Amp modelling & Synth & Multi Effects
Contents Precautions Main Features Top Panel Back Panel Home Display Footswitch Modes CTRL Footswitches Recommended Setups Effects Blocks SYNTH COMP WAH FXA / FXB DS/OD AMP CAB IR NS TONE CAP EQ FX LOOP DELAY REVERB VOL GLB-EQ 01 02 03-04 05-06 07-08 09-10 11 12-15 16-18 19-22 23-24 25-27 28-30 31 32-35 36-37 38 39 40-51 52 53-57 58-59 60-61 62 63
SYSTEM Input Output USB AUDIO MIDI FS COLOR TAP SCREEN RESET SAVE PRESET EXP TUNER LOOPER Firmware Update SPECILICATIONS 64 64 65 66-67 68-81 82 83 84 84 85 86-90 91 92 93-94 95-96
Precautions *Please read carefully before proceeding* Power Supply Please connect the designated AC adapter to an AC outlet of the correct voltage. Please be sure to use only an AC adapter which supplies 9V DC , 3A , center negative. Unplug the AC power adapter when not in use or during electrical storms. Please only use the original power supply included with your device.
Main Features ● 108 high quality AMP models that utilize MOOER’s non-linear digital amp modelling technology from the PREAMP series and 43 IR based factory speaker cab models, to get the same dynamics and feel of a real tube amp ● 20 user slots to load in your favourite 3rd party IR files(up to 2048 sample pts) ● Tri-voice polyphonic synthesizer module, including oscillator wave shape, pitch, filters and arpegiators for each voice.
Top Panel 01 02 03 04 05 06 07 12 11 10 09 03 08
Top Panel 01 MASTER Independent volume controls for XLR, headphones and 1/4” jack outputs 02 LCD screen 5-inch TFT monitor displays the GUI 1–5 03 Adjust individual parameters in the GUI 04 SELECT Rotate / Press to make selections within the GUI << >> 05 Scroll parameter pages left and right in the GUI EXP1 / EXP2 LED 06 Displays the ON/OFF status of the EXP pedals EXP1: Built-in expression pedal.
Back Panel 13 14 24 15 23 17 16 22 05 21 18 20 19
Back Panel 13 AUX IN 14 15 16 17 18 Connect external media devices for audio playback1/8” stereo jack INPUT Instrument input ¼” mono jack with Guitar/Line level switch OUTPUT 2 x ¼” mono jack L = MONO output L + R = STEREO output XLR OUT 2 x Balanced XLR output with Ground lift switch L = MONO output L + R = STEREO output USB USB Type-B Connect to computer to record direct digital audio Interface with official MOOER software to edit and import/export presets Update firmware Cable tidy Loop the cable from y
Home Display GE300 has 2 main home displays. FOOTSWITCH DISPLAY and SIGNAL CHAIN DISPLAY Press the DISPLAY button at any time to return home Press the DISPLAY button again to toggle between the 2 home displays FOOTSWITCH DISPLAY This display is ideal for use during live performance. It displays various information about the current preset, in/out levels and footswitch functions CPU USAGE Displays how many processing resources are being used in the current PRESET.
SIGNAL CHAIN DISPLAY GE300 has a customizable signal chain. In this HOME DISPLAY you can edit the order of your effects blocks and rearrange the SEND/RETURN, XLR OUT and master OUTPUT. EDIT CURSOR < SELECTION > Rotate the SELECT control knob to highlight effect block < PICKUP > Press the SELECT control knob to pickup/drop effect block Rotate the SELECT control knob to move effect block *Notes: Synth can not be moved and it is always at the beginning of the signal chain.
Footswitch Modes GE300 has two control schemes designed to cater for different users and allow personal customization of the footswitches. The Footswitch modes can be changed by going to SYSTEM > FS MODE. V1.0.0 INPUT OUTPUT MIDI FS MODE TAP SCREEN SYSTEM USB AUDIO FS COLOR RESET MODE 1 MODE 1 is the default footswitch mode and it’s designed to give a good balance between preset selection and access to customizable CTRL footswitches. V1. 0. 0 INPUT OUTPUT XLROUT FS MODE BPM 120.
MODE 2 MODE 2 is designed for the user who wants instant access to more programmable CTRL footswitches within each preset. This is great for controlling the GE300 like a traditional pedalboard. V1.0. 0 INPUT OUTPUT XLROUT FS MODE BPM 120.
CTRL Footswitches The CTRL function in the GE300 allows users to completely customize the layout and function of their footswitches. Depending on which FOOTSWITCH MODE is selected, you can get instant access to either 4 or 8 CTRL footswitches within each preset.
Recommended Setups GE300 has many ways it can be used and many different rig scenarios it can be integrated into, thanks to the flexible I/O routing, multiple connection types and integrated effects loop. Here’s a few of our recommended setup solutions DI/BACKLINE (Digital Amp + Cab modelling) Thanks to the multiple output types, it’s incredibly easy to use both DI and backline rigs independently or simultaneously.
If connecting DI to a full-range system via XLR and to a power amp + traditional guitar speaker via the jack OUTPUT simultaneously, put the CAB module last in your signal chain and route the OUTPUT before the CAB module.
has a versatile stereo effects loop that has all the options you need for easily integrating outboard effects pedals and units. Connect the SEND from GE300 to the INPUT of your outboard effects, then connect the OUTPUT of your outboard effects to the RETURN of the GE300. Open the effects loop by pressing the FX LOOP button and setup the parameters as required.
4 Cable Method (effects only) The GE300 can be connected up to your favourite guitar amplifier utilizing the 4 cable method (4CM). This will allow the GE300 to be used very effectively as an all-in-one pedalboard without any digital amp or cab modelling. A big benefit of using the 4 Cable Method is that different effects modules can be routed both in front of the amplifiers input or into the amplifiers effects loop by placing them in to the GE300 signal chain.
EFFECTS BLOCKS All of the different effects algorithms and amp models in GE300 are grouped into categories called effects blocks. GE300 has 15 effects blocks in total and each effects block has a dedicated easy access button right on the front panel of the unit.
Routing effects blocks Effects blocks can be moved within the signal chain. Press the DISPLAY button until the signal chain screen is displayed. INPUT OUTPUT XLROUT BPM 120 68% UTPUT EXP1:AMP Gain EXP2:AMP Master 02D Dream Lead SYNTH VOL COMP DELAY REVERB Waveform 1 Sin SYNTH COMP WAH FX A DS/OD WAH FX B Pitch 1 -12.
INPUT OUTPUT XLROUT BPM 120 68% UTPUT EXP1:AMP Gain EXP2:AMP Master 02D Dream Lead SYNTH VOL COMP WAH DELAY REVERB Waveform 1 Sin FX B Pitch 1 -12.0 DS/OD FX A EQ Attack 1 46 CAB AMP TONE CAP NS Level 1 89 Filter LD 2. Press the SELECT control to pickup the effect block. Note the INPUT OUTPUT XLROUT BPM 120 UTPUT 68% has turned red EXP1:AMP Gain EXP2:AMP Master 02D Dream Lead SYNTH VOL REVERB Waveform 1 Sin DS/OD FX A DELAY Pitch 1 -12.
SYNTH GE300 comes complete with a tri-voice polyphonic synthesis engine which can quickly and accurately track the notes from your instrument and transform them into classic synth sounds. INPUT OUTPUT XLROUT BPM 108 EXP1: MERGE 68% EXP2: SYNTH Pitch 1 1 2 3 4 1 Sin Waveform 1 Static Mode 1 5 off 2 -23.
Voice Parameters Explanation Parameter Filter Mode Value Apply a filter to the synth voice. LP – Low Pass BP – Band Pass HP – High Pass PK - Peak Off, Lp, Hp, Bp, Pk. Filter control mode and Mode parameter. Static – Static frequency filter Touch- Touch sensitive envelope control of the filter from the dynamic of your instrument. LFO- Automatic modulation sweeping of the filter. Static, Touch, LFO.
SYNTH MASTER CONTROLS (PAGE 4) INPUT OUTPUT XLROUT EXP1: MERGE 68% BPM 108 Pitch 1 EXP2: SYNTH 1 2 3 4 4 0 4 0 Effect out port to Thru Level Explanation Parameter Value Thru Level How much thru dry level of your instrument is routed in parallel to the SYNTH effect block. 0-100 Effect out port to Routes the output of the SYNTH effect block to anywhere in the signal chain.
SYNTH SIGNAL PATH As you can see from the diagram, SYNTH ENGINE has 3 independent voices with their own parameters for waveform, pitch, attack, level, filter and arpeggiator. The signal path from the instrument input is split and routed directly to the front of each synth voice so they remain completely parallel and independent from one and other. The thru dry signal can also be mixed parallel to the entire synth effect block, so you can opt for synth only or mix it with your guitar signal.
COMP GE300 comes complete with 10 different models of compressor, spanning from super simple 2 knob stompboxes to advanced 3-band studio compressors. This assures there’s a compression model here which is suited for you. Numbers Explanation Name 1 S-Comp 2 knob stompbox compressor.
Compressor parameters Explanation Parameter Value Sensitivity Adjusts compression amout,0 is equal to no compression. 0-100 Threshold The threshold control sets the level at which the compression effect is engaged. -60.0dB – 0dB Ratio the amount of attenuation to be applied to the signal. 1.0 : 1 – 10.0 : 1 Attack Sets how fast the Compressor reduces the volume, 100 is equal to fastest. 0 – 100 Comp Adjusts compression amount. 0 – 100 Peak Reduction Adjusts compression amount.
WAH The GE300 has 10 different models of wah effects including classic and modern wah pedals, completely customizable rack style units, talk wahs, modulation, and envelope controlled auto wahs. Numbers Explanation Name 1 Cry Wah Modelled after a GCB95 2 535 Wah Modelled after a modern 535q 3 846 Wah Modelled after a hand wired 60’s classic with Halo inductor 4 847 Wah Modelled after a vintage voiced remake 5 Mae Wah Modelled after a custom modern Wah 6 Custom Wah Studio rack style unit.
Wah parameters Explanation Parameter Value Position The position of the wah in it’s pedal sweep. 0 is equal to heel down, 100 is equal to toe down. *Notes: If you want to use the EXP pedal to control the wah sweep, assign “WAH > Position” as the function in the EXP menu. You can also turn on ‘Toeswitch’ function to turn on/off the wah module while you are pressing the EXP pedal.
Touch Wah parameters Touch wah is an automatic sweeping band pass filter. The sweep is controlled by an envelope filter that reacts to the dynamics of your instrument. Explanation Parameter Value Attack Speed of the envelope. 100 is the fastest. 0-100 Sens Sensitivity of the envelope. 0-100 Peak Centre frequency volume level 0-100 Q The Q or “Quality factor” is the ratio of the resonant frequency to the bandwidth, between the upper and lower -3dB frequencies.
FXA / FXB FXA and FXB effect blocks have multiple different effect types including Modulation, EQ, Pitch, Delay, Filters. FXA also has extra overdrives and boosters for stacking with the OD/DS module.
FX Parameters Parameter Value Explanation Low Adjusts the tone for the low frequency range. -12dB – 12dB Low Mid Adjusts the tone for the low-middle frequency range. -12dB – 12dB Mid Adjusts the tone for the Middle frequency range. -12dB – 12dB High Mid Adjusts the tone for the high-middle frequency range. -12dB – 12dB High Adjusts the tone for the high frequency range.
Sweep ( 6 Stage Analog Phaser, 12 Stage Analog Phaser) Moves the frequency response pattern through a six-octave or twelve-octave range. 0 - 100 Changes the height and sharpness of the frequency response peaks. 0 - 100 Sets the level of flanger filter feedback 0 - 100 Level Adjusts the level of modulation. 0 - 100 Delay ( Flanger pro, Modern Flanger) Sets the delay time of flanger. 0 - 100 Manual ( Triple Flanger ) Controls the delay time of the flanger.
DS/OD GE300 has 31 different “gain based” Stompbox effects including distortions, overdrives, fuzz’s and boosters. Each one has been fastidiously modelled after a real-life pedal using similar techniques we employ to create our digital amplifier models.
AMP Ge300 has 108 digital amp models that utilize MOOER’s non-linear amp modelling technology. Each model has been designed based on samples taken directly from real-life tube amplifiers.
Numbers Explanation Name ® 37 Eagle FB CH1 Based on ENGL Fireball 100 Clean Channel 38 Eagle FB CH2 Based on ENGL Fireball 100 Distortion Channel ® ® 39 Powerbell CL Based on ENGL E645 Clean Channel 40 Powerbell DS Based on ENGL E645 Distortion Channel 41 Blacknight CL Based on ENGL E650 Blackmore signature model Clean Channel ® ® ® 42 Blacknight DS Based on ENGL E650 Blackmore signature model Distortion Channel 43 Eagle 670 CL Based on ENGL E670 Clean Channel ® ® 44 Eagle 67
Numbers Explanation Name ® 73 Randy Devil CL Based on Randal Satan Clean Channel 74 Randy Devil DS Based on Randall Satan Distortion Channel ® ® 75 SLOW 100 CR Based on Soldano SLO-100 Crunch Channel 76 SLOW 100 DS Based on Soldano SLO-100 Distortion Channel 77 JET 100H CL Based on Jet City JCA100H Clean Channel ® ® ® 78 JET 100H OD Based on Jet City JCA 100H Overdrive Channel 79 Koche OD Based on Koch Powertone Overdrive Channel 80 Koche DS Based on Koch Powertone Distortion
Parameter Explanation Value Gain Adjusts the input gain and preamp drive 0 - 100 Bass Adjusts the low frequency levels 0 - 100 Mid Adjusts the middle frequency levels 0 - 100 Treble Adjusts the high frequency levels 0 - 100 Mode Each Amp model has 2 different modes Original: True recreation of the original amplifier Distinct: Applies a high and low frequency cut before the preamp input and an upper mid scoop eq after the preamp output to achieve a “post-production” type tone.
CAB GE300 comes from the factory with 43 pre-loaded speaker cabinet simulations which are non-linear algorithms derived from Impulse Response samples of real-life speaker cabinets. Each cab sim model has dual microphones with independent mic type, centre and distance parameters plus a progressive balance mix control.
Name US Gold 412 US Gold 112 Matchbox 30 112 Cali 412-1 Cali 412-2 Satsuma 212 Petey 412 Petey 212 Mr Smith 112 Randy Devil 412 Taxidea Taxus 112 Shittcow 412 Acoustic 112 Empty Numbers 31 32 33 34 35 36 37 38 39 40 41 42 43 44 - 63 Explanation Based on Friedman ® 412 Cabinet Based on Friedman ® Small Box 112 Cabinet Based on Matchless® 112 Cabinet Based on Mesa/Boogie ® Recto Trad 412 Cabinet Based on Mesa/Boogie ® RoadKing 412 Cabinet Based on Orange® PPC 212 Cabinet Based on Peavey ® 6505 412 Cabinet B
IR The GE300 CAB module also has 20 empty model slots for you to load in your own 3rd party Impulse Responses via USB using the Studio for GE300 computer software.
NS has 3 different noise gate models which are ideal for getting rid of unwanted noise or using as a hard gate effect for tight, high gain rhythm playing. Numbers Name Explanation 1 Noise Killer Hard noise gate with maximum damping 2 Intel Reducer Intelligent background noise suppressor with automatic attack, release and damping 3 Noise Gate Standard studio noise gate with detailed user controls Parameter Value Explanation Threshold Set the detection level that the Noise gate operates at.
TONE CAP Tone Capture is an intelligent learning and comparison engine that can be used to create your very own digital models by sampling real-life equipment. Tone capture has 3 different modes GUIT Instantly transform the sound of your guitar using samples you’ve created in tone capture GUIT mode. Sample and carry all your favourite guitars with you wherever you go. AMP&STOMP Sample your favourite overdrives, distortions and amplifiers. IR Create your own speaker cabinet Impulse Responses (Ir’s).
GUIT Have you ever found yourself searching for a single instrument that has all the different guitar sounds you need? Be it classic country twang, warm ballsy blue tones, the funkadelic “4-position”, tight thrashing djent, Piezo electro- acoustic and much, much more. TONE CAPTURE GUIT mode can sample any guitar, provided it has some form of pickup, and create a detailed digital GUIT model using MOOER’s proprietary nonlinear IR technology.
STEP 3 INPUT OUTPUT XLROUT 52% BPM 120.0 Learning: Guit EXP1:SYNTH Pitch 1 EXP2:SYNTH Pitch 1 01:Null 50 50 50 0dB Low Mid High Output 33% D A B C Target Source Capture Capture Active Connect the Guitar you wish to sample for the tone capture to the GE300’s INPUT This is known as the TARGET guitar Press footswitch A to begin the capture process and play the guitar until the countdown reaches 100%.
STEP 5 INPUT OUTPUT XLROUT 52% BPM 120.
AMP&STOMP AMP&STOMP mode can be used to sample your favourite stompbox or amplifier. This can then be applied to an existing amp or Stompbox model within a preset to transform it into your sample. stompbox effects like distortion, overdive and boost will work very well with TONE CAPTURE. However, You cannot sample stompbox effects like delay, reverb or modulation. STEP 1 First decide if you will capture a Stompbox or an amp.
If your amp does not have an effects loop then connect the speaker out of your amplifier to a loadbox of the correct impedance. Connect the line out or DI out of the loadbox to your GE300 RETURN. STEP 1 Speaker In Speaker Out DI out/Line out Input WARNING do not connect the speaker out of any amplifier to your GE300. This can result in damage to both your GE300 and your amplifier.
STEP 3 Navigate to an empty preset (NULL) Select Amp&Stomp mode (Learning:Amp&Stomp) INPUT OUTPUT XLROUT BPM 120.
STEP 5 Press footswitch C to begin the capture process and play the guitar until the countdown reaches 100%. For best results, we recommend playing the guitar strongly with an open chord first, then playing all the notes in your guitar across the full range of the instrument as much as possible. INPUT OUTPUT XLROUT BPM 120.
STEP 7 The tone capture has automatically been saved and named USER Select the Pencil icon enter a new name for the preset and press the SAVE button to confirm INPUT OUTPUT XLROUT BPM 120.
IR Tone capture IR mode allows you to create your own Impulse Response models of speaker cabinets to use instead of the CAB effect block. You will need a couple of extra things to use IR mode. 1.A microphone 2.A mic preamp 3.A power amp to drive the speaker cab. Please note that all of the above elements will be part of the tone capture and will flavour the IR. Varying each of these elements for different models will yield different end results.
STEP 2 Press the DISPLAY button until the signal chain screen is displayed Ensure that the signal chain has AMP > CAB > TONE CAP in that order AMP and TONE CAP effect blocks turned on but every other effect block turned off INPUT OUTPUT XLROUT 25% BPM 120.
STEP 3 Press footswitch A to begin the capture process and wait until the countdown reaches 100% INPUT OUTPUT XLROUT 45% BPM 120.0 Learning: IR EXP1:SYNTH Pitch 1 EXP2:SYNTH Pitch 1 01:Null 50 50 50 0dB Low Mid High Output A B Capture Active 63% D C STEP 4 Press footswitch B to activate the new IR you have captured Use control knobs 1-4 to adjust EQ and output volume to dial in the Tone Capture to your preferences. INPUT OUTPUT XLROUT 52% BPM 120.
EQ The EQ effects block of the GE300 has 8 different algorithm models which span from simple 3-band, 5-band, 6-band and 10-band equalizers with pre-set frequencies. Custom 3-band and fully customizable parametric EQ’s are recommend for advanced users.
FX LOOP The FX LOOP of GE300 can be used to integrate your favourite external effects and preamps into the GE300 signal chain, or to integrate GE300 into creative and complex rig setups. We’ve included a few examples here but there are many possibilities. Explanation Parameter Value Send Level Adjusts the tone for the low frequency range. -60dB - +6dB Return Level Adjust the recovery level at the effects loop return inputs.
Add an overdrive pedal It’s extremely easy to integrate your favourite Stompbox, rack effect or preamp pedal into the GE300 signal chain. DS/OD Output Input OUTPUT XLROUT BPM 120 INPUT EXP1:SYNTH Pitch 1 17% EXP2:SYNTH Pitch 1 INPUT OUTPUT XLROUT BPM 120.
Add a stereo pedal In this example we’ve connected a stereo reverb pedal with it’s mix control set to fully wet Effect Pedal Output Input OUTPUT XLROUT BPM 120 INPUT EXP1:SYNTH Pitch 1 17% EXP2:SYNTH Pitch 1 Fx Loop 1 0dB 2 -3.0dB 50 50 4 Serial 5 Mono Send Level Return Level Dry Wet Loop Mode Output Mode 3 INPUT OUTPUT XLROUT BPM 120.0 44% EXP1:SYNTH Pitch 1 EXP2:SYNTH Pitch 1 64D Empty SYNTH VOL COMP REVERB Send Level 0dB DELAY Return Level -3.
A/B In this example we’ve connected a tube amp into the FX LOOP with the intention to A/B it with the AMP effect block in the GE300 signal chain AMP Input AMP Send AMP Head or PA/Nonitor AMP Return GUITAR CAB Notes: If you are using a PA / Monitor, please do not forget to turn on the CAB module; If you send the signal back to AMP RETURN, please turn off the CAB module. Do not forget to connect your tube amp to the cab to avoid damaging your tube amp.
INPUT OUTPUT XLROUT BPM 120.0 44% EXP1:SYNTH Pitch 1 EXP2:SYNTH Pitch 1 64D Empty SYNTH VOL REVERB Send Level 0dB Notice that the LOOP MODE is set to serial and the send icon WAH WAH COMP DELAY Return Level -3. 0dB DS/OD FX A EQ FX B Dry 50 and return icon Wet 50 AMP TONE CAP Loop Mode Series CAB NS Output Mode Mono are before and after the AMP effects block in the signal chain.
DELAY The DELAY effects block of GE300 contains 14 different delay models including vintage tape, classic analog, retro digital and modern studio delay types providing something for everyone no matter what your flavour is.
Parameter Value Explanation Feedback Adjusts the number of delay repeats. 0 - 100 Mix Adjusts the repeats volume level. 0 is total dry, 100 is total wet. 0 - 100 Time / Sub-division Adjusts the delay repeat time in Milliseconds / Sets the delay repeat time in relation to the preset tempo ( Tempo Sync On ) Tempo Sync Activates preset Tempo synchronization and Sub-division parameter. Off, On. Threshold (Dynamic) Sets the envelope detection level of the dynamic delay.
REVERB The REVERB effects block of GE300 has 11 different reverb models including everything you need from vintage spring, subtle studio and immersive ambience.
Parameter Explanation Value Pre Delay Delay time before the first reflections can be heard. 0ms – 200ms Decay Length of the reverb trails. 0 - 100 Low Cut Low frequency EQ shelf. Off, 1Hz – 800Hz High Cut High frequency EQ shelf Off, 20000Hz – 1000Hz Mix Volume level of the reverb effect. 0 is total dry sound. 100 is killed dry total reverb. 0 - 100 Output Mode Choose between Mono and Stereo. Stereo uses more CPU%. Mono, Stereo Quality Choose between standard quality and high quality.
VOL The VOL effects block allows you to add a volume pedal anywhere you please within the signal chain of the GE300. When the VOL effects block is activated, the EXP 1 expression pedal will double up as a volume pedal when the EXP 1 LED is off. Parameter Logarithmic Value Explanation Position Current position of the volume pedal. 0 - 100 Min Minimum volume level in the heel down position. 0 - 100 Max Maximum volume level in the toe down position. 0 - 100 Curve The curve of the EXP pedal.
GLB-EQ GLB-EQ is the global output EQ of the GE300. There is are individual global eq settings for each output of GE300 and this can be turned on or off at any time, irrespective of preset settings. This feature becomes very useful if using the GE300 to perform in live venues through varying different backline and front of house rigs. It allows you to quickly and easily compensate for the tonal qualities of your outboard gear or eliminate feedback without the need to edit each preset individually.
SYSTEM Input Different instruments output different signal levels. It’s important to match the input level of the GE300 to the output of your instrument to get the best performance out of the GE300. If the Input level of the GE300 is set too low then the dynamic range and response of the unit will be insufficient. If the input level of the GE300 is set too high then internal clipping and distortion can easily occur, which will degrade the overall sound.
Output The main OUTPUT and XLR output each have independent output controls. V1.1.0 OUTPUT V1.1.0 1:Output OUTPUT 2:Xlr 1 2 3 1 2 3 100 Level Effect/Effect Output Mode Center Pan 100 Level Effect/Effect Output Mode Center Pan Rotate SELECT knob to change different output. Use 1-3 knobs to edit parameters. Parameter Value Explanation Level Adjust the output volume trim. 100 is the default setting, reducing this number will attenuate the output signal.
USB AUDIO The USB port of GE300 can be connected to your computer and used to record fantastic guitar tones directly to your Digital Audio Workstation (DAW) without the need of a dedicated audio interface device. You can use your favourite headphones or powered studio monitors connected directly to the GE300 outputs. The proprietary ASIO driver provides a low latency connection between the GE300 and your DAW with stereo outputs, stereo inputs, and a separate monitor mix when you are using a WINDOWS system.
NORMAL MODE Computer Rec Vol Play Vol MIX DSP INPUT (Direct / Playback) OUTPUT REC Vol – Output level to the computer input PLAY Vol – Playback and monitor level Direct/Playback – Monitor Mix between PLAY VOL and direct DSP In NORMAL mode the GE300 becomes the hub for recording your guitar or other instruments with your DAW.
MIDI can receive MIDI messages via the MIDI IN and transmit MIDI messages via the MIDI OUT. MIDI (Musical Instrument Digital Interface) can be used to control one device from another. So we can transmit MIDI messages from the GE300 to control another device. Or we can receive MIDI messages from another device to control the Before we move on, lets define a few simple terms regarding MIDI MIDI CHANNELA MIDI channel can be used to pass data or messages back and forth.
MIDI V1.1.0 FUCTION CC# VALUE BANK SELECT SYNTH ON/OFF COMP ON/OFF WAH ON/OFF FX A ON/OFF OD/DS ON/OFF AMP ON/OFF 0 10 11 12 13 14 15 0-1 0-127 0-127 0-127 0-127 0-127 0-127 CAB ON/OFF 16 0-127 PC MAPPINGMIDI IN PC MAPPING allows you to customize which preset is selected on GE300 when it receives a PC message from an external device via the MIDI IN. V1.1.
MIDI OUT MIDI V1.1.0 MODE MIDI OUT CHANNEL SEND MIDI CLOCK 1 OFF PC MAPPING MODEMIDI OUT – GE300 will transmit MIDI messages from the MIDI OUT port MIDI THRU- GE300 will allow MIDI messages to pass through from the MIDI IN port to the MIDI OUT port. This is useful when chaining multiple devices together and controlling them all from one master control device.
CC# Control Change Map Parameter Explanation Value STOP 53 0 - 127 CLEAR 54 0 - 127 UNDO / REDO 55 0 - 127 0 0-1 SYNTH ON/OFF 10 0 - 127 REVERSE 56 0 - 127 COMP ON/OFF 11 0 - 127 1/2 SPEED 57 0 - 127 WAH ON/OFF 12 0 - 127 EXP1 ON/OFF 58 0 - 127 FXA ON/OFF 13 0 - 127 EXP1 PEDAL 60 0 - 127 OD/DS ON/OFF 14 0 - 127 EXP2 PEDAL 61 0 - 127 AMP ON/OFF 15 0 - 127 CTRL 1 70 0 - 127 CAB ON/OFF 16 0 - 127 CTRL 2 71 0 - 127 NS ON/OFF 17 0 - 127 CTRL 3 72 0 - 1
PC# Program Change RX Receive Map 6C 0 22 Patch Midi Bank PC# 6D 0 23 1A 0 0 7A 0 24 1B 0 1 7B 0 25 1C 0 2 7C 0 26 1D 0 3 7D 0 27 2A 0 4 8A 0 28 2B 0 5 8B 0 29 2C 0 6 8C 0 30 2D 0 7 8D 0 31 3A 0 8 9A 0 32 3B 0 9 9B 0 33 3C 0 10 9C 0 34 3D 0 11 9D 0 35 4A 0 12 10A 0 36 4B 0 13 10B 0 37 4C 0 14 10C 0 38 4D 0 15 10D 0 39 5A 0 16 11A 0 40 5B 0 17 11B 0 41 5C 0 18 11C 0 42 5D 0 19 11D 0
PC# Program Change RX Receive Map 12C 0 46 18C 0 70 12D 0 47 18D 0 71 13A 0 48 19A 0 72 13B 0 49 19B 0 73 13C 0 50 19C 0 74 13D 0 51 19D 0 75 14A 0 52 20A 0 76 14B 0 53 20B 0 77 14C 0 54 20C 0 78 14D 0 55 20D 0 79 15A 0 56 21A 0 80 15B 0 57 21B 0 81 15C 0 58 21C 0 82 15D 0 59 21D 0 83 16A 0 60 22A 0 84 16B 0 61 22B 0 85 16C 0 62 22C 0 86 16D 0 63 22D 0 87 17A 0 64 23A 0 88 17B 0 65 23B 0 89
PC# Program Change RX Receive Map 24C 0 94 30C 0 118 24D 0 95 30D 0 119 25A 0 96 31A 0 120 25B 0 97 31B 0 121 25C 0 98 31C 0 122 25D 0 99 31D 0 123 26A 0 100 32A 0 124 26B 0 101 32B 0 125 26C 0 102 32C 0 126 26D 0 103 32D 0 127 27A 0 104 33A 1 0 27B 0 105 33B 1 1 27C 0 106 33C 1 2 27D 0 107 33D 1 3 28A 0 108 34A 1 4 28B 0 109 34B 1 5 28C 0 110 34C 1 6 28D 0 111 34D 1 7 29A 0 112 35A 1 8 29B 0
PC# Program Change RX Receive Map 36C 1 14 42C 1 38 36D 1 15 42D 1 39 37A 1 16 43A 1 40 37B 1 17 43B 1 41 37C 1 18 43C 1 42 37D 1 19 43D 1 43 38A 1 20 44A 1 44 38B 1 21 44B 1 45 38C 1 22 44C 1 46 38D 1 23 44D 1 47 39A 1 24 45A 1 48 39B 1 25 45B 1 49 39C 1 26 45C 1 50 39D 1 27 45D 1 51 40A 1 28 46A 1 52 40B 1 29 46B 1 53 40C 1 30 46C 1 54 40D 1 31 46D 1 55 41A 1 32 47A 1 56 41B 1 33 47B 1 57
PC# Program Change RX Receive Map 48C 1 62 54C 1 86 48D 1 63 54D 1 87 49A 1 64 55A 1 88 49B 1 65 55B 1 89 49C 1 66 55C 1 90 49D 1 67 55D 1 91 50A 1 68 56A 1 92 50B 1 69 56B 1 93 50C 1 70 56C 1 94 50D 1 71 56D 1 95 51A 1 72 57A 1 96 51B 1 73 57B 1 97 51C 1 74 57C 1 98 51D 1 75 57D 1 99 52A 1 76 58A 1 100 52B 1 77 58B 1 101 52C 1 78 58C 1 102 52D 1 79 58D 1 103 53A 1 80 59A 1 104 53B 1 81 59B
PC# Program Change RX Receive Map 60C 1 110 60D 1 111 61A 1 112 61B 1 113 61C 1 114 61D 1 115 62A 1 116 62B 1 117 62C 1 118 62D 1 119 63A 1 120 63B 1 121 63C 1 122 63D 1 123 64A 1 124 64B 1 125 64C 1 126 64D 1 127 77
PC# ProgramChange Change TX Transmit MapMap PC# Program TX Transmit Patch PC# 6C 22 12C 46 6D 23 12D 47 .> - 7A 24 13A 48 .? . 7B 25 13B 49 .@ / 7C 26 13C 50 .A 0 7D 27 13D 51 /> 1 8A 28 14A 52 /? 2 8B 29 14B 53 /@ 3 8C 30 14C 54 /A 4 8D 31 14D 55 0> 5 9A 32 15A 56 0? 6 9B 33 15B 57 0@ .- 9C 34 15C 58 0A .. 9D 35 15D 59 1> ./ 10A 36 16A 60 1? .0 10B 37 16B 61 1@ .1 10C 38 16C 62 1A .
PC# Program Change TX Transmit Map 18C 70 24C 94 30C 118 18D 71 24D 95 30D 119 19A 72 25A 96 31A 120 19B 73 25B 97 31B 121 19C 74 25C 98 31C 122 19D 75 25D 99 31D 123 20A 76 26A 100 32A 124 20B 77 26B 101 32B 125 20C 78 26C 102 32C 126 20D 79 26D 103 32D 127 21A 80 27A 104 33A 0 21B 81 27B 105 33B 1 21C 82 27C 106 33C 2 21D 83 27D 107 33D 3 22A 84 28A 108 34A 4 22B 85 28B 109 34B 5 22C 86 28C 110 34C 6 22D
PC# Program Change TX Transmit Map 36C 14 42C 38 48C 62 36D 15 42D 39 48D 63 37A 16 43A 40 49A 64 37B 17 43B 41 49B 65 37C 18 43C 42 49C 66 37D 19 43D 43 49D 67 38A 20 44A 44 50A 68 38B 21 44B 45 50B 69 38C 22 44C 46 50C 70 38D 23 44D 47 50D 71 39A 24 45A 48 51A 72 39B 25 45B 49 51B 73 39C 26 45C 50 51C 74 39D 27 45D 51 51D 75 40A 28 46A 52 52A 76 40B 29 46B 53 52B 77 40C 30 46C 54 52C 78 40D 31 46D 55
PC# Program Change TX Transmit Map 54C 86 60C 110 54D 87 60D 111 55A 88 61A 112 55B 89 61B 113 55C 90 61C 114 55D 91 61D 115 56A 92 62A 116 56B 93 62B 117 56C 94 62C 118 56D 95 62D 119 57A 96 63A 120 57B 97 63B 121 57C 98 63C 122 57D 99 63D 123 58A 100 64A 124 58B 101 64B 125 58C 102 64C 126 58D 103 64D 127 59A 104 59B 105 59C 106 59D 107 60A 108 60B 109 81
FS COLOR GE300 can be assigned 7 different footswitch colors for any footswitch function. This FS COLOR page is for Preset and Looper function color definition. Enter FS COLOR page, use 1-5 knobs to assign your favourite color. FS COLOR V1.1.0 1: Preset foot switch color 1 Blue BANK UP 2 Yellow 3 Green 4 Green 5 Green A B C D Green BANK DOWN FS COLOR V1.1.
TAP Select how the TAP TEMPO works when a preset is selected. V1.1.0 TAP Preset Global PRESET- The tap tempo is decided by the preset GLOBAL- Master tap tempo that overrides presets individual tap tempo OUTPUT XLROUT Notes: The BPM (Beat Per Minute) will show on main screen BPM 120.0 INPUT 42% 1. Press SELECT knob and select BPM, rotate SELECT knob to adjust; 2. Assign a footswitch function for Tap tempo, Tap the footswitch to adjust the BPM you want. 83 .
SCREEN V1.1.0 SCREEN 1 20 LIGHT Rotate control knob 1 to adjust the display screen brightness RESET V1.1.
SAVE PRESET To save your preset, press the SAVE button. SAVE 01A Us Deluxe A B C D E F G H I J K L M N O P Q R S T U V W S Y Z a b c d e f g h i j k l m n o p q r s t u v w s y z 1 2 3 4 5 6 7 8 9 0 _ Use control knobs 1-5 to edit characters. Press the SELECT control to edit more characters. Rotate the select control to change preset slot. Press save again to confirm saving preset. Press the DISPLAY button at any time to cancel saving.
EXP GE300 parameters can be controlled on the fly using the built-in expression pedal (EXP 1) and/or an external expression pedal (EXP2).
FUNCTION EXP > EXP 1 > Function In the EXP function screen you can assign the EXP pedal to control a single parameter of any effects block within your GE300 preset. With EXP 1 You can also choose to turn the effect block on/off using the toe down switch. FUNCTION SELECT AMP OFF ToeSwitch 05:US Blues CL Gain EXP Bass 1 Mid Treble Preamp out Presence Bias Master 1.Effect block- Rotate the SELECT control knob to select an effects block 2.
MERGE GE300 has a very exciting function named MERGE. MERGE allows you to simultaneously control any parameters, from any effects block, between any end points, in any direction, using an expression pedal. Press the EXP button, select an EXP pedal, select MERGE If using EXP 1 make sure the toe down switch has been activated and the EXP 1 LED is illuminated. Select an effect block you wish to assign merge to. In this example we will use DS/OD.
EXP 2 EXPRESSION PEDAL You can connect a secondary expression pedal to the GE300 via the EXP 2 input. EXP 2 can be assigned to control all of the same functions as EXP 1, however it does not support the Toe Down switch function. You must use a TRS stereo jack cable to connect your expression pedal to EXP 2. EXP TRS EXP1 EXP 2 Different expression pedals have different impedance values so remember to calibrate the pedal before assigning any functions.
Navigate to EXP > EXP 2 and select EXT CTRL = ON EXP EXT CTRL ON Function Calibrate Merge You can now assign a CTRL footswitch to control the external device through the CTRL footswitch menu. Select EXT CTRL as the function. Choose Latching or Momentary to match the function supported by your device CTRL1 2:Global 1 2 3 Latching Type Red Led Color EXT CTRL Function Notes: 1. Connect EXT CTRL only to amplifiers that utilize "short-to-sleeve" footswitch inputs.
TUNER GE300 has a built-in chromatic tuner to help you ensure you’re always in tune during a performance. Press footswitches A + B simultaneously to enter/exit the TUNER TUNER G MUTE A=440Hz 1. Use control knob 1 to Select betweenMUTE – Silent tuning BYPASS- Full sound whilst tuning 2. Use control knob 2 to calibrate the tuner. Standard concert pitch tuning calibration is A = 440Hz 3. Nearest pitch You can also assign a single CTRL footswitch to enter/exit the TUNER via the CTRL menu.
LOOPER has a fully integrated loop station with up to 30 minutes of loop time. Press footswitches C + D simultaneously to enter/exit the LOOPER. INPUT CLIP OUTPUT CLIP 68% EXP1:MERGE — EXP2:SYNTH Pitch1 LOOPER 1 REC VOL :50 UNDO TIME:0.
Firmware Update Connect the power supply while holding footswitch B & D and turn on the GE300. It will boot to Update Mode.
Press START to update the firmware. Do not disconnect the power to the GE300 or shut down the application while updating! GE 300 Amp modelling & Synth & Multi Effects LEAD GUITAR After the update is successful, it will automatically restart and show the latest version of the firmware.
SPECILICATIONS NO . of Effect Blocks 15 NO . of Effect Types 317 Patches 256 ( Preset ) IR Loading 20 slots IR Format .wav IR Sampling Rate 44.
MIDI MIDI IN / OUT (THRU) 5 Pin Female Connector USB Type USB Type B USB Audio USB 2.0, 2 IN 2 OUT, 44.1kHz, 24bit EXP2 External Expression Jack Pui fst Others Type 1/4” TRS jack Impedance 10k – 100k ohm Power Supply DC 9V, 3A, Dimensions 410mmX201mmX62mm Weight 3.0 kg Accessories Power Supply, USB Cable, Quick Guide manual.
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