Specifications
Forty Years of Innovation and Leadership
MIDAS have a long history of Innovation and leadership in the world of audio mixing
consoles, which continues to this day.
Originally formed in 1970 by Je Byers and Charles Brooke, Je became fascinated by
the concept of improving and rening professional audio systems, and so MIDAS went
on to develop the rst fully integrated modular audio system, comprising consoles,
crossovers, ampliers and speaker systems in conjunction with Dave Martin, which
became the calibrated MIDAS/Martin system of the 1970’s.
The rst MIDAS mixer to achieve major success was the PR04, a modular console, and
forerunner to the XL3, the rst MIDAS to feature VCA groups, and the world’s rst truly
dual-purpose console. In 1990, this innovation changed the way the a generation of
engineers approached the art of mixing, opened new creative possibilities and set the
scene for the greatest analogue console ever built, the XL4.
The XL4 set the benchmark for the next decade. Audio engineers were amazed at
the sheer depth and scope of what they were able to achieve with the unbeatable
combination of the XL4’s audio performance and comprehensive moving-fader
automation. Many elements of this legendary console are still available to today’s
engineers in the current range of MIDAS digital mixing systems.
Always seeking to redene the boundaries of audio performance and exibility, the
turn of the century saw the launch of the ubiquitous Heritage 3000. MIDAS employed
the ultimate distillation of design and experience into creating the perfect roadworthy
touring console. The Heritage 2000 and the theatre orientated Heritage 1000 complete
the line up.
Innovation continued into the new millennium with the Legend 3000, the world’s rst
Tri-purpose console, and the Verona and Siena, which revitalized and redened the
market for the medium format console.
Then, in 2006, Digital went MIDAS.
When the MIDAS XL8 was launched, it set new standards for audio quality, ease of
use, power, exibility, and creative potential. No other live digital audio console can
compete with the sample-synchronous audio performance, expandable network
topology, and sheer ease of use which are the trademarks of all MIDAS digital
systems. The XL8 has become the system of choice for prestigious installations, major
touring artistes, Theatres and concert venues the world over, including many unique
international events where compromise is not an option.
PRO6 strengthened MIDAS’ digital range in 2008, which shares the same sample
synchronised audio performance as the XL8 and its extensive networked audio system.
The PRO6 is a common sight at front of house and monitor positions in concert touring
as well as global events. The PRO3 and PRO9 have since been added, oering a choice
from 48 up to 88 simultaneous mixed inputs allowing even more touring riders and
professional installations to take advantage of MIDAS’ digital features.
2011 saw the introduction of the PRO2 and PRO2C oering all the advantages of the
large format PROs in a compact footprint. However MIDAS have continued to innovate
and introduced the MCA an advanced navigation system allowing increased speed
of workow. With the introduction of the PRO1 saw MIDAS’ rst ever light weight all
aluminium chassis.
All MIDAS digital consoles feature multiple types of channel EQ and dynamics plus
an extensive set of fully time aligned and dynamically re-patchable eects processing
devices. The comprehensive theatre grade scene automation system can also
dynamically recongure 800+ inputs and outputs on a scene by scene basis.
VeniceF brought a twist to the pro audio market with Digi-log. With up to a 32 x 32
bi-directional FireWire* interface VeniceF forms a platform for an integrated audio
mixing, recording and processing package. VeniceU continued the Digi-log theme with
an 8 x 8 USB interface.
* FireWire and the FireWire symbol are trademarks of Apple Inc., registered in the US and other countries. The FireWire
logo is a trademark of Apple Inc.