Specifications

See Pages 9-10 of the Sub Phatty manual for more details on presets.
SYNTHESIZER FEATURES
For detailed information regarding Sub Phatty features and functions, please refer to the Sub
Phatty User’s manual. For your convenience, each function’s associated manual location has
been notated.
SHIFT MODE AND HIDDEN PARAMETERS
Clicking on the arrow at the bottom of the editor provides access to the HIDDEN (Pages 26-
36) and SHIFT Mode (Pages 23-25) features window, which significantly expands the Sub
Phatty’s sonic capabilities.
NOTE: System command features cannot be controlled by the editor. Pages 36-38
PARAMETER ADJUSTMENTS:
FINE TUNING: To make fine parameter adjustments, press Command OR Control + Click and
drag any knob. (Alt + Click on a Windows PC.)
ZERO OUT A PARAMETER: Option + Click any knob and it will return to its zero position.
GLIDE
GLIDE TYPE: When you select LCR (Linear Constant Rate), the glide rate between notes will
depend on the size of the interval; the larger the interval between pitches, the longer the
glide time will be. When you select LCT (Linear Constant Time), the glide time between notes
will stay the same regardless of the interval. When you select EXP (Exponential), the glide
rate between notes will follow an exponential curve that begins with a fast rate and slows as
it approaches the target note. Page 27
GLIDE RATE: Specifies how much time it takes to smoothly transition from one pitch to the
next when you play the keyboard. Page 22
LEGATO GLIDE: When ON, glide is engaged only when you press a key while holding a
previous key. When OFF, glide is active on all notes. Page 27
GATED GLIDE: Gated Glide causes the gradual change in pitch between notes to be started
and stopped by the keyboard gate. When Gated Glide is OFF, the pitch CV will continue
gliding to the target pitch at the current Glide Rate, regardless of whether or not the Sub
Phatty is playing a note. When Gated Glide is ON, the pitch CV only glides while a note is
playing, and is held constant in between notes. Page 27