User Manual-Windows

Quick Reference: HD192 I/O Front Panel
These LEDs indicate the current clock and sample rate conversion
settings for the AES/EBU section of the HD192. All of these
settings are made in the MOTU PCI Audio Console (see page 15
for a one-page overview).
AES/EBU Rate Convert IN
The AES/EBU input can either 1) slave to the HD192 system clock
(Rate convert AES IN is dark) or 2) sample rate convert the incom-
ing signal (Rate convert AES IN illuminates). To enable sample
rate conversion, check the Rate Convert check box in the Interface
Options window in MOTU PCI Audio Console (page 15).
AES/EBU Rate Convert OUT / with external clock
The AES/EBU output can either 1) match the HD192 system clock
(OUT is dark) or 2) run at different sample rate OUT lights up),
either under its own clock (with external clock is dark) or slaved
to the AES input or AES Word In (with external clock lights up).
44.1, 48, 88.2 or 96 kHz
One of these four orange LEDs lights up to indicate the current
AES OUT clock rate, even if it matches the current HD192 system
clock rate (the large green sample rate above).
19-segment ladder LEDs
for the twelve XLR analog
inputs.
When the HD192 system has a stable
clock (either internal or external), the
systems sample rate is illuminated
here. If the HD192 is slaving to an
external clock, and the external clock is
running at either 2 times or one-half
the system clock, then both samples
rates flash. For example, if the HD192
system clock is running at 96 kHz, but
it is slaving to a 48 kHz word clock,
then both rates will flash here.
When the HD192 system has no clock
signal for some reason, the ‘no clock’
LED illuminates. Check your cables and
clock settings in the software.
The top red ‘over’ LED lights up when the signal reaches full scale — for
even just one sample — and remains illuminated until you clear it in the
software. The second ‘over’ LED below only lights up momentarily so that
you can continue to adjust level even after clipping has just occurred.
19-segment ladder LEDs
for the twelve XLR analog
outputs.