User Manual
Table Of Contents
- Title Page
- Quick Start Guide
- 1248 Front Panel
- 1248 Rear Panel
- 8M Front Panel
- 8M Rear Panel
- 16A Rear Panel
- 16A Front Panel
- MOTU AVB Switch
- MOTU AVB Control Web App
- Overview
- It’s not on your hard drive
- Use your favorite web browser
- Control from multiple devices
- Run the installer, get the app
- Make hardware and network connections
- Launching the web app
- Device tab
- Device tab (continued)
- Routing tab
- Mixing tab
- Aux Mixing tab
- Mixer input channel strips
- Main Mix and Monitor channel strips
- Aux bus channel strips
- Group and Reverb channel strips
- 1 About Your MOTU AVB Audio Interface
- State-of-the-art A/D and D/A conversion
- Complementary I/O configurations
- 1248
- 8M
- 16A
- Network I/O
- Universal connectivity
- On-board DSP with mixing and effects
- 32-bit floating point processing
- Modeled vintage effects processing
- AVB system expansion and audio networking
- Matrix routing and multing
- 256 channels of network audio I/O for your host computer
- Web app control
- Stand-alone mixing with wireless control
- ADAT digital I/O
- S/PDIF digital I/O with SRC
- Word clock
- Comprehensive metering
- Headphone outputs
- Precision Digital Trim™
- Rack mount or desktop operation
- AudioDesk
- 2 Packing List and System Requirements
- 3 Software Installation
- 4 Hardware Installation
- Overview
- Rack installation and heat
- Thunderbolt audio interface setup
- USB audio interface setup
- Setup for two interfaces
- Setup for three to five interfaces
- Setup for a multi-switch network
- Setup for multiple Thunderbolt and USB interfaces
- Setup for web app control
- Audio connections
- A typical 1248 setup
- A typical 8M setup
- A typical 16A setup
- Synchronization
- Syncing S/PDIF devices
- Syncing word clock devices
- Syncing an AVB network
- 5 Presets
- 6 The Front Panel LCD
- 7 Working with Host Audio Software
- Overview
- Preparation
- Run the web app
- Sample rate
- Clock Mode
- Enabling and disabling input/output banks
- Specifying the number of computer channels
- Making inputs and outputs available to your host software
- Configuration presets
- Naming computer input and output channels
- Streaming computer audio to and from the onboard mixer
- Working with AVB network streams
- Mirroring computer channels to multiple outputs
- Combining multiple inputs to one output
- Routing grid tutorials
- Choosing the MOTU Audio driver
- Reducing monitoring latency
- Working with on-board mixing and effects
- Synchronization
- 8 Mixer Effects
- 9 Networking
- A Troubleshooting
- B Audio Specifications
- C Mixer Schematics
- D Updating Firmware
- E OSC Support
- Index
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WORKING WITH HOST AUDIO SOFTWARE
67
Figure 7-5: In Logic Pro, go to the Audio Driver preferences to access
the Buffer Size option shown above.
Lower latency versus higher CPU overhead
Buffer size has a large impact on the following:
■ Monitoring latency
■ The load on your computer’s CPU
■ Responsiveness of transport controls and effect
knobs in AudioDesk, Digital Performer or other
audio software.
■ Real-time VI latency.
The buffer setting presents you with a trade-off
between the processing power of your computer
and the delay of live audio as it is being patched
through your software. If you reduce the size, you
reduce monitoring latency, but significantly
increase the overall processing load on your
computer, leaving less CPU bandwidth for things
like real-time effects processing. On the other
hand, if you increase the buffer size, you reduce the
load on your computer, freeing up bandwidth for
effects, mixing and other real-time operations.
Figure 7-6: When adjusting the buffer size to reduce monitoring
latency, watch the ‘processor’ meter in Digital Performer or
AudioDesk’s Performance Monitor. If you hear distortion, or if the
Performance meter is peaking, try raising the buffer size.
If you are at a point in your recording project where
you are not currently working with live, patched-
thru material (e.g. you’re not recording vocals), or
if you have a way of externally processing inputs,
choose a higher buffer size. Depending on your
computer’s CPU speed, you might find that settings
in the middle work best (256 to 1024).
Transport responsiveness
Buffer size also impacts how quickly your audio
software will respond when you begin playback,
although not by amounts that are very noticeable.
Lowering the buffer size will make your software
respond faster; raising the buffer size will make it a
little bit slower.
Effects processing and automated mixing
Reducing latency with the buffer size setting has
another benefit: it lets you route live inputs through
the real-time effects processing and mix
automation of your audio software.