Operation Manual

Typical configurations 221
PRO2 Live Audio System
Owner’s Manual
Typical configurations
Here are some actual examples of typical configurations to illustrate the effects of delay
compensation. Please note the following:
• All XLRs are located at stage end, unless FOH is stated.
• INS can mean an internal effect or an external effect with analogue, or AES3 I/O at
either FOH or stage position.
• Abbreviations are: IP = input channel; AS = aux (send) channel, AR = (aux) return
channel; AR (Input) = (aux) return channel set to input mode; MAST = master
channel; MTX = matrix channel; DI (mix) = direct input set to Mix Zone (DI can be
either pre- or post-); and DI (input) = direct input set to System Input Zone (DI can
be either pre- or post-).
FOH Mix Setup
The following table shows the delay compensation settings for this mix.
The following example signal paths all measure the same latency of 815 samples @
96kHz = 8.49 ms:
• FOH XLR – IP – MAST – XLR
• XLR – IP – MAST – XLR
• XLR – IP – MTX – XLR
• XLR – IP – AS - MAST – XLR
• XLR – IP – AS – INS – MAST – XLR
• XLR – IP (With INS) – AS (With INS) – INS – AR – MAST (With INS) - XLR
• XLR – IP (With INS) – AS (With INS + GEQ) – INS – AR – MAST (With INS + GEQ) -
XLR
• XLR – IP – AS – INS – MAST DI (Mix)
• XLR – IP – AS – INS – MTX DI (Mix)
• XLR – MAST DI (Input)
•XLR – MTX DI (Input)
• XLR – AS DI – MAST – XLR
• XLR – AR (Input) – MAST – XLR
• XLR – IP – MAST – MTX
• XLR – IP – AS (With GEQ) – MAST (With GEQ)
Option On/off status
Master to Matrix Post-processing On
Input Channels
Insert On
Aux Sends
Monitor Mode (Align with Masters)
Insert
Send-FX-Return
Graphic EQ
Off
On
On
On
Master and Matrix
Insert
Graphic EQ
On
On