Service manual
TREM
(TREMULANT)
This
tab
provides
modulation
of
the
harmonic
content
of
the
tone.
The
harmonic
content,
or
timbre,
is
varied
at
a
rate
determined
by
the
RATE
control
and
with
an
intensity
determined
by
the
DEPTH
control.
NOTE:
VIB
and
TREM
can
be
used
together.
SYNC
This
tab
is
only
active
when
other
SYNC
tab
switch
is
also
down.
Raises
pitch
of
B
tone
osciliator as
a
key
is
depressed
harder
producing
a
phasing
effect.
PITCH
This
tab
bends
pitch
of
both
A
and
B
tone
oscillators
up
to
an
interval
of
at
least
seven
semitones
when
a
key
is
depressed
harder.
FILTER
This
tab
adds
familiar
Moog
"wah"
to
most
voices
when
pressure
on
the
keys
is
increased.
This
effect
adds
directly
to
the
effect
produced
by
the
FILTER
BRIGHT
NESS
slide
control.
MOD
This
tab
allows
either
vibrato
or
tremolo
to
be
added
to
the
tone
as
the
pressure
on
the
keys
is
increased.
The
DEPTH
slide
control
in
this
mode
acts
as
a
touch
sensitiv
ity
control
and
the
MODULATION
RATE
slide
control
sets
the
speed
of
the
effect.
This
tab
switch
has
an
effect
only
if
the
MODULATION
VIB
or
MODULATION
TREM
tab
switch
is
also
depressed.
TOUCH
SENSE
This
control
regulates
the
range
of
expressive
effects
when
additional
pressure
is
exerted
on
the
keys
for
SYNC,
PITCH
and
FILTER
(brightness)
modes.
"B"
PITCH
This
control
varies
pitch
ol
B
tone
producing
oscillator
over
a
two
octave
range.
A/B
MIX
Controls
mixing
of
A
and
B
tone source
oscillator
outputs.
A
only
or
B
only
occur
at
the
CCW
and
CW
extremes
of
rotation,
respectively.
Q
Minitmoog
Slide
Control
Panel
GLIDE
VOLUME
BRIGHTNESS
DECAY
ATTACK
FILTER
CONTROLS
u
.
.
Once
a
"Quick-Set"
tab
voice
selection
is
made,
further
refinement
and
adjustment
of
that
voice
may
be
made
oy
using
the
three
slide
controls
labeled
FILTER.
ATTACK
This
controls
the
speed
of
the
timbre
change
associated
with
the
onset
of
the
voice,
and/or
the
timbre
change
associated
with
the
release
of
that
voice.
The
wide
range
of
this
control
can
provide
both
slow
settings
(useful
for
simulation
of
bass
violin
or
tuba
effects)
and
fast
timbre
change
settings
(which can
provide
wild
chirping
effects).
DECAY
This
acts
as
a
brightness
control,
but
it
has
such
a
wide
range
that
it
can
have
major
effect
on
the
basic
sound
itself.
Your
choice
may
lie
anywhere
between
adding
in
all
of
the
high
harmonics
you
wish,
or
elim
inating
them.
BRIGHTNESS
This
control
adds
a
resonance
frequency
area
to
the
spectrum
of
the
tone.
At
"0",
spectrum
of the
"Quick-
Set"
sound
is
unchanged.
As
the
control
is
pushed
forward,
the
intensity
of
the
sound
within
a
pre-selected
resonance
area
is
increased.
At
maximum,
there
is
a
well
defined
narrow
sharp
peak
in
the
spectrum
of
the
tone.