!BPM Manual.book Page i Friday, November 10, 2017 4:27 PM User Guide 1280 Massachusetts Avenue Cambridge, MA 02138 Business voice: (617) 576-2760 Business fax: (617) 576-3609 Web site: www.motu.com Tech support: www.motu.
!BPM Manual.book Page ii Friday, November 10, 2017 4:27 PM About the Mark of the Unicorn License Agreement and Limited Warranty on Software TO PERSONS WHO PURCHASE OR USE THIS PRODUCT: carefully read all the terms and conditions of the “click-wrap” license agreement presented to you when you install the software. Using the software or this documentation indicates your acceptance of the terms and conditions of that license agreement. Mark of the Unicorn, Inc.
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!BPM Manual.book Page 5 Friday, November 10, 2017 4:27 PM Quick CHAPTER Reference 1 2 3 9 4 5 6 7 10 8 11 23 21 12 24 22 20 25 19 14 26 18 1. The File menu provides commands for importing and exporting sounds, patterns, kits, and many other elements, including Performances, which are a “snapshot” of the entire BPM window. 6. Apply grooves globally to all BPM output, including all patterns and loops. Many classic preset grooves are provided (MPC, LinnDrum, etc.
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!BPM Manual.book Page 7 Friday, November 10, 2017 4:27 PM CHAPTER 1 About BPM BPM is an advanced urban rhythm production instrument for Mac and Windows. BPM runs on Mac or Windows, either standalone or as an instrument plug-in for your favorite host software, including Digital Performer, Cubase, Live, Logic, Pro Tools, SONAR, and others via all major audio plug-in formats (MAS, VST, AAX, RTAS, and Audio Units).
!BPM Manual.book Page 8 Friday, November 10, 2017 4:27 PM 24-bit 96kHz samples BPM sampled sounds are provided in 24-bit 96kHz resolution. BPM also provides on-the-fly upsampling and downsampling, allowing you to play BPM sounds at any sample rate that your current project calls for, without the need for lengthy sample rate conversion operations. Interactive browsing Find and organize patterns and sounds with BPM’s integrated browser and file management tools.
!BPM Manual.book Page 9 Friday, November 10, 2017 4:27 PM up a scene. This is where you can add bass parts, rhythm guitar, audio phrases such as background vocals, breakbeat loops, and much more. Loops and phrases Just drag and drop to import any audio into a part, including REX files, Apple Loops, AIFF, WAV and all standard audio file formats. BPM will automap REX loop slices so you can work with them either as audio clips or individual MIDI-triggered slices.
!BPM Manual.book Page 10 Friday, November 10, 2017 4:27 PM performance by clicking the on-screen pads or playing notes on your MIDI keyboard or controller — a unique and powerful performance feature. Build an entire song in seconds by simply dragging and dropping multiple scenes and adjusting their length. Sync your song to your host audio software, or export the song as a stereo audio file. BPM is complete beat production environment.
!BPM Manual.book Page 11 Friday, November 10, 2017 4:27 PM CHAPTER 2 Installation Thank you for purchasing BPM, the advanced urban rhythm instrument. Package contents. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Attention new users: an iLok is required . . . . . . . . . . . . . Preparing your iLok USB Smart Key. . . . . . . . . . . . . . . . . . System requirements . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Installation. . . . . . . . . . . . . . . . . . . .
!BPM Manual.book Page 12 Friday, November 10, 2017 4:27 PM package. Follow the instructions on the card to redeem each code and download the resulting two software licenses to your iLok. ☛ BPM will not run without the downloaded BPM and Beat Box Anthology licenses in your iLok, so be sure to follow the important instructions on the card before proceeding to install and use BPM. Managing iLok licenses If you have multiple iLoks, you can consolidate all of your licenses onto a single iLok.
!BPM Manual.book Page 13 Friday, November 10, 2017 4:27 PM INSTALLATION Run the BPM installer Run the BPM installer first before you copy the UFS soundbank files from the soundbank DVDs, as follows: 1 Insert the BPM Installer CD; or, if you have downloaded the BPM installer, locate the folder containing the download. 2 Double-click BPM Installer (Mac), Setup32.exe (Windows 32-bit), or Setup64.exe (Windows 64-bit). 3 Follow the directions the installer gives you.
!BPM Manual.book Page 14 Friday, November 10, 2017 4:27 PM CONNECT YOUR ILOK PLEASE REGISTER YOUR SOFTWARE Connect your BPM USB iLok SmartKey to any available USB port. MOTU can only provide customer service and technical support to registered users. Therefore, it is important for you to register your software immediately after purchase. To do so, visit www.motu.com/registration to register online.
!BPM Manual.book Page 15 Friday, November 10, 2017 4:27 PM CHAPTER 3 Tutorial 1: QuickStart Guide Open BPM 1 After BPM installation, launch your audio sequencer or MIDI software. 2 Open BPM in the usual fashion, either as a standalone application or as a plug-in from within your audio sequencer. Choose a kit+pattern A pattern is a rhythm that can be applied to any kit. A kit is a collection of drum sounds assigned to BPM’s sixteen drum pads.
!BPM Manual.book Page 16 Friday, November 10, 2017 4:27 PM Figure 3-4: Make sure AutoLoad is enabled. 8 Click 076-Brick and Stick (Figure 3-5). Check the audio output assignment 11 If you are running BPM as a plug-in inside your audio sequencer host, the BPM track has an audio output assignment. Make sure that it is assigned to the appropriate audio output in your system (the headphone outs, main outs, or whatever you are using for listening).
!BPM Manual.book Page 17 Friday, November 10, 2017 4:27 PM 15 Open the Dancehall folder. 16 Click a few of the kits in the Dancehall folder to audition them. Notice that the pattern stays the same, but the drum sounds change as try different kits. Try a different pattern Once you find a kit that you like, let it play while you try different patterns with it. 17 Click the Patterns shortcut in the browser.
!BPM Manual.book Page 18 Friday, November 10, 2017 4:27 PM 23 Click the Sound tab in the browser. Sounds tab Add reverb to the snare BPM lets you add effects processing to your beats in just about every way imaginable, from individual samples to your entire mix. Let’s add a little reverb to your snare sound. For the purposes of this tutorial, it would be best to choose a snare sound that is fairly dry to begin with (there is not a lot of reverb on the original sample).
!BPM Manual.book Page 19 Friday, November 10, 2017 4:27 PM Add FX button. Figure 3-15: Adding an effect. 32 Choose a Simple Reverb, such as Jazz Club, as shown below. Figure 3-18: Click the Rack A button to switch to it. 35 Click the Instruments tab in the browser. Figure 3-16: Choosing a reverb. Instruments tab 33 If you don’t hear the reverb very well, turn up the Mix parameter. Mix parameter Figure 3-17: Adjusting the reverb mix.
!BPM Manual.book Page 20 Friday, November 10, 2017 4:27 PM Set up MIDI keyboard input to BPM You could record the bass part by clicking on the on-screen keys with the mouse as you record them live, while the beat plays. However, for a bass part it might be more fun — and more musical — to record from your MIDI keyboard. 40 If you are running BPM as a plug-in inside your audio sequencer host, you’ll see BPM as a virtual instrument destination for your MIDI controller.
!BPM Manual.book Page 21 Friday, November 10, 2017 4:27 PM Add a loop BPM includes a large library of loops that you can freely mix and match with patterns, kits, instruments and other loops. 56 Back in the rack, click the empty part below the bass part to select it. Figure 3-23: Scroll the empty note grid down to the C1 octave . 52 Press the red Record button to the right of the play button (Figure 3-7 on page 16) to engage recording. You’ll hear a “blip” metronome sound when recording is engaged.
!BPM Manual.book Page 22 Friday, November 10, 2017 4:27 PM Export your mix BPM provides many drag and drop tabs. To finish this tutorial, drag and drop the new mix to the desktop. Everything done so far is stored in Scene 1. A scene is a a snapshot of the patterns and sequences loaded in each bank and rack. Mix button Figure 3-27: Opening the mixer. 64 Bring down the volume Part 2 (the drum loop) a little bit to settle it into the mix.
!BPM Manual.book Page 23 Friday, November 10, 2017 4:27 PM CHAPTER 4 Tutorial 2: Building a Song Overview The first tutorial focused on perfecting a single scene; this tutorial focuses on using multiple scenes to build a complete track entirely in BPM. Scenes A Scene is a snapshot of the patterns & sequences loaded in each bank & rack part. There are 16 scenes available in each instance of BPM. By default, each scene uses the patterns of the same number.
!BPM Manual.book Page 24 Friday, November 10, 2017 4:27 PM Loading the tutorial file For this tutorial, you are going to load a performance that already has a few patterns programmed and assigned to a number of scenes. 3 To add Scene1 to the song, click and drag the Scene1 pad to the Song Editor and drop it at bar 1. Use the Load Performance command under the File menu to load the “Tutorial 2” performance file. Song mode In Song mode, scenes are placed end-to-end to create a sequential timeline.
!BPM Manual.book Page 25 Friday, November 10, 2017 4:27 PM Figure 4-9: Building a song. 7 To hear the song, press Play: you’ll see the playback wiper advance, as well as the playback position fields above the timeline. If you’re using BPM as a plug-in within a sequencer/DAW, the song playback position will follow the host. 8 To export the entire song as a new audio file, choose Export Song as Audio from the File menu.
!BPM Manual.book Page 26 Friday, November 10, 2017 4:27 PM Figure 4-14: Inserting C1 to trigger Scene1 Figure 4-12: The BPM instrument and MIDI tracks 17 Insert a few more notes in the following measures, using C1, C#1, and D1. 14 In BPM, load the “Tutorial 2” performance file in the same manner as before. 15 Open the Scene Editor and click on the Options tab. Change Latch to “False”.
!BPM Manual.book Page 27 Friday, November 10, 2017 4:27 PM CHAPTER 5 BPM Application OVERVIEW These three scenarios are briefly described below. The rest of this chapter explains the settings in BPM necessary to establish MIDI and audio connections for these scenarios. BPM is supplied in two forms: ■ As a standalone application ■ As a plug-in This chapter explains how to use the BPM standalone application. For information about operating BPM as a plug-in, see chapter 6, “BPM Plug-in” (page 35).
!BPM Manual.book Page 28 Friday, November 10, 2017 4:27 PM ■ A MIDI-equipped keyboard connected to a USB MDI interface, or to an audio interface that doubles as a MIDI interface, via a standard MIDI cable Audio connections There are many ways to play audio from your computer. The simplest method is to use the computer’s built-in audio capabilities. You can also use a third-party audio interface.
!BPM Manual.book Page 29 Friday, November 10, 2017 4:27 PM Main computer running audio sequencer or other MIDI authoring software Running BPM standalone on the same computer as your host software If you are planning to run BPM on the same computer as your audio sequencer, notation program or other MIDI authoring software, it will be most convenient for you to run BPM as a plug-in inside your host software.
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!BPM Manual.book Page 31 Friday, November 10, 2017 4:27 PM AUDIO AND MIDI SETTINGS AUDIO DEVICE TAB The standalone version of BPM has a few basic settings that can be found in File menu> Audio and MIDI Settings: The Audio Device tab settings (Figure 5-5) let you make several audio hardware device settings. Audio and MIDI settings (Mac OS X) Audio and MIDI settings (Windows) Figure 5-5: The standalone version Audio and MIDI settings.
!BPM Manual.book Page 32 Friday, November 10, 2017 4:27 PM ASIO Config (Windows only) Click the ASIO config button to open the ASIO driver configuration window. Consult your audio hardware documentation for details about the settings in this window for configuring your hardware’s ASIO driver.
!BPM Manual.book Page 33 Friday, November 10, 2017 4:27 PM MIDI DEVICES TAB The MIDI Devices tab (Figure 5-7) lets you configure how external MIDI sources are mapped to BPM’s 64 MIDI channels (four ports of 16 channels each). MIDI Devices (Mac OS X) This means that there is no such thing as MIDI channel 17, 18, 19, etc. So how does BPM provide 64 MIDI channels? The answer is: by dividing them into four ports of 16 channels each: Port A, Port B, Port C and Port D.
!BPM Manual.book Page 34 Friday, November 10, 2017 4:27 PM Refresh MIDI Devices If you make changes to your MIDI device configuration (outside of BPM), click the Refresh MIDI Devices button to see those changes reflected in the BPM MIDI Devices tab.
!BPM Manual.book Page 35 Friday, November 10, 2017 4:27 PM CHAPTER 6 BPM Plug-in OVERVIEW For all users BPM is supplied in two forms: Conserving CPU resources . . . . . . . . . . . . . . . . . . . . . . . . . . . 36 Managing latency. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
!BPM Manual.book Page 36 Friday, November 10, 2017 4:27 PM CONSERVING CPU RESOURCES software. For other Windows applications, such as Cubase and Pro Tools, it is managed by the audio hardware driver and is usually found in the driver configuration software for your audio hardware. In general, settings of 256, 128 or 64 samples produce better latency performance. But lower settings place higher demand on your computer’s processor.
!BPM Manual.book Page 37 Friday, November 10, 2017 4:27 PM ☛ It is important to note that live input latency has no effect whatsoever on the accuracy with which the MIDI data is recorded. This is only a monitoring issue (i.e. what you hear when you play live). MIDI track playback MIDI sequencers store streams of MIDI data in their tracks. When you play back the sequence, this MIDI data is sent to BPM (and other MIDI instruments) to trigger sounds.
!BPM Manual.book Page 38 Friday, November 10, 2017 4:27 PM DIGITAL PERFORMER (MAC OS X) For Digital Performer, BPM operates as a standard MAS instrument plug-in. Alternatively, you may use BPM as an Audio Unit (AU) instrument; the process is the same as described for MAS. For complete details about running instrument plug-ins in Digital Performer, refer to your DP documentation. Here is a brief overview of how to use BPM in DP.
!BPM Manual.book Page 39 Friday, November 10, 2017 4:27 PM Digital Performer. (Each instance of BPM publishes its own set of 64 channels.) These MIDI channels appear in the output assignment menus of DP’s MIDI tracks. ☛ BPM must be instantiated in the project before you’ll see its MIDI channels displayed in the MIDI output menus in DP. To send MIDI data from a DP track to a specific BPM bank or rack part, assign the MIDI track to the corresponding BPM MIDI channel for the bank or part.
!BPM Manual.book Page 40 Friday, November 10, 2017 4:27 PM Initiating BPM operation Before you can begin using BPM, you need to load a kit into a bank or load at least one instrument or loop into a rack. For details, see chapter 3,“Tutorial 1: QuickStart Guide” (page 15). Specifying audio output By default, BPM sends the output of all banks and parts to the audio output assignment of the instrument track on which it is instantiated.
!BPM Manual.book Page 41 Friday, November 10, 2017 4:27 PM LOGIC (MAC OS X) For Logic, BPM operates as a standard Audio Unit (AU) plug-in. Installation for Logic BPM Installer places BPM AU plug-in in the Components plug-in folder: /Library/Audio/Plug-ins/Components/ Opening BPM on an instrument track In Logic, create an audio instrument track. Then open a stereo BPM on the instrument track.
!BPM Manual.book Page 42 Friday, November 10, 2017 4:27 PM You can also route data from other MIDI tracks to BPM by assigning the track to BPM audio instrument and tag all notes in the track to the necessary MIDI channel for BPM. Latency In regard to “Managing latency” on page 36, Logic’s I/O Buffer Size setting (as shown below in Figure 6-7) has no effect on either live MIDI input latency or MIDI track playback, as Logic has other ways of managing them.
!BPM Manual.book Page 43 Friday, November 10, 2017 4:27 PM MIDI I/O MIDI I/O between BPM and an AU plug-in host application is handled by Mac OS X’s built-in MIDI services (Core MIDI). When you first instantiate an BPM plug-in, BPM publishes itself as a MIDI destination to the AU host and appears in the output assignment menus of the AU host’s MIDI tracks. ☛ BPM must be instantiated in the AU host project before you’ll see it displayed in the MIDI output menus in the host.
!BPM Manual.book Page 44 Friday, November 10, 2017 4:27 PM Figure 6-9: Creating an instrument track for BPM (same for Mac and Windows). Working with multiple instances of BPM You can open as many instances of BPM in the VST Instruments rack as your computer’s processing resources will allow. Keep in mind that BPM operates as a multitimbral instrument, so each instance of BPM is capable of playing different instruments (triggered from separate MIDI channels).
!BPM Manual.book Page 45 Friday, November 10, 2017 4:27 PM To send MIDI data from your Cubase or Nuendo MIDI track to a specific BPM bank or rack part, assign the MIDI track to the corresponding BPM MIDI channel for the bank or part. BPM banks A, B, C, and D respond to MIDI channels A1 through A4, respectively. The first part in Rack A defaults to MIDI channel A5, but rack parts can be assigned to any MIDI input channel you wish.
!BPM Manual.book Page 46 Friday, November 10, 2017 4:27 PM LIVE (MAC & WINDOWS) For Ableton Live running on Mac OS X or Windows, BPM operates as a standard VST instrument (VSTi). Alternatively, you may use BPM as an Audio Unit (AU) instrument when running Live on Mac OS X; the process is the same as described for VST.
!BPM Manual.book Page 47 Friday, November 10, 2017 4:27 PM MIDI channels A1 through A4, respectively. The first part in Rack A defaults to MIDI channel A5, but rack parts can be assigned to any MIDI input channel you wish. For further important details about MIDI channel assignments in BPM, see “MIDI channel” on page 71). Reducing buffer latency In regard to “Managing latency” on page 36, Live provide ways to manage virtual instrument playback timing (consult your user guide for details).
!BPM Manual.book Page 48 Friday, November 10, 2017 4:27 PM MIDI I/O When you first instantiate an BPM plug-in, BPM publishes itself as a MIDI destination to the VST host and appears in the output assignment menus of the VST host’s MIDI tracks. ☛ BPM must be instantiated in the VST host project before you’ll see it displayed in the MIDI output menus in the host.
!BPM Manual.book Page 49 Friday, November 10, 2017 4:27 PM CHAPTER 7 BPM Window OVERVIEW Read this first: basic BPM concepts. . . . . . . . . . . . . . . . . . . Conventions and shortcuts . . . . . . . . . . . . . . . . . . . . . . . . . . Using the BPM sound library. . . . . . . . . . . . . . . . . . . . . . . . . Banks and pads . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Patterns. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
!BPM Manual.book Page 50 Friday, November 10, 2017 4:27 PM READ THIS FIRST: BASIC BPM CONCEPTS Here are a few basic concepts that lay the groundwork for how BPM works. Kits A kit is a bank of 16 drum pads loaded with sounds. Each pad has its own name and settings, and it can hold an unlimited number of drum sound layers, each with their own settings. You can apply unlimited effects processing to the pad or its individual drum sound layers.
!BPM Manual.book Page 51 Friday, November 10, 2017 4:27 PM You can also layer multiple sounds on a single pad and program BPM to switch between them via note velocity or other rules. This process is covered later in “Pad Editor” on page 63. Adding loops and instruments Once you’ve programmed your beat by choosing a kit, pattern and perhaps individual sounds, you can layer as many loops and instruments as you wish using BPM’s two Rack modules. These racks hold an unlimited number of loops and instruments.
!BPM Manual.book Page 52 Friday, November 10, 2017 4:27 PM Navigating the browser Double-click a folder or click its disclosure triangle to open it. To go back up one level, double-click the Parent Folder item at the top of the list, or click the path menu (Figure 7-3). individual elements separately, organized by the same name (Figure 7-5) so you can easily access the individual elements that make up the kit.
!BPM Manual.book Page 53 Friday, November 10, 2017 4:27 PM individual element. The Kit+Pattern will sound exactly like its corresponding loop, except that you have access to the individual notes in the Pattern Sequencer and the individual sounds in each pad. Here’s another example: if you find a Kit+Pattern that you like, and you’d like to hear some instrument parts that go with it, such as guitar, bass or vocals, BPM likely provides them as loops.
!BPM Manual.book Page 54 Friday, November 10, 2017 4:27 PM To access the Beat Box Anthology kits, select the Kits tab in the browser, click the path menu (as shown in Figure 7-7, below), and select Beat Box Anthology from the drop-down menu. The Kits tab will then display the Beat Box Anthology kits. The same process can be followed when other browser tabs are selected (Kit+Pattern, Loop, etc.). AutoLoading patterns and kits To AutoLoad patterns and kits: 1 Click the Bank A button (Figure 7-1 on page 49).
!BPM Manual.book Page 55 Friday, November 10, 2017 4:27 PM AutoLoad options When using AutoLoad, the AutoLoad options (Figure 7-8) let you control what gets loaded into into banks when browsing patterns and kits. AutoLoad option What it does Kit Settings When checked, all current kit settings are overwritten with those saved with the kit. Settings include pad volumes, pan settings, effects, etc.
!BPM Manual.book Page 56 Friday, November 10, 2017 4:27 PM Loading a sliced loop into a bank In addition to using loops in rack parts, you can load sliced loops as kits. When a sliced loop is loaded in a bank, the first 16 slices of the loop will be mapped to the pads. You can load a sliced loop in a bank by selecting it in the browser while viewing a bank. If you want to load the entire loop on a single pad, turn off AutoLoad and drag & drop the file directly onto a single pad.
!BPM Manual.book Page 57 Friday, November 10, 2017 4:27 PM Selecting a pad Click a pad to select it and view its synth settings, access the pad editor, and other tasks related to the pad. Alternatively, pads can be selected by incoming MIDI notes. When MIDI Select is enabled (Figure 7-12), playing a note on your MIDI controller or playing back a note from your host software will select the pad that is assigned to that note.
!BPM Manual.book Page 58 Friday, November 10, 2017 4:27 PM Pad synth parameters BPM provides synth parameter settings for each pad (to the right of the pads). Click the pad to select it and then view and adjust its synth settings. See “Synth Parameters” on page 86. Also see “Edit All Layers” on page 65.
!BPM Manual.book Page 59 Friday, November 10, 2017 4:27 PM Zoom Click the Zoom button (Figure 7-16) to toggle between viewing eight pads at a time or all sixteen pads at once. Most patterns use the first eight pads, so this view gives you a convenient close-up of the first eight pads, with a scroll bar on the right-hand side to scroll between pads 1-8 and 9-16. When viewing all sixteen pads, the rows are smaller but you can see all sixteen at once (Figure 7-17).
!BPM Manual.book Page 60 Friday, November 10, 2017 4:27 PM The pattern plays at the currently chosen resolution. You can freely change the resolution at any time, but doing so affects how the pattern plays. For example, if you start with a 16th note resolution and then switch to 32, the pattern will play twice as fast. If you switch to 16T, it will play with a 16th-note triplet feel.
!BPM Manual.book Page 61 Friday, November 10, 2017 4:27 PM GRAPH SEQUENCER The Graph Sequencer (Figure 7-19) lets you edit note parameters one at a time, allowing you to program a great deal of expression for each individual note. hit at that location. As you raise the graph bar, two, three, or more hits will occur during that step. Note that when you view other graphs (velocity, pan, etc.) the graph will be divided according to the Roll parameter which allows you to tweak each hit.
!BPM Manual.book Page 62 Friday, November 10, 2017 4:27 PM Velocity The Velocity parameter (Figure 7-19) is similar to MIDI note velocity and controls loudness. Length The Length parameter (Figure 7-19) lets you control the duration of the step. Functions and Graph Templates The Functions and Graph Templates sub-menus (Figure 7-22) provide convenient preset patterns for the Graph Sequencer, such as the sine wave pattern shown in Figure 7-23.
!BPM Manual.book Page 63 Friday, November 10, 2017 4:27 PM Saving your own Graph Sequencer patterns Choose Save Graph from the Graph Sequencer menu (Figure 7-22) to save any Graph Sequencer pattern, which then appears by name at the bottom of the Graph Templates sub-menu (Figure 7-26). PAD EDITOR Figure 7-26: A saved graph can be applied to any parameter. Loading multiple samples into a pad An unlimited number of samples can be loaded into a pad.
!BPM Manual.book Page 64 Friday, November 10, 2017 4:27 PM Alternatively, you can drag and drop a sound from the desktop or the browser to this same empty space (Figure 7-29), and the new audio file is added as a new layer. Figure 7-29: Drag and drop a sample to the empty space above the waveform to add the sample or audio clip as a new, separate layer.
!BPM Manual.book Page 65 Friday, November 10, 2017 4:27 PM Both modes can produce excellent results, depending on the samples involved and the effect you are trying to achieve. You can experiment with each mode to see which one sounds best. Pad polyphony The Polyphony setting (Figure 7-27) determines how many stereo notes the pad can play simultaneously. For example, a setting of 12 lets you play 12 stereo notes. You might think that for a stereo drum sample, you only need a polyphony of 1.
!BPM Manual.book Page 66 Friday, November 10, 2017 4:27 PM Sample Editor Click the Sample/Oscillator Editor button to access the Sample Editor for the currently selected sample layer (Figure 7-27 on page 63). This is a basic waveform editor that lets you do basic editing on the actual sample data. Setting sample and loop start/end points Drag the “S” and “E” markers to set the sample start/end times (Figure 7-27).
!BPM Manual.book Page 67 Friday, November 10, 2017 4:27 PM Paste To Paste sample data that you have just copied or cut into the clipboard (Figure 7-31), you must first determine where to paste, as follows: Method for choosing where to paste Result when you paste Click anywhere in the waveform to place the Insertion Point) Clipboard data is inserted at the insertion point, and all data after the insertion point is moved later in the sample.
!BPM Manual.book Page 68 Friday, November 10, 2017 4:27 PM Drum synthesizer BPM provides a drum synthesizer (Figure 7-33) with dozens of preset sounds. You can use the drum synthesizer just like a sample layer and even mix and match drum synth layers with sample layers using all of the multi-layer features discussed earlier.
!BPM Manual.book Page 69 Friday, November 10, 2017 4:27 PM Drum synth (osc) layers work just like sample layers A drum synth layer operates in much the same way as a sample layer, as discussed earlier in this chapter. This includes velocity layering, layer switching by rules, polyphony and effects. Drum synth presets The drum synth preset menu (Figure 7-33) provides many useful preset sounds organized by category.
!BPM Manual.book Page 70 Friday, November 10, 2017 4:27 PM To delete a part, select it and click the DEL button (Figure 7-36). Browsing loops and instruments with AutoLoad The basic procedure for browsing loops and instrument parts with AutoLoad mode enabled is described in “AutoLoad” on page 54. AutoLoad lets you hear loops as you browse, as long as BPM’s main play button (Figure 7-60 on page 90) is engaged.
!BPM Manual.book Page 71 Friday, November 10, 2017 4:27 PM for the part. You can also play the part from your MIDI controller and even record patterns this way. See “Recording” on page 93 for further details. Recording a pattern using the keyboard You can record patterns by clicking on the keyboard while recording in real time. For details, see “Recording” on page 93.
!BPM Manual.book Page 72 Friday, November 10, 2017 4:27 PM Click the Mute button (Figure 7-37) to temporarily silence the part. When you mute a part, it no longer expends system resources. Both volume and pan can be automated with the standard MIDI controllers #7 (volume) and #10 (pan), although you can use any controller you wish, as explained below. Mute and Solo can also be automated via MIDI. Part synth parameters BPM provides synth parameter settings for each part (to the right of the parts list).
!BPM Manual.book Page 73 Friday, November 10, 2017 4:27 PM Timeline The Timeline (Figure 7-38) indicates measure and beats. For example, 2.3 indicates measure 2, beat 3. The number of measures is determined by the Length (in bars). Tools The Selection tool, Pencil and Eraser (Figure 7-38) provide standard selection, insertion and deletion capabilities for the grid.
!BPM Manual.book Page 74 Friday, November 10, 2017 4:27 PM Here is a brief summary of the menu operations: Menu item What it does Selection Tool / Pencil / Eraser Selects the corresponding tool. Cut Places the currently selected MIDI data in the clipboard for pasting, removing the data from the sequence. Copy Places the currently selected MIDI data in the clipboard for pasting, leaving the data in the sequence. Paste Pastes the MIDI data in the clipboard.
!BPM Manual.book Page 75 Friday, November 10, 2017 4:27 PM LFO. Choose among nine different waveforms for each LFO, allowing for a great deal of control in shaping the part you are working with. Transpose The Part Editor Transpose section (Figure 7-41) provides general pitch controls for each part. Bend The Bend setting (Figure 7-41) controls the pitch bend range for the part. The range is from 0 to 24 semitones (2 octaves). Figure 7-42: LFO types.
!BPM Manual.book Page 76 Friday, November 10, 2017 4:27 PM Play The Part Editor Play section (Figure 7-41) provides general controls for part playback. to confirm the value. Now when you play the part, the notes will be played at the note-on velocity that you specified. Glide Portamento is used to smooth the transition between played notes. When in Mono mode, the Glide setting (Figure 7-41) controls the length of the portamento transition. The portamento range is from 0.00 ms (milliseconds) to 10.
!BPM Manual.book Page 77 Friday, November 10, 2017 4:27 PM Here is a brief explanation of the modulation sources shown in Figure 7-43: Modulation source Explanation Off Turns off modulation. Pitch Env. Amp. Env Filter Env. These options use their corresponding dedicated envelope. LFOs These options use their corresponding dedicated LFO. Key Pitch Bend After Touch Velocity Modulation is controlled by the chosen type of MIDI data. Key refers to MIDI pitch.
!BPM Manual.book Page 78 Friday, November 10, 2017 4:27 PM The VelBlend knob controls the depth of the steps’ velocity. At 0%, the full velocity range is used; at 100%, a constant velocity is used (effectively making all steps the same velocity, regardless of their individual values). Trigger Mode TriggerMode determines where in the pattern of steps each note will start. Note: Each played note restarts the from the first step.
!BPM Manual.book Page 79 Friday, November 10, 2017 4:27 PM A variety of factory presets are included, and you can also save and recall your own. Presets can be loaded by selecting them from the menu, or with the next/previous preset buttons. (Figure 7-1 on page 49) and then click the Loop Editor tab (Figure 7-41 on page 75). Note that the Loop Editor tab only appears when the currently selected part is loaded with a loop (not an instrument).
!BPM Manual.book Page 80 Friday, November 10, 2017 4:27 PM Three loop modes Click the desired loop mode button (Figure 7-46) to put the part into one of three possible loop modes: Sample mode is good for material such as vocal phrases, where precise tempo control is not required. It is also good for producing the “sampler effect”. Loop mode What it does Sample Plays the loop like a regular sampler. As you play notes up and down the keyboard, both tempo and pitch change.
!BPM Manual.book Page 81 Friday, November 10, 2017 4:27 PM phrase affects its pitch, but not the tempo. For example, slice mode allows you to play chords, just like Stretch mode. Loop mode summary Here is a summary of the loop modes discussed above: Slice mode differs from Stretch mode in that it allows the part to play the loop without any MIDI triggering. It’s like having a very basic loop sequence for the part. For details, see “Sync menu” on page 83.
!BPM Manual.book Page 82 Friday, November 10, 2017 4:27 PM 50% slower to 50% faster than the original tempo, which is represented by the center position of the slider. Option/Alt-click the slider to return to zero. Double-click to type in a value numerically. then stop. In either case, play the same key again to make the loop or phrase stop playing. You can also disengage the Latch button to stop all latched notes.
!BPM Manual.book Page 83 Friday, November 10, 2017 4:27 PM you are creating poly rhythms in this manner, this might be just what you want. But if you want the loop to come in on beat 3 playing its own beat 3, then use Slice mode (“Slice” on page 80) with Position sync (see “Position” below). The Position sync setting keeps the loop’s beats aligned with the global tempo, regardless of when the loop begins playing (on the next beat or next bar). Position sync is only available for loops, not phrases.
!BPM Manual.book Page 84 Friday, November 10, 2017 4:27 PM Loop export via Drag & Drop The Drag & Drop button (Figure 7-46 on page 79) lets you export loops and phrases into the tracks of your host software, or onto your computer desktop. Loops and phrases are transferred as a standard audio clip. Loops that are in Slice mode with mapping (“Map” on page 81) can be dragged as MIDI data (MIDI notes) into a MIDI track, which can then trigger the mapped loop in BPM.
!BPM Manual.book Page 85 Friday, November 10, 2017 4:27 PM order, you’ll play the individual slices but the result will sound quite different from (but similar to) the original loop. Make sure that the MIDI track is assigned to play its MIDI data output to the BPM part that holds the mapped loop. Otherwise, the MIDI data from the track will not reach the sliced mapped loop. Also, clear or bypass the loop’s Piano Roll Sequencer, so the part does not receive different MIDI input from two places at once.
!BPM Manual.book Page 86 Friday, November 10, 2017 4:27 PM pads already contain samples and you don’t want their contents to be overwritten, you can “lock” pads by using the Pad selector grid in the browser. Filter The filter section (Figure 7-54) provides several filter types for shaping the sound of the pad or part. Filter type menu Figure 7-52: Use the Pad selector to “lock” pads. Pads that are checked (black) will be overwritten; pads that are unchecked (empty/gray) will be locked.
!BPM Manual.book Page 87 Friday, November 10, 2017 4:27 PM Cutoff (Cutoff Frequency) Turn the large Cutoff knob (Figure 7-54) to set the cutoff frequency of the filter. The cutoff frequency can be automated by sending a MIDI controller to BPM, as explained in “MIDI automation” on page 92. Res (Resonance) Resonance (Figure 7-54) emphasizes the cutoff frequency of the filter.
!BPM Manual.book Page 88 Friday, November 10, 2017 4:27 PM ADSR envelope The attack, decay and release parameters are timebased parameters (a length of time), whereas the sustain parameter is a level (volume) parameter. When a note is played, the envelope generator begins to rise to its full level at the rate set by the attack parameter. Upon reaching peak attack level, it begins to fall at the rate set by the decay parameter down to the volume level set by the sustain parameter.
!BPM Manual.book Page 89 Friday, November 10, 2017 4:27 PM SP MODE BPM has four pad banks and two racks for loops and instruments. Each bank and rack has an SP Mode on/off switch: Figure 7-58: The Aux sends. There are two kinds of aux effects: master and bank. A switch is provided to toggle the knobs between the master and bank aux sends. Both sets of aux sends are active simultaneously; that is, setting the switch to bank does not mute the master aux sends, or vice versa.
!BPM Manual.book Page 90 Friday, November 10, 2017 4:27 PM TRANSPORT CONTROL AND TEMPO BPM provides a Play and Stop button, along with a tempo setting, that allows you play all currently loaded patterns, sequences and loops in tempo with one another. Host AutoPlay Tempo in BPM Sync to Host Record Overdub Tap Tempo Stop Record Undo Quantize Play Metronome Figure 7-60: The transport and tempo controls. Play and Stop buttons Click Play and Stop (Figure 7-60) to start and stop playback.
!BPM Manual.book Page 91 Friday, November 10, 2017 4:27 PM Loop tempos and authentic rhythmic feel BPM loops have been recorded and prepared with the utmost care in programming a unique, original rhythmic feel for the loop. As a result, you may sometimes hear loops with different styles that sound like they are not playing in tempo with each other. This is not because the loops are being incorrectly played by BPM.
!BPM Manual.book Page 92 Friday, November 10, 2017 4:27 PM Custom grooves If you have created and saved any custom grooves, they appear at the bottom of the Groove menu (Figure 7-62). See “Saving your own grooves” on page 63. MIDI AUTOMATION You can send MIDI continuous controller data to any BPM knob or slider to control it remotely from your MIDI controller or automate it from recorded controller data in a MIDI track in your audio sequencer.
!BPM Manual.book Page 93 Friday, November 10, 2017 4:27 PM Viewing your record pass To view your record pass as you record it, click the Seq (Sequencer) display tab in the BPM window (Figure 7-1 on page 49). MIDI input If you will be recording from an external MIDI source (a MIDI controller or host sequencer), you need to route MIDI input to the bank or part you are recording.
!BPM Manual.book Page 94 Friday, November 10, 2017 4:27 PM Quantize If you would like to quantize your input as you record, enable the Quantize button in BPM’s main transports (Figure 7-60 on page 90). Quantizing records the notes you play precisely on the step grid. When quantizing is off, notes are recorded exactly with the timing and feel you play them with. You can quantize them later using the TimeShift Graph Sequencer (see “TimeShift” on page 61).
!BPM Manual.book Page 95 Friday, November 10, 2017 4:27 PM SAMPLING In addition to its extensive drag and drop import capabilities, BPM also allows you to sample live audio input. You can sample any audio material you wish, including individual drum hits, loops or any audio phrase. Then newly sampled material can then be assigned to a pad as part of a kit, or you can load it into a part and use it as a loop or phrase.
!BPM Manual.book Page 96 Friday, November 10, 2017 4:27 PM 5 If you would like to monitor the inputs, choose the desired outputs from the Physical Inputs menus. Choose None if you don’t want to monitor the input. ☛ Make sure that the outputs you’ve chosen won’t cause a feedback loop. 6 Click OK. 7 Use the level meters (Figure 7-68) to set the level for the input. 8 Leave the BPMSampler applet running during your sampling session. You can quit from it when you are done.
!BPM Manual.book Page 97 Friday, November 10, 2017 4:27 PM 1 Choose the desired input from the Source menu (Figure 7-71). 2 Click the Clip button (Figure 7-67 on page 95). The Clip window appears (Figure 7-73). 7 Press Command/Control-C to copy the selected waveform and then paste the selection into the sample editor (see “Paste” on page 67), OR 8 Hold down Shift-Option/Alt and then drag the selection to any destination in the BPM window that accepts audio clips.
!BPM Manual.book Page 98 Friday, November 10, 2017 4:27 PM (see below). Signal flows from top to bottom. The FX button provides direct access to the part effects for the pad or part (see “Effects” on page 99). Outputs The Output channel strip setting (Figure 7-74) let you assign each part to one of 17 possible stereo output pairs (main outs plus 16 stereo aux outputs). Each output pair can be assigned to (or routed by your host audio software to) a pair of physical outputs on your audio hardware.
!BPM Manual.book Page 99 Friday, November 10, 2017 4:27 PM has no output assignment because it is fed back into the master channel (at the top of the channel, before master effects). Master channel The master channel (Figure 7-76) provides a final, global mix stage for BPM’s main stereo output. The FX button provides direct access to the master effects (Figure 7-77 on page 99). The output assignment for the standalone version of BPM is made in the Audio and MIDI Settings window (Figure 5-6 on page 32).
!BPM Manual.book Page 100 Friday, November 10, 2017 4:27 PM next/previous parameter buttons to access them. To replace an existing effect with a different one, right-click its name to open the FX browser. Unlimited effects slots You can add an unlimited number of effects to the effect slot list. Use the scroll bar to access the entire list of effects. Note that signal flows from top to bottom in the list, so order your effects accordingly.
!BPM Manual.book Page 101 Friday, November 10, 2017 4:27 PM SONG ARRANGING BPM provides advanced features for arranging rhythm beds for entire songs, for both studio production and live performance on stage. Before diving into these features, it will help to review the following terminology: Pattern — programmed notes and controllers in a bank’s Step Sequencer. ■ Sequence — programmed notes in a rack part’s Piano Roll Sequencer.
!BPM Manual.book Page 102 Friday, November 10, 2017 4:27 PM Exporting a scene You can export a scene as a WAVE file to your host software or your computer desktop with the following drag and drop technique: click the word Scene above the Scene menu (Figure 7-79) and then drag to your host or desktop. SCENE EDITOR The Scene Editor (Figure 7-80) lets you program which pattern or sequence will play for each bank and rack part.
!BPM Manual.book Page 103 Friday, November 10, 2017 4:27 PM LIVE MODE Once you’ve programmed two or more scenes, click the Live button (Figure 7-81) to enter Live mode. In Live mode, you can trigger scenes using either a MIDI keyboard or BPM’s sixteen pads. Each pad displays its scene name. The scenes are assigned chromatically beginning at C1: Scene 1 is triggered by C1,Scene 2 by C#1, and so on. You can send these MIDI triggers on any MIDI channel.
!BPM Manual.book Page 104 Friday, November 10, 2017 4:27 PM SONG MODE Once you’ve programmed two or more scenes, click the Song button (Figure 7-83) to enter Song mode. In Song mode, scenes can be placed end-toend to create a sequential timeline. One scene plays at a time, and each scene starts at its beginning. Accessing the Song Editor To access BPM’s Song Editor (Figure 7-83), click the Song tab (Figure 7-1 on page 49).
!BPM Manual.book Page 105 Friday, November 10, 2017 4:27 PM FILE MENU The File menu (Figure 7-1 on page 49) provides extensive support for loading and saving BPM sounds, patterns, banks and other basic elements of BPM operation. Because BPM operates as a plug-in, your host audio software will save all current BPM settings with the project (just like it does for other plugins). Only destructive edits made to the samples need to be saved independently.
!BPM Manual.book Page 106 Friday, November 10, 2017 4:27 PM Banks The bank-related commands in the FIle menu (Figure 7-84) apply to BPM’s four pad banks. The operate on the current bank (A, B, C or D), as determined by the currently selected bank button (Figure 7-9 on page 55). The operate similarly to the Load, Save As and Clear commands for Performances (above).
!BPM Manual.book Page 107 Friday, November 10, 2017 4:27 PM in “Drag and drop into the Step Sequencer” on page 56 and “Drag and drop into the Piano Roll Sequencer” on page 74. Pad Sample Save Pad Sample As saves the audio file loaded in the current pad’s selected layer. Export commands The Export commands (Figure 7-84) allow you to export the various items either as MIDI or audio data, as indicated by the name of the command. Preferences See “Preferences”, below.
!BPM Manual.book Page 108 Friday, November 10, 2017 4:27 PM DRAG & DROP BPM provides extensive support for drag & drop import and export of both MIDI and audio data.
!BPM Manual.book Page 109 Friday, November 10, 2017 4:27 PM APPENDIX A Sound and Pattern Library OVERVIEW BPM provides an extensive 19 GB urban rhythm sound library.
!BPM Manual.book Page 110 Friday, November 10, 2017 4:27 PM 1 — Kit+Pattern BIG BEAT 105-Invisible 110-Beat Hit 110-Steel Garage 125-Can U See 130-High Jack 135-Big Pop 135-Scream Here 140-Big Daddy 140-Flame Thrower 140-Jumpin 145-I Scream 150-8 Stand 150-Straight 160-Blowing 170-Jungle June DANCEHALL 112-Jam Store 112-Jungle Fever 114-Black Pom Pom 120-Baila Todos 120-Batista 120-Bipper 120-Club One 120-Dance Whole 120-Nori Gang 120-O.P.A.
!BPM Manual.book Page 111 Friday, November 10, 2017 4:27 PM 097-My Game Two A.btpk 097-My Game Two B.btpk 098-Chase the Car A.btpk 098-Chase the Car B.btpk 098-Return.btpk 098-Scotty Jacket.btpk 100-Atlantime.btpk 100-Bounty Attack A.btpk 100-Bounty Attack B.btpk 100-Lee John.btpk 107-Dirty Food A.btpk 107-Dirty Food B.btpk 107-Obsession A.btpk 107-Obsession B.btpk 111-One One One A.btpk 111-One One One B.btpk 111-Palm Beach A.btpk 111-Palm Beach B.btpk 132-Pretty Mad A.btpk 132-Pretty Mad B.
!BPM Manual.book Page 112 Friday, November 10, 2017 4:27 PM 096-GooDee A.btpk 096-GooDee B.btpk 096-Solar.btpk 100-Bang Bang A.btpk 100-Bang Bang B.btpk 100-K2000 A.btpk 100-K2000 B.btpk 100-Relax.btpk 100-Time is Money A.btpk 100-Time is Money B.btpk 102-The Caire A.btpk 102-The Caire B.btpk 103-Years Ago.btpk 104-Get Out A.btpk 104-Get Out B.btpk 116-Wind Time A.btpk 116-Wind Time B.btpk 120-Tequila A.btpk 120-Tequila B.
!BPM Manual.book Page 113 Friday, November 10, 2017 4:27 PM Cricket 4th.btpk Guiro 16th.btpk Guiro 8th.btpk Maracas 1.btpk Maracas 16th.btpk Maracas 2.btpk Maracas 3.btpk Maracas 4.btpk Maracas 8th.btpk Maracas WoodBlock.btpk Maracas.btpk Shaker Maracas 1.btpk Shaker Maracas 2.btpk Shakers 8th A.btpk Shakers 8th B.btpk Shekere Maracas.btpk Shekere Shaker 1.btpk Shekere Shaker 2.btpk Shekere Shaker 3.btpk Shekere.btpk Tambourine 16th A.btpk Tambourine 16th B.btpk Tambourine 8th.btpk Tambourine.
!BPM Manual.book Page 114 Friday, November 10, 2017 4:27 PM 096-Very Deep.btpk 100-Straight Way.btpk 101-Rage Cave.btpk 104-Amazone A.btpk 104-Amazone B.btpk 104-Jamaitac A.btpk 104-Jamaitac B.btpk 115-Smile.btpk 128-Slow Keys A.btpk 128-Slow Keys B.btpk Beat City 081-Five Billion.btpk 082-Jean Live.btpk 082-Massive Stone A.btpk 082-Massive Stone B.btpk 092-Low Ride A.btpk 092-Low Ride B.btpk 095-Kelly Mouth.btpk 095-Space Trive.btpk 098-Before the Show A.btpk 098-Before the Show B.
!BPM Manual.book Page 115 Friday, November 10, 2017 4:27 PM 112-Giorgia A Mdn.btpk 112-Giorgia B Mdn.btpk 112-Giorgia Vnl.btpk 119-Hardcore Mdn.btpk 119-Hardcore Vnl.btpk 168-Oncle Tom A Mdn.btpk 168-Oncle Tom B Mdn.btpk 168-Oncle Tom Vnl.btpk South 075-4X4.btpk 075-Ambassador.btpk 079-Boom Heart A.btpk 079-Boom Heart B.btpk 080-Hacienda A.btpk 080-Hacienda B.btpk 082-Not Guilty A.btpk 082-Not Guilty B.btpk 082-Saint-Louis A.btpk 082-Saint-Louis B.btpk 085-Back the F up.btpk 086-Shake It.
!BPM Manual.
!BPM Manual.book Page 117 Friday, November 10, 2017 4:27 PM HIP HOP-RNB-BPM V1 Acoustic Mood 079-Red Pain A.btpk 079-Red Pain B.btpk 082-CIA Smooth.btpk 082-Secret FBI.btpk 085-Z Rock.btpk 089-One Way A.btpk 089-One Way B.btpk 090-Blues Unity.btpk 090-Dark Soul.btpk 090-Doctor Hyde A.btpk 090-Doctor Hyde B.btpk 090-Jazz Avenue.btpk 091-Phat Rock.btpk 092-Jungle West.btpk 092-Street Light A.btpk 092-Street Light B.btpk 092-Underworld.btpk 093-Eden Power A.btpk 093-Eden Power B.btpk 096-New Fezo Shock.
!BPM Manual.book Page 118 Friday, November 10, 2017 4:27 PM 089-Crazy Horse Vnl.btpk 089-Golden Way Mdn.btpk 089-Golden Way Vnl.btpk 095-British Dub Mdn.btpk 095-British Dub Vnl.btpk 095-Doobidoo Mdn.btpk 095-Doobidoo Vnl.btpk 095-Shorter Mdn.btpk 095-Shorter Vnl.btpk 100-Bombay Loop Mdn.btpk 100-Bombay Loop Vnl.btpk 100-Public School Mdn.btpk 100-Public School Vnl.btpk 100-Purple Jam A Mdn.btpk 100-Purple Jam B Mdn.btpk 100-Purple Jam Vnl.btpk 100-Snoop Corn Mdn.btpk 100-Snoop Corn Vnl.
!BPM Manual.
!BPM Manual.book Page 120 Friday, November 10, 2017 4:27 PM 120-Loopism.mid 120-North East.mid 120-Streets.mid 120-Tach.mid XTRA-FUNK, SOUL (92 files) Funk A 1.mid Funk A 2.mid Funk A 3.mid Funk B 1.mid Funk B 2.mid Funk B 3.mid Funk C 1.mid Funk C 2.mid Funk C 3.mid Funk D.mid Funk E 1.mid Funk E 2.mid Funk E 3.mid Funk F 1.mid Funk F 2.mid Funk F 3.mid Funk G 1.mid Funk G 2.mid Funk G 3.mid Funk G 4.mid Funk H 1.mid Funk H 2.mid Funk H 3.mid Funk H 4.mid Funk I 1.mid Funk I 2.mid Funk I 3.mid Funk I 4.
!BPM Manual.book Page 121 Friday, November 10, 2017 4:27 PM Conga 8th 02.mid Conga 8th 03.mid Conga 8th 04.mid Conga 8th 05.mid Conga 8th 06.mid Conga 8th 07.mid Conga 8th 08.mid Conga 8th 09.mid Conga 8th 10.mid Conga 8th 11.mid Conga 8th 12.mid Conga 8th 13.mid Conga 8th 14.mid Conga 8th 15.mid Conga 8th 16.mid Conga 8th 17.mid Conga 8th 18.mid Conga Misc 1.mid Conga Misc 2.mid Conga Misc 3.mid Conga Misc 4.mid Conga Misc 5.mid Conga Misc 6.mid Conga Misc 7.mid Single Percussion Afoxe 8th.mid Afoxe Hi.
!BPM Manual.book Page 122 Friday, November 10, 2017 4:27 PM Pop Rock O 4.mid Pop Rock P 1.mid Pop Rock P 2.mid Pop Rock P 3.mid Pop Rock P 4.mid Pop Rock Q 1.mid Pop Rock Q 2.mid Pop Rock Q 3.mid Pop Rock Q 4.mid Pop Rock Q 5.mid Pop Rock Q 6.mid Pop Rock R 1.mid Pop Rock R 2.mid Pop Rock R 3.mid Pop Rock R 4.mid Pop Rock R 5.mid Pop Rock S 1.mid Pop Rock S 2.mid Pop Rock S 3.mid Pop Rock S 4.mid Pop Rock T 1.mid Pop Rock T 2.mid Pop Rock T 3.mid Pop Rock U 1.mid Pop Rock U 2.mid Pop Rock U 3.
!BPM Manual.book Page 123 Friday, November 10, 2017 4:27 PM 079-Red Pain DrmLoop.aif 079-Red Pain HH.aif 082-C-Secret FBI 082-C-Secret FBI Synth.aif 082-Secret FBI BD+SD.aif 082-Secret FBI DrmLoop.aif 082-Secret FBI HH.aif 082-D#-CIA Smooth 082-CIA Smooth BD+SD.aif 082-CIA Smooth DrmLoop.aif 082-CIA Smooth HH.aif 082-D#-CIA Smooth Bass.aif 082-D#-CIA Smooth Gtr+Vox.aif 082-D#-CIA Smooth Instr.aif 085-E-Z Rock 085-E-Z Rock Effect+Syn.aif 085-E-Z Rock Instr.aif 085-Z Rock BD+SD.aif 085-Z Rock DrmLoop.
!BPM Manual.book Page 124 Friday, November 10, 2017 4:27 PM 082-C#-Massive Stone Sample.aif 082-Massive Stone BD+SD.aif 082-Massive Stone DrmLoop.aif 082-Massive Stone HH.aif 092-F-Low Ride 092-F-Low Ride Bass.aif 092-F-Low Ride Synth.aif 092-Low Ride BD+SD+Clap.aif 092-Low Ride DrmLoop.aif 092-Low Ride HH+Shaker.aif 100-A- Military Dance Instr.aif 100-A- Military Dance Synth2.aif 100-B-Roots Tree 100-B-Roots Tree Instr.aif 100-B-Roots Tree Synth+FX.aif 100-Roots Tree BD+SD.aif 100-Roots Tree DrmLoop.
!BPM Manual.book Page 125 Friday, November 10, 2017 4:27 PM 083-Money Money 096-Paradise HH.aif 083-Money Money BD+SD.aif 083-Money Money Clap+Tamb.aif 083-Money Money DrmLoop.aif 097-C-My Game Two 085-C#-Fizzle 085-C#-Fizzle Instr.aif 085-C#-Fizzle PHR.aif 085-C#-Fizzle Synth+Vox.aif 085-C#-Fizzle Synth.aif 085-Fizzle BD+SD.aif 085-Fizzle DrmLoop.aif 085-Fizzle HH+Snap.aif 089-D-Candy Wood 089-Candy Wood BD+SD.aif 089-Candy Wood DrmLoop.aif 089-Candy Wood HH.aif 089-Candy Wood Perc+Shaker.
!BPM Manual.book Page 126 Friday, November 10, 2017 4:27 PM 082-Under Floor HH.aif 082-Pump the Rolls 082-Pump the Roll BD+Rim.aif 082-Pump the Rolls DrmLoop.aif 082-Pump the Rolls HH+Bell+Effect.aif 082-Pump the Rolls HH.aif 082-Pump the Rolls HHO+Bell+Effect.aif 083-D#-Loud Cloud 083-D#-Loud Cloud Instr.aif 083-D#-Loud Cloud Synth+Effect.aif 083-Loud Cloud BD+SD.aif 083-Loud Cloud DrmLoop.aif 083-Loud Cloud HH.aif 085-Queen Bridge 085-Queen Bridge BD+SD+Clap.aif 085-Queen Bridge DrmLoop.
!BPM Manual.book Page 127 Friday, November 10, 2017 4:27 PM 105-C-First Splash 105-C-First Splash Instr.aif 105-First Splash BD+SD.aif 105-First Splash DrmLoop.aif 105-First Splash HH+Shaker.aif 105-G-Baya Dance 105-Baya Dance BD+SD+Clap.aif 105-Baya Dance DrmLoop.aif 105-Baya Dance Effect1.aif 105-Baya Dance Perc.aif 105-G-Baya Dance Effect+Strings.aif 105-G-Baya Dance Instr.aif OLD SCHOOL 080-F#-You Too 080-F#-You Too Instr.aif 080-You Too DrmLoop.aif 080-You Too HH+Shk+Rim.
!BPM Manual.book Page 128 Friday, November 10, 2017 4:27 PM 100-Bombay Loop Vinyl Drums+BD+SD.aif 100-Bombay Loop Vinyl Drums.aif 100-G-Bombay Loop Ethno Vox.aif 100-G-Bombay Loop Instr.aif 100-G-Purple Jam 100-G-Purple Jam Guitar.aif 100-Purple Jam DrmLoop.aif 100-Purple Jam HH+Shk.aif 100-Purple Jam HH1+HH2.aif 100-Purple Jam HH3+Shk.aif 100-Purple Jam Modern Drums.aif 100-Purple Jam Vinyl Drums+BD+SD.aif 100-Purple Jam Vinyl Drums.aif 101-E-Fourty Cents 101-E-Fourty Cents Instr.
!BPM Manual.book Page 129 Friday, November 10, 2017 4:27 PM 096-Train Station BD+SD+Rim.aif 096-Train Station DrmLoop.aif 096-Train Station HH.aif 096-Train Station Perc.aif 098-G#-Let Me See 098-G#-Let Me See Guitar.aif 098-G#-Let Me See Instr.aif 098-G#-Let Me See Synth+Gtr.aif 098-G#-Let Me See Synth.aif 098-Let Me See BD+Clap.aif 098-Let Me See DrmLoop.aif 098-Let Me See HH.aif 098-Let Me See Shk+Clave.aif 099-D#-Tribuzone 099-D#-Tribuzone Bass+Synth.aif 099-D#-Tribuzone Bass.
!BPM Manual.book Page 130 Friday, November 10, 2017 4:27 PM 090-A#-Gray Desert Instr.aif 090-A#-Gray Desert Oud.aif 090-Gray Desert BD+SD.aif 090-Gray Desert DrmLoop.aif 090-Gray Desert HH.aif 090-Gray Desert Rim+Perc.aif 090-A#-Pretty Amelie 090-A#-Pretty Amelie Hit.aif 090-A#-Pretty Amelie Instr.aif 090-A#-Pretty Amelie Sample.aif 090-Pretty Amelie BD+Clap+Rim.aif 090-Pretty Amelie DrmLoop.aif 090-Pretty Amelie HH.aif 090-A-All is Here 090-A-All is Here Instr.aif 090-A-All is Here PHR.
!BPM Manual.book Page 131 Friday, November 10, 2017 4:27 PM 107-Give ito Me BD+Clap.aif 107-Give ito Me DrmLoop.aif 107-Give ito Me Perc.aif WEST COAST 070-A#-Mo 070-A#-Mo Instr.aif 070-Mo BD.aif 070-Mo DrmLoop.aif 070-Mo HH+Triangle.aif 076-C#-One Dollar 076-C#-One Dollar Guitar.aif 076-One Dollar BD+Clap.aif 076-One Dollar DrmLoop.aif 076-One Dollar HH+Tamb.aif 076-One Dollar Shk+Triangle.aif 082-G#-Reggae Like 082-G#-Reggae Like Instr.aif 082-G#-Reggae Like Synth.aif 082-Reggae Like BD+SD.
!BPM Manual.book Page 132 Friday, November 10, 2017 4:27 PM 5 — Sound (CATEGORIES) Acoustic Mood 079-A#-Red Pain BD-Red Pain.aif FX-Red Pain 1.aif FX-Red Pain 2.aif FX-Red Pain 3.aif HH-Red Pain 2.aif HH-Red Pain 2P.aif SCR-Red Pain 1 D#1.aif SCR-Red Pain 1P D#1.aif SCR-Red Pain 2 D#1.aif SCR-Red Pain 3 D#1.aif SCR-Red Pain 3P D#1.aif SCR-Red Pain 4 D#1.aif SCR-Red Pain 4P D#1.aif SCR-Red Pain 5.aif SCR-Red Pain 5P.aif SCR-Red Pain 6.aif SCR-Red Pain 6P.aif SD-Red Pain P.aif SD-Red Pain.aif VOX-Red Pain.
!BPM Manual.book Page 133 Friday, November 10, 2017 4:27 PM FX-Underworld 2.aif FX-Underworld 3.aif FX-Underworld 4.aif FX-Underworld 5.aif FX-Underworld 5P.aif FX-Underworld 6.aif FX-Underworld 6P.aif HH-Underworld.aif HIT-Underworld.aif RIM-Underworld.aif SD-Underworld 1.aif SD-Underworld 2.aif SYN-Underworld 1 E3.aif SYN-Underworld 2 F#2.aif SYN-Underworld 3 F#1.aif SYN-Underworld 4 F#1.aif SYN-Underworld 4P F#1.aif 092-F-Jungle West BASS-New Fezo 05 B1.aif BASS-New Fezo 06 E2.aif BASS-New Fezo 07 B1.
!BPM Manual.book Page 134 Friday, November 10, 2017 4:27 PM SYN-Smile 3P G#3.aif SYN-Smile 4 G#3.aif SYN-Smile 4P G#3.aif VOX-Smile.aif 128-G#-Slow Keys BASS-Slow Keys 1 G#0.aif BASS-Slow Keys 2 D#1.aif BD-Slow Keys.aif BDFX-Slow Keys.aif BDHH-Slow Keys.aif HH-Slow Keys.aif HIT-Slow Keys.aif RIM-Slow Keys.aif SYN-Slow Keys 1 B3.aif SYN-Slow Keys 1P B3.aif SYN-Slow Keys 2 A#3.aif SYN-Slow Keys 2P A#3.aif SYN-Slow Keys 3 G#3.aif BD-Low Ride 2.aif BDFX-Low Ride.aif CLAP-Low Ride.aif HH-Low Ride 1.
!BPM Manual.book Page 135 Friday, November 10, 2017 4:27 PM XYLO-London Jam 1 D4.aif XYLO-London Jam 2 D4.aif XYLO-London Jam 3 A#3.aif XYLO-London Jam 4 C4.aif XYLO-London Jam 5 C4.aif XYLO-London Jam 6 D5.aif XYLO-London Jam 7 D5.aif XYLO-London Jam 8 A#4.aif 099-C-4 Sky BASS-4 Sky.aif BD-4 Sky.aif BDFX-4 Sky.aif BDHH-4 Sky.aif HH-4 Sky 1.aif HH-4 Sky 1P.aif HH-4 Sky 2.aif HH-4 Sky 3.aif RIM-4 Sky.aif SD-4 Sky.aif SYN-4 Sky 1.aif SYN-4 Sky 1P.aif SYN-4 Sky 2.aif SYN-4 Sky 2P.
!BPM Manual.book Page 136 Friday, November 10, 2017 4:27 PM SYN-Missile Command 1P F3.aif SYN-Missile Command 2 C4.aif SYN-Missile Command 2P C4.aif SYN-Missile Command 3 B3.aif SYN-Missile Command 3P B3.aif 106-D-My Game BASS-My Game D1.aif BD-My Game.aif BDFX-My Game 1.aif BDFX-My Game 2.aif CLAP-My Game 1.aif CLAP-My Game 1P.aif CLAP-My Game 2.aif CLAP-My Game 2P.aif FX-My Game.aif HH-My Game 1.aif HH-My Game 2.aif HH-My Game 3.aif RIM-My Game.aif SHK-My Game.aif SYN-My Game 2 A3.
!BPM Manual.book Page 137 Friday, November 10, 2017 4:27 PM SD-Fizzle P.aif SD-Fizzle.aif SNAP-Fizzle P.aif SNAP-Fizzle.aif SYN-Fizzle 1 C#2.aif SYN-Fizzle 2 A2.aif SYN-Fizzle 3 G#2.aif SYN-Fizzle 4 C#2.aif SYN-Fizzle 5 B2.aif SYN-Fizzle 6 G#2.aif VOX-Fizzle Vox G#3.aif VOX-Fizzle Vox P G#3.aif 089-D-Candy Wood BASS-Candy Wood.aif BD-Candy Wood.aif BDFX-Candy Wood 1.aif BDFX-Candy Wood 2.aif BDHH-Candy Wood.aif HH-Candy Wood P.aif HH-Candy Wood.aif PERC-Candy Wood P.aif PERC-Candy Wood.
!BPM Manual.book Page 138 Friday, November 10, 2017 4:27 PM SYN-Jeezo 1 E3.aif SYN-Jeezo 2 F#3.aif SYN-Jeezo 3 G3.aif SYN-Jeezo 4 A3.aif SYN-Jeezo 5 F#3.aif SYN-Jeezo 6 E4.aif SYN-Jeezo 7 F#4.aif VOX-Jeezo P.aif VOX-Jeezo.aif 098-A-Return BASS-Return 1 F1.aif BASS-Return 2 A1.aif BASS-Return 3 A1.aif BD-Return.aif CLAP-Return P.aif CLAP-Return.aif FX-Return.aif INST-Return C5.aif INST-Return P C5.aif PERC-Return 1.aif PERC-Return 1P.aif PERC-Return 2.aif PERC-Return 3.aif PERC-Return 4.aif PERC-Return 5.
!BPM Manual.book Page 139 Friday, November 10, 2017 4:27 PM HH-Pretty Mad P.aif HH-Pretty Mad.aif SD-Pretty Mad P.aif SD-Pretty Mad.aif Machine 079-E-Dirty Teeth BD-Dirty Teeth.aif HH-Dirty Teeth 1.aif HH-Dirty Teeth 2.aif HH-Dirty Teeth 3 Opn.aif RIM-Dirty Teeth.aif SD-Dirty Teeth 1.aif SD-Dirty Teeth 2.aif SYN-Dirty Teeth 1 E2.aif SYN-Dirty Teeth 2 E4.aif SYN-Dirty Teeth 3 E3.aif SYN-Dirty Teeth 4 E3.aif SYN-Dirty Teeth 5 G3.aif SYN-Dirty Teeth 6 B4.aif 082-F#-Under Floor BD-Under Floor.
!BPM Manual.book Page 140 Friday, November 10, 2017 4:27 PM BDHH-Down with the King.aif HH-Down with the King 1.aif HH-Down with the King 2.aif PNO-Down with the King 1 A#4.aif PNO-Down with the King 2 F5.aif PNO-Down with the King 3 C#5.aif RIM-Down with the King.aif SYN-Down with the King 1 D#4.aif SYN-Down with the King 1P D#4.aif SYN-Down with the King 2 D#3.aif SYN-Down with the King 2P D#3.aif SYN-Down with the King 3 F4.aif SYN-Down with the King 3P F4.aif SYN-Down with the King 4 F3.
!BPM Manual.book Page 141 Friday, November 10, 2017 4:27 PM VOX-Serenity 2.aif 103-D-Big Fire BD-Big Fire.aif BDHH-Big Fire.aif CLAP-Big Fire 1.aif CLAP-Big Fire 1P.aif CLAP-Big Fire 2.aif HH-Big Fire P.aif HH-Big Fire.aif SHK-Big Fire.aif SYN-Big Fire D3.aif SYN-Big Fire P D3.aif VOX-Big Fire P.aif VOX-Big Fire.aif 105-C-First Splash BD-First Splash.aif BDFX-First Splash 1.aif BDFX-First Splash 2.aif BDFX-First Splash 3.aif GTR-First Splash 1 C2.aif GTR-First Splash 2 C2.aif GTR-First Splash 2P C2.
!BPM Manual.book Page 142 Friday, November 10, 2017 4:27 PM INST-Beat like That 1 C2.aif INST-Beat like That 2 C2.aif INST-Beat like That 3 A#1.aif INST-Beat like That 4 C2.aif SD-Beat like That P.aif SD-Beat like That.aif SDFX-Beat like That 1.aif SDFX-Beat like That 1P.aif SHK-Beat like That.aif VOX-Beat like That.aif 084-C-Club BD-Club 1.aif BD-Club 2.aif BDFX-Club 1.aif BDFX-Club 2.aif BDHH-Club 1.aif BDHH-Club 2.aif BDHH-Club 3.aif CLAP-Club 1.aif CLAP-Club 2.aif CLAP-Club 3.aif CLAP-Club 3P.
!BPM Manual.book Page 143 Friday, November 10, 2017 4:27 PM BDFX-Doobidoo.aif BDHH-Doobidoo 1.aif BDHH-Doobidoo 2.aif BDHH-Doobidoo 3.aif BDHH-Doobidoo 4.aif HH-Doobidoo 1.aif HH-Doobidoo 2.aif HH-Doobidoo 3.aif HH-Doobidoo 4.aif HIT-Doobidoo 1 C#3.aif HIT-Doobidoo 2 C#3.aif INST-Doobidoo C#3.aif RIM-Doobidoo.aif SD-Doobidoo P.aif SD-Doobidoo.aif SDFX-Doobidoo.aif 095-E-British Dub BASS-British Dub 1 E0.aif BASS-British Dub 2 G0.aif BASS-British Dub 3 B0.aif BASS-British Dub 4 E1.
!BPM Manual.book Page 144 Friday, November 10, 2017 4:27 PM BD-Rock Party 2.aif BDFX-Rock Party 1.aif BDFX-Rock Party 2.aif BDFX-Rock Party 3.aif CLAP-Rock Party P.aif CLAP-Rock Party.aif HH-Rock Party.aif HHFX-Rock Party.aif HIT-Rock Party.aif SDFX-Rock Party 1.aif SDFX-Rock Party 1P.aif SDFX-Rock Party 2.aif 107-G#-Casino BASS-Casino 1 G#0.aif BASS-Casino 2 E1.aif BASS-Casino 3 D#1.aif BD-Casino 1.aif BD-Casino 2.aif BDFX-Casino 1.aif BDFX-Casino 2.aif BDHH-Casino 1.aif BDHH-Casino 2.aif BDHH-Casino 3.
!BPM Manual.book Page 145 Friday, November 10, 2017 4:27 PM SHK-Hacienda.aif SNAP-Hacienda.aif 082-A-Saint-Louis BD-Saint-Louis 1.aif BD-Saint-Louis 2.aif BDFX-Saint-Louis P.aif BDFX-Saint-Louis.aif CLAP-Saint-Louis P.aif CLAP-Saint-Louis.aif INST-Saint-Louis 1.aif INST-Saint-Louis 2.aif INST-Saint-Louis 3.aif INST-Saint-Louis 4.aif 082-E-Not Guilty BASS-Not Guilty A0.aif BD-Not Guilty 1.aif BD-Not Guilty 1P.aif BD-Not Guilty 2.aif BD-Not Guilty 3.aif BDFX-Not Guilty.aif CLAP-Not Guilty.
!BPM Manual.book Page 146 Friday, November 10, 2017 4:27 PM SD-Train Station 2.aif SD-Train Station 2P.aif 098-G#-Let Me See BD-Let Me See.aif BDFX-Let Me See.aif CLAP-Let Me See P.aif CLAP-Let Me See.aif CLAVE-Let Me See P.aif CLAVE-Let Me See.aif FX-Let Me See 1.aif FX-Let Me See 1P.aif FX-Let Me See 2.aif FX-Let Me See 3.aif HH-Let Me See 1.aif HH-Let Me See 2.aif SHK-Let Me See.aif SYN-Let Me See 1 B2.aif SYN-Let Me See 1P B2.aif BASS-Fantasy Dream 4 D2.aif BASS-Fantasy Dream 5 D2.
!BPM Manual.book Page 147 Friday, November 10, 2017 4:27 PM BDFX-First Floor.aif BDHH-First Floor.aif CLAP-First Floor.aif FX-First Floor 1.aif FX-First Floor 2.aif HH-First Floor 1.aif HH-First Floor 2.aif SD-First Floor P.aif SD-First Floor.aif SUB-First Floor F0.aif SYN-First Floor 1 D3.aif SYN-First Floor 2 C3.aif 064-F-Keishally BASS-Keishally 1 D#1.aif BASS-Keishally 2 F1.aif BASS-Keishally 3 A#1.aif BASS-Keishally 4 G#1.aif BASS-Keishally 5 G1.aif BASS-Keishally 6 F1.aif BASS-Keishally 7 G1.
!BPM Manual.book Page 148 Friday, November 10, 2017 4:27 PM BD-Sad Day 2.aif MTL-Sad Day 1.aif MTL-Sad Day 2.aif MTL-Sad Day 3.aif MTL-Sad Day 4.aif PERC-Sad Day.aif PNO-Sad Day 1 F4.aif PNO-Sad Day 1P F4.aif PNO-Sad Day 2 E4.aif PNO-Sad Day 2P E4.aif SD-Sad Day P.aif SD-Sad Day.aif SYN-Sad Day 1 A3.aif SYN-Sad Day 2 G3.aif SYN-Sad Day 3 D4.aif SYN-Sad Day 3P D4.aif 089-D-What do you Think BD-Wht do u Thk.aif FX-Wht do u Thk Bass P.aif FX-Wht do u Thk Bass.aif HH-Wht do u Thk P.aif HH-Wht do u Thk.
!BPM Manual.book Page 149 Friday, November 10, 2017 4:27 PM GTR-Happy Ring 3.aif HH-Happy Ring P.aif HH-Happy Ring.aif 096-D-Wallup BASS-Wallup 1 D1.aif BASS-Wallup 2 F2.aif BD-Wallup 1.aif BD-Wallup 2.aif CLAP-Wallup 1.aif CLAP-Wallup 2.aif GTR-Wallup D4.aif SD-Wallup.aif SHK-Wallup.aif 097-F#-Urbanana BASS-Urbanana.aif BD-Urbanana 1.aif BD-Urbanana 2.aif BDFX-Urbanana 1.aif BDFX-Urbanana 2.aif CLAP-Urbanana P.aif CLAP-Urbanana.aif HH-Urbanana.aif PERC-Urbanana P.aif PERC-Urbanana.aif SHK-Urbanana.
!BPM Manual.book Page 150 Friday, November 10, 2017 4:27 PM BD-Smack Back 1.aif BD-Smack Back 2.aif BDFX-Smack Back.aif BDHH-Smack Back 1.aif BDHH-Smack Back 2.aif CLAP-Smack Back 1.aif CLAP-Smack Back 1P.aif CLAP-Smack Back 2.aif GTR-Smack Back 1 G3.aif GTR-Smack Back 2 G3.aif GTR-Smack Back 3 G3.aif GTR-Smack Back 4 D#4.aif GTR-Smack Back 5 D4.aif GTR-Smack Back 6 C4.aif GTR-Smack Back 7 G3.aif HH-Smack Back 1.aif HH-Smack Back 2 Opn.aif HH-Smack Back 2P Opn.aif HH-Smack Back 3.aif HIT-Smack Back.
!BPM Manual.book Page 151 Friday, November 10, 2017 4:27 PM BD-Hood Child.aif BDFX-Dark Hood.aif BDHH-Dark Hood.aif FX-Hood Child 1.aif FX-Hood Child 1P.aif FX-Hood Child 2.aif HH-Dark Hood P.aif HH-Dark Hood.aif HH-Hood Child 1.aif HH-Hood Child 2.aif HH-Hood Child 3 Opn.aif HH-Hood Child 4 Opn.aif INSTR-Hood Child 1 D3.aif INSTR-Hood Child 1P D3.aif INSTR-Hood Child 2 G3.aif INSTR-Hood Child 2P G3.aif PERC-Hood Child P.aif PERC-Hood Child.aif SD-Dark Hood P.aif SD-Dark Hood.aif SD-Hood Child 1.
!BPM Manual.book Page 152 Friday, November 10, 2017 4:27 PM TAMB-Bang Bang.aif SYN-Years Ago 2 G4.aif 100-D-Relax 104-D-Get Out BASS-Relax 1 A0.aif BASS-Relax 2 D1.aif BD-Relax.aif BDHH-Relax.aif CLAP-Relax.aif HH-Relax 1.aif HH-Relax 2.aif SYN-Relax C2.aif SYN-Relax P C2.aif BASS-Get Out 1.aif BASS-Get Out 2.aif BD-Get Out.aif HH-Get Out 1.aif HH-Get Out 2.aif HIT-Get Out.aif PERC-Get Out 1.aif PERC-Get Out 2.aif PERC-Get Out 3.aif SD-Get Out P.aif SD-Get Out.aif TAMB-Get Out 1.aif TAMB-Get Out 2.
!BPM Manual.book Page 153 Friday, November 10, 2017 4:27 PM BD-Doctor Hyde.aif BD-Domi Nos Party.aif BD-Don't Play 1.aif BD-Don't Play 2.aif BD-Don't Touch.aif BD-Doobidoo 1.aif BD-Doobidoo 2.aif BD-Doobidoo 3.aif BD-Down with the King.aif BD-Eden Power.aif BD-Egyptian Tim 1.aif BD-Egyptian Tim 1P.aif BD-Egyptian Tim 2.aif BD-Electric Lya.aif BD-Electro Tape.aif BD-Empire.aif BD-Enigmatic.aif BD-Escalade.aif BD-Fantasy Dream.aif BD-Farm Food.aif BD-Faya.aif BD-Fifth Avenue.aif BD-First Floor.
!BPM Manual.book Page 154 Friday, November 10, 2017 4:27 PM BD-Tribuzone.aif BD-Under Floor.aif BD-Underworld 1.aif BD-Underworld 2.aif BD-Urbanana 1.aif BD-Urbanana 2.aif BD-Very Deep 1.aif BD-Very Deep 2.aif BD-Voodoo Riddim 1.aif BD-Voodoo Riddim 2.aif BD-Waiting People.aif BD-Waiting Room.aif BD-Wallup 1.aif BD-Wallup 2.aif BD-What do Think.aif BD-White Line.aif BD-Wind Time.aif BD-Years Ago.aif BD-You and Me.aif BD-You Know.aif BD-You Too.aif BD-Z Rock.aif BD-Zapan Club.aif BD-Zino.
!BPM Manual.book Page 155 Friday, November 10, 2017 4:27 PM BDHH-Taop.aif BDHH-Tell Me Why.aif BDHH-Tequila.aif BDHH-Think About Me.aif BDHH-Time is Money.aif BDHH-Train Station 1.aif BDHH-Train Station 2.aif BDHH-Under Floor.aif BDHH-Very Deep.aif BDHH-Waiting Room 1.aif BDHH-Waiting Room 2.aif BDHH-White Line.aif BDHH-Wind Time 1.aif BDHH-Wind Time 2.aif BDHH-You and Me.aif BDHH-You Too 1.aif BDHH-You Too 2.aif BDHH-You Too 3.aif BDHH-Z Rock.aif BDHH-Zapan Club.aif BDHH-Zino.
!BPM Manual.book Page 156 Friday, November 10, 2017 4:27 PM BDFX-Sunset Trip.aif BDFX-Tahiti Stone.aif BDFX-Taop.aif BDFX-Think About Me.aif BDFX-To the King.aif BDFX-Tom Island 1.aif BDFX-Tom Island 2.aif BDFX-Underworld.aif BDFX-Urbanana 1.aif BDFX-Urbanana 2.aif BDFX-Very Deep.aif BDFX-Waiting People 1.aif BDFX-Waiting People 2.aif BDFX-Waiting People 3.aif BDFX-White Line.aif BDFX-You and Me 1.aif BDFX-You and Me 2.aif BDFX-You Too 1.aif BDFX-You Too 2.aif BDFX-You Too 3.aif BDFX-You Too 4.
!BPM Manual.book Page 157 Friday, November 10, 2017 4:27 PM CLAP-Snow Man P.aif CLAP-Snow Man.aif CLAP-Solar P.aif CLAP-Solar.aif CLAP-Space Trive P.aif CLAP-Space Trive.aif CLAP-Spacial Tour P.aif CLAP-Spacial Tour.aif CLAP-Spanish Street P.aif CLAP-Spanish Street.aif CLAP-Steel Diamond P.aif CLAP-Steel Diamond.aif CLAP-Street Light P.aif CLAP-Street Light.aif CLAP-Tahiti Stone.aif CLAP-Tequila P.aif CLAP-Tequila.aif CLAP-The Caire P.aif CLAP-The Caire.aif CLAP-Tom Island P.aif CLAP-Tom Island.
!BPM Manual.book Page 158 Friday, November 10, 2017 4:27 PM HH (335 files) HH-101 1.aif HH-101 1P.aif HH-101 2.aif HH-101 3.aif HH-4 Sky 1.aif HH-4 Sky 2.aif HH-4 Sky 3.aif HH-4X4.aif HH-Amazone 1.aif HH-Amazone 1P.aif HH-Amazone 2.aif HH-Ambassador P.aif HH-Ambassador.aif HH-Atlantime.aif HH-Baby Cycle P.aif HH-Baby Cycle.aif HH-Back the F up 1.aif HH-Back the F up 2.aif HH-Bf the Shw 1.aif HH-Bf the Shw 2.aif HH-Big Fire P.aif HH-Big Fire.aif HH-Big Life P.aif HH-Big Life.aif HH-Black Evil 1.
!BPM Manual.book Page 159 Friday, November 10, 2017 4:27 PM HH-Let Me See 2.aif HH-Like This P.aif HH-Like This.aif HH-Lil Queen 1.aif HH-Lil Queen 2.aif HH-Locks in the City.aif HH-Loud Cloud 1.aif HH-Loud Cloud 2.aif HH-Loud Cloud 2P.aif HH-Low Ride 1.aif HH-Low Ride 2.aif HH-Martinik 1.aif HH-Martinik 1P.aif HH-Martinik 2.aif HH-Martinik 3 Opn.aif HH-Massive Stone.aif HH-Military Dance.aif HH-Missile Command.aif HH-Mo 1.aif HH-Mo 1P.aif HH-Mo 2.aif HH-Mo 3.aif HH-My Game 1.aif HH-My Game 2.
!BPM Manual.book Page 160 Friday, November 10, 2017 4:27 PM HIT-Doobidoo 1 C#3.aif HIT-Doobidoo 2 C#3.aif HIT-Duty Bass 1.aif HIT-Duty Bass 2.aif HIT-Eden Power 1.aif HIT-Eden Power 2.aif HIT-Electric Lya.aif HIT-Electro Tape.aif HIT-Farm Food 1 E min.aif HIT-Farm Food 2 E min.aif HIT-Farm Food 3 E min.aif HIT-Farm Food 4 E min.aif HIT-Farm Food 5 Emin.aif HIT-Farm Food 6 E4.aif HIT-Farm Food 7 E4.aif HIT-First Splash 1.aif HIT-First Splash 2.aif HIT-Foxy Night.aif HIT-Generic.aif HIT-Get Out.
!BPM Manual.book Page 161 Friday, November 10, 2017 4:27 PM PERC-Giorgia 3.aif PERC-Giorgia 4.aif PERC-Giorgia 5.aif PERC-Give ito Me 1.aif PERC-Give ito Me 1P.aif PERC-Give ito Me 2.aif PERC-Give ito Me 3.aif PERC-GooDee 1.aif PERC-GooDee 1P.aif PERC-GooDee 2.aif PERC-GooDee 3.aif PERC-GooDee 3P.aif PERC-GooDee 4.aif PERC-GooDee 5.aif PERC-GooDee 6.aif PERC-Gray Desert.aif PERC-Hacienda 1.aif PERC-Hacienda 1P.aif PERC-Hacienda 2.aif PERC-Harbour of Heaven 1.aif PERC-Harbour of Heaven 1P.
!BPM Manual.book Page 162 Friday, November 10, 2017 4:27 PM RIM-Down with the King.aif RIM-Egyptian Tim 1.aif RIM-Egyptian Tim 2.aif RIM-Escalade.aif RIM-First Splash P.aif RIM-First Splash.aif RIM-Five Billion.aif RIM-Flame.aif RIM-Funky Moicha P.aif RIM-Funky Moicha.aif RIM-Golden Way.aif RIM-Gray Desert.aif RIM-Jeezo.aif RIM-Keishally.aif RIM-Like This P.aif RIM-London Jam.aif RIM-Low Ride P.aif RIM-Low Ride.aif RIM-Martinik P.aif RIM-Martinik.aif RIM-Midnight Glock.aif RIM-My Game.aif RIM-New Fezo.
!BPM Manual.book Page 163 Friday, November 10, 2017 4:27 PM SD-Hardcore 2.aif SD-Hardcore 2P.aif SD-Hardcore 3.aif SD-Hood Child 1.aif SD-Hood Child 1P.aif SD-Jamaitac.aif SD-Jazz Avenue.aif SD-Jean Live 1.aif SD-Jean Live 1P.aif SD-Jumpin Frog.aif SD-Jungle West.aif SD-K-Billy 1.aif SD-K-Billy 2.aif SD-K-Billy 3.aif SD-K2000 P.aif SD-K2000.aif SD-Keishally P.aif SD-Keishally.aif SD-Kelly Mouth 1.aif SD-Kelly Mouth 1P.aif SD-Kelly Mouth 2.aif SD-Kentooky P.aif SD-Kentooky.aif SD-Kimmy P.aif SD-Kimmy.
!BPM Manual.book Page 164 Friday, November 10, 2017 4:27 PM SDFX-Fourty Cents 1.aif SDFX-Fourty Cents 1P.aif SDFX-Fourty Cents 2.aif SDFX-Fourty Cents 3.aif SDFX-Fourty Cents 4.aif SDFX-Giorgia 1.aif SDFX-Giorgia 2.aif SDFX-Golden Way P.aif SDFX-Golden Way.aif SDFX-Hardcore 1.aif SDFX-Hardcore 2.aif SDFX-Oncle Tom 1.aif SDFX-Oncle Tom 2.aif SDFX-Oncle Tom 3.aif SDFX-Oncle Tom 4.aif SDFX-Oncle Tom 5.aif SDFX-Pipe Line.aif SDFX-Public School.aif SDFX-Rock Party 1.aif SDFX-Rock Party 1P.aif SDFX-Rock Party 2.
!BPM Manual.book Page 165 Friday, November 10, 2017 4:27 PM SUB-Shake It.aif SUB-Smack Back.aif SUB-Sunset Trip.aif SUB-Tequila A1.aif SUB-Waiting People G#1.aif SUB-What do Think.aif VOX VOX-Beat like That.aif VOX-Big Fire P.aif VOX-Big Fire.aif VOX-Big Life.aif VOX-Boosta Piano.aif VOX-Bronx P.aif VOX-Bronx.aif VOX-CIA Smooth.aif VOX-Clap Dance P.aif VOX-Clap Dance.aif VOX-Eden Power G#3.aif VOX-Escalade P.aif VOX-Escalade.aif VOX-First Splash P.aif VOX-First Splash.aif VOX-Fizzle Vox G#3.
!BPM Manual.book Page 166 Friday, November 10, 2017 4:27 PM 8o8BBx-CC-T03-D05.aif 8o8BBx-CC-T09-D05.aif 8o8BBx-Clap.aif 8o8BBx-Clave.aif 8o8BBx-CongaHi-T05.aif 8o8BBx-CongaHi-T09.aif 8o8BBx-CongaLo-T05.aif 8o8BBx-CongaLo-T09.aif 8o8BBx-CongaMd-T05.aif 8o8BBx-CongaMd-T09.aif 8o8BBx-Cowb.aif 8o8BBx-HH1.aif 8o8BBx-Maracas.aif 8o8BBx-OH-D04.aif 8o8BBx-OH-D09.aif 8o8BBx-RIM.aif 8o8BBx-SD-T01-D05.aif 8o8BBx-SD-T04-D11.aif 8o8BBx-SD-T06-D03.aif 8o8BBx-SD-T09-D08.aif 8o8BBx-TomHi-T05.aif 8o8BBx-TomHi-T09.
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!BPM Manual.
!BPM Manual.book Page 172 Friday, November 10, 2017 4:27 PM AceT6-Samba B.aif AceT6-Samba C.aif AceT6-Slow Rock A.aif AceT6-Slow Rock B.aif AceT6-Slow Rock C.aif AceT6-Swing 1 A.aif AceT6-Swing 1 B.aif AceT6-Swing 1 C.aif AceT6-Swing 2 A.aif AceT6-Swing 2 B.aif AceT6-Swing 2 C.aif AceT6-Swing 3 A.aif AceT6-Swing 3 B.aif AceT6-Swing 3 C.aif AceT6-Tango A.aif AceT6-Tango B.aif AceT6-Tango C.aif AceT6-Waltz A.aif AceT6-Waltz B.aif AceT6-Waltz C.aif Classic R-78 cR78-Disco 1.aif cR78-Disco 2.aif cR78-Disco 3.
!BPM Manual.book Page 173 Friday, November 10, 2017 4:27 PM DrMkr-Beguine 3.aif DrMkr-Bossa Nova 1.aif DrMkr-Bossa Nova 2.aif DrMkr-Bossa Nova 3.aif DrMkr-Cha-Cha 1.aif DrMkr-Cha-Cha 2.aif DrMkr-Cha-Cha 3.aif DrMkr-Disco.aif DrMkr-FoxTrot.aif DrMkr-Mambo.aif DrMkr-March 1.aif DrMkr-March 2.aif DrMkr-March 3.aif DrMkr-Rock 1.aif DrMkr-Rock 2.aif DrMkr-Rumba.aif DrMkr-Samba 1.aif DrMkr-Samba 2.aif DrMkr-Samba 3.aif DrMkr-Shuffle.aif DrMkr-Slow Rock 1.aif DrMkr-Slow Rock 2.aif DrMkr-Slow Rock 3.
!BPM Manual.book Page 174 Friday, November 10, 2017 4:27 PM T55-Bass 2bt.aif T55-Bass 4bt.aif T55-Bass&Sn 2bt-0.aif T55-Bass&Sn 2bt-F.aif T55-Bass&Sn 2bt-M.aif T55-Bass&Sn 4bt-0.aif T55-Bass&Sn 4bt-F.aif T55-Bass&Sn 4bt-M.aif T55-Beguine-0.aif T55-Beguine-F.aif T55-Beguine-M.aif T55-Bossa Nova-0.aif T55-Bossa Nova-F.aif T55-Bossa Nova-M.aif T55-Cha Cha-0.aif T55-Cha Cha-F.aif T55-Cha Cha-M.aif T55-Foxtrot 1-0.aif T55-Foxtrot 1-F.aif T55-Foxtrot 1-M.aif T55-Foxtrot 2-0.aif T55-Foxtrot 2-F.
!BPM Manual.book Page 175 Friday, November 10, 2017 4:27 PM T66-Shuffle 0B.aif T66-Shuffle 1A.aif T66-Shuffle 1B.aif T66-Shuffle 2A.aif T66-Shuffle 2B.aif T66-SlwRock 0A.aif T66-SlwRock 0B.aif T66-SlwRock 1A.aif T66-SlwRock 1B.aif T66-SlwRock 2A.aif T66-SlwRock 2B.aif T66-Swing1 0A.aif T66-Swing1 0B.aif T66-Swing1 1A.aif T66-Swing1 1B.aif T66-Swing1 2A.aif T66-Swing1 2B.aif T66-Swing2 0A.aif T66-Swing2 0B.aif T66-Swing2 1A.aif T66-Swing2 1B.aif T66-Swing2 2A.aif T66-Swing2 2B.aif T66-Swing3 0A.
!BPM Manual.book Page 176 Friday, November 10, 2017 4:27 PM VrmDr-Rhumba.aif VrmDr-Rock.aif VrmDr-Samba.aif VrmDr-Shuffle.aif VrmDr-Slow Beat.aif VrmDr-Slow Rock.aif VrmDr-Slow Waltz.aif VrmDr-Tango.aif VrmDr-Waltz.aif Wers Matic WerMa-6-8 Marsch.aif WerMa-Bajon.aif WerMa-Beat.aif WerMa-Beguine.aif WerMa-Bossa Nova.aif WerMa-Cha Cha.aif WerMa-Foxtrott.aif WerMa-Mambo.aif WerMa-Marsch Beat.aif WerMa-Marsch I.aif WerMa-Marsch II.aif WerMa-Philli I.aif WerMa-Philli II.aif WerMa-Rock'n Roll.
!BPM Manual.book Page 177 Friday, November 10, 2017 4:27 PM XRt-Electro 3C.aif XRt-Electro 4A.aif XRt-Electro 4B.aif XRt-Electro 4C.aif XRt-Electro 5A.aif XRt-Electro 5B.aif XRt-Electro 5C.aif XRt-Funk 1A.aif XRt-Funk 1B.aif XRt-Funk 1C.aif XRt-Funk 2A.aif XRt-Funk 2B.aif XRt-Funk 2C.aif XRt-Funk 3A.aif XRt-Funk 3B.aif XRt-Funk 3C.aif XRt-Funk 4A.aif XRt-Funk 4B.aif XRt-Funk 4C.aif XRt-Funk 5A.aif XRt-Funk 5B.aif XRt-Funk 5C.aif XRt-Jazz A.aif XRt-Jazz B.aif XRt-Jazz C.aif XRt-Mambo A.aif XRt-Mambo B.
!BPM Manual.book Page 178 Friday, November 10, 2017 4:27 PM YDDt-Swing.aif YDDt-Tamborito.aif YDDt-Tango.aif YDDt-Turkish March.aif YQY Ten YQYt-24 FU4 Buzz.aif YQYt-25 FU4 Jammy.aif YQYt-26 FU4 LA Pop.aif YQYt-27 FU4 Slam.aif YQYt-28 FU4 NY Pop.aif YQYt-29 FU4 Kick A.aif YQYt-30 FU2 Power.aif YQYt-31 FU4 HiTec.aif YQYt-32 FU8 LA Fun.aif YQYt-33 FU4 Brass.aif YQYt-34 EU4 Euro1.aif YQYt-35 EU4 Euro2.aif YQYt-36 EU4 Floor.aif YQYt-37 EU4 EL Pop.aif YQYt-38 EU4 House.aif YQYt-39 EU2 Go2.aif YQYt-40 FS4 Easy.
!BPM Manual.book Page 179 Friday, November 10, 2017 4:27 PM DRtk-BD 04.aif DRtk-BD 05.aif DRtk-BD 06.aif DRtk-BD 07.aif DRtk-BD 08.aif DRtk-BD 09.aif DRtk-BD 10.aif DRtk-BD 11.aif DRtk-BD 12.aif DRtk-BD 13.aif DRtk-BD 14.aif DRtk-BD 15.aif DRtk-BD 16.aif 2 Snare Drum DRtk-SD 01.aif DRtk-SD 02.aif DRtk-SD 03.aif DRtk-SD 04.aif DRtk-SD 05.aif DRtk-SD 06.aif DRtk-SD 07.aif DRtk-SD 08.aif DRtk-SD 09.aif DRtk-SD 10.aif DRtk-SD 11.aif DRtk-SD 12.aif DRtk-SD 13.aif DRtk-SD 14.aif DRtk-SD 15.aif DRtk-SD 16.
!BPM Manual.book Page 180 Friday, November 10, 2017 4:27 PM DRtk-CLP 11.aif DRtk-CLP 12.aif DRtk-CLP 13.aif DRtk-CLP 14.aif DRtk-CLP 15.aif DRtk-CLP 16.aif 7 Cowbell DRtk-CWB 01.aif DRtk-CWB 02.aif DRtk-CWB 03.aif DRtk-CWB 04.aif DRtk-CWB 05.aif DRtk-CWB 06.aif DRtk-CWB 07.aif DRtk-CWB 08.aif DRtk-CWB 09.aif DRtk-CWB 10.aif DRtk-CWB 11.aif DRtk-CWB 12.aif DRtk-CWB 13.aif DRtk-CWB 14.aif DRtk-CWB 15.aif DRtk-CWB 16.aif 7 Tambourine DRtk-Tamb 01.aif DRtk-Tamb 02.aif DRtk-Tamb 03.aif DRtk-Tamb 04.
!BPM Manual.book Page 181 Friday, November 10, 2017 4:27 PM 7 Hand Claps DrMX-CLP-P1.aif DrMX-CLP-P2.aif DrMX-CLP-P3.aif DrMX-CLP-P4.aif DrMX-CLP-P5.aif DrMX-CLP-P6.aif DrMX-CLP-P7.aif HRsx-SD2-P1.aif HRsx-SD2-P2.aif HRsx-SD2-P3.aif HRsx-SD2-P4.aif HRsx-SD2-P5.aif HRsx-SDb-P1.aif HRsx-SDb-P2.aif HRsx-SDb-P3.aif HRsx-SDb-P4.aif HRsx-SDb-P5.aif HRsx-SDe-P1.aif HRsx-SDe-P2.aif HRsx-SDe-P3.aif HRsx-SDe-P4.aif HRsx-SDe-P5.aif HRsx-HHO-P1.aif HRsx-HHO-P2.aif HRsx-HHO-P3.aif HRsx-HHO-P4.aif HRsx-HHO-P5.
!BPM Manual.book Page 182 Friday, November 10, 2017 4:27 PM HRsx-Agg-P4.aif HRsx-Agg-P5.aif HRsx-CWB1-P1.aif HRsx-CWB1-P2.aif HRsx-CWB1-P3.aif HRsx-CWB1-P4.aif HRsx-CWB1-P5.aif HRsx-CWB2-P1.aif HRsx-CWB2-P2.aif HRsx-CWB2-P3.aif HRsx-CWB2-P4.aif HRsx-CWB2-P5.aif HRsx-Tgl-P1.aif HRsx-Tgl-P2.aif HRsx-Tgl-P3.aif HRsx-Tgl-P4.aif HRsx-Tgl-P5.aif HRsx-Snap-P1.aif HRsx-Snap-P2.aif HRsx-Snap-P3.aif HRsx-Snap-P4.aif HRsx-Snap-P5.aif HRsxB-Big Foot-P2.aif HRsxB-Big Foot-P3.aif HRsxB-Big Foot-P4.
!BPM Manual.book Page 183 Friday, November 10, 2017 4:27 PM 5 Hi-Hat HRsxB-HHC-P1.aif HRsxB-HHC-P2.aif HRsxB-HHC-P3.aif HRsxB-HHC-P4.aif HRsxB-HHC-P5.aif HRsxB-HHH-P1.aif HRsxB-HHH-P2.aif HRsxB-HHH-P3.aif HRsxB-HHH-P4.aif HRsxB-HHH-P5.aif HRsxB-HHO-P1.aif HRsxB-HHO-P2.aif HRsxB-HHO-P3.aif HRsxB-HHO-P4.aif HRsxB-HHO-P5.aif HRsxB-R&B HHC-P1.aif HRsxB-R&B HHC-P2.aif HRsxB-R&B HHC-P3.aif HRsxB-R&B HHC-P4.aif HRsxB-R&B HHC-P5.aif HRsxB-Rock HH-P1.aif HRsxB-Rock HH-P2.aif HRsxB-Rock HH-P3.aif HRsxB-Rock HH-P4.
!BPM Manual.book Page 184 Friday, November 10, 2017 4:27 PM LDrum-RIM P5.aif LDrum-RIM P6.aif LDrum-RIM P7.aif LDrum-SD P1.aif LDrum-SD P2.aif LDrum-SD P3.aif LDrum-SD P4.aif LDrum-SD P5.aif LDrum-SD P6.aif LDrum-SD P7.aif LDrum-SHK.aif LDrum-Tamb.aif LDrum-TOM P1.aif LDrum-TOM P2.aif LDrum-TOM P3.aif LDrum-TOM P4.aif LDrum-TOM P5.aif LDrum-TOM P6.aif LDrum-TOM P7.aif R Hundred 1 Bass Drum 1 RHnd-BD1 P01.aif RHnd-BD1 P02.aif RHnd-BD1 P03.aif RHnd-BD1 P04.aif RHnd-BD1 P05.aif RHnd-BD1 P06.aif RHnd-BD1 P07.
!BPM Manual.book Page 185 Friday, November 10, 2017 4:27 PM RHnd-HHC P03.aif RHnd-HHC P04.aif RHnd-HHC P05.aif RHnd-HHC P06.aif RHnd-HHC P07.aif RHnd-HHC P08.aif RHnd-HHC P09.aif RHnd-HHC P10.aif RHnd-HHC P11.aif RHnd-HHC P12.aif RHnd-HHC P13.aif RHnd-HHC P14.aif RHnd-HHC P15.aif RHnd-HHC P16.aif 4 Open Hi-Hat RHnd-HHO P01.aif RHnd-HHO P02.aif RHnd-HHO P03.aif RHnd-HHO P04.aif RHnd-HHO P05.aif RHnd-HHO P06.aif RHnd-HHO P07.aif RHnd-HHO P08.aif RHnd-HHO P09.aif RHnd-HHO P10.aif RHnd-HHO P11.
!BPM Manual.book Page 186 Friday, November 10, 2017 4:27 PM RHnd-SHK P10.aif RHnd-SHK P11.aif RHnd-SHK P12.aif RHnd-SHK P13.aif RHnd-SHK P14.aif RHnd-SHK P15.aif RHnd-SHK P16.aif 7 Agogo RHnd-Agg P01.aif RHnd-Agg P02.aif RHnd-Agg P03.aif RHnd-Agg P04.aif RHnd-Agg P05.aif RHnd-Agg P06.aif RHnd-Agg P07.aif RHnd-Agg P08.aif RHnd-Agg P09.aif RHnd-Agg P10.aif RHnd-Agg P11.aif RHnd-Agg P12.aif RHnd-Agg P13.aif RHnd-Agg P14.aif RHnd-Agg P15.aif RHnd-Agg P16.aif 7 Conga RHnd-Cga P01.aif RHnd-Cga P02.
!BPM Manual.book Page 187 Friday, November 10, 2017 4:27 PM SCp-BC-CP0-CD2.aif SCp-BC-CP0-CD3FX.aif SCp-BC-CP1-CD0.aif SCp-BC-CP1-CD1.aif SCp-BC-CP1-CD2.aif SCp-BC-CP1-CD3FX.aif SCp-BC-CP2-CD0.aif SCp-BC-CP2-CD1.aif SCp-BC-CP2-CD2.aif SCp-BC-CP2-CD3FX.aif SCp-BC-CP3-CD0.aif SCp-BC-CP3-CD1.aif SCp-BC-CP3-CD2.aif SCp-BC-CP3-CD3FX.aif SCp-BC-CP4-CD0.aif SCp-BC-CP4-CD1.aif SCp-BC-CP4-CD2.aif SCp-BC-CP4-CD3FX.aif SCp-BC-CP5-CD0.aif SCp-BC-CP5-CD1.aif SCp-BC-CP5-CD2.aif SCp-BC-CP5-CD3FX.aif SCp-BC-CP6-CD0.
!BPM Manual.book Page 188 Friday, November 10, 2017 4:27 PM SCp-BM-NP5-CP1-CD2.aif SCp-BM-NP5-CP1-CD3FX.aif SCp-BM-NP5-CP2-CD0.aif SCp-BM-NP5-CP2-CD1.aif SCp-BM-NP5-CP2-CD2.aif SCp-BM-NP5-CP2-CD3FX.aif SCp-BM-NP5-CP3-CD0.aif SCp-BM-NP5-CP3-CD1.aif SCp-BM-NP5-CP3-CD2.aif SCp-BM-NP5-CP3-CD3FX.aif SCp-BM-NP5-CP4-CD0.aif SCp-BM-NP5-CP4-CD1.aif SCp-BM-NP5-CP4-CD2.aif SCp-BM-NP5-CP4-CD3FX.aif SCp-BM-NP5-CP5-CD0.aif SCp-BM-NP5-CP5-CD1.aif SCp-BM-NP5-CP5-CD2.aif SCp-BM-NP5-CP5-CD3FX.aif SCp-BM-NP5-CP6-CD0.
!BPM Manual.book Page 189 Friday, November 10, 2017 4:27 PM T8o8-BD-T03-D08.aif T8o8-BD-T03-D09.aif T8o8-BD-T03-D10.aif T8o8-BD-T03-D11.aif T8o8-BD-T04 T8o8-BD-T04-D01.aif T8o8-BD-T04-D02.aif T8o8-BD-T04-D03.aif T8o8-BD-T04-D04.aif T8o8-BD-T04-D05.aif T8o8-BD-T04-D06.aif T8o8-BD-T04-D07.aif T8o8-BD-T04-D08.aif T8o8-BD-T04-D09.aif T8o8-BD-T04-D10.aif T8o8-BD-T04-D11.aif T8o8-BD-T05 T8o8-BD-T05-D01.aif T8o8-BD-T05-D02.aif T8o8-BD-T05-D03.aif T8o8-BD-T05-D04.aif T8o8-BD-T05-D05.aif T8o8-BD-T05-D06.
!BPM Manual.book Page 190 Friday, November 10, 2017 4:27 PM T8o8-SD-T07-D04.aif T8o8-SD-T07-D05.aif T8o8-SD-T07-D06.aif T8o8-SD-T07-D07.aif T8o8-SD-T07-D08.aif T8o8-SD-T07-D09.aif T8o8-SD-T07-D10.aif T8o8-SD-T07-D11.aif T8o8-SD-T08 T8o8-SD-T08-D01.aif T8o8-SD-T08-D02.aif T8o8-SD-T08-D03.aif T8o8-SD-T08-D04.aif T8o8-SD-T08-D05.aif T8o8-SD-T08-D06.aif T8o8-SD-T08-D07.aif T8o8-SD-T08-D08.aif T8o8-SD-T08-D09.aif T8o8-SD-T08-D10.aif T8o8-SD-T08-D11.aif T8o8-SD-T09 T8o8-SD-T09-D01.aif T8o8-SD-T09-D02.
!BPM Manual.book Page 191 Friday, November 10, 2017 4:27 PM T8o8-CC-T06-D05.aif T8o8-CC-T06-D06.aif T8o8-CC-T06-D07.aif T8o8-CC-T06-D08.aif T8o8-CC-T06-D09.aif T8o8-CC-T06-D10.aif T8o8-CC-T06-D11.aif T8o8-CC-T07 T8o8-CC-T07-D01.aif T8o8-CC-T07-D02.aif T8o8-CC-T07-D03.aif T8o8-CC-T07-D04.aif T8o8-CC-T07-D05.aif T8o8-CC-T07-D06.aif T8o8-CC-T07-D07.aif T8o8-CC-T07-D08.aif T8o8-CC-T07-D09.aif T8o8-CC-T07-D10.aif T8o8-CC-T07-D11.aif T8o8-CC-T08 T8o8-CC-T08-D01.aif T8o8-CC-T08-D02.aif T8o8-CC-T08-D03.
!BPM Manual.book Page 192 Friday, November 10, 2017 4:27 PM T9o9-BD1 D2 A3 T6.aif Attack 6 Attack 2 Attack 4 T9o9-BD1 D3 A6 T1.aif T9o9-BD1 D3 A6 T2.aif T9o9-BD1 D3 A6 T3.aif T9o9-BD1 D3 A6 T4.aif T9o9-BD1 D3 A6 T5.aif T9o9-BD1 D3 A6 T6.aif T9o9-BD1 D5 A2 T1.aif T9o9-BD1 D5 A2 T2.aif T9o9-BD1 D5 A2 T3.aif T9o9-BD1 D5 A2 T4.aif T9o9-BD1 D5 A2 T5.aif T9o9-BD1 D5 A2 T6.aif Decay 4 Attack 1 Attack 3 Attack 5 T9o9-BD1 D2 A5 T1.aif T9o9-BD1 D2 A5 T2.aif T9o9-BD1 D2 A5 T3.aif T9o9-BD1 D2 A5 T4.
!BPM Manual.book Page 193 Friday, November 10, 2017 4:27 PM T9o9-BD1 D6 A4 T2.aif T9o9-BD1 D6 A4 T3.aif T9o9-BD1 D6 A4 T4.aif T9o9-BD1 D6 A4 T5.aif T9o9-BD1 D6 A4 T6.aif T9o9-BD2 D1 A6 T2.aif T9o9-BD2 D1 A6 T3.aif T9o9-BD2 D1 A6 T4.aif T9o9-BD2 D1 A6 T5.aif T9o9-BD2 D1 A6 T6.aif T9o9-BD2 D3 A2 T2.aif T9o9-BD2 D3 A2 T3.aif T9o9-BD2 D3 A2 T4.aif T9o9-BD2 D3 A2 T5.aif T9o9-BD2 D3 A2 T6.aif Attack 5 Decay 2 Attack 1 Attack 3 T9o9-BD1 D6 A5 T1.aif T9o9-BD1 D6 A5 T2.aif T9o9-BD1 D6 A5 T3.
!BPM Manual.book Page 194 Friday, November 10, 2017 4:27 PM T9o9-BD2 D4 A4 T4.aif T9o9-BD2 D4 A4 T5.aif T9o9-BD2 D4 A4 T6.aif Attack 5 T9o9-BD2 D4 A5 T1.aif T9o9-BD2 D4 A5 T2.aif T9o9-BD2 D4 A5 T3.aif T9o9-BD2 D4 A5 T4.aif T9o9-BD2 D4 A5 T5.aif T9o9-BD2 D4 A5 T6.aif Attack 6 T9o9-BD2 D4 A6 T1.aif T9o9-BD2 D4 A6 T2.aif T9o9-BD2 D4 A6 T3.aif T9o9-BD2 D4 A6 T4.aif T9o9-BD2 D4 A6 T5.aif T9o9-BD2 D4 A6 T6.aif Decay 5 Attack 1 T9o9-BD2 D5 A1 T1.aif T9o9-BD2 D5 A1 T2.aif T9o9-BD2 D5 A1 T3.
!BPM Manual.book Page 195 Friday, November 10, 2017 4:27 PM Tone 5 T9o9-SD1 S2 Tn5 T1.aif T9o9-SD1 S2 Tn5 T2.aif T9o9-SD1 S2 Tn5 T3.aif T9o9-SD1 S2 Tn5 T4.aif T9o9-SD1 S2 Tn5 T5.aif T9o9-SD1 S2 Tn5 T6.aif Tone 6 T9o9-SD1 S2 Tn6 T1.aif T9o9-SD1 S2 Tn6 T2.aif T9o9-SD1 S2 Tn6 T3.aif T9o9-SD1 S2 Tn6 T4.aif T9o9-SD1 S2 Tn6 T5.aif T9o9-SD1 S2 Tn6 T6.aif Snappy 3 Tone 1 Snappy 4 Tone 1 T9o9-SD1 S4 Tn1 T1.aif T9o9-SD1 S4 Tn1 T2.aif T9o9-SD1 S4 Tn1 T3.aif T9o9-SD1 S4 Tn1 T4.aif T9o9-SD1 S4 Tn1 T5.
!BPM Manual.book Page 196 Friday, November 10, 2017 4:27 PM T9o9-SD1 S6 Tn5 T2.aif T9o9-SD1 S6 Tn5 T3.aif T9o9-SD1 S6 Tn5 T4.aif T9o9-SD1 S6 Tn5 T5.aif T9o9-SD1 S6 Tn5 T6.aif Tone 6 T9o9-SD1 S6 Tn6 T1.aif T9o9-SD1 S6 Tn6 T2.aif T9o9-SD1 S6 Tn6 T3.aif T9o9-SD1 S6 Tn6 T4.aif T9o9-SD1 S6 Tn6 T5.aif T9o9-SD1 S6 Tn6 T6.aif 2 Snare Drum 2 Snappy 1 Tone 1 T9o9-SD2 S1 Tn1 T1.aif T9o9-SD2 S1 Tn1 T2.aif T9o9-SD2 S1 Tn1 T3.aif T9o9-SD2 S1 Tn1 T4.aif T9o9-SD2 S1 Tn1 T5.aif T9o9-SD2 S1 Tn1 T6.
!BPM Manual.book Page 197 Friday, November 10, 2017 4:27 PM T9o9-SD2 S4 Tn5 T2.aif T9o9-SD2 S4 Tn5 T3.aif T9o9-SD2 S4 Tn5 T4.aif T9o9-SD2 S4 Tn5 T5.aif T9o9-SD2 S4 Tn5 T6.aif Tone 6 T9o9-SD2 S4 Tn6 T1.aif T9o9-SD2 S4 Tn6 T2.aif T9o9-SD2 S4 Tn6 T3.aif T9o9-SD2 S4 Tn6 T4.aif T9o9-SD2 S4 Tn6 T5.aif T9o9-SD2 S4 Tn6 T6.aif Snappy 5 Tone 1 T9o9-SD2 S5 Tn1 T1.aif T9o9-SD2 S5 Tn1 T2.aif T9o9-SD2 S5 Tn1 T3.aif T9o9-SD2 S5 Tn1 T4.aif T9o9-SD2 S5 Tn1 T5.aif T9o9-SD2 S5 Tn1 T6.aif Tone 2 T9o9-SD2 S5 Tn2 T1.
!BPM Manual.book Page 198 Friday, November 10, 2017 4:27 PM Decay 5 T9o9-HiTOM2 D5 T1.aif T9o9-HiTOM2 D5 T2.aif T9o9-HiTOM2 D5 T3.aif T9o9-HiTOM2 D5 T4.aif T9o9-HiTOM2 D5 T5.aif T9o9-HiTOM2 D5 T6.aif Decay 6 T9o9-HiTOM2 D6 T1.aif T9o9-HiTOM2 D6 T2.aif T9o9-HiTOM2 D6 T3.aif T9o9-HiTOM2 D6 T4.aif T9o9-HiTOM2 D6 T5.aif T9o9-HiTOM2 D6 T6.aif 4 Tom (Low) LoTOM 1 Decay 1 T9o9-LoTOM1 D1 T1.aif T9o9-LoTOM1 D1 T2.aif T9o9-LoTOM1 D1 T3.aif T9o9-LoTOM1 D1 T4.aif T9o9-LoTOM1 D1 T5.aif T9o9-LoTOM1 D1 T6.
!BPM Manual.book Page 199 Friday, November 10, 2017 4:27 PM Decay 5 T9o9-MiTOM2 D5 T1.aif T9o9-MiTOM2 D5 T2.aif T9o9-MiTOM2 D5 T3.aif T9o9-MiTOM2 D5 T4.aif T9o9-MiTOM2 D5 T5.aif T9o9-MiTOM2 D5 T6.aif Decay 6 T9o9-MiTOM2 D6 T1.aif T9o9-MiTOM2 D6 T2.aif T9o9-MiTOM2 D6 T3.aif T9o9-MiTOM2 D6 T4.aif T9o9-MiTOM2 D6 T5.aif T9o9-MiTOM2 D6 T6.aif 5 Hi-Hat HHC T9o9-HHC D1.aif T9o9-HHC D2.aif T9o9-HHC D3.aif T9o9-HHC D4.aif T9o9-HHC D5.aif T9o9-HHC D6.aif HHO T9o9-HHO D1.aif T9o9-HHO D2.aif T9o9-HHO D3.
!BPM Manual.book Page 200 Friday, November 10, 2017 4:27 PM Amdk100-SD+HHF.aif ETIDrS-TOM8.aif Concert Mate KPR Five 2 CMate-BD.aif CMate-BD+CC.aif CMate-BD+HH.aif CMate-BD+HH+CLV.aif CMate-CC.aif CMate-CLV.aif CMate-HH.aif CMate-SD.aif KPRf2-BD.aif KPRf2-CLV.aif KPRf2-CWB.aif KPRf2-HH1.aif KPRf2-HHO.aif KPRf2-RI.aif KPRf2-RIM.aif KPRf2-SD.aif KPRf2-TOM1.aif KPRf2-TOM2.aif Drumaker DrMkr-BD.aif DrMkr-CLV.aif DrMkr-CWB.aif DrMkr-HH1.aif DrMkr-HH2.aif DrMkr-HHO.aif DrMkr-RIM.aif DrMkr-SD.
!BPM Manual.book Page 201 Friday, November 10, 2017 4:27 PM 2 Snare Drum PFight-SD T1 D1.aif PFight-SD T1 D2.aif PFight-SD T1 D3.aif PFight-SD T1 D4.aif PFight-SD T1 D5.aif PFight-SD T2 D1.aif PFight-SD T2 D2.aif PFight-SD T2 D3.aif PFight-SD T2 D4.aif PFight-SD T2 D5.aif PFight-SD T3 D1.aif PFight-SD T3 D2.aif PFight-SD T3 D3.aif PFight-SD T3 D4.aif PFight-SD T3 D5.aif PFight-SD T4 D1.aif PFight-SD T4 D2.aif PFight-SD T4 D3.aif PFight-SD T4 D4.aif PFight-SD T4 D5.aif PFight-SD T5 D1.aif PFight-SD T5 D2.
!BPM Manual.book Page 202 Friday, November 10, 2017 4:27 PM SMS800-TOM 16.aif SMS800-TOM 17.aif SMS800-TOM 18.aif SMS800-TOM F1.aif SMS800-TOM F2.aif SMS800-TOM F3.aif Tune 02 4 Hi-Hat - Cymbal Tune 03 SMS800-CC.aif SMS800-HH1.aif SMS800-HH2.aif SMS800-HH3.aif SMS800-HHO.aif Synsc-TOM1 T03 v1.aif Synsc-TOM1 T03 v2.aif Synsc-TOM1 T03 v3.aif 5 Percs SMS800-CLP.aif SMS800-CLV.aif SMS800-CWB1.aif SMS800-CWB2.aif SMS800-CWB3.aif 6 FX SMS800-FX01.aif SMS800-FX02.aif SMS800-FX03.aif SMS800-FX04.
!BPM Manual.book Page 203 Friday, November 10, 2017 4:27 PM TRc-8o8-SD25.aif TRc-8o8-SD26.aif 3 Hand Clap TRc-8o8-CLP.aif 3 Rimshot TRc-8o8-RIM.aif 4 Tom (Hi) TRc-8o8-HiTOM 1.aif TRc-8o8-HiTOM 2.aif 4 Tom (Low) TRc-8o8-LoTOM 1.aif TRc-8o8-LoTOM 2.aif 4 Tom (Mid) TRc-8o8-MiTOM 1.aif TRc-8o8-MiTOM 2.aif 5 Hi-Hat (Closed) TRc-8o8-HH1.aif TRc-8o8-HH2.aif TRc-8o8-HH3.aif TRc-8o8-HH4.aif TRc-8o8-HH5.aif 5 Hi-Hat (Open) TRc-8o8-HHO1.aif TRc-8o8-HHO2.aif TRc-8o8-HHO3.aif 6 Crash Cymbal TRc-8o8-CC1.
!BPM Manual.book Page 204 Friday, November 10, 2017 4:27 PM Tu0 Sweep Range 4 TS200-Tu0 SR4 ST0 DT0.aif TS200-Tu0 SR4 ST0 DT1.aif TS200-Tu0 SR4 ST0 DT2.aif TS200-Tu0 SR4 ST1 DT0.aif TS200-Tu0 SR4 ST1 DT1.aif TS200-Tu0 SR4 ST1 DT2.aif TS200-Tu0 SR4 ST2 DT0.aif TS200-Tu0 SR4 ST2 DT1.aif TS200-Tu0 SR4 ST2 DT2.aif TS200-Tu0 SR4 ST3 DT0.aif TS200-Tu0 SR4 ST3 DT1.aif TS200-Tu0 SR4 ST3 DT2.aif TS200-Tu0 SR4 ST4 DT0.aif TS200-Tu0 SR4 ST4 DT1.aif TS200-Tu0 SR4 ST4 DT2.aif TS200-Tu0 SR4 ST5 DT0.
!BPM Manual.book Page 205 Friday, November 10, 2017 4:27 PM TS204-Down3 08.aif TS204-Down3 09.aif TS204-Down3 10.aif TS204-Down3 11.aif TS204-Down3 12.aif TS204-Down3 13.aif TS204-Down4 1.aif TS204-Down4 2.aif TS204-Down5 1.aif TS204-Down5 2.aif Flat TS204-Flat 1.aif TS204-Flat 2.aif TS204-Flat 3.aif TS204-Flat 4.aif TS204-Flat 5.aif TS204-Flat 6.aif TS204-Flat 7.aif TS204-Flat 8.aif TS204-Flat 9.aif Noise TS204-Noise 1.aif TS204-Noise 2.aif TS204-Noise 3.aif TS204-Noise 4.aif Vib TS204-Vib 01.
!BPM Manual.book Page 206 Friday, November 10, 2017 4:27 PM tK-BD v5.aif tK-BD v6.aif 2 Snare Drum tK-SD 1.aif tK-SD 2.aif tK-SD 3.aif 3 Toms tK-HiTOM v1.aif tK-HiTOM v2.aif tK-HiTOM v3.aif tK-HiTOM v4.aif tK-LoTOM v1.aif tK-LoTOM v2.aif tK-LoTOM v3.aif tK-LoTOM v4.aif 4 Hi-Hat tK-HH 1.aif tK-HH 2.aif tK-OH 1.aif tK-OH 2.aif tK-OH 3.aif tK-OH 4.aif 5 Cymbals tK-CC T0-1.aif tK-CC T0-2.aif tK-CC T0-3.aif tK-CC T1-1.aif tK-CC T1-2.aif tK-CC T1-3.aif tK-CC T2-1.aif tK-CC T2-2.aif tK-CC T2-3.
!BPM Manual.book Page 207 Friday, November 10, 2017 4:27 PM D.R110-BD-Acc.aif D.R110-BD-dAcc.aif D.R110-BD.aif D.R110-CC-Acc.aif D.R110-CC-dAcc.aif D.R110-CC.aif D.R110-CLP-Acc.aif D.R110-CLP-dAcc.aif D.R110-CLP.aif D.R110-HHC-Acc.aif D.R110-HHC-dAcc.aif D.R110-HHC.aif D.R110-HHO-Acc.aif D.R110-HHO-dAcc.aif D.R110-HHO.aif D.R110-SD-Acc.aif D.R110-SD-dAcc.aif D.R110-SD.aif D.Rhythm 220 D.R220-BD-Acc.aif D.R220-BD.aif D.R220-CC-Acc.aif D.R220-CC.aif D.R220-CLP-Acc.aif D.R220-CLP.aif D.R220-HHC-Acc.aif D.
!BPM Manual.book Page 208 Friday, November 10, 2017 4:27 PM Drstar-Guiro.aif Drstar-HHF.aif Drstar-HHO.aif Drstar-RI.aif Drstar-RIM.aif Drstar-SD1.aif Drstar-SD2.aif Drstar-SDe1.aif Drstar-SDe2.aif Drstar-Tamb.aif Drstar-Tgl L.aif Drstar-Tgl S.aif Drstar-TOM1.aif Drstar-TOM2.aif Drstar-TOM3.aif Dyn ADD1 1 Bass Drum dADD1-BD01.aif dADD1-BD02.aif dADD1-BD03.aif dADD1-BD04.aif dADD1-BD05.aif dADD1-BD06.aif dADD1-BD07.aif dADD1-BD08.aif dADD1-BD09.aif dADD1-BD10.aif dADD1-BD11.aif 2 Snare Drum dADD1-SD01.
!BPM Manual.book Page 209 Friday, November 10, 2017 4:27 PM kD2o1-RIM T4 D4.aif kD2o1-RIM T5 D1.aif kD2o1-RIM T5 D2.aif kD2o1-RIM T5 D3.aif kD2o1-RIM T5 D4.aif 4 Tom 1 (Low) kD2o1-TOM1 T1 D1.aif kD2o1-TOM1 T1 D2.aif kD2o1-TOM1 T1 D3.aif kD2o1-TOM1 T1 D4.aif kD2o1-TOM1 T2 D1.aif kD2o1-TOM1 T2 D2.aif kD2o1-TOM1 T2 D3.aif kD2o1-TOM1 T2 D4.aif kD2o1-TOM1 T3 D1.aif kD2o1-TOM1 T3 D2.aif kD2o1-TOM1 T3 D3.aif kD2o1-TOM1 T3 D4.aif kD2o1-TOM1 T4 D1.aif kD2o1-TOM1 T4 D2.aif kD2o1-TOM1 T4 D3.aif kD2o1-TOM1 T4 D4.
!BPM Manual.book Page 210 Friday, November 10, 2017 4:27 PM kD2o1-RI T1 D4.aif kD2o1-RI T2 D1.aif kD2o1-RI T2 D2.aif kD2o1-RI T2 D3.aif kD2o1-RI T2 D4.aif kD2o1-RI T3 D1.aif kD2o1-RI T3 D2.aif kD2o1-RI T3 D3.aif kD2o1-RI T3 D4.aif kD2o1-RI T4 D1.aif kD2o1-RI T4 D2.aif kD2o1-RI T4 D3.aif kD2o1-RI T4 D4.aif kD2o1-RI T5 D1.aif kD2o1-RI T5 D2.aif kD2o1-RI T5 D3.aif kD2o1-RI T5 D4.aif 7 Cabasa kD2o1-Cbs T1 D1.aif kD2o1-Cbs T1 D2.aif kD2o1-Cbs T1 D3.aif kD2o1-Cbs T1 D4.aif kD2o1-Cbs T2 D1.aif kD2o1-Cbs T2 D2.
!BPM Manual.book Page 211 Friday, November 10, 2017 4:27 PM kD2o2-BD3 T3 D2.aif kD2o2-BD3 T3 D3.aif kD2o2-BD3 T3 D4.aif kD2o2-BD3 T4 D1.aif kD2o2-BD3 T4 D2.aif kD2o2-BD3 T4 D3.aif kD2o2-BD3 T4 D4.aif kD2o2-BD3 T5 D1.aif kD2o2-BD3 T5 D2.aif kD2o2-BD3 T5 D3.aif kD2o2-BD3 T5 D4.aif 2 Snare Drums Snare Drum 1 kD2o9-SD1 T1 D1.aif kD2o9-SD1 T1 D2.aif kD2o9-SD1 T1 D3.aif kD2o9-SD1 T1 D4.aif kD2o9-SD1 T2 D1.aif kD2o9-SD1 T2 D2.aif kD2o9-SD1 T2 D3.aif kD2o9-SD1 T2 D4.aif kD2o9-SD1 T3 D1.aif kD2o9-SD1 T3 D2.
!BPM Manual.book Page 212 Friday, November 10, 2017 4:27 PM kD2o8-SD T5 D2.aif kD2o8-SD T5 D3.aif kD2o8-SD T5 D4.aif Rock TOM1 kD2o8-TOM1 T1 D1.aif kD2o8-TOM1 T1 D2.aif kD2o8-TOM1 T1 D3.aif kD2o8-TOM1 T1 D4.aif kD2o8-TOM1 T2 D1.aif kD2o8-TOM1 T2 D2.aif kD2o8-TOM1 T2 D3.aif kD2o8-TOM1 T2 D4.aif kD2o8-TOM1 T3 D1.aif kD2o8-TOM1 T3 D2.aif kD2o8-TOM1 T3 D3.aif kD2o8-TOM1 T3 D4.aif kD2o8-TOM1 T4 D1.aif kD2o8-TOM1 T4 D2.aif kD2o8-TOM1 T4 D3.aif kD2o8-TOM1 T4 D4.aif kD2o8-TOM1 T5 D1.aif kD2o8-TOM1 T5 D2.
!BPM Manual.book Page 213 Friday, November 10, 2017 4:27 PM kD2o5-BD2 T1 D4.aif kD2o5-BD2 T2 D1.aif kD2o5-BD2 T2 D2.aif kD2o5-BD2 T2 D3.aif kD2o5-BD2 T2 D4.aif kD2o5-BD2 T3 D1.aif kD2o5-BD2 T3 D2.aif kD2o5-BD2 T3 D3.aif kD2o5-BD2 T3 D4.aif kD2o5-BD2 T4 D1.aif kD2o5-BD2 T4 D2.aif kD2o5-BD2 T4 D3.aif kD2o5-BD2 T4 D4.aif kD2o5-BD2 T5 D1.aif kD2o5-BD2 T5 D2.aif kD2o5-BD2 T5 D3.aif kD2o5-BD2 T5 D4.aif Electronic Snare Drum 1 kD2o5-SD1 T1 D1.aif kD2o5-SD1 T1 D2.aif kD2o5-SD1 T1 D3.aif kD2o5-SD1 T1 D4.
!BPM Manual.book Page 214 Friday, November 10, 2017 4:27 PM kD2o6-TOM1 T3 D4.aif kD2o6-TOM1 T4 D1.aif kD2o6-TOM1 T4 D2.aif kD2o6-TOM1 T4 D3.aif kD2o6-TOM1 T4 D4.aif kD2o6-TOM1 T5 D1.aif kD2o6-TOM1 T5 D2.aif kD2o6-TOM1 T5 D3.aif kD2o6-TOM1 T5 D4.aif Gate Rvb Tom 2 kD2o6-TOM2 T1 D1.aif kD2o6-TOM2 T1 D2.aif kD2o6-TOM2 T1 D3.aif kD2o6-TOM2 T1 D4.aif kD2o6-TOM2 T2 D1.aif kD2o6-TOM2 T2 D2.aif kD2o6-TOM2 T2 D3.aif kD2o6-TOM2 T2 D4.aif kD2o6-TOM2 T3 D1.aif kD2o6-TOM2 T3 D2.aif kD2o6-TOM2 T3 D3.
!BPM Manual.book Page 215 Friday, November 10, 2017 4:27 PM K-MR Sixteen KSth-SDe6.aif KMRSx-AggHi.aif KMRSx-AggLo.aif KMRSx-BD.aif KMRSx-Cbs.aif KMRSx-CC.aif KMRSx-CgaHi.aif KMRSx-CgaLo.aif KMRSx-CLP.aif KMRSx-CWB.aif KMRSx-HHC.aif KMRSx-HHO.aif KMRSx-HiTOM.aif KMRSx-LoTOM.aif KMRSx-Metro f.aif KMRSx-Metro p.aif KMRSx-RI.aif KMRSx-RIM.aif KMRSx-SD.aif KMRSx-Tamb.aif KMRSx-Timb.aif KMRSx-Wbk.aif 3 Rimshot K-S Three 1 Bass Drum Acoustic KSth-BD1.aif KSth-BD2.aif KSth-BD3.aif KSth-BD4.aif KSth-BD5.
!BPM Manual.book Page 216 Friday, November 10, 2017 4:27 PM L9000-SD-T3.aif L9000-SD-T4.aif L9000-SD-T5.aif L9000-SD-T6.aif L9000-RI2-T3.aif L9000-RI2-T4.aif L9000-RI2-T5.aif L9000-RI2-T6.aif 3 Rimshot 8 Congas L9000-RIM-T1.aif L9000-RIM-T2.aif L9000-RIM-T3.aif L9000-RIM-T4.aif L9000-RIM-T5.aif L9000-RIM-T6.aif L9000-Cga1-T1.aif L9000-Cga1-T2.aif L9000-Cga1-T3.aif L9000-Cga1-T4.aif L9000-Cga1-T5.aif L9000-Cga1-T6.aif L9000-Cga2-T1.aif L9000-Cga2-T2.aif L9000-Cga2-T3.aif L9000-Cga2-T4.
!BPM Manual.book Page 217 Friday, November 10, 2017 4:27 PM PDrX-TOM3 Kit1.aif PDrX-TOM3 Kit2.aif PDrX-TOM3 Kit3.aif PDrX-TOM3 Kit4.aif PDrX-TOM3 Kit5.aif PDrX-TOM3 Kit6.aif PDrX-TOM3 Kit7.aif PDrX-TOM3 Kit8.aif SMS 9 1 Bass Drum SMS9-BD 01.aif SMS9-BD 02.aif SMS9-BD 03.aif SMS9-BD 04.aif SMS9-BD 05.aif SMS9-BD 06.aif SMS9-BD 07.aif SMS9-BD 08.aif SMS9-BD 09.aif SMS9-BD 10.aif SMS9-BD 11.aif SMS9-BD 12.aif SMS9-BD 13.aif SMS9-BD 14.aif SMS9-BD 15.aif SMS9-BD 16.aif SMS9-BD 17.aif SMS9-BD 18.
!BPM Manual.book Page 218 Friday, November 10, 2017 4:27 PM Timbale Smtx-Timb 1.aif Smtx-Timb 2.aif Smtx-Timb 3.aif Smtx-Timb 4.aif Smtx-Timb 5.aif Tom Smtx-Dry TOM 1.aif Smtx-Dry TOM 2.aif Smtx-Dry TOM 3.aif Smtx-Dry TOM 4.aif Smtx-Elec TOM 1.aif Smtx-Elec TOM 2.aif Smtx-Elec TOM 3.aif Smtx-Elec TOM 4.aif Smtx-Elec TOM 5.aif Smtx-Elec TOM 6.aif Smtx-Power TOM 1.aif Smtx-Power TOM 2.aif Smtx-Power TOM 3.aif Smtx-Power TOM 4.aif SMS Trix No Reverb Kit1 - Rock 1 SMSTx-Rk1 BD-T1.aif SMSTx-Rk1 BD-T2.
!BPM Manual.book Page 219 Friday, November 10, 2017 4:27 PM SMSTx-Rk2 SD-T3 Rv.aif SMSTx-Rk2 SD-T4 Rv.aif SMSTx-Rk2 SD-T5 Rv.aif Kit3 - Jazz SMSTx-Jz BD-T1 Rv.aif SMSTx-Jz BD-T2 Rv.aif SMSTx-Jz BD-T3 Rv.aif SMSTx-Jz BD-T4 Rv.aif SMSTx-Jz BD-T5 Rv.aif SMSTx-Jz HiTOM-T1 Rv.aif SMSTx-Jz HiTOM-T2 Rv.aif SMSTx-Jz HiTOM-T3 Rv.aif SMSTx-Jz HiTOM-T4 Rv.aif SMSTx-Jz HiTOM-T5 Rv.aif SMSTx-Jz MiTOM1-T1 Rv.aif SMSTx-Jz MiTOM1-T2 Rv.aif SMSTx-Jz MiTOM1-T3 Rv.aif SMSTx-Jz MiTOM1-T4 Rv.aif SMSTx-Jz MiTOM1-T5 Rv.
!BPM Manual.book Page 220 Friday, November 10, 2017 4:27 PM SRDr-HHC 5.aif SRDr-HHC 6.aif SRDr-HHC 7.aif SRDr-HHC 8.aif SRDr-HHC 9.aif 5 Hi-Hat (Foot) SRDr-HHF 1.aif SRDr-HHF 2.aif SRDr-HHF 3.aif SRDr-HHF 4.aif SRDr-HHF 5.aif 5 Hi-Hat (Half Open) SRDr-HHH 1.aif SRDr-HHH 2.aif SRDr-HHH 3.aif 5 Hi-Hat (Open) SRDr-HHO 01.aif SRDr-HHO 02.aif SRDr-HHO 03.aif SRDr-HHO 04.aif SRDr-HHO 05.aif SRDr-HHO 06.aif SRDr-HHO 07.aif SRDr-HHO 08.aif SRDr-HHO 09.aif SRDr-HHO 10.aif 6 Chinese Cymbal ADM5-Chi 1.
!BPM Manual.book Page 221 Friday, November 10, 2017 4:27 PM T626-BD1 P05.aif T626-BD1 P06.aif T626-BD1 P07.aif T626-BD1 P08.aif T626-BD1 P09.aif T626-BD1 P10.aif T626-BD1 P11.aif T626-BD1 P12.aif T626-BD1 P13.aif T626-BD1 P14.aif T626-BD1 P15.aif 1 Bass Drum 2 T626-BD2 P01.aif T626-BD2 P02.aif T626-BD2 P03.aif T626-BD2 P04.aif T626-BD2 P05.aif T626-BD2 P06.aif T626-BD2 P07.aif T626-BD2 P08.aif T626-BD2 P09.aif T626-BD2 P10.aif T626-BD2 P11.aif T626-BD2 P12.aif T626-BD2 P13.aif T626-BD2 P14.
!BPM Manual.book Page 222 Friday, November 10, 2017 4:27 PM T626-MiTOM2 P06.aif T626-MiTOM2 P07.aif T626-MiTOM2 P08.aif T626-MiTOM2 P09.aif T626-MiTOM2 P10.aif T626-MiTOM2 P11.aif T626-MiTOM2 P12.aif T626-MiTOM2 P13.aif T626-MiTOM2 P14.aif T626-MiTOM2 P15.aif 5 Hi-Hat (Closed) T626-HHC P01.aif T626-HHC P02.aif T626-HHC P03.aif T626-HHC P04.aif T626-HHC P05.aif T626-HHC P06.aif T626-HHC P07.aif T626-HHC P08.aif T626-HHC P09.aif T626-HHC P10.aif T626-HHC P11.aif T626-HHC P12.aif T626-HHC P13.
!BPM Manual.book Page 223 Friday, November 10, 2017 4:27 PM T626-CgaLo P06.aif T626-CgaLo P07.aif T626-CgaLo P08.aif T626-CgaLo P09.aif T626-CgaLo P10.aif T626-CgaLo P11.aif T626-CgaLo P12.aif T626-CgaLo P13.aif T626-CgaLo P14.aif T626-CgaLo P15.aif 7 Timbale (Hi) T626-TimbHi P01.aif T626-TimbHi P02.aif T626-TimbHi P03.aif T626-TimbHi P04.aif T626-TimbHi P05.aif T626-TimbHi P06.aif T626-TimbHi P07.aif T626-TimbHi P08.aif T626-TimbHi P09.aif T626-TimbHi P10.aif T626-TimbHi P11.aif T626-TimbHi P12.
!BPM Manual.book Page 224 Friday, November 10, 2017 4:27 PM WerDr-TOM4 P4.aif WerDr-TOM4 P5.aif WerDr-Timp P12.aif WerDr-Timp P13.aif 5 Hi-Hat 8 Cowbell WerDr-HHC P1.aif WerDr-HHC P2.aif WerDr-HHC P3.aif WerDr-HHC P4.aif WerDr-HHC P5.aif WerDr-HHO P1.aif WerDr-HHO P2.aif WerDr-HHO P3.aif WerDr-HHO P4.aif WerDr-HHO P5.aif WerDr-CWB P1.aif WerDr-CWB P2.aif WerDr-CWB P3.aif WerDr-CWB P4.aif WerDr-CWB P5.aif 6 Crash Cymbal WerDr-CC P1.aif WerDr-CC P2.aif WerDr-CC P3.aif WerDr-CC P4.aif WerDr-CC P5.
!BPM Manual.book Page 225 Friday, November 10, 2017 4:27 PM YDDt-RIM.aif YDDt-SD.aif YDDt-SDe1.aif YDDt-SDe2.aif YDDt-SDe3.aif YDDt-SHK.aif YDDt-TOM 1.aif YDDt-TOM 2.aif YDDt-TOM 3.aif YDDt-TOM 4.aif YQY Ten YQYt-AggHi.aif YQYt-AggLo.aif YQYt-BD1.aif YQYt-BD2.aif YQYt-BD3.aif YQYt-CC.aif YQYt-CgaHi.aif YQYt-CgaLo.aif YQYt-CgaMt.aif YQYt-CLP.aif YQYt-CWB.aif YQYt-HH.aif YQYt-HHC.aif YQYt-HHO.aif YQYt-HiTOM.aif YQYt-LoTOM.aif YQYt-MiTOM.aif YQYt-RI.aif YQYt-RIM.aif YQYt-SD1.aif YQYt-SD2.aif YQYt-SD3.
!BPM Manual.book Page 226 Friday, November 10, 2017 4:27 PM YRXs-TOM2.aif YRXs-TOM3.aif YRXs-TOM4.aif 05 Hi-Hat YRXs-HHC.aif YRXs-HHF.aif YRXs-HHO.aif 06 Cymbals YRXs-CC.aif YRXs-Chi.aif YRXs-RI Cup.aif YRXs-RI Edge.aif YRXs-Ow!.aif YRXs-Uh!.aif 11 Reverse YRXs-Rev BD.aif YRXs-Rev CC.aif YRXs-Rev eTOM.aif YRXs-Rev RI Edge.aif YRXs-Rev SD.aif YRXs-Rev TOM.aif SORTED ELEMENTS 07 Instruments 1 Bass Drum YRXs-Brass.aif YRXs-Clav.aif YRXs-eBass Hi.aif YRXs-eBass Lo.aif YRXs-Gtr Cut D.aif YRXs-Gtr Cut U.
!BPM Manual.book Page 227 Friday, November 10, 2017 4:27 PM SMSTx-Jz BD-T1.aif SMSTx-Rk1 BD-T1 Rv.aif SMSTx-Rk1 BD-T1.aif SMSTx-Rk2 BD-T1 Rv.aif SMSTx-Rk2 BD-T1.aif SMSTx-Rk2 SD-T1 Rv.aif SMSV-BD1.aif SMSV-BD2.aif SMSV-BD3.aif SMSV-BD4.aif SRDr-BD 01.aif SRDr-BD 07.aif SRDr-BD 13.aif SRDr-BD 16.aif Synsc-BD.aif T5o5-BD-Acc.aif T6o6-BD-Acc.aif T7o7-BD1.aif T7o7-BD2.aif T8o8-BD-T01-D03.aif T8o8-BD-T02-D06.aif T8o8-BD-T04-D07.aif T8o8-BD-T07-D05.aif T8o8-BD-T09-D01.aif T8o8-BD-T11-D09.aif T9o9-BD1 D1 A3 T3.
!BPM Manual.book Page 228 Friday, November 10, 2017 4:27 PM SMSTx-El SD-T1 Rv.aif SMSTx-El SD-T1.aif SMSTx-Jz SD-T1 Rv.aif SMSTx-Jz SD-T1.aif SMSTx-Rk1 SD-T1 Rv.aif SMSTx-Rk1 SD-T1.aif SMSTx-Rk2 SD-T1.aif SMSV-SD1.aif SMSV-SD2.aif SMSV-SD3.aif SMSV-SD4.aif SRDr-SD1-02.aif SRDr-SD1-09.aif SRDr-SD2-05.aif SRDr-SD2-09.aif Synsc-SD v1.aif Synsc-SD v4.aif T5o5-SD-Acc.aif T6o6-SD-Acc.aif T7o7-SD1.aif T7o7-SD2.aif T8o8-SD-T01-D11.aif T8o8-SD-T02-D06.aif T8o8-SD-T06-D07.aif T8o8-SD-T08-D03.aif T8o8-SD-T10-D03.
!BPM Manual.book Page 229 Friday, November 10, 2017 4:27 PM T626-RIM P06.aif TRc-8o8-RIM.aif TRc-9o9-RIM.aif XRt-RIM1.aif YDDt-RIM.aif YQYt-RIM.aif YRXe-RIM-P1.aif YRXf-RIM1.aif YRXf-RIM2.aif YRXs-RIM1.aif YRXs-RIM2.aif 4 Tom AceT1-TOM1.aif AceT1-TOM2.aif AceT1-TOM3.aif AceT2-TOM1.aif AceT2-TOM2.aif AceT6-TOM1.aif AceT6-TOM2.aif AceT8-TOM1.aif AceT8-TOM2.aif AceT8-TOM3.aif ArgD-HiTOM-Acc.aif ArgD-LoTOM-Acc.aif BhmD-TOM.aif cR8K-HiTOM-Acc.aif cR8K-LoTOM-Acc.aif cR78-TOM.aif D.R220-HiTOM-Acc.aif D.
!BPM Manual.book Page 230 Friday, November 10, 2017 4:27 PM T9o9-LoTOM2 D6 T1.aif T9o9-MiTOM1 D6 T1.aif T9o9-MiTOM2 D6 T1.aif T55-TOM1.aif T55-TOM2.aif T66-TOM1.aif T66-TOM2.aif T66-TOM3.aif T77-TOM1.aif T77-TOM2.aif T77-TOM3.aif T626-HiTOM1 P06.aif T626-HiTOM2 P06.aif T626-LoTOM1 P06.aif T626-LoTOM2 P06.aif T626-MiTOM1 P06.aif T626-MiTOM2 P06.aif tK-HiTOM v4.aif tK-LoTOM v4.aif TomED-TOM 2.aif TomED-TOM 4.aif TomED-TOM 6.aif TRc-8o8-HiTOM 1.aif TRc-8o8-HiTOM 2.aif TRc-8o8-LoTOM 1.aif TRc-8o8-LoTOM 2.
!BPM Manual.book Page 231 Friday, November 10, 2017 4:27 PM WerDr-HHC P3.aif WerMa-HH.aif XRt-HH1.aif XRt-HH2.aif XRt-HH3.aif YDDt-HHC 1.aif YDDt-HHC 2.aif YDDt-HHF.aif YQYt-HH.aif YQYt-HHC.aif YRXe-HHC-P1.aif YRXf-HHC.aif YRXs-HHC.aif YRXs-HHF.aif 5 Hi-Hat (Open) AceT2-HHO1.aif AceT6-HHO.aif AceT8-HHO.aif Amdk100-HHO.aif BhmD-HHO.aif cR8K-HHO-Acc.aif D.R110-HHO-Acc.aif D.R220-HHO-Acc.aif D.R220E-HHO-Acc.aif DrMkr-HHO.aif Drmlator-HHO.aif DrMX-HHO-P1.aif DrPerf-HHO.aif Drstar-HHO.aif DRtk-HHO 07.
!BPM Manual.book Page 232 Friday, November 10, 2017 4:27 PM YDDt-RI.aif YQYt-RI.aif YRXe-RI Cup-P1.aif YRXe-RI Edge-P1.aif YRXf-RI Bell.aif YRXf-RI.aif YRXs-RI Cup.aif YRXs-RI Edge.aif 7 Cowbell - Claves and co AceT1-CLV.aif AceT1-CWB.aif AceT2-CLV+HH.aif AceT2-TOM3+CLV.aif AceT6-CLV.aif AceT8-CLV.aif AceT8-CWB.aif ArgD-CWB-Acc.aif BhmD-CLV.aif BhmD-CWB.aif CMate-CLV.aif cR8K-CLV.aif cR8K-CWB-Acc.aif D.R220E-CWB-Acc.aif dADD1-CWB.aif DrMkr-CLV.aif DrMkr-CWB.aif Drmlator-CLV.aif Drmlator-CWB.
!BPM Manual.book Page 233 Friday, November 10, 2017 4:27 PM HRsxB-Scratch-P3.aif HRsxB-SStk-P3.aif HRsxB-Synth Block-P3.aif HRsxB-Tamb-P3.aif HRsxB-Torque Wrench-P3.aif HRsxB-Trash Can-P3.aif kD2o1-Tamb T2 D4.aif KDDM2h-CgaHi.aif KDDM2h-CgaLo.aif KDDM2h-Tamb.aif KDDM2h-Timb.aif KMRSx-CgaHi.aif KMRSx-CgaLo.aif KMRSx-Tamb.aif KMRSx-Timb.aif KSth-Bgo FX.aif KSth-BgoHi.aif KSth-BgoLo.aif KSth-BgoOpn.aif KSth-Cga1.aif KSth-Cga2.aif KSth-Timb.aif KSth-TimbHi.aif KSth-TimbLo.aif L9000-Cga1-T3.aif L9000-Cga2-T3.
!BPM Manual.book Page 234 Friday, November 10, 2017 4:27 PM RHnd-SHK P08.aif Smtx-Cbs 3.aif SRDr-SHK 1.aif SRDr-SHK 4.aif SRDr-SHK 7.aif T8o8-Mar.aif T626-SHK P06.aif T727-Cbs-Acc.aif T727-Mar-Acc.aif TRc-8o8-SHK.aif VrmDr-SHK Lng.aif XRt-Cbs.aif YDDt-SHK.aif YQYt-SHK.aif YRXe-SHK-P1.aif YRXf-SHK.aif YRXs-SHK.aif 8 FX and more dADD1-FX1.aif dADD1-FX2.aif ETIDrS-FX.aif ETIDrS-RI a.aif ETIDrS-SD2.aif ETIDrS-SD7.aif ETIDrS-TOM3.aif HRsxB-Ambient Puh-P3.aif HRsxB-Lip Pop-P3.aif KSth-FX Lng 3.
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!BPM Manual.book Page 236 Friday, November 10, 2017 4:27 PM The 626 All BD The 626 All Cga+Timb The 626 All HH+Cymbals The 626 All RIM+CLV+CWB+CLP The 626 All SD The 626 All Toms ANTHOLOGY ABBREVIATIONS The following abbreviations are used for BeatBox Anthology presets. General Wers Drums Menu Wers Drums All BD+SD+CLP+TOM Wers Drums All Cga+Tamb+Timp Wers Drums All HH+CWB+Whistle+Voices YRX Seven Menu YRX Seven Menu 1 YRX Seven Menu 2 ----------------Arranger Drums Bhm Drums D.Rhythm 110 D.
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!BPM Manual.book Page 239 Friday, November 10, 2017 4:27 PM APPENDIX B Effects OVERVIEW BPM provides dozens of included DSP effects (Figure B-1). Each effect is described briefly in this appendix, along with a list of factory presets for each effect. You can also create as many of your own user presets as you wish. For general information about using effects processing in BPM, see “Effects” on page 99.
!BPM Manual.book Page 240 Friday, November 10, 2017 4:27 PM DELAYS Simple Delay This is a basic all-purpose delay. The delay time can be entered in seconds or synchronized to the host application’s tempo. Use cutoff to add a low-pass or high-pass filter to the delay feedback. This simple scheme, combined with the feedback parameter and the ubiquitous delay filter, allows you to create advanced delays with incredible repeating patterns and even reverb like sounds. Fat Delay presets Delayverb.
!BPM Manual.book Page 241 Friday, November 10, 2017 4:27 PM Analog Tape Delay The Analog Tape Delay effect is modeled after classic analog tape delays. In addition to the standard controls for controlling wet/dry mix, delay and feedback, this delay adds several additional settings: Trash adds an element of “dirt” to the sound, as you might experience with dust on a piece of magnetic tape. Spread adds stereo spread to the delay lines.
!BPM Manual.book Page 242 Friday, November 10, 2017 4:27 PM Simple Reverb This is a musically useful reverberation effect. Of course, a filter has been added, so that you can control which part of the signal gets affected (for example, you can get rid of muddy bass). The filter, combined with the dampening parameter, will keep your reverberated sound fresh and clean. Predelay Reverb This effect is built on the simple reverb, but it’s been tweaked it a bit with delay lines to produce a predelay reverb.
!BPM Manual.book Page 243 Friday, November 10, 2017 4:27 PM IR VERB BPM is equipped with convolution (sampled) reverb processing called IR Verb. Convolution is a process where the characteristics of a real acoustic space are directly sampled, such as a church, concert hall, theater, or outdoor space. The resulting impulse response (IR) consists of an audio file that holds the actual sound decay characteristics of the acoustic space.
!BPM Manual.book Page 244 Friday, November 10, 2017 4:27 PM DampingHigh (-1 to +1) DampingHigh is a low pass filter that reduces high frequencies as you increase the LP damp setting. Positive values damp low frequencies; negative values expand low frequencies. Width (-1 to +1) Width controls the stereo imaging of the reverb. If you turn this control down, the reverb effect will become mono. Wet (–∞ to +6dB) A signal with no reverb applied to it is commonly referred to as being dry.
!BPM Manual.book Page 245 Friday, November 10, 2017 4:27 PM Concert Halls Other Rooms Bright Concert Hall.fxps Capital Hall.fxps Concert Half.fxps Close Piano Room.fxps Concert Hall.fxps Pink Concert Room.fxps Large Ensemble Room.fxps Quartet Room.fxps Majestic Room.fxps Small Concert Hall.fxps Open Opera Space.fxps Small Concert Room.fxps Symphonic Hall.fxps Warm and Small Room.fxps Warm Ambiance.fxps Wood Ambiance.fxps Deluxe Reverb Temple & Co Flat Room.fxps Calm And Beauty.
!BPM Manual.book Page 246 Friday, November 10, 2017 4:27 PM MODULATION Chorus There is no such thing as a multi-effect section without a chorus. BPM is no exception and provides a nice 4-stage stereo chorus that you can even sync to your host application’s tempo. Cross Phaser The Cross Phaser is essentially an enhanced double phaser with stereo cross-feedback in between the 12 stages of the effect. Cross Phaser presets Low phase.fxps Chorus presets Stereo phase.fxps Deep Chorus.fxps Synchro.
!BPM Manual.book Page 247 Friday, November 10, 2017 4:27 PM FILTERS Analog Filter The Analog Filter is modeled after the filter section of a very popular American synth. UVI Filter This is a simple resonant filter that can be used in two ways: low-pass and high-pass. You can change the resonance of the filter to sharpen any sound. UVI Filter presets Analog Filter presets Da filter.fxps BP.fxps HP Eq.fxps HP.fxps Low Pass.fxps LP.fxps UFilter.fxps Synth.fxps Very High.
!BPM Manual.book Page 248 Friday, November 10, 2017 4:27 PM EQ 2-band EQ This two-band equalizer can adjust the frequency content of any instrument — or even a complete mix as a master effect. 8-band EQ Use the scroll bar to access all of the 8-band EQ’s parameters in the left-hand column. 8-band EQ presets All On Flat.fxps 2-band EQ presets Boost a Sub.fxps Boost Bass.fxps Clean Guitar.fxps Hi-Fi.fxps Dark Bass.fxps High Guitar.fxps Dig a Loop.fxps Punchy.fxps EQ my Bass.fxps Telephonic.
!BPM Manual.book Page 249 Friday, November 10, 2017 4:27 PM STEREO & AMPLITUDE Rotary Simple The simple version of our rotary speaker emulation contains only one speaker, but is still very effective. Tremolo This very simple volume effect from the sixties lets you control the depth and speed — and synchronize it to your host application’s tempo using the Sync button. Rotary Simple presets Tremolo presets Make Big.fxps Fast Tremolo.fxps For Fun.fxps JK Organ.fxps Try It.fxps FX Tremolo.
!BPM Manual.book Page 250 Friday, November 10, 2017 4:27 PM DRIVE & DISTORTION UVI Drive This unique combination of an analog overdrive simulation and a UVI Filter can give a nice tone to most guitars, drums and keyboards. Guitar Amps (boxes) The Guitar Amps effect emulates the sound of fourteen popular guitar cabinets. Guitar Amps presets Bass Deluxe.fxps UVI Drive presets Cheap Radio.fxps Bad Radio.fxps Chelsea.fxps Bass drive.fxps Chipped Glass.fxps Color.fxps Classic.fxps Electric.
!BPM Manual.book Page 251 Friday, November 10, 2017 4:27 PM Fuzz The Fuzz effect emulates classic “fuzz” guitar distortion. Fuzz presets Fuzz Mania.fxps DYNAMICS Compressor The BPM compressor provides conventional controls and superior sonic performance. Compressor presets Middle.fxps Good for Drums.fxps Rasta Fuzz.fxps Guitar Compression.fxps Strong.fxps Power Mix.fxps Overdrive The Overdrive effect emulates classic “overdrive” guitar distortion.
!BPM Manual.book Page 252 Friday, November 10, 2017 4:27 PM 3 BAND PROCESSORS 3 Band Compressor The 3 Band Compressor provides classic threeband compression. UVI Master UVI Master provides advanced mastering processing with combined 3-band compression, limiting, EQ and tape emulation. UVI Master presets 3 Band Compressor presets Classical Piece.fxps Bass and High.fxps Extreme Makeover.fxps Discrete Punchy Percs.fxps Grunge Tube.fxps Focus in High.fxps Hip Hop.fxps Focus In Low.fxps Jazz Club.
!BPM Manual.book Page 253 Friday, November 10, 2017 4:27 PM MISCELLANEOUS Sixties.fxps Ring Modulator This is a very basic ring modulator. A ring modulator has the ability to add harmonics to a signal in an odd fashion. For example, if you play a 1000Hz signal into a ring modulator at 100Hz, you will obtain a a signal that contains the original 1000Hz signal mixed with a composited 900Hz and 1100Hz signal (1000-100 and 1000+100, respectively).
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!BPM Manual.book Page 255 Friday, November 10, 2017 4:27 PM APPENDIX C Troubleshooting OVERVIEW BPM FAQ. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 255 Improving performance . . . . . . . . . . . . . . . . . . . . . . . . . . . . 257 General troubleshooting . . . . . . . . . . . . . . . . . . . . . . . . . . . 257 MIDI troubleshooting. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 258 Audio troubleshooting . . . . . . . . . . . . . . . . . . . . .
!BPM Manual.book Page 256 Friday, November 10, 2017 4:27 PM Mac /Library/Application Support/MOTU/BPM Win \Program Files\MOTU\BPM\ Then repeat these steps with the BPM.ufs1 file. How do I make BPM work in my sequencer? BPM is an audio instrument plug-in. You will call up BPM in your sequencer on an audio track, aux track, or instrument track, depending on how your sequencer handles virtual instruments. To get MIDI into BPM, you need a MIDI track (or instrument Track).
!BPM Manual.book Page 257 Friday, November 10, 2017 4:27 PM Why is the output of BPM distorted? It is possible for BPM to output more than unity gain. This can happen if you layer presets, or in some cases, if you use filter resonance that adds gain. Keep an eye on the output level of BPM track and attenuate that signal if it gets too hot. How do I record the audio output of BPM? Some sequencers have a freeze function that renders the output of BPM as an audio file.
!BPM Manual.book Page 258 Friday, November 10, 2017 4:27 PM If the problem you are encountering seems inconsistent, try to determine what the necessary pattern of actions are that will cause it to occur. Genuine bugs in application software like BPM are almost always consistent in their manifestation: the same set of actions under the same conditions invariably brings about the same results.
!BPM Manual.book Page 259 Friday, November 10, 2017 4:27 PM If you are trying to play BPM from your MIDI controller, make sure that BPM MIDI track or instrument track in your host software is recordenabled. Keep plenty of free space on your hard drives. This will prevent the computer from running out of disk space. TECHNICAL SUPPORT Often only A/B tests will reveal the source of the problem.
!BPM Manual.book Page 260 Friday, November 10, 2017 4:27 PM ■ The host application software you are using to run BPM. A brief explanation of the problem, including the exact sequence of actions that cause it, and the contents of any error messages that appear on the screen. It is often very helpful to have brief written notes to refer to. ■ ■ the time to write to us with their comments, criticism and suggestions for improved versions of our software. We thank them.
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