User`s manual
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  Voyager XL User’s Manual - The Components                    
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  Voyager XL User’s Manual - The Components
D. The Envelopes Section  
Musical sounds have a start, middle and an end. For example, a plucked string sound starts with an initial 
burst of energy and then slowly fades out until it is silent. In synthesis terms, this progression is called an 
envelope – a shape that denes the changes that occur in a sound over time. An envelope can dene any 
aspect of change in a sound – volume, timbre, or pitch. The circuits that create envelope control signals in 
synthesizers are called Envelope Generators (EGs). 
When triggered, EG’s produce a time-varying control voltage that has a spe-
cic start, middle and end prole. The parameters that dene this CV prole 
are Attack, Decay, Sustain and Release, sometimes abbreviated as ADSR.
Attack determines the character of the onset of the sound. The EG’s
ATTACK knob controls this parameter by adjusting the time it takes for the 
envelope to go from zero to full value (in other words, the fade-in time). 
The DECAY control adjusts the second stage in the envelope’s evolution by 
determining the time that it takes for the signal to drop from the full level to 
the level set by the SUSTAIN control. The envelope will remain at the Sustain 
level as long as an envelope gate signal is present (i.e. a key is held down). 
When the gate signal is released, the 
RELEASE control determines the time it 
takes for the envelope to transition from 
the Sustain level to zero (see the ADSR 
Envelope Signal gure).
The Voyager XL has two identical EG circuits; one EG is dedicated to the lter (to control the cutoff fre-
quency), and one is EG dedicated to the amplier (to control the volume). Both EG’s can also be used as 
a modulation sources or modulation shaping through the Modulation Busses, and both EG’s are available as 
individual CV Outputs on the Patch Panel.
Filter CV Inputs on the Patch Panel:
CUTOFF - 
The CUTOFF jack allows you to connect an external CV or expression pedal to control the lter cutoff 
frequency. Both lters are effected by this connection, regardless of the lter mode setting. The effective 
input range is -5 to +5 V, where a positive CV will add to the lter cutoff knob setting, and a negative CV 
will subtract from the setting. Note that if an Expression Pedal is plugged into this jack, the cutoff can only 
be made to increase from the cutoff dial setting since the pedal connection supplies only a positive voltage.
Although CV Inputs for Filter Spacing and Resonance are not available on the Patch Panel, there are ways 
to externally control these parameters. Filter Spacing can be selected as a Programmable Modulation 
Destination in either Mod Bus, thus you could route the MOD2 input to control Filter Spacing through the 
Mod Busses. Also, MOD1 or MOD 2 inputs may be routed using the POT MAPPING feature to control any 
of the front panel knob functions, including Filter Spacing or Resonance.










