“I see my job as being one that must the provide the capability complexity and of artist with imparting dynamics to h i s m u s i c . ” - D r.
IMPORTANT SAFETY INSTRUCTIONS WARNING - WHEN USING ELECTRIC PRODUCTS, THESE BASIC PRECAUTIONS SHOULD ALWAYS BE FOLLOWED. 1. Read all the instructions before using the product. A. Keep these instructions. B. Heed all warnings. C. Follow all instructions 2. WARNING: Do not use this product near water. To reduce risk of fire or electric shock, do not expose this product to rain or moisture.
TABLE OF CONTENTS 7 UNPACKING & INSPECTION 7 SETUP & CONNECTIONS 9 OVERVIEW & FEATURES 9 BASICS OF SOUND 12 BANK & PRESET SELECTION 13 PROGRAMMING SECTION 14 KEYBOARD OCTAVE BUTTONS 15 ARPEGGIATOR SECTION 17 STEP SEQUENCER 18 STEP EDIT MODE 21 GLIDE SECTION 22 MODULATION SECTION 25 OSCILLATORS SECTION 27 MIXER SECTION 28 FILTER SECTION 29 ENVELOPE GENERATORS 34 OUTPUT SECTION 35 MIDI MENU
TABLE OF CONTENTS 39 PRESET MENU 44 GLOBAL MENU 51 CONTROLLERS MENU 53 MIDI OPERATIONS 57 NRPN OPERATIONS 61 SERVICE & SUPPORT INFO 62 SPECIFICATIONS
UNPACKING AND INSPECTION Check the contents of the shipping carton Be careful when unpacking the Subsequent 37 so that nothing is lost or damaged. Moog recommends saving the carton and all packing materials in case you ever need to ship the instrument for any reason. The Moog Subsequent 37 ships with the following items: I. Subsequent 37 analog synthesizer II. Power cord III. Owner’s manual IV. Registration card What you will need: I. A stand or table sufficient to support the Subsequent 37 II.
POWER Plug one end of the supplied AC cord into the standard IEC power connector on the Subsequent 37’s left-side panel. Plug the other end into an AC outlet. Warning: An apparatus with CLASS I construction (such as this device) shall be connected to a MAINS socket outlet with a protective earthing connection. The Subsequent 37’s universal power supply will operate with 50/60Hz AC power sources ranging from 100 to 240 VAC / 50-60 Hz using 13W. Flip on the power switch located next to the power connector.
OVERVIEW AND FEATURES Your new Subsequent 37 CV is a limited-edition redesign of the ultra-powerful Sub 37 Tribute Edition analog synthesizer. In addition to a custom-crafted aluminum and wood exterior, the Subsequent 37 CV features 4 assignable CV outputs and 2 assignable Gate outputs for interconnectivity with large format and Eurorack modular systems, an upgraded keybed for improved playability, high-powered headphone amplifier for live-monitoring and a newly modified analog signal path.
BASICS OF SOUND (CONTINUED) Amplitude—the intensity of vibration—determines a sound’s loudness. A high-amplitude sound is loud, and a low-amplitude sound is soft. A vibrating source’s loudness depends on the amount of air it displaces, and that depends on how hard it vibrates. It’s difficult for anyone to identify a musical instrument simply by the pitch or loudness of the sounds it makes.
The oscillators, filter, modulators, and other parts are connected in the most useful ways for producing and modifying electronic signals that result in sounds. Unlike on a modular synthesizer, many connections between the Subsequent 37’s various parts are hardwired, meaning that it is not possible to change the routing of the pathways that connect them. The electrical signals within a synthesizer are either audio signals or control signals, depending on the pathway they follow.
BANK & PRESET SELECTION The Subsequent 37 ships with 256 user-editable preset locations, which are arranged in 16 banks of 16 patches per bank. The following section will show you how recall existing patches, and also how to edit and save your own patches. (The word patch is a holdover from modular synthesis, which requires patch cords to connect the various modules.) SELECT A BANK & PRESET (USING BANK/PRESET BUTTONS) 1. Press the BANK button, which will illuminate. 2.
TO SAVE A PRESET: 1. Press the SAVE button. 2. You will be given an opportunity to name your preset. Use the buttons to select a character, and use the FINE TUNE knob to scroll through the available characters. Now use the buttons to select CAT (Category), and the FINE TUNE knob to assign your preset to a sound category. Press SAVE to accept. (You can also press CURSOR and use the buttons to edit an individual character). 3.
PROGRAMMING SECTION (CONTINUED) PRESET / PANEL These buttons select the performance mode of your Subsequent 37. In PRESET mode, the sound you hear reflects the position that the panel knobs and buttons were in when the preset was saved, regardless of their current position. In PANEL mode, the sound you hear reflects the current position of the front-panel knobs and buttons.
ARPEGGIATOR SECTION With the Arpeggiator ON button lit, any note or group of notes you play will be sequenced according to the settings in the Arpeggiator section and menu. You can also record and playback a 1 to 64 note step sequence, which can be stored with each preset. LATCH When ON, the Arpeggiator will keep looping in its current state without the need to hold a physical note. A new note or group of notes will initiate a new note sequence based on the Arpeggiator Menu settings.
ARPEGGIATOR SECTION (CONTINUED) BACK / FORTH When the BACK / FORTH button is illuminated the arpeggiator will play the UP or DWN patterns in a bi-directional fashion, making UP play up then down, and making DWN play down then up. For example, if you choose the UP pattern without the BACK / FORTH button and hold C-E-G, you’ll get C-E-G-C-E-G etc. But, if the BACK / FORTH button is lit you’ll get C-E-G-E-C.
STEP SEQUENCER BASICS With the arpeggiator disengaged (ON button is darkened), turn the PATTERN knob to REC. The next key you press will erase any existing step sequence data and enter a note for step 1. The LCD display will also show REC 01 / 01, indicating that you have recorded step 1 of a (so far) 1-step sequence. Each successive key press (or REST) will advance you to the next step number for up to 64 steps.
STEP EDIT MODE Using the Step Edit mode you can edit everything about every step of a sequence (in real or non-real time). For each step, this includes the note number of either one or two notes, the velocity of the step, whether there’s a rest or a tie, and the per-step SEQ MOD value. You can also decide (non-destructively) which step is the first step, and which step is the last step of the sequence.
EDITING A STEP (CONTINUED) While a step is selected for editing: REST [ON] and TIE [LATCH] buttons show and toggle the rest or tie state for the selected step. Note entry (via keyboard or MIDI) edits the pitch of the selected step as follows: • Any non-legato note sets Pitch 1 and clears the Rest, Tie, and Ratchet data. • Any legato note sets Pitch 2. NOTE: If the DUO MODE button is held when a note is entered, then the note entry sets Pitch 2 without modifying Pitch 1.
STEP EDIT MODE (CONTINUED) RATCHET To toggle RATCHET on/off for a certain step, hold a step button and then press the ARP LATCH [TIE] button. Ratchet causes a step to repeat multiple times within a single step-duration. You can set the ratchet multiple from 1x (no repeats) to 8x. The RATCHET CNT multiple can be edited in the PRESET EDIT / SEQUENCER sub menu. NOTE: RTCHT CT is also a MOD destination. There is also a panel button-combo to change RATCHET CNT.
GLIDE SECTION Glide, also called portamento or glissando, is used to cause smooth changes in pitch between notes. TIME Use this knob to specify how much time it takes to transition from one pitch to the next when you play the keyboard. OSC The OSC button assigns the glide effect to Oscillator 1, Oscillator 2, or Both Oscillators at the same time. The LEDs marked 1 and 2 will indicate which oscillators have glide assigned to them.
MODULATION Controlling modulation (abbreviated as MOD) is an important aspect of programming and playing synthesizers. When you modulate a synthesizer’s audio signal, you are changing something about the way it sounds. When you modulate a control signal, you are changing something about its effect on whatever it’s controlling. Synthesizers route their control signals from modulation sources to modulation destinations.
MODULATION CONTROLS (CONTINUED) HI RANGE When engaged, the rate of the LFO is increased by 10x. In this mode, the LFO range is from 1Hz (one cycle per second) through 1,000Hz (1,000 cycles per second). NOTE: No matter which range you choose, modulation at normal vibrato rates (between 5 and 10Hz) is possible. SYNC When the SYNC button is illuminated, the LFO rate is synchronized to the Subsequent 37’s internal clock, or external MIDI clock.
MODULATION CONTROLS (CONTINUED) LFO RATE This destination modulates the rate of the other LFO (MOD 1 modulates the rate of LFO 2; MOD 2 modulates the rate of LFO 1). VCA LEVEL This destination allows you to modulate the amplitude level of the VCA. This is useful for creating tremolo effects at lower LFO rates, and ring modulation effects at higher LFO rates. OSC 1 WAVE, OSC 2 WAVE, BOTH When any of these destinations are chosen, modulation is applied to the shape of the oscillator’s waveform.
OSCILLATORS SECTION Oscillator 1 and oscillator 2 are the Subsequent 37’s primary sound sources. They generate four basic waveforms: triangle, sawtooth, square, and pulse. Since the WAVE knob is continuous, you can interpolate between these shapes. The triangle wave consists of odd-numbered harmonics only. Its fundamental is very strong, and its overtones are very weak, making it less harmonically complex than other waveforms.
OSCILLATOR CONTROLS (CONTINUED) HARD SYNC This button locks oscillator 2’s phase to oscillator 1, eliminating any phase differences between them. When both oscillators are in sync, each time that oscillator 1 begins a new cycle, it forces oscillator 2 to begin its cycle at the same instant, regardless of whether its previous cycle is complete. As a result, hard sync forces oscillator 2’s waveform to take on a different shape, typically one with greater harmonic complexity.
MIXER SECTION The mixer lets you combine audio signals from each of the Subsequent 37’s four internal audio sources as well as an external audio source or mixer feedback. Each mixer source has a dedicated knob for controlling its relative level as well as a mute button. The beauty of having dedicated mute buttons is that you can leave an audio source’s level at a pre-set amount and instantly bring it in or out with the push of a button.
FILTER SECTION The number and relative strengths of a sound’s harmonic frequencies determine its tone color or timbre. The Subsequent 37 contains a filter for removing certain frequencies from audio signals. Because filtering gives you control over an audio signal’s harmonic content, it physically alters the waveform being filtered. The Subsequent 37 has a classic Moog Lowpass Ladder Filter with four selectable slopes.
FILTER CONTROLS (CONTINUED) SLOPE Pressing the SLOPE button selects between a 1-pole filter slope (-6dB-per-octave), a 2-pole filter slope (-12dB-per-octave), a 3-pole filter slope (-18dB-per-octave), or the classic Moog 4-pole filter slope (-24dB-per-octave). You can also change this setting in real time as you play. EG AMOUNT Use this knob to control how much the filter envelope modulates the filter’s cutoff frequency.
ENVELOPES (CONTINUED) moment to die away completely, or it may stop suddenly. This final drop in amplitude and brightness is called its release. The attack and release, along with variations in amplitude and timbre that occur between the attack and release, make up the sound’s envelope. The Subsequent 37 shapes electronic sounds using two envelope generators (abbreviated EG).
FILTER ENVELOPE CONTROLS (CONTINUED) SUSTAIN Use this knob to specify the filter cutoff frequency once the decay stage is complete. The sustain stage is held until the envelope receives a Note Off command or the gate ends. Its value ranges from 0% to 100%, calibrated 1 to 10. Note that the filter’s EG AMOUNT determines the depth of its effect. When you use the filter envelope to modulate pitch or wave amount, the SUSTAIN knob specifies the control value that is held once the decay stage is complete.
FILTER ENVELOPE CONTROLS (KNOB SHIFT ON) (CONTINUED) HOLD When the KNOB SHIFT button is blinking you can use the FILTER DECAY knob (now FILTER HOLD) to add a hold stage to the filter envelope allowing you to specify a fixed delay between the attack and decay stages, effectively turning an ADSR envelope into an AHDSR envelope. During this stage, the filter’s cutoff frequency is held at its maximum level, which is determined by the filter’s EG AMOUNT setting.
AMPLIFIER ENVELOPE CONTROLS (CONTINUED) SYNC When the SYNC button is lit the envelope will restart at every unit of the beat. The AMP EG CLOCK DIV parameter in the PRESET EDIT menu allows you to determine the clock division at which the envelope will reset. (See MIDI Table on page 52 for available units of the beat.) LOOP Normally, an envelope occurs just once when you play a note.
OUTPUT SECTION VOLUME This knob is the main volume control for the AUDIO OUT jack on the left side of the Subsequent 37. Rotating the control fully clockwise produces the maximum output. Rotating the control fully counterclockwise silences the Subsequent 37. A volume setting can be stored with each preset. The PRESET VOLUME parameter is located in the PRESET EDIT menu. Learn more about this on page 42.
MIDI MENU MIDI MENU 1.X 1 IN CHANNEL: 1 - 16, ALL OUT CHANNEL: 1 - 16, ALL SEND PGM CHG: ON, OFF RCV PGM CHG: ON, OFF MIDI MENU 2.X 2 MIDI OUTPUT IN PORTS: BOTH, DIN, USB, OFF KEYS: OFF, ON OUT PORTS: BOTH, DIN, USB, OFF WHEELS: OFF, ON ECHO DIN IN: OFF, BOTH, DIN, USB PANEL: OFF, ON ECHO USB IN: OFF, BOTH, DIN, USB MIDI MENU 3.
MIDI MENU PARAMETERS IN CHANNEL (MIDI MENU 1.1) This determines the Subsequent 37’s MIDI Receive Channel. The choices are 1 - 16 and ALL which puts the Subsequent 37 in Omni Mode. The default MIDI In channel is 1. OUT CHANNEL (MIDI MENU 1.2) This determines the Subsequent 37’s MIDI Transmit Channel. The choices are 1 - 16. The default MIDI Out channel is 1. SEND PGM CHG (MIDI MENU 1.3) This determines if MIDI Program Changes are sent from the Subsequent 37 to other devices.
MIDI MENU PARAMETERS (CONTINUED) OUT FILTERS (CONTINUED) PANEL When set to ON (default) MIDI data from all the panel knobs and buttons is transmitted. When set to OFF this data is not transmitted. KNB NRPN/CC Determines if the knobs and buttons on the Subsequent 37’s panel are transmitted via MIDI as Non Registered Parameter Numbers or as CC messages. The choices are CC (default) and NRPN. CC FORMAT Chooses whether Continuous Controller data is sent using 7-bits or 14-bits (for greater precision).
CURRENT PRESET This command will send a MIDI SysEx Dump of the currently selected Preset’s settings. To send the current Preset’s settings, press the CURSOR button highlighting the SEND parameter, and then press either of the buttons to send the MIDI data. WARNING: When you send this type of SysEx file into any Subsequent 37 the Preset will automatically be stored to the current Preset location. Loading a SysEx file like this WILL overwrite the Preset in that particular location.
PRESET MENU ARPEGGIATOR PRESET EDIT 1.X 1 GATE LENGTH: OFF ... 100% ARPEGGIATOR >> CLOCK DIV: SEE PAGE 52 SEQUENCER >> SWING: 0.0% ... 100.O% FILTER EG >> STEP 1 RESET: OFF, ON AMP EG >> END NOTES: ONCE, TWICE KB TRANSPOSE: -12 ... OFF ... +12 PRESET EDIT 2.X 2 SEQUENCER KB PRIORITY: LOW, HIGH, LAST MOD DST: SEE PAGE 51 BEND UP: +0 ... +24 SEQ MOD AMT: OFF ... 100% BEND DOWN: -0 ... -24 SEQ MOD ONLY: OFF, ON BEND DEST: NONE, OSC1, OSC2, BOTH MODWHL CTRL: OFF, ON PRESET VOL: OFF ...
PRESET EDIT MENU PARAMETERS ARPEGGIATOR (PRESET EDIT 1.1) Highlight ARPEGGIATOR >> and press the CURSOR button to enter the ARPEGGIATOR sub menu. GATE LENGTH This parameter specifies how long the arpeggiator’s gate stays on for each note. The default is 50%, which means that each note of an arpeggiation is held for half of the length of that note. After 50% of the time has passed, the filter and amplitude envelopes will go into the release portion of their envelope settings.
PRESET EDIT MENU PARAMETERS (CONTINUED) SEQUENCER (PRESET EDIT 1.2) (CONTINUED) SEQ MOD ONLY When set to ON, this parameter prevents the sequencer from playing notes, but continues transmission of sequence mod values. It effectively turns your sequencer into a 1-64 step modulation source. The default is OFF. MODWHL CTRL When set to ON, the Mod Wheel provides real-time scaling of sequence modulation values, where the maximum value is set by the SEQ MOD AMT parameter. The default is OFF.
AMPLIFIER EG (PRESET EDIT MENU 1.4) Highlight AMPLIFIER EG >> and press the CURSOR button to enter the AMPLIFIER EG sub menu. GATE SRC This is used to select which gate sources trigger the amplifier envelope. With NOTES selected, only key presses and arpeggiations will trigger the amplifier envelope. The KB GATE jack on the left side of the Subsequent 37 will not affect the amplifier envelope. With EXT selected, only trigger voltages received at the KB GATE jack will trigger the amplifier envelope.
CV OUT 1 ... 4 (PRESET EDIT MENU 3.1) Highlight CV OUT 1 ... 4 >> and press the CURSOR button to enter one of the CV OUT sub menus. SOURCE Determines which control voltage will be output at the currently selected CV Output jack. All 4 CV Outputs choose from the same list of CV Sources. The same source can be selected for multiple outputs if desired.
GLOBAL MENU TUNING SCALES SCALE NUMBER: 0 - 31 LOCAL CONTROL GLOBAL MENU 1.x 1 ALL: ... KEYS: ON, OFF TUNING SCALE >> WHEELS: ON, OFF VARIANCE: 0.0C - 40.0C (CENTS) KB PRIORITY: LOW, HIGH, LAST, PRST PANEL: ON, OFF POT MODE: ABS, THRU, RLTV LOCAL CONTROL >> CV MAPPING GLOBAL MENU 2.
If more than one page of parameters exists, continuing to press the button will take you through the additional parameters and pages. If the MENU WRAP parameter (GLOBAL MENU) is OFF, the button will stop working at the last parameter of the last page. SUB MENU PARAMETERS Some parameter types have multiple sub parameters, which are indicated by “>>”. If you have one of these menu titles highlighted, you can jump to the sub menu by pressing the CURSOR button.
GLOBAL MENU PARAMETERS (CONTINUED) POT MODE (GLOBAL MENU 1.4) When changing presets, the physical positions of the panel knobs will not match the values saved in a preset. POT MODE allows you to specify how a knob responds when you make changes to its position. ABS: In absolute mode (default) the value of a parameter jumps to the knob’s current position as soon as you begin turning it. THRU: In pass through mode turning a knob has no effect until it reaches its preset value and then takes effect.
GLOBAL MENU PARAMETERS (CONTINUED) PITCH (CONTINUED) RTCHT CT Ratchet Count allows you to change, in real time, the Ratchet Count from 1x - 8x. All steps that have Ratchet On will respond to these changes. ST1 RESET Step 1 Reset causes the Arp or Sequencer to restart at step 1 any time a voltage trigger (voltage rising from below 2.5 volts to greater than 2.5 volts) is detected at the CV input.
GLOBAL MENU PARAMETERS (CONTINUED) SEQUENCER OPTIONS (CONTINUED) PHASE RESET When set to ON, the sequencer timing (the downbeat) is reset the moment a new note is played. If PHASE RESET is OFF (default), then the timing of the sequencer is set by the arpeggiator or in response to a MIDI Start message, but the downbeat is not reset when a new note is played. NOTE: When PHASE RESET is OFF and you play a new note before the downbeat, the arp or sequence will not start until the next beat.
GLOBAL MENU PARAMETERS (CONTINUED) NOTE CAL When NOTE CAL is highlighted, pressing the CURSOR button takes you into the NOTE CALIBRATION menu. Note calibration allows you to run a full-range calibration procedure, which ensures the oscillators remain in tune for every playable note. During note calibration, the Subsequent 37 “listens” to each note the oscillators produce and then adjusts them to the expected pitch.
GLOBAL MENU PARAMETERS (CONTINUED) PRESSURE CAL (CONTINUED) SLEW This parameter adds a glide time between aftertouch amounts. Increasing the number will give you a smoother aftertouch response. Lower values will give you a more precise response. Experiment to find the setting that’s right for you. The default value is 200.
CONTROLLERS MENU MOD x CONTROL 1 MOD BUS x MOD WHEEL: -100%...OFF..+100% VELOCITY: -100%...OFF...+100% PGM SRC: (See MOD PGM SRC list) AFTERTOUCH: -100%...OFF...+100% PGM DST: (See MOD PGM DST list) CTRL4 AMT: -100%...OFF...+100% LFO KBTRACK: OFF...100% SWING LFO: OFF, ON CTRL4 SRC: BREATH, FLT EG, AMP EG, LFO 1, LFO2 MOD x EDIT >> Pressing this button takes you to the MOD 1 or MOD 2 CONTROL MENU on the LED display screen.
CONTROLLERS MENU (CONTINUED) PGM DST This parameter allows you to specify the MOD’s sixth modulation destination from the default of EG TIME to: FILT RES: Filter Resonance Amount FILT SLP: Filter poles slope (-6, -12, -18, -24) F KB AMT: Filter Keyboard Tracking Amount SUB LEV: Sub Oscillator Level EXFB LEV: External Input /Feedback Level SUB ON: Sub Oscillator ON/OFF Control NOISE ON: Noise Generator ON/OFF Control ARP RATE: Arpeggiator Rate ARP RNGE: Arpeggiator Range ARP BFMD: Arpeggiator B
CONTROLLERS MENU CONT. LFO KBTRACK This parameter allows you to change the LFO RATE based on the key number. The values range from 0% to 200%. When this value is increased the LFO will speed up as you go higher up the keyboard. LFO (1 OR 2) SWING This parameter, when ON (default) causes the LFO to swing at the amount set in the PRESET EDIT / APREGGIATOR sub menu.
CONTROL/PARAMETER MIDI CC # CC VALUE RANGE BANK SELECT 0 ALWAYS TRANSMITS 0, SHOULD ALWAYS SEND 0 WHEN SENDING THIS CC MOD WHEEL 1 [MSB], 33 [LSB] 0-127 [MSB], 0-16383[MSB,LSB] 2 [MSB], 34 [LSB] 0-127 [MSB], 0-16383[MSB,LSB] LFO 1 RATE 3 [MSB], 35 [LSB] 0-127 [MSB], 0-16383[MSB,LSB] MOD 1 PITCH AMT 4 [MSB], 36 [LSB] 0-127 [MSB], 0-16383[MSB,LSB] GLIDE TIME 5 [MSB], 37 [LSB] 0-127 [MSB], 0-16383[MSB,LSB] 6 [MSB], 38 [LSB] MASTER VOLU
CONTROL/PARAMETER MIDI CC # CC VALUE RANGE ARP ON/OFF 73 0 = OFF / 64 = ON OSC 1 OCTAVE 74 0 = 16’, 32 = 8’, 64 = 4’, 96 = 2’ OSC 2 OCTAVE 75 0 = 16’, 32 = 8’, 64 = 4’, 96 = 2’ LFO 1 RANGE 76 0 = Low Range, 43 = Med Range, 85 = Hi Range OSC 2 HARD SYNC ON/OFF 77 0 = OFF / 64 = ON LFO 2 RANGE 78 0 = Low Range, 43 = Med Range, 85 = Hi Range FILTER EG KB AMT 79 0 - 127 AMP EG KB AMT 80 0 - 127 OSC KB RESET ON/OFF 81 0 = OFF / 64 = ON FILTER EG RESET 82 0 = OFF / 64 = ON AMP EG
CONTROL/PARAMETER MIDI CC # CC VALUE RANGE AMP EG HOLD 106 0-127 PITCH BEND UP AMOUNT 107 0..+24 SEMITONES PITCH BEND DOWN AMOUNT 108 0..
NRPN CHART Non Registered Parameter Numbers allow for a much higher number of unique control messages (16,000+). Since the Subsequent 37 has over 150 parameters saved with each sound, it is not possible to assign a standard MIDI CC to every parameter. For complete MIDI output from every panel knob and button, you will need to set the KNB NRPN/CC parameter to NRPN mode. NOTE: Not every audio production software allows easy editing of NRPN messages, so you may prefer CC output for ease of use.
PARAMETER NAME VALUE RANGE (RESERVED) NRPN NRPN MSB (CC 99) NRPN LSB(CC 98) 434 3 50 MOD 1 MWHL AMT 16384 435 3 51 MOD 1 VELOCITY AMT 16384 436 3 52 MOD 1 PRESSURE AMT 16384 437 3 53 MOD 1 CTL4 AMT 16384 438 3 54 439 3 55 (RESERVED) MOD 1 SOURCE 6 440 3 56 MOD 1 PGM SRC 8 441 3 57 MOD 1 DEST 7 442 3 58 MOD 1 PGM DEST 89 443 3 59 MOD 1 PGM AMT 16384 444 3 60 MOD 1 PITCH AMT 16384 445 3 61 MOD 1 FILTER AMT 16384 446 3 62 MOD 1 PITCH DEST 3 447
PARAMETER NAME VALUE RANGE NRPN NRPN MSB (CC 99) NRPN LSB(CC 98) (RESERVED) 474 3 90 (RESERVED) 475 3 91 (RESERVED) 476 3 92 (RESERVED) 477 3 93 (RESERVED) 478 3 94 OSC 1 OCTAVE 4 479 3 95 OSC 1 WAVE 16384 480 3 96 OSC 2 HARD SYNC 2 481 3 97 OSC KB RESET 2 482 3 98 OSC 2 OCTAVE 4 483 3 99 OSC 2 WAVE 16384 484 3 100 OSC 2 KB CTRL 3 485 3 101 OSC 2 DUO MODE 16384 486 3 102 OSC 2 FREQUENCY 3 487 3 103 OSC 2 BEAT 2 488 3 104 OSC 1 LEVEL 2
PARAMETER NAME VALUE RANGE NRPN NRPN MSB (CC 99) NRPN LSB(CC 98) F EG RESET 2 514 4 2 F EG SYNC 2 515 4 3 F EG LOOP 2 516 4 4 F EG LATCH 2 517 4 5 F EG CLK DIV 2 518 4 6 519 4 7 520 4 8 (RESERVED) 521 4 9 (RESERVED) 522 4 10 (RESERVED) 523 4 11 (RESERVED) 524 4 12 (RESERVED) F EG ATTK EXP 2 60
SERVICE AND SUPPORT INFORMATION MOOG LIMITED WARRANTY Moog warrants its products to be free of defects in materials or workmanship and conforming to specifications at the time of shipment. The Warranty Period is one year from the date of purchase. During the Warranty Period, any defective products will be repaired or replaced, at Moog’s option, on a return-to-factory basis. This warranty covers defects that Moog determines are no fault of the user.
SPECIFICATIONS TYPE: Programmable Paraphonic Analog Synthesizer SOUND ENGINE: 100% Analog NUMBER OF KEYS: 37 TYPE OF KEYS: Semi-Weighted with After Pressure CONTROLLERS: Pitch Bend, Mod Wheel, After Pressure, Velocity POLYPHONY: Selectable Monophonic or Duophonic SOUND SOURCES: 2 Variable Waveshape Oscillators, 1 Square Wave Sub Oscillator, 1 Analog Noise Generator, 1 External Input/Filter Feedback OSCILLATOR CALIBRATION RANGE: 22Hz-6.8kHz.
©2017 MOOG MUSIC INC. Moog is a registered trademark of Moog Music Inc. The Moog Wordmark is a registered trademark of Moog Music Inc. The Moog Icon is a registered trademark of Moog Music Inc. Subsequent 37 is a trademark of Moog Music Inc. Copyright 8.24.2014 - 2017 Moog Music Inc. All rights reserved. Moog Music Inc. 160 Broadway St. Asheville, NC 28801 Phone: 828.251.0090 Email: info@moogmusic.com Website: www.moogmusic.