User Manual

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Algorithms
• Ring Mod Triangle: Ring mod applied to two triangle waves, with quantised ratio
control (A) that snaps through a series of useful ratios, and a fine control (B), which cross-
fades between these ratios allowing precise control across the whole range
• Ring Mod Triangle / Square: Ring mod applied to a triangle and a square wave, with
quantised ratio control (A) that snaps through a series of useful ratios, and a fine control
(B), which cross-fades between these ratios allowing precise control across the whole
range
• Ring Mod Saw / Square: Ring mod applied to a saw and square wave, with quantised
ratio control (A) that snaps through a series of useful ratios, and a fine control (B), which
cross-fades between these ratios allowing precise control across the whole range
• Ring Mod Saw / Triangle: Ring mod applied to a saw and triangle wave, with quantised
ratio control (A) that snaps through a series of useful ratios, and a fine control (B), which
cross-fades between these ratios allowing precise control across the whole range
• Chaos Saw: Un-quantised ring modulation (A) combined with randomisation (B)
• Chaos Square: Un-quantised ring modulation (A) combined with randomisation (B)
• Chaos Triangle: Un-quantised ring modulation (A) combined with randomisation (B)
• Fold Triangle: Triangle wave-folding (A) with DC offset (B)
• Filtered Noise: Noise generator combined with a morphable filter with full control over
Cutoff (A) and Morph (B)
• FM Saw:Square: Frequency Modulation using a Sawtooth as the carrier and a Square as
the modulator with full control over FM Depth (A) and Modulator Frequency Ratio (B)
• FM Square:Square: Frequency Modulation using a Square as both the carrier and
modulator with full control over FM Depth (A) and Modulator Frequency Ratio (B)
• FM Tri:Square: Frequency Modulation using a Triangle as the carrier and a Square as the
modulator with full control over FM Depth (A) and Modulator Frequency Ratio (B)
• Noise AM Saw: Sawtooth Wave amplitude modulated by a filtered noise source with full
control over AM Depth (A) and Noise filter cutoff (B)
• Noise AM Square: Square Wave amplitude modulated by a filtered noise source with full
control over AM Depth (A) and Noise filter cutoff (B)
• Noise AM Tri: Triangle Wave amplitude modulated by a filtered noise source with full
control over AM Depth (A) and Noise filter cutoff (B)
Note: The oscillator spread controls function as follows:
• 0 - all oscillators are perfectly in tune
• 1 - 63 - increasing oscillator detune
• 64 - 127 - oscillators detuned in musical intervals
Algorithms
• Fractal Saw: Complex sync with un-quantised control over ratio (A) and and an
asymmetry control (B) that allows every second cycle of the wave to have a different sync
ratio to the first
• Fractal Square: Complex sync with un-quantised control over ratio (A) and and an
asymmetry control (B) that allows every second cycle of the wave to have a different sync
ratio to the first
• Fractal Triangle: Complex sync with un-quantised control over ratio (A) and and an
asymmetry control (B) that allows every second cycle of the wave to have a different sync
ratio to the first
• Reverse Saw: Periodically reverses the direction of the waveform and changes the
playback rate (A), asymmetry control (B) changes the period length (I.e the switch point
within a cycle)
• Reverse Square: Periodically reverses the direction of the waveform and changes the
playback rate (A), asymmetry control (B) changes the period length (I.e the switch point
within a cycle)
• Reverse Triangle: Periodically reverses the direction of the waveform and changes the
playback rate (A), asymmetry control (B) changes the period length (I.e the switch point
within a cycle)
• Window Amp Sync: Applies amplitude modulation to a sine wave using a hard synced
waveform. Features an un-quantised sync ratio control (A) and the ability to morph
between multiple window shapes (B)
• Metal Saw: Creates ring modulation/amplitude modulation like effects by syncing a
waveform to two separate signals, one at the base rate and one at the sync rate. Features
un-quantised control over sync rate (A) and ability to balance between the base wave and
the modulated signal (B)
• Metal Square: Creates ring modulation/amplitude modulation like effects by syncing a
waveform to two separate signals, one at the base rate and one at the sync rate. Features
un-quantised control over sync rate (A) and ability to balance between the base wave and
the modulated signal (B)
• Metal Triangle: Creates ring modulation/amplitude modulation like effects by syncing a
waveform to two separate signals, one at the base rate and one at the sync rate. Features
un-quantised control over sync rate (A) and ability to balance between the base wave and
the modulated signal (B)
• Ring Mod Saw: Ring mod applied to two saw waves, with quantised ratio control (A)
that snaps through a series of useful ratios, and a fine control (B), which cross-fades
between these ratios allowing precise control across the whole range
• Ring Mod Square: Ring mod applied to two square waves, with quantised ratio control
(A) that snaps through a series of useful ratios, and a fine control (B), which cross-fades
between these ratios allowing precise control across the whole range