Technical data

> > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > >
88
\
B E D I E N E L E M E N T E
B E D I E N E L E M E N T E
B E D I E N E L E M E N T E
> > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > >
Manual SDs-01 D 3.2.2003 17:45 Uhr Seite 3
OPERATING THE MC-4
MODE / AUDIO IN
+
REFERENCE Menus
These both menus are offering access to the whole functionality of the
MC-4.
The »MODE« menu in combination with the »AUDIO IN« menu are offering
generally all available conversion modes together with the corresponding
digital audio formats. The system makes sure that only useful combinations
of conversion modes and proper audio formats are accessable. Therefore
both menus act together in different combinations.
The REFERENCE menu supplies all necessary synchronization options for the
corresponding conversions modes and the use of the internal sampling rate
converters (SRC). Due to the fact that both menus act together, regardless
if only format conversions or format and sampling rate conversions need
to be done, we will have a look on both together for any function which is
being described in the following.
The menus »STATUS« and »REF CLOCK IN« are for control of the MC-4‘s
operation status only. They are not accessable for adjustments.
General Operation Procedure
The MC-4 menu is strictly organized aligned to generally usual handling
procedures when inserting such a box into your studio‘s data stream. So,
you can split up all of the necessary adjustments in three steps, which leads
to the following three questions for the basic operation of your MC-4:
1) What kind of conversion should be executed MODE?
2) Which digital audio format(s) should be involved as source(s) AUDIO IN?
* If both LEDs light in front of the ADAT and SMUX2 options, the S/PDIF inputs function as audio
sources for conversion.
3) Which clock source do I need for my prefered operation REFERENCE?
After these general decisions are made, your MC-4 is configured for optimal
operation in your set-up! Due to the fact that the system monitors for
useful function combinations, maloperation is not possible.
So, let‘s have a look to the individual functions on the next pages.
15
X-SRC
12
= crosswise conversion between two formats and clock rates
BI-DIR = bidirectional conversion, between two formats only
UNI-DIR = unidirectional conversion, from one format to all others
SRC = above mentioned conversions with SRC
MODE
ADAT
1
= ADAT up to 50.0kHz*
SMUX4
1
= ADAT between 100.0kHz and 200.0kHz
SMUX2
1
= ADAT between 50.0kHz and 100.0kHz*
AES3
2
= AES3 between 25.0kHz and 200.0kHz
AUDIO IN
S/PDIF
REFERENCE
IN 3
IN 2
IN 1
IN 4
SMUX4
SMUX2
ADAT
AES3
88.2
48.0
44.1
32.0
192.0
96.0
176.4
S/PDIF
AES11
WCLK
Continuous Clock Supply
When setting up your MC-4 for the
first time, you will recognize that
within the »REF CLOCK IN« menu the LED at
»44.1«, under »1« lights constantly. This is
due to the MC-4‘s continuous clock supply
function.
When no input signal is available, the MC-4
supplies at all digital audio outputs blank
frame signals, the Word Clock output carries
a corresponding Word Clock reference
signal. Thus, connected devices receive
immediately valid clock signals at their ap-
propriate inputs after starting up the whole
studio set-up. The initial clock rate of all
outputs is 44.1kHz.
When loosing the external clock reference
signal during operation, the MC-4‘s PLL syn-
thesizers lock the internal reference clock
oscillator on the clock rate which is nearest
to the lost one to provide stable reference
signals to the connected devices.
!
REF CLOCK IN
88.2
48.0
44.1
32.0
192.0
96.0
176.4
1 2