu contains LOCK which defines the level of console operation.
Fader Automation System The fader automation operates in two main ways:REAL FADER MODE and VIRTUAL FADER MODE. In REAL FADER MODE all of the internal VCA systems are controlled by the real (physical) faders. The automation system can assist in the control of the real faders by prompting the operator using the 11 LED's next to each fader.
The differences between virtual fader recall and store are explained in more detail in the chart below:- 40 Recall Mode Store Mode Recall a new scene and leds will indicate the current virtual fader positions. Note that that these leds always indicate the actual fader setting that is controlling the audio. Recall a new scene and leds will indicate the current virtual fader positions. Note that that these leds always indicate the actual fader setting that is controlling the audio.
It is possible to “pick up” all the faders and then set them to 0dB if adjustment is not required. There is no need to “clear” them. This is a user preference. If faders are not cleared prior to recalling a new scene it may be advisable to clear them immediately afterwards to avoid confusion. Any virtual fader can be isolated from further scene recall by pressing the AUTOmation SAFE switch.
As you can see from the previous two pages there are many different ways to control faders within the console. There is no right or wrong way and the best method will depend largely on the specific application and the user preference. It is quite likely that the method chosen will change with time as the user gains more confidence in the system the performance becomes more regular and rehearsed. The following recommendations are intended as a guide only:1.
Heritage Menu Overview (Key this symbol denotes a CONFIRM button press ) Menu Button Menu 1st Level Menu 2nd Level SYSTEM MENU LOCK TOTL A-LK RCAL STOR SYST TIME All automation and assignment functions are disabled. Only Assignment functions are available Only recall and assignment functions are available. Scene storage, editing, recall and assignment operation available. All Functions are available.
Store Menu If storing new scene When storing a new scene there are no options available, the scene will be stored with the fastest cross fade speed and the display will revert back to default. Store Menu When Overstoring When Overstoring an existing scene the following options are available. OVERSTORE 44 OVR/STOR The scene is over stored and display reverts back to scene number XFADE The cross fade speed can be set from 0.
Unlocking the Console: To unlock the mixing console press the SYSTEM menu button. Using the up/down keys scroll through the menu until LOCK is displayed, press CONFIRM. Using the up/down keys scroll through the menu until the desired level of unlock is displayed on the screen, then press the confirm button. Locking the Console: To lock the mixing console press the SYSTEM menu button. Using the up/down keys scroll through the menu until LOCK is displayed, press CONFIRM.
Storing a Scene Cont. Selecting a memory number and storing the memory: a/ The numbers in the display can be altered as follows. Select either Act or Scene using the ACT/SCENE C/O switch. You will see either act or scene illuminate below the display. b/ The digits can then be altered between 00-99 using the UP and DOWN keys. This function is looping so if you are on 00 you can go directly to 99 by scrolling down.
Editing the Cross fade Value of a Scene: a/ Recall the scene you wish to copy by selecting the scene number and pressing the NOW button. b/ Press the STORE button, and using the UP and DOWN buttons scroll through the display until XFADE is shown, press CONFIRM. c/ The current cross fade speed stored with the screen will be displayed. Using the UP and DOWN buttons select the required cross fade speed. d/ Press CONFIRM to store this new speed with the scene.
Midi In Assignment: Setting The Console to Respond to MIDI Changes: The console settings can be accessed via the “AUTO” submenu after pressing the “System” button. This submenu option is only available when in “SYS” Lock-Mode. After selecting “AUTO”, there are two further sub-menus: 1. ENAB -(ENABle), this is the master switch for this function and can be set to “YES” or “NO”. Toggling this switch will not delete the other setup parameters for this function. 2.
MIDI “NOTE” to numerical value lookup table OCTAVE -2 -1 0 1 2 3 4 5 6 c 0 c# 1 d 2 d# 3 e 4 f 5 f# 6 g 7 g# 8 a 9 a# 10 b 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 00 01 02 02 03 04 05 06 7 8 NOTE 108 120 109 121 110 122 111 123 112 124 113 125 114 126 115 127 116
Linking Heritage Consoles together Via CAN: A maximum of 6 consoles can be linked via the CAN bus connector located at the rear of the Heritage consoles. Any mixture of any Heritage consoles may be linked H3000,H2000 or H1000.. They are linked using a cable the description of which is given on the next page.
3 4 Issue 1 2 3. 1. 2. Item Date 01-12-99 Notes/ECN Released to Production Male XLR From: N/A Connector (n/a ) Drawn: Checked: Approved: NA CAN_L 0V CAN CAN_H NA CHASSIS NA 7.
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HERITAGE 2000 Back panel Cover Release Catch Location Cover Release Catch Location AUX MATRIX Send Left Send Left Send Left Send Send Send Send Send Send Send Send Send Send Send Send Send Send Send Send Send Send Send Send Send Return Return Return Return Return Return Return Return Return Return Return Return Return Return Return Return Return Return Return Return Left Return Return Send Right Send Return Return Right Send Return Right Send GROU
Rear Panel Left View Rear Panel Centre View Rear Panel Right View 54
Heritage 2000 Frame Measurements 7.76” 197mm 14.29” 363mm 41.5” 1054mm Configuration data 24 channel 20 mono/4 stereo 133kg 293.2lbs 1054mm x 1441mm 41.49” x 59.73” 32 channel 28 mono/4 stereo 155kg 341.7lbs 1054mm x 1713mm 41.49” x 67.44” 40 channel 36 mono/4 stereo 173kg 381.4lbs 1054mm x 1985mm 48 channel 44 mono/4 stereo 200kg 440.9lbs 1054mm x 2257mm 41.49” x 88.86” 56 channel 52 mono/4 stereo 231kg 509.
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HI-PASS FILTER GAIN +25 +35 PHASE REVERSE PHANTOM TRANSFORMER BALANCING OPTION 48V MIC/LINE INPUT +15 O +60 60 160 SIS insert pre eq PRE 20 freq 400 INSERT POINT + - LEFT BUS C + RETURN _ SEND - PAD mute INS gain VCA MONO BUS å l RIGHT BUS pan r ST stereo MONO lcr image EQ TEST INPUT (SERVICE USE ONLY) +18 +15 +12 +9 +6 +3 0 -3 -6 -9 -25 PFL BUS LEFT SOLO BUS RIGHT SOLO BUS PAN FOUR BAND FULLY PARAMETRIC EQUALISER 0 0 width 6 0.3 6 0.
58 MATRIX BUS (1 OF 8) TO MATRIX 2- 8 0 MONO 0 l HERITAGE 2000 GROUP MODULE BLOCK DIAGRAM ISSUE A DATE 1 - 5 - 98 +10 +10 MATRIX SENDS (1PAIR OF8) PRE fader PRE insert PRE fader PRE insert METERS PRE TALK SELECTED TALK ALL LEFT DIRECT direct input ST +10dB l INSERT POINT - SOLO SEND NOISE BUS pan r ST c pan MASTER BUS RIGHT r + INST + level MASTER BUS LEFT c l +10 LEFT BUS MASTER BUS MONO PRE insert MUTE 0 + _ MONO r +21+ +18+ +15+ +12+ +9+ +6+ +3+ 0 -3-6-9-12-15-1
l METERS PRE TALK SELECTED TALK ALL MATRIX 1 INJECT + _ INSERT POINT SEND MATRIX REFERENCE BUS + MATRIX 1 OUTPUT VCA + _ SAFE RETURN MUTE solo TALK INST + MATRIX 2 BUS MATRIX 2 INJECT r +21+ +18+ +15+ +12+ +9+ +6+ +3+ 0 -3-6-9-12-15-18-21-24-27-30-33-36- INST + MATRIX1 BUS l r +21+ +18+ +15+ +12+ +9+ +6+ +3+ 0 -3-6-9-12-15-18-21-24-27-30-33-36- HERITAGE 2000 MATRIX MODULE BLOCK DIAGRAM ISSUE A DATE 1 - 5 - 98 INSERT POINT - + _ SEND TALK + + _ VCA RETURN SAFE solo MATRIX 2 OUTPUT
l METERS PRE TALK SELECTED TALK ALL AUX 1 INJECT + _ INSERT POINT SEND AUX REFERENCE BUS + AUX 1 OUTPUT VCA + _ SAFE RETURN MUTE solo TALK INST + AUX 2 BUS AUX 2 INJECT r +21+ +18+ +15+ +12+ +9+ +6+ +3+ 0 -3-6-9-12-15-18-21-24-27-30-33-36- INST + AUX1 BUS l r +21+ +18+ +15+ +12+ +9+ +6+ +3+ 0 -3-6-9-12-15-18-21-24-27-30-33-36- HERITAGE 2000 AUX MODULE BLOCK DIAGRAM ISSUE A DATE 1 - 5 - 98 INSERT POINT - + _ SEND TALK + + _ VCA RETURN SAFE solo AUX 2 OUTPUT - MUTE SOLO split PR
l HERITAGE 2000 MASTER MODULE BLOCK DIAGRAM ISSUE A DATE 30 - 4 - 98 r m-c +21+ +18+ +15+ +12+ +9+ +6+ +3+ 0 -3-6-9-12-15-18-21-24-27-30-33-36- +21+ +18+ +15+ +12+ +9+ +6+ +3+ 0 -3-6-9-12-15-18-21-24-27-30-33-36- 0 left sum right TO MATRIX 2- 8 oo +10 PRE fader PRE insert MASTERS SUM MONO 0 MONO VCA O/P TALK INST + + _ INSERT POINT SEND MONO BUS ST MUTE + _ +10 mono (centre) + VCA MASTER O/P MONO - RETURN SAFE to mono VCA link to mono direct input -3dB PRE insert MUTE 0
62 TALK input TALK EXTERNAL + _ 0 MONO masters A/B SPEAKERS (HALF NORMALISED) SOLO to mono +10 level MONO SUM SEND COMMS LEVEL REVERSE PHASE +10 level pre fade (pfl) SOLO BUS LEFT SOLO INJECT LEFT SOLO O A/B SPEAKERS (HALF NORMALISED) SOLO to stereo + - + _ SEND + _ SEND PFL BUS R ON PAD -20dB L/R REVERSE R TO BOTH SOLO O/P LEFT 'B' MUTE + _ + VCA SOLO O/P RIGHT ‘A' - RETURN 10 5 5 SOLO O/P RIGHT 'B' +10 0 0 5 10 SOLO O/P LEFT ‘A' - 10 MONITOR FADER 0 + _ V
Heritage 2000 Specification Overview and Statistics. 1. The 2000 is a 30 buss console with an additional 15 x 8 output matrix. The busses are as follows:12 8 2 1 1 1 1 audio groups mono aux stereo aux stereo master mono master stereo AFL mono PFL TOTAL = 24 = 8 = 4 = 2 = 1 = 2 = 1 = 30 2. The 2000 has 10 automute sub groups and 10 VCA sub groups which include VCA sub group muting. 3. The 2000 has 52 input channels plus an additional 14 direct inputs on the group and master modules. 4.
7. The 2000 has 58 long throw faders for mix control with fader position recall and virtual fader functions. 8. The 2000 has a total of 1043 automated switch functions as follows:480 480 48 12 12 8 3 input channel VCA sub group virtual assign switches input channel mute sub group virtual assign switches input channel mute switches audio sub group mute switches aux mute switches matrix mute switches master mute switches 9.
Heritage 2000 Technical Specifications.
Output Impedance Maximum Output Level Nominal Signal Level Equaliser 66 All Line Outputs 50 Ohms Balanced Source to drive > 600W Headphones To drive > 8W All Line Outputs + 21dBu Headphones + 21dBu Mic - 60dBu to + 10dBu Line 0dBu Headphones + 10dBu Hi pass Slope 12dB / Oct Hi pass Frequency Continuously variable - 3dB point from 20Hz to 400Hz Treble Gain Continuously variable + 15 dB to - 15 dB Centre detent = 0dB Treble Shelving Freq.
Bass Gain Continuously variable + 15 dB to - 15 dB Centre detent = 0dB Bass Shelving Freq. Continuously variable - 3dB point from 20Hz to 400Hz Bass Bell Freq. Continuously variable centre from 20Hz to 400Hz Bass Bell Bandwidth Continuously variable 0.1 Oct. to 2 Oct Centre detent = 0.
68
Input Crib Sheet Inputs to Notes:
Klark Teknik Group DOC02-H2000 29/07/02