User Manual
38 M32 User Manual
Rotary Speaker
Rotary Speaker emulates the sound of a Leslie rotating speaker. The M32’s Rotary
Speaker provides more exibility than its electro-mechanical counterpart, and
can be used with a variety of instruments, and even vocals, to create a whirling,
psychedelic eect.
The LO SPEED and HI SPEED push encoders adjust the rotation speed of the
Slow and Fast speed selection, and can be toggled with the FAST button.
The ACCEL(eration) push encoder adjust how quickly the speed increases
and decreases from the Slow mode to the Fast mode. The rotation eect can
also be disengaged with the STOP button, which will stop the movement of
thespeakers.
DISTANCE adjust the perceived distance between the speakers and the virtual
microphone. BALANCE sweeps between low and high frequencies in the
output signal. MIX determines how much of the aected signal is present in the
outputaudio.
Tremolo / Panner
Stereo Tremolo creates an up and down volume change at a constant and even
tempo just like the guitar amps of yesteryear. Use the M32’s Stereo Tremolo to
add a unique ‘surf-music’ texture to a vocal or instrumental track.
SPEED adjusts the LFO rate, and DEPTH sets the amount of modulation.
PHASEcan be used to set an LFO phase dierence between the left and right
channels, which can be used for panning eects. The WAVE push encoder blends
the LFO waveform between triangular and square shapes. The signal envelope ,
shaped by ATTACK, HOLD and RELEASE, can be used to modulate the LFO speed
(ENV SPD) and the LFO modulation depth (ENV DPTH).
Suboctaver
The Octave Eect combines the input signal with a digitally synthesised sound
one or two octaves below the original signal. This can be used to thicken up
guitar sounds, or to add extra ‘punch’ to kick drums.
The controls for the Suboctaver are split between two discreet layers.
Pressingthe rst push encoder toggles the eect for each layer on or o.
Thesecond encoder increases the amount of the aected signal that is present
in the output mix. The third encoder switches the range of the signal between
LO, MID and HI. The fourth and fth encoders adjust the level for each of the
individual lower octaves. To navigate between the two layers, use the up and
down navigationalcontrols.
Delay + Chamber
Here we have combined Delay and Chamber reverb, so that a single device can
supply a variety of delay settings, plus add just the right amount of reverb to
the selected signal. This device only uses one eects slot. Inspired by the Lexicon
PCM70.
Use the BALANCE push encoder to adjust the ration between delay and reverb.
Low frequencies can be excluded with the LO CUT push encoder, and MIX
adjust how much of the eect is added to the output signal. The TIME push
encoder adjusts the delay time for the left channel delay, and PATTERN sets
the delay ratio for the right channel delay. Adjust the FEEDBACK and trim some
high frequencies with the FEED HC (high-cut) push encoder. The XFEED push
encoder allows you to send the delay sound to the reverb eect, so instead of
running completely parallel, the reverb aects the echoes to a selected degree.
The PREDELAY push encoder determines the delay before the reverb aects
the signal. The DECAY push encoder adjusts how quickly the reverb fades.
SIZE controls how large or small the simulated space (room, cathedral, etc.).
TheDAMPING push encoder determines the decay of high frequencies within
the reverb tail.
Chorus + Chamber
Taking up only one FX slot, the Chorus + Chamber eect combines the shimmer
and doubling characteristics of a studio-grade chorus with the sweet sound of a
traditional chamber reverb. Inspired by the Lexicon PCM 70.
The BALANCE push encoder adjusts the balance between chorus and reverb.
Low frequencies can be excluded with the LO CUT push encoder, and the MIX
push encoder adjusts how much of the eect is added to the signal. SPEED,
DELAY and DEPTH adjust the rate, delay and modulation depth of the chorus.
The LFO PHASE between the left and right channels can be oset by up to
180°, and WAVE adjusts the LFO waveform from a sine wave to a triangular
wave. The PREDELAY push encoder determines the delay before the reverb
aects the signal. The DECAY push encoder adjusts how quickly the reverb
fades. SIZEcontrols the size of the simulated space (room, cathedral, etc.).
TheDAMPING push encoder determines the decay of high frequencies within
the reverb tail.
Flanger + Chamber
Add the mind-bending, lter-sweeping eect of a state-of-the-art anger to the
elegant sweetening of a traditional chamber reverb - all in one FX slot. Inspired by
the Lexicon PCM 70.