Service manual
Minitmoog
Quick-Set
Voice
Tabs
TAURUS
GUITAR-1
VIOLIN
With
the
unit
connected
and
power
ON,
a
sound
can
be
heard
when
a
note
on
the
keyboard
is
struck,
even
though
no
voices
are
selected
and
all
slide
controls
are
set
at
"0"
(except
for
the
VOLUME
control).
The
controls
described
herein
will
add and
subtract
from
that
sound
in
a
multitude
of
combinations
available
for
your
exploration
-
shape
it,
change
its
attack
and
release,
raise
it,
or
lower
it.
We
suggest
that
you
play
a
phrase
or
two
with
each
of
the
twelve
"QUICK-SET"
VOICE
TABS
conveniently
located
on
the
front
of
the
unit.
Try
each
with
all
the
slide
controls
set
at
"0"
(except
for
VOLUME).
Exact
setting
of
slide
controls
for
any
particular
effect
will
depend,
not
only
on
your
musical
taste,
but
also
on
your
complete
electronic
reproduction
system
including
amplifiers,
speakers
and
other
components.
NOTE:
If
more
than
one
"QUICK-SET"
Voice
Tab
is
depressed
at
the
same
time
the
sound
will
be
that
controlled
by
the
Voice
Tab
farthest
to
the
left.
MUTE
This
voice
is
a
new
version
of
the
wah-wah
effect.
The
sound
approximates
a
double-acting
wah-wah,
or
"ooo-wah-ooo."
It
starts
with
an
emphasis
on
the
"lows",
moves
to
the
"highs"
and
returns.
Each
time
a
key
is
depressed
the
"ooo-wah-ooo"
sound
is
produced.
Try
it
in
each
octave.
TRUMPET
The
sounds
of
a
trumpet,
trombone,
or
tuba can
be
approximated
by
selecting
this
tab,
and
varying
it
with
other
controls.
Characteristic
of
this
voice
(and
some
of
the
other
"Quick-Set"
voices)
is
a
built-in
timbre
change
which
is
faster
in
the
upper
octaves
and
is
automatically
slower
in
the
lower
octaves
•
much
as
the attack
of
a
tuba
differs
from
that
of
a
trumpet.
This
attention to
the
authentic
details
of the
attack
in
different
octaves
is
a
unique
feature
of
the
Minitmoog.
Try
it
in
each
octave
setting.
OBOE
This
voice
provides
a
sound
similar
to
that
of
a
double
reed. In
the
top
octave
the
sound
is
oboe-like.
In
the
lower
octaves,
the
sound
of
a
bassoon
is
approximated.
You
will
note
a
slight
timbre
change
in
the
onset
of
the
tone
and
a
slow
attack.
CLARINET
The
hollow
reed
sound
and
the
soft
attack
of
the
traditional
clarinet
and
bass
clarinet
are
characteristic
of
this
voice
-
an
excellent
voice
in
all
octave
registers.
SAX
This
full
bodied
reed
sound
is
unique
to
the
Minitmoog.
It
combines
some
of
the
qualities
of
a
double
reed
wind
instrument
with
those
of
a
pipe
organ
with
a
little
sax
ophone
added.
In
the
lowest
registers,
it is
an
excellent
reproduction
of the
sound-
of
the
sarrusophone,
a
wind
instrument
popular
in
bands
of
the
early
1900's.