User Manual

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1. CLASSIC FLANGING
This effect features an up-and-down modu-
lation of the input signal. Some describe it
as a whooshing or jet plane sound.
•Move TIME left to raise flanging frequency
and right to lower it
•Try negative FEEDBACK for a lower pitched,
hollow flange
•For best flanging results MIX control should
be mostly wet
•As RATE increases, try decreasing the
AMOUNT for more musical results
2. CLASSIC CHORUS
This effect features a subtle up-and-down
modulation of the input signals’ pitch. With
a 50-50 mix of wet and dry signal, the result
is a lush, swirling tone.
•Longer TIME settings cause a more audible
pitch modulation
• Adding FEEDBACK to a Chorus effect
gives it a metallic edge
•For best results MIX should be set to
center position
•As RATE increases, try decreasing the
AMOUNT for more musical results
3. VIBRATO
This effect features a slight up-and-down
modulation of the input signals’ pitch moni-
toring only the wet signal.
•Adding FEEDBACK to vibrato gives it a
metallic edge
•The sine wave offers the most natural finger
vibrato sound
•Increasing the RATE modifies the speed of
up and down vibrato. This will also increase
the audible pitch modulation
•As RATE increases, try decreasing the
AMOUNT for more musical results
4. RANDOM FLANGE
This effect features a rhythmic random LFO
step modulation of the flange effect.
•Negative FEEDBACK gives this effect a
deeper and more hollow tone
•The LFO waveform rotary switch set to
random produces a random level each
LFO cycle
•The MIX control should be set to mostly
wet for flange effects